yamshchikov had his say, he was such an outstanding restorer, yamshchikov said: "here, here is this, here, here, i can't explain, i don't know, the first shooting with solonitsyn, it is also the most difficult, the final scene, in it rublev interrupts the silence during dinner, so his voice had to be hoarse, for this he wrapped a scarf around his throat. he tightened the scarf and was silent, well, they say that he was there for several months, no, not months, more like weeks, but his voice really did go, and torkovsky was horrified came, he said, you could have lost your voice, so let's go together, you to ring the bell, i and co to write, and this bribed me very much that he left the theater. to be in a role, when his daughter was 2 months old, he moved with his family from sverdlovsk to novosibirsk, for the sake of a role in boris gdunov, then there were minsk, stalin, leningrad, he was an incredibly unpretentious person in everyday life, but to say that he lived like a homeless person, in general he had nothing at all, also no, i remember, in some letters that my father wrote to

sava yamshchikov had his say, he was such an outstanding restorer, yamshchikov said: "here, this, herere, i can't explain, i don't know, the first shooting with solonitsyn, it is also the most difficult, the final scene, in it rublev interrupts the silence dinner, so the voice had to wheeze. for this he wrapped a scarf around his throat, tightened his scarf and kept silent, well they say he was there for several months, no, not months. more like weeks, but his voice really did go, and torkovsky was horrified, he said, you could have lost your voice, let's go together, you'll ring bells and i'll paint icons, and this really won him over, the fact that he left the theater to be in a role, when his daughter was 2 months old, he moved with his family from sverdlovsk to novosibirsk for a role in boris godunov. then there were minsk, stalin, leningrad. in everyday life he was an incredibly unpretentious person, but also to say that he lived like a homeless person, in general, he had nothing at all, and that is also not true. i remember in some letters that my father wrote to my mother, he wr

yamshchikov, he was such an outstanding restorer, yamchakov said, here, here, here. i can’t explain, i don’t know, the first shooting with solonitsyn, it is the same difficult, final scene, in it rublev interrupts the silence of dinner, so his voice had to be hoarse, for this he wrapped a scarf around his throat, tightened the scarf and was silent, well, they say that he was there for several months, no , not months, more like weeks, but his voice really did fail, and torkovsky was horrified, he said that you could have... lived like a homeless person, in general, he had nothing at all, also no, i remember, in some letters that my father wrote to my mother, he wrote that i am straining my veins, i am spending my whole life to earn these pennies, i cannot be around with his beloved wife and beloved daughter, sometimes i get the feeling that i am a simple soviet loser, a film director met. that his pupil went deep inside, such a prickly, sharp and unpleasant look became, of course, he was a very high -class actor, later they will meet on the stalker of torkovskogo, evg

yamshchikov had his say, he was such an outstanding restorer, yamshchikov said, here, here, well, well, i can't explain, i don't know, the first shooting with slonitsyn, it's the most difficult, the final scene, in it rublev interrupts the silence of dinner, so his voice had to wheeze, for this he wrapped himself in the city. theater, to be in the role, when his daughter was 2 months old, he moved with his family from sverdlovsk to novosibirsk, for the sake of the role in boris gdunov, then there were minsk, stalin, leningrad. in everyday life he was an incredibly unpretentious person, but to say that he lived like a homeless person, in general, he had nothing at all, is also not. i remember in in some letters that my father wrote to my mother, he wrote that... i'm working my ass off, i'm spending my whole life trying to earn these pennies, i can't be with my beloved wife and beloved daughter, sometimes i feel like i'm just a soviet loser. film director yevgeny tsimbol met solonitsyn in 1976 while filming the movie larisa shiptka's ascent, which is perhaps his most sinister role as the