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Apr 10, 2024
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the history of the memory of roman viktyuk today in the “once upon a time” project. roman viktyuk has always been sharp not only in the russian language, but also in the dramatic language. men with makeup, in thongs and feathers, women in rigid , brutal corsets excited the theater community from tokyo to new york. even there, critics called viktyuk scandalous and provocative, and the public voted in rubles, or pounds, yens and dollars. i’ll tell you the main feature: a new actor came. or a new actress, he was appointed to the play, rehearsals began, he said: you will definitely be naked in this performance, he looked at the reaction, there were actresses who did so and said, no, this will not happen, someone undressed right there and then, right now, you won’t, but now, naked, this is such a provocation that he always did in order to liberate the actor, this does not mean that as a result this actor appeared naked, it is important that his nature, his physics and his psyches were tuned to this openness, because he believed that sexual energy is the energy that br
the history of the memory of roman viktyuk today in the “once upon a time” project. roman viktyuk has always been sharp not only in the russian language, but also in the dramatic language. men with makeup, in thongs and feathers, women in rigid , brutal corsets excited the theater community from tokyo to new york. even there, critics called viktyuk scandalous and provocative, and the public voted in rubles, or pounds, yens and dollars. i’ll tell you the main feature: a new actor came. or...
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in 1996 it became roman's home viktyuk, or rather, his theater. after my father's death. his office still looks as if roman grigorievich went out to the buffet for a minute, here he was sitting, he had a high chair, now it’s gone, but it’s covered with his jacket, it’s believed that viktyuk changed jackets all the time, what’s more , he brought a lot to the theater, he had such a quantity of them, they did not fall out of his apartment, there is such a completely real story when viktyuk, without having his own theater , went. in all cities and placed everywhere where only they offered him and where he only knew how to ask for it, he staged many performances at the same time, and he did this, he finished the rehearsal, took off his jacket, hung it up, said: guys, you finish the rehearsal, and i’ll come soon, turned and ran to the station, he flew away or left, and this jacket remained hanging, a week later viktyuk came and said: well, you have rehearsed, let’s continue, the star of the viktyuk theater lyudmila pogorelova in this memoria
in 1996 it became roman's home viktyuk, or rather, his theater. after my father's death. his office still looks as if roman grigorievich went out to the buffet for a minute, here he was sitting, he had a high chair, now it’s gone, but it’s covered with his jacket, it’s believed that viktyuk changed jackets all the time, what’s more , he brought a lot to the theater, he had such a quantity of them, they did not fall out of his apartment, there is such a completely real story when...
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viktyuk’s theater, because in his private theater company roman grigorievich staged two plays for me, and we were like would be friends, would be are quite close, in his theater there was such a situation that it was necessary to replace the director, and i was offered to become the director of roman viktyuk’s theater, but the director is not even an artistic director, and not the main one, well, it was impossible for viktyuk to become an artistic director, in principle this this is absolutely administrative work, there are papers, government procurement, i don’t know what else is there. a person who draws up these contracts himself, that is, you became on the other side of the barricades, did you realize this, no, to be honest, i didn’t realize any minutes, i was just so interested in it, and there was a feeling like, well, i can do it, it’s great, i can’t do it, no big deal, by the way, i had the same thing, i understood perfectly well that i was not a personnel official, and if i didn’t turn out to be a rector , well, it didn’t work out, of course, he wasn’t there
viktyuk’s theater, because in his private theater company roman grigorievich staged two plays for me, and we were like would be friends, would be are quite close, in his theater there was such a situation that it was necessary to replace the director, and i was offered to become the director of roman viktyuk’s theater, but the director is not even an artistic director, and not the main one, well, it was impossible for viktyuk to become an artistic director, in principle this this is...
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Apr 11, 2024
04/24
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let us once remember the people's artist roman viktyuk. abdominal pain is one of the most common patient complaints, from why they arise, why the stomach hurts if all organs are healthy, what functional pain is, the head of the evidence-based medicine clinic, candidate of medical sciences, alexey paromonov, will tell us about this. good morning, the program your doctor is on air and here we are talking. hello alexey dmitrievich, alexey dmirievich, today i would like to talk to you about stomach pain, and this is a very common story, i think that there is no person on the globe who does not have a stomach ache at least once every six months, once a year , and maybe even more often, i just got sick, something happened, the pain varies in intensity, sometimes a little, sometimes stronger, sometimes very strong, sometimes i felt like... this pain goes away, sometimes it doesn’t go away, that is this is one of our most common, let’s say, places in the body that almost immediately starts to hurt, there’s probably no other place in the body
let us once remember the people's artist roman viktyuk. abdominal pain is one of the most common patient complaints, from why they arise, why the stomach hurts if all organs are healthy, what functional pain is, the head of the evidence-based medicine clinic, candidate of medical sciences, alexey paromonov, will tell us about this. good morning, the program your doctor is on air and here we are talking. hello alexey dmitrievich, alexey dmirievich, today i would like to talk to you about stomach...
