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Apr 28, 2024
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music distorts, cuts out researchers here at the royal college of music in london say that practisingn performing is very different to practising performing. and so, while it's difficult to get regular access to the real theatres and venues, they can simulate the experience here, in their performance laboratory. and that simulation begins before they step out into the lights. one of the things we've learned from our research is that our body's stress response to performance can be as, if not more, powerful backstage than it is onstage. it's that anticipation of performance where anxiety can really hit. and this helps us tailor our training to make sure we're not only preparing them for what happens onstage, under the lights, in front of the audience's eyes, but also how they're coping backstage. how do they manage that anxiety? how do they get themselves physically and mentally into a place where they're ready to walk out onstage and give their best performance? the parallel to that in the surgical world would be allowing surgical students to go through the process of gowning up, wash
music distorts, cuts out researchers here at the royal college of music in london say that practisingn performing is very different to practising performing. and so, while it's difficult to get regular access to the real theatres and venues, they can simulate the experience here, in their performance laboratory. and that simulation begins before they step out into the lights. one of the things we've learned from our research is that our body's stress response to performance can be as, if not...
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Apr 27, 2024
04/24
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and that's it from us in the performance lab at the royal college of music in london.er this lot have. thanks for watching, and we will see you soon. cheering and applause oh! oh, thank you! thank you, thank you! hello there. there's certainly going to be winners and losers with the weather story for the rest of the day. the best of the sunshine so far has been in the far north and west, but most of us under this influence of low pressure, and this weather front ahead of the main low, well, that has brought some outbreaks of rain. it's weakening all the time as it drift its way steadily northwards, a band of cloud and drizzle. so the best of the sunshine certainly has been in north—west scotland, just take a look at the western isles early on this morning. for scotland, for northern ireland and northern england as we go through the afternoon, it's a case of sunny spells and scattered showers, but we keep that cloud and drizzle across the midlands and into north wales. slowly brightening up south of the m4 corridor, but that in turn could trigger off one or two sharp, t
and that's it from us in the performance lab at the royal college of music in london.er this lot have. thanks for watching, and we will see you soon. cheering and applause oh! oh, thank you! thank you, thank you! hello there. there's certainly going to be winners and losers with the weather story for the rest of the day. the best of the sunshine so far has been in the far north and west, but most of us under this influence of low pressure, and this weather front ahead of the main low, well,...
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Apr 26, 2024
04/24
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BBCNEWS
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researchers here at the royal college of music in london say that practising and then performing is veryo while it's difficult to get regular access to the real theatres and venues, they can simulate the experience here in their performance labouratory. and that simulation begins before they step out into the lights. one of the things we've learned from our research is that our bodies' stress response to performance can be as if not more powerful backstage than it is on stage.
researchers here at the royal college of music in london say that practising and then performing is veryo while it's difficult to get regular access to the real theatres and venues, they can simulate the experience here in their performance labouratory. and that simulation begins before they step out into the lights. one of the things we've learned from our research is that our bodies' stress response to performance can be as if not more powerful backstage than it is on stage.
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Apr 26, 2024
04/24
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BBCNEWS
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researchers here at the royal college of music in london say that practising and then performing is very different to practising performing. and so while it's difficult to get regular access to the real theatres and venues, they can simulate the experience here in their performance labouratory. and that simulation begins before they step out into the lights. one of the things we've learned from our research is that our bodies' stress response to performance can be as if not more powerful backstage than it is on stage. it's that anticipation of performance where anxiety can really hit. and this helps us tailor our training to make sure we're not only preparing them for what happens on stage, under the lights, in front of the audience's eyes, but also how they're coping backstage. how do they manage that anxiety? how do they get themselves physically and mentally into a place where they're ready to walk out on stage and give their best performance? the parallel to that in the surgical world would be allowing surgical i students to go through the process of gowning up, washing up, doingl a
researchers here at the royal college of music in london say that practising and then performing is very different to practising performing. and so while it's difficult to get regular access to the real theatres and venues, they can simulate the experience here in their performance labouratory. and that simulation begins before they step out into the lights. one of the things we've learned from our research is that our bodies' stress response to performance can be as if not more powerful...
