completely made of scales, and look up at a school of huge fish, as if flying out of the shop where shagaoed, images of vitebsk and its surroundings did not leave the artist’s thoughts even abroad. notre dame of paris, and behind us are the familiar childhood silhouettes of houses and churches. and he remembers that he was terribly sad, that it was very difficult for him there, in fact, if not for the museum, then paris would not have become for him, what it became for him, in fact, the city itself, the viewer can get into right through him like that, passing through the closet, to find himself immediately on the streets of paris. the city of mus was greeted coldly, there was not enough money even for canvases, he painted on tablecloths and sheets, but paris became a second home for the artists, where he discovered modernism with surprise and admiration. circus-theater, he was a very sincere artist, the theme of ballerinas, the theme of swimming fish, animals, in the masses of some kind, he allowed himself to draw it, and it is very interesting, you can take pictures with masks, you can pl