abdulov, in my opinion, this was his birth, of course, divine, andrei mironov, amazing, and for a staralls, we are each other’s stellar memory. dozens , if not hundreds of our favorite songs were born, and the music created here will always return to us the memory of our hearts, a fountain of oil that burned, it burned for a month, it was not extinguished, it simply burned, yegor konchilovsky’s favorite musfilm picture - siberiada, he spent many months filming and editing with his father, director andrei konchalovsky, well, more, more, kitty, the set, which was built for siberia. they found me a leather cap, two jackets, trousers , so i was dressed with difficulty, it’s true, but still dressed in a foreign style, ku, ku, people sometimes continue to do ku to other people, ku, of course, the favorite musfilm films of vladimir mashkov, everything where his teacher oleg tabakov was filmed, but kindedza, where he was not, became a sign of fate for the student from siberia, i was also like the hero of this picture, i found myself in an unfamiliar world, in moscow. suddenly the credits start

writer sholomaleihom tevye molochnik, a performance of a memorial prayer, pelzer also played there, sashahe main role is played by a wonderful artist, with whom i really love and am happy to work, seryozha stepanchenko, this is a play about a jewish town, about pogroms, about the very difficult fate of a jewish family, so so, anatoly vaisman writes a denunciation, which sounds like this: they want to bring the linkom theater on tour to play the play funeral prayer, read speculation on the jewish theme, the stage of the gobima theater, blasphemy. dear israelis, with experience, can you explain to me what this is? the producers decided for themselves that money does not smell like blood . and most importantly, how to make sure that this shame does not take place, i am waiting for constructive answers and appropriate actions, after that all sorts of threats were sent to the artists, and the tour had to be canceled, as you do you think why, why did anatoly vaisman do this, why did he do everything to create a wonderful performance? a man who betrayed both his homeland and his family, instead

abdulov and leonov played there, the performance was restored, now... the role is played by a wonderfulom i i really love happy to work, seryozha stepanchenko, this is a play in a jewish shtetl, about pogroms, about the very difficult fate of a jewish family at a certain time. so, anatoly vaisman writes a denunciation that sounds like this: they want to bring the linkom theater on tour to play a play, a funeral prayer, read speculation on the jewish theme on the stage of the theater "gabima, blasphemy. dear israelis, with experience, you can explain to me what this is what? the producers decided for themselves that money doesn’t smell like blood. and most importantly, how to make this shame didn’t happen, i’m waiting for constructive answers and appropriate actions. after that, all sorts of threats were sent to the artists, and the tour had to take place. cancel, why do you think, why did anatoly vaisman do this, why did he do everything for a wonderful performance staged by a wonderful director, a jew, i repeat, based on the wonderful work of the great writer sholomaleikhoma, the monum

abdulov with some other artist, just as one could confuse or not remember oleg yenkovskaya.ts in the country; his biography includes hundreds of roles in feature films, a dozen voice-over works in cartoons, and two dozen television shows where yarmolnik acted as a host and guest participant. viewers especially love him in comedies. one of them - look for a woman, director alla surikova, not touch me, so this is already resistance, this is an attempt to escape, this is at the rate of 8 days in prison, my dear, that the beginning of the artist’s professional biography largely determined his role for many years. leonid ermolnik’s comedic talent was first noticed by his teacher, the outstanding russian actor, yuri vasilyevich katin yartsev. it was the first time i ever entered after school, i went to st. petersburg, where they told me to stand in the leningrad queues and listen to how the st. petersburgers spoke, the hypius told me this, i will never forget this, but i had nowhere to go in st. petersburg then to stay, in the summer of the same year, or rather in september, there

heavenly sasha abdulov, when misfortune happened to them, leonid isakovich grew up, found funding, wasto get married, i don't know, i'm saying, this is my first time, i have no experience with this, where to carry, what documents, where to take the passport , yes, and of course he helped, contributed, thank him very much for this, i am grateful to fate that this fate gave me such a person, such a true friend. you feel the need to help, even if no one has yet asked you to do so, if you decide to achieve something, but some obstacles arise along the way, then you turn on the forced charm that all girls, women and ladies are reliably caught by. it became popular in 1976, which is when viewers saw the unforgettable chicken tabaka. this is where the service entrance was in 1976. there were benches here and here, if the weather was good, they always sat. the participants in the performance breathed fresh air, and i will never forget how vladimir semyonovich periodically asked vitalik shepovalo to tune the guitar, it was for it was rather the rhythm and pulse, it was like the wrong tuning of

also played there abdulov, and leonov the performance was restored, now the main role is played by aist, with whom i really love and am happy to work, seryozha stepanchenko. this is a play about a jewish shtetl, about pogroms, about a very difficult fate, jewish family at a certain time. so, anatoly vaisman writes a denunciation, which sounds like this: they want to bring the lenkom theater on tour to play the play “memorial prayer.” read the speculation. on a jewish theme on the stage of the habima theater. blasphemy. dear israelis, with experience, can you explain to me what this is? why did he do everything to ensure that a wonderful performance, staged by a wonderful director, a jew, i repeat, based on the wonderful work of the great writer sholomaleichom, whose monument stands here on a bronze, why he didn’t want this play about the jewish people to be shown in israel, because he doesn’t care about these people. because he understands for sure that when this performance comes to israel and will enjoy a gigantic resounding success, the level of weissman himself will be lower than