shahram majeri before and after commercial awareness . do they put a name on the small pieces or not? well, one of my friends, who was the organizer of this festival, and in any case, the whole effort of the festival was his, said jingle sign, now i don't know if we should say the same music as armagh , or armagh, but maybe it's the latin word. to make it more logical, i would like to point out that the two times i heard this work now, the original note at the beginning of this work has been cut, and i think. we wanted something to have an iranian identity , and as soon as i hear this work , i understand that it is a work in the footsteps of isfahan. now we can talk classically . is it a minor or is it isfahan tampere? we have to look at it this way . it has a completely iranian identity and when the general audience listens , they realize that they are actually working with an iranian musician. they listen to iranian music. this size in short, why should i refer to the music of the past, because the music of our past is, for example, a k