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Apr 14, 2024
04/24
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, i was commissioned to write that about six months ago by a patron of the royal college of music, who's patron of mine, mark redman, and i've written a series of works for we both hold to for him. we both hold to a belief, and actually we met through vladimir ashkenazy , who through vladimir ashkenazy, who supported my work from about two thousand and seven, and he said to me when i met him, is your music very atonal and because he said, all i hear is atonal, atonal, atonal. i said , no, it's atonal, atonal. i said, no, it's very tonal. i couldn't believe it. you know, my luck , and so he it. you know, my luck, and so he supported me ever since. through him, met redman . mark him, i met mark redman. mark redman has been supporting my work. every time i write work. and so every time i write a piece of music, i'm really doing the thing which a composer is just not supposed to do, which is write tune . so, which is write a tune. so, you'll hear that the music is dnven . you'll hear that the music is driven . a melody was driven by melody. a melody was kind of verboten, under the atonal par
, i was commissioned to write that about six months ago by a patron of the royal college of music, who's patron of mine, mark redman, and i've written a series of works for we both hold to for him. we both hold to a belief, and actually we met through vladimir ashkenazy , who through vladimir ashkenazy, who supported my work from about two thousand and seven, and he said to me when i met him, is your music very atonal and because he said, all i hear is atonal, atonal, atonal. i said , no, it's...
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Apr 27, 2024
04/24
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BBCNEWS
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music distorting, cutting out researchers here at the royal college of music in london say that practising that our body's stress response to performance can be as, if not more, powerful backstage than it is onstage. it's that anticipation of performance where anxiety can really hit, and this helps us tailor our training to make sure we're not only preparing them for what happens onstage, under the lights, in front of the audience's eyes, but also how they're coping backstage. how do they manage that anxiety? how do they get themselves physically and mentally into a place where they're ready to walk out onstage and give their best performance? the parallel to that in the surgical world would be allowing surgical students to go through the process of gowning up, washing up, doing a preoperative briefing with their team and making sure that they're all on the same page. and once the students are onstage, george waddell can control everything. he can change the venue. he can change the reaction to make the night go as well... silence ..or as badly as he wants. the performance laboratory is ru
music distorting, cutting out researchers here at the royal college of music in london say that practising that our body's stress response to performance can be as, if not more, powerful backstage than it is onstage. it's that anticipation of performance where anxiety can really hit, and this helps us tailor our training to make sure we're not only preparing them for what happens onstage, under the lights, in front of the audience's eyes, but also how they're coping backstage. how do they...
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Apr 28, 2024
04/24
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BBCNEWS
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music distorts, cuts out researchers here at the royal college of music in london say that practisinganage that anxiety? how do they get themselves physically and mentally into a place where they're ready to walk out onstage and give their best performance? the parallel to that in the surgical world would be allowing surgical students to go through the process of gowning up, washing up, doing a preoperative briefing with their team and making sure that they're all on the same page. and once the students are onstage, george waddell can control everything. he can change the venue. he can change the reaction to make the night go as well... silence ..or as badly as he wants. the performance laboratory is running in unreal engine, the video game software. each member of the audience is an individual video games character. they all behave independently and they don't all always show up — i got lucky tonight! and what's really interesting about this space as well is there are 64 speakers hidden in the walls and ceilings, so if you change the venue, that changes the acoustics, which forces yo
music distorts, cuts out researchers here at the royal college of music in london say that practisinganage that anxiety? how do they get themselves physically and mentally into a place where they're ready to walk out onstage and give their best performance? the parallel to that in the surgical world would be allowing surgical students to go through the process of gowning up, washing up, doing a preoperative briefing with their team and making sure that they're all on the same page. and once the...