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well, in about the same way, i was offered to become the director of roman viktyuk’s theater, because in his private theater company, roman grigorievich staged two plays for me, and we were kind of friends, we were close enough in his theater, a situation arose that it was necessary to replace director and i was offered to become the director of the theater... in principle, this is such an absolutely administrative job, there are papers, government procurement, i don’t know what else is there, restoration, repairs and so on, and you agreed to this, based on the fact that this is like a new role, from the fact that this is a life role, a life role, it’s so funny, well, kind of ridiculous, in my everything actress, if anything you were not easy. it’s okay, by the way, i had the same thing, i understood perfectly well that i was not a personnel official, and if i didn’t turn out to be a rector, well, well, it didn’t work out, of course, he wasn’t there before either as a vice-rector or as a head of the department. , yes, he just became, well , he became, it turned out, it tur
well, in about the same way, i was offered to become the director of roman viktyuk’s theater, because in his private theater company, roman grigorievich staged two plays for me, and we were kind of friends, we were close enough in his theater, a situation arose that it was necessary to replace director and i was offered to become the director of the theater... in principle, this is such an absolutely administrative job, there are papers, government procurement, i don’t know what else is...
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Apr 21, 2024
04/24
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viktyuk. we played with microphones, we could whisper, as yuri vasilyevich did, but mikhail sanovich always spoke very loudly, this is his temperament, there is a quality of temperament, so maybe up to... i don’t know how the director didn’t die at that meeting from a broken heart, because everyone is on hand only mikhail sanovich, what a big bastard, he... says, wait, wait, wait, well, don’t be so rabid, maybe the director’s language is also incomprehensible to me, but i see how great they work my young colleagues, masha aronova, seryozha makovetsky, volodya simonov, maxim sukhanov, yulia rudberg, how can i say that this performance should not be in the theater, but... i tell him, mikhail sanich, let’s do it, well how? i say, i’ll make an agreement with the director, i’ll find a director for you, let me, well, seryoga, well, i agreed with the director, mikhail sach, everything is fine, he liked it, do this performance, suddenly he says: how dare i, so many people for... the mana
viktyuk. we played with microphones, we could whisper, as yuri vasilyevich did, but mikhail sanovich always spoke very loudly, this is his temperament, there is a quality of temperament, so maybe up to... i don’t know how the director didn’t die at that meeting from a broken heart, because everyone is on hand only mikhail sanovich, what a big bastard, he... says, wait, wait, wait, well, don’t be so rabid, maybe the director’s language is also incomprehensible to me, but i see how great...
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Apr 19, 2024
04/24
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i’m not going to share roman viktyuk’s pie and i don’t think that even one tenth does not belong to me, i felt that i needed to take a little break from it. now , almost 3 years later, he invited me, and he invited me quite persistently and persuaded me to work with lalita, because you understand that such a valita, it’s so easy to do , without this performance for me, let’s say, even some kind of milestone in my life. maybe after lalita i began to undress my artists , olya, que coisa mais linda, mais cheia de graça, ela menina que vem, que passa, num doce balanço o caminho do mar, moça do corpo dourado do sol de panema, seu balançado é mais que um poema. é a coisa mais linda que eu já vi passar, ah por que estou tão sozinho, ah porque tudo é tão triste, ah beleza que existe galisnar? and nudity - these are two different things, if we understand that our body is capable of not being ridiculed, because i undress harmonious people, why should we hide our breasts, why should we hide our neck, thigh? i don’t know, but all the ancient gods were half naked. and that was the b
i’m not going to share roman viktyuk’s pie and i don’t think that even one tenth does not belong to me, i felt that i needed to take a little break from it. now , almost 3 years later, he invited me, and he invited me quite persistently and persuaded me to work with lalita, because you understand that such a valita, it’s so easy to do , without this performance for me, let’s say, even some kind of milestone in my life. maybe after lalita i began to undress my artists , olya, que coisa...
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Apr 12, 2024
04/24
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people started talking about roman grigoryevich viktyuk in moscow, as the main center of the rich theatrical life of the ussr, at the very beginning of the seventies of the last century. for a long time moscow was restrained watching viktyuk’s successes in lvov and kalina. now tver and vilnius. he was a dissident, a fashionable provocateur, much like konstantin bogomolov is now. absolute authorities broadcast their delight about viktyuk. valentina talyzina, leonid markov, margarita terekhova, gennady bortnikov, tatyana doronina, konstantin raikin, irina miroshnichenko, galina volchik, valentin gavt, marina niyolova. in 1991, following the expressively plastic and scandalous... maids, the theater world exploded with cries of sensation, watching roman grigorievich's em butterfly with counter-tenor eric kurmangaliev and sergei makovetsky in the leading roles. this is how people's artist of the country sergei vasilyevich makovetsky remembers the master. i saved this part of the interview with the great artist, which i took from him last summer during a tour, especially for this program. you an
people started talking about roman grigoryevich viktyuk in moscow, as the main center of the rich theatrical life of the ussr, at the very beginning of the seventies of the last century. for a long time moscow was restrained watching viktyuk’s successes in lvov and kalina. now tver and vilnius. he was a dissident, a fashionable provocateur, much like konstantin bogomolov is now. absolute authorities broadcast their delight about viktyuk. valentina talyzina, leonid markov, margarita terekhova,...