and roman karmanov, general director of the presidential fund for cultural initiatives and media manager investor, private, institutional, now general director of one of the largest investment houses in the russian federation, and today we will talk about what... the twenty-third year was for investment, what drew our attention, what could be earned, and most importantly, what will the year 24 be like? in the stock markets, what can and should you make money on in 2024? and the first question is very simple: the twenty-third year was good, bad for traders, for speculators, how can you characterize it? overall the year was very good, rare asset classes that are not gave some good returns, but... first of all, ruble bonds, after the central bank almost doubled the key rate, of course, although the market did not react, in my opinion, properly, but it’s still were some of the worst investments, and these are investments protected by government obligations, that is, we buy government debt, we buy and the de facto state owes us, how much could you earn on bonds as a percentage, well , let’s s

karmanov, media manager and general director of the presidential fund for cultural initiatives.'m larisa guzeeva, let's get married, good afternoon, today the brides are violetta, diana and anastasia, and we have the groom. oleg: oleg, 36 years old, entrepreneur, farmer, founder of a private sour factory, is proud that he built a road in his village and was able to create 700 jobs, dreams of opening an agricultural college introduce artificial intelligence into the work of your farm. oleg’s high-profile divorce is still a reason for discussion in the media. in order to move these conversations into a peaceful direction, i decided that it was time to become happy again. i am sure that the girl can help him with this. wonderful groom, it seems to me, look how good he looks, and these goats are just lovely, yes, touching, just touching, i really like it, come on, then you take a walk here, she’s not kicking, no, no, all goats bouncy, but come on, i'm a rose, look, it’s bad for beautiful women , you’ll have problems now, well, that means i’m not beautiful, that means i’m special, le

karmanov, general director of the presidential fund for cultural initiatives and media manager, ourr of the moscow gubersky from the situation, it would seem that this is not happening to you, this is happening to your hero, but you imagined this situation, this hero, imposed yourself, and these tears become your tears, this is the moment of empathy, compassion, compassion, which in one might say, on a global scale it really helps the development of personality in general, which is why i recommend watching it for my students.

karmanov, media manager and general director of the presidential fund for cultural initiatives.rts, tatyana navka, this is a podcast 20 years later, and i am its host , konstantin mikhailov, and today my guest is my old friends, dj. lantern, aka vladimir fonarev and evgeny rudin, aka legendary dj grub, hello, hello , we have a dj broadcast today, i’m also a welder, but not a real one, i’m a tractor driver, you’re a dj yourself, you know, this is great, yes, so as not to slip into, so to speak, a professional conversation, and so that do not use exclusively our medical terms , so that others will also be interested, let's immediately agree that we speak in simple language, we use, among robots we took first places throughout the soviet union in one of the clubs, i remember that i first saw this what it was called djing, who did the djing, vladimir fonarev, back then with kore, by the way it was in the studio class, in the studio class, where we started performing together with lika, lika star, lika pavlova. all this is so, the guys from the nineties, in the zeros, in the tenths a

karmanov, general director of the presidential fund for cultural initiatives and media manager, ourer sergei bezrukov. hello hello. hello. let's start, perhaps, with glorious anniversaries, well , firstly, the anniversary occurred at the end of last year, this is a personal 50th anniversary, this is a glorious milestone, of course, a glorious 100 years, and 50 is still half a century, how do you generally feel about your anniversary, firstly, in work, in work, i think that an anniversary is for... for 100 years or 80, let’s say, well, 80 is possible, although it’s better at 90, if you live, you have to work at 50, if you’re still capable working at 50 is better than work and i celebrated at work, and as for the anniversary in theater itself, they congratulated me, the artists still couldn’t stand it, they congratulated me, although i said that i wouldn’t celebrate, but they asked me to still come to the theater on this, not on this day, but later, they just anyway they gathered, they congratulated me, and they did a skit, everything was very touching, sweet, because for them i... wh

