had a famous story, when he played rachmanin’s third concerto, played, success incredible, the hallce, angry, and his wife tells him that you, seryozha, look, he says, that’s it, i’m done, i blurred the climax, she says, well, the audience, look what ’s going on, with listener, says, no , what difference does it make, the architectonics have been torn off, but this is an internal thing, you know, the climax is complex, in this sense cinema, since it is an art that develops... musical form, in my opinion, here we are with andrei torkovsky they always argued about this, because he was an architect, and i there was a musician, he studied in architecture, and i in time requires a sense of time, i studied at the conservatory, and i said, time is very important for development, and he said scaling, sculpture in time. in many ways they are asked by the documentary footage , selected, as far as i understand, by pelishan, but how did you find each other, how did the idea come about, but i didn’t know , they told me, i didn’t know, they told me pelishan is a talented guy, i’m generally a rude

in april 1024 these frameworks will be expanded, creating rachmanin's house of music and uniting manyon the basis of the school. this will create a regional center for training talented children and developing innovative musical projects. not every one of these students will become a professional musician in the future. and yet, in an era of a purely rational attitude to life, music schools bear a double burden. burden, not only a cultural institution, but also a place where character is forged, hidden behind the scenes of fine arts and mosartian lightness, i listen to the performance of staples or pinista, i understand perfectly well how many hours it takes to achieve this fluffy sound, this originality of interpretations, it’s not just like that, but without it it won’t work, not here, not in ballet, not in sports, nowhere, perhaps, probably , without this there is no way, art is so hard-won, we yearn for it, although it seems to me that this should have nothing to do with children, they should still be comfortable if they have some tears, well, it may just be the mood, but not beca

in april 2024, this framework will be expanded, creating a house music of rachmanin and uniting many on the basis of the school. this will create a regional center for training talented children and developing innovative musical projects. not every one of these students will become a professional musician in the future, still in an era of purely rational attitudes. scenes of fine arts and mosartian lightness. i listen to the performance of a stapler or a pianist. i understand perfectly well how many hours it takes to achieve this fluffy sound, this originality of interpretations. it is not simple yes, but without this it won’t work, not here, not in ballet, not in sports, nowhere, perhaps, probably. without this there is no way, we produce such art through hard labor, although it seems to me that this should have nothing to do with children, they should still be comfortable if they have some tears, well , it’s just that the mood can be that way, but not from that they are disgusted and do not want, the life of secondary schools in the novgorod region is no less rich; for the purpose

, i don’t understand anything, you know, i’m not into classical music right away either. loved, and rachmaninknow how in our music school they instill a love of music, from morning to night, you will rock, and my parents know how they dragged me to the philharmonic for shkkerman, our janitor nikolai would tell you how they they were looking for me all over the yard, i was hiding under the stairs in the basement in someone else's room... tell me, where is the library? uh, on the second floor, right below us. thank you. i need a textbook on calculus. what course? first? in absentia, last name? ivanchina, here we have theory, so here, wow, thank you, nothing, i can handle it, good afternoon, kurchikova is a second year student, i tell her, take it and bring it, she. she’s running away at home, i need to rip her out, i can’t, it’s going to hurt your neck like crazy. sorry, you can’t tell me, it’s still a long way to get to gogol street, the third stop is from here, i’m there too... i’ll show you, grab a hold of it, otherwise it’ll suddenly rock, i’m going to see my husband. “i wanted to give him

the state academic symphony orchestra of the republic of tatarstan performs works by cheikovsky, rachmaniner named after gorkov. a personal exhibition of alexander kapralov, called “metal life”, metal love, opened on two floors of the omsk city museum of art. on display. graphics, paintings and more than 100 sculptures that the master creates using the unique technique of stacked sculpture, a self-portrait, yes, it was made a long time ago, it’s kind of like an idea here, here’s half of the soft stuff. something round like that, yes, like, like, the second half is hard, faceted, well, as they say, we always have, yes, white angels and black demons who fight among themselves, the meaning of the wreath is that, here, here our daily meetings with dozens of people , some more, some less, everyone expresses their own idea, you agree, you disagree, but instead of flowers, these are different faces, there are evil, kind, someone stepped on your foot on the bus. which features about 60 paintings an artist who believed that clothing greatly shapes a person's image, and often selected costumes for h