that is, as if bulgakov really woke up famous, because the white guard was published in the journal russeniyathe moscow art theater. it’s like this is theater number one, this is all of moscow, this is an endless number of productions, this is a scandal, these are attempts to ban, this is all revolutionary phraseology, all ideological sharpness, it’s absolutely, it’s not even the thirties, it’s the twenties, it’s all very radical, it’s all very radically revolutionary, suddenly a performance comes out that, well, i won’t say, glorifies, well , objectively shows yesterday’s, and maybe even today’s enemies, and of course , it’s scary, scandalous, it’s terribly cool, and naturally, the author is doomed to become famous, but nevertheless, master margarita is still a different kind of fame, yes, come on, absolutely, master margarita pulled like a locomotive bulgakov prose writer, when she was published, that is, in the eleventh issue of the moscow magazine in sixty-six, then in sixty-seven the publication continued, by the way, contrary to popular belief, i read and looked through and even compare