its presenter elena kiper, producer , music video director and roman karmanov, general director of the the moscow provincial theater, sergei bezrukov. hello, hello, hello. let's start, perhaps, with the glorious anniversaries. well, firstly, the anniversary that took place at the end of last year is a personal 50th anniversary, it is a glorious milestone, of course, a glorious one at 100 years, and 50 is still half a century, how do you generally feel about your anniversary, in general? first, in work, in work, i believe that the anniversary is. for really 100 years or 80, let’s say, well , 80 is possible, although it’s better at 90, if you live, you have to work at 50, if you are still able to work at 50, it’s better to work, and i noted in my work, regarding the anniversary in the theater itself, then they congratulated the artist , they still couldn’t stand it, they didn’t congratulate me, although i said that i wouldn’t celebrate, but they asked me to still come to the theater on this, not this day, later, they just gathered anyway , they congratulated me , and they did a skit, eve

karmanov, media manager and general director of the presidential fund cultural initiatives.industry, of course, we are terribly interested in issues related to many things that people do, well, in general , such creative professions, and... what you do is of particular interest to us , and to be honest, before moving on to the show itself, i would like, you know, to dive into childhood, a little, we can, we can dive into childhood a little, because of course, the show is made by people, these are leaders, but how are these leaders, how to become these leaders, how does it become, that’s the question, for sure it ’s just from the cradle, i’m convinced that leaders are born, that is, when you were brought to the skating rink as a very small child, then...

karmanov, general director of the presidential fund for cultural initiatives and media manager, we says. i don’t sing, i don’t like cold cynicism, i don’t believe in enthusiasm, and also when they read someone else’s letters, looking over my shoulder, looking at me. over the shoulder, i don't like it halfway. or when the conversation was interrupted, i don’t like it when they shoot from the back, i’m also against shots in the head, i don’t like it when they shoot from the back. i hate gossip, sabotage, worms, doubts, sometimes the needle, or when everything is against the grain or when iron hits the glass, i don’t like confidently well-fed, it’s better if the brakes fail , i’m annoyed if the word honor is written down, if it’s a slander behind the back, i’m annoyed if the word honor is washed down, if the word of honor is slandered behind the back. how yes i see, broken cores, no slander and no accident. i don’t like violence even without a crack, it’s just a pity, crucified christ, i don’t like myself when. i’ll crush it, but i’m the only one when they drink innocent people, i don’t l

also, as always, elena kiper, producer, music video director and roman karmanov, media manager and generalster of sports, tatyana nafka. hello, this is the lab deception of substances podcast, my host is olesya nosova, editor-in-chief of komsomolskaya pravda, famous endocrinologist zukhra pavlova. today we will talk about how to celebrate the new year and not lose everything that we acquired last year, health, happiness, joy and etc. well, because so many people regard the holiday table as obligatory exercises on unhealthy eating. well, i'm with you completely. i agree, because when i once explained that olivier is not about health at all, and they told me: yes, but how can you encroach on this most important tradition, yes, yes, yes, i said that there is even such the salad is like a fitness olive and what’s so special about it, in fact, it doesn’t contain sausage, of course, but meat, well, that’s good, that’s already good, there’s no mayonnaise in it, yeah, that’s very good, that’s about it mayonnaise, here... mukhra, let's immediately explain what's wrong with mayonnaise, because peopl

karmanov, general director of the presidential fund for cultural initiatives and media manager, ourctor of the moscow provincial theater sergei bezrukov, hello, hello, hello, let's start with the glorious anniversaries, well, first of all, the anniversary. happened at the end of last year, this is a personal 50th anniversary, this is a glorious deha, of course, a glorious one at 100 years old, and 50 is still half a century, how do you generally feel about your anniversary, firstly, in work, in work, i think that an anniversary is really for 100 years, or 80, let’s say, well, maybe 80, although it’s better at 90, if you live, you have to work at 50, if you are still able to work at 50, it’s better to work, i noted in the work, as for anniversary theater they congratulated, the artists still couldn’t stand it, they they congratulated me, although i said that i wouldn’t celebrate, but they asked me to still come to the theater on this, not this day, later, they just gathered anyway, they congratulated me, and they did the skit, everything was very touching, sweet, because for them i a

karmanov, general director of the presidential fund.nd stanislav didinsky, we talk about who created it and how. watched the cult ones, famous, little-known, forgotten soviet films, this is a school of filmgoers , where we reveal the secrets of film archives and tell why watch soviet cinema now, how to better understand it, how to find new meanings in it and get the most out of it, and today we will talk about films that were created and watched during the great patriotic war. stanislav, where did it all start, how did we... from below, including among filmmakers, the idea of ​​​​creating, well, in general , economically, expediently justified a film product that can be made in the current conditions, which are developing quickly, yes , because after all, filming a film, as we know, is usually a very long process, especially a feature film, you need to approve the script, you need to approve the actors, build the scenery, and so on, in general, it can take six months, a year or even more, and kemetographers. after thinking, they decide

karmanov, media manager and general director of the presidential fund for cultural initiatives, are master of sports, the pride of the country. good evening, hello, hello, hello, tatyana, today we will talk about your show, because after all, we are a creative industry podcast and of course we are terribly interested in issues related to many things that people do, well, in general, such creative professions, and what you do is of particular interest to us, and i would, frankly, before moving on to the show itself, i would like, you know, to dive into childhood a little, can we dive into childhood a little. i am convinced that leaders are born, that is, when you were brought to the skating rink as a very small child, it quickly became clear that little tanya , in general, has the makings of a leader and aspires to already, well, i... since childhood, i always wanted to be first everywhere, this is unconditional, well, it goes without saying, of course, at competitions in sports this manifested itself, but only the first, all my dreams were about being a champion and the only thing i

kiper, producer clipmaker and roman karmanov, general director of the presidential fund for culturalds. this is the podcast life of the wonderful, i am hosting it with you. thank you very much for taking the time to come to us, it is a great honor for me and a great joy to talk with you about your work, about your films, but you know, i would like to start with this topic, which may be somewhat unexpected for you, the fact is, that you and i have a common alma mator, faculty of philology at moscow university, i know that you are in your interviews, well, if i’m correct. i understand, they said that in general, no this education you received did not play a big role in your life, but nevertheless you studied in such a special department at the faculty of philology, a department called structural applied linguistics, and there belinguistics is combined with mathematics, in my life it turned out like this, that when i entered the philology department, we were immediately sent to study potatoes, there was a second year with us, the second year were just oseplyans, these are the same ones

the studio, just as usual for you are working with elena kiper, producer, music video director and romanng-awaited guest, long-awaited, yes, we have been calling for a long time, tatyana navka, olympic champion, honored master sports , the pride of the country, yes, good evening , hello, hello, hello, tatyana, today we will talk about your show, because after all, we are a podcast in the creative industry and of course we are terribly interested in issues related to many the things that people do, well, in general , such creative professions and what you do, is of particular interest to us, and i would, frankly, before moving on to the show itself, i would like, you know, to dive into childhood a little, maybe we can go back to childhood a little, because of course, the show is done by people, these are leaders, but how do these leaders become, that’s the question, surely this is birth, just from the cradle, i am convinced that leaders are born, that is when you were taken to the skating rink as a very small child. then, in principle, it became clear very quickly that little tanya, in ge

karmanov, general director of the presidential fund for cultural initiatives and media manager, ourst gathered anyway, they congratulated me, and they made a capusnik, everything was very touching, sweet, because for them i am the provincial dad, they call me that, the provincial dad, because i created the theater in the image of a snuff box, and oleg palzich has always been for us dad, dad, who cares , who thinks about us, absolutely like a loved one , i also created the provincial theater, in any case, this is the attitude towards artists, like my own father, and for me, of course, it’s an anniversary, i say, let’s do everything - so we will celebrate the anniversary of the theater, okay, and then the anniversary of the theater happened, but here we are on the 12th of january, almost on the eve of the old new year, we celebrated the anniversary of the theater, which had already turned 10 years old, in the film the air that comes out on screens now, there is how at least two moments per film when dialogue occurs. what is more important is my personal condition or my homeland, this

elena kiper, producer , music video director and roman karmanov, media manager and general director ofl fund for cultural initiatives, are working for you. today we have a long-awaited guest, long-awaited, yes, we have been calling for a long time, tatyana navka, olympic champion, honored master of sports, the pride of the country , yes, good evening, hello, hello, hello, tatyana, today we will talk about your show, because after all we are a creative industry podcast. and of course, we are terribly interested in issues related to many things that people do, well, in general , such creative professions, and what you do is of particular interest to us, and i would, frankly, before moving on to the show itself , i would like, you know, to dive a little into childhood, can we dive a little into childhood, because of course, the show is put on by people, these are leaders, but how do these leaders - how do they become these leaders? yes i am convinced of that leaders are born, that is, when you were brought to the skating rink as a very small child, it quickly became clear that little tany