in 17 moments of spring to play, and kuravlyov had to play, and there was a bench in the stoves, and shokshinoblems, prokudin’s problems are shukshin’s problems, and not some social hero, i agree here. we are more likely talking about the fact that shukshin is more than an actor, a director or, no, that’s not the point, that’s what the movie is about, that, but what about the holiday? a holiday, like, which, does it exist, yes, because there at the end of the day the question sounds, does this holiday exist? he is tormented by this question all the time, because he does not understand what a holiday is, after all, he follows the path of trial and error, mistakes, yes, and complete mistakes, he doesn’t make a single right one doesn’t make decisions, except maybe one right one... the decision to die because he’s exhausted, because he can’t move on, he doesn’t know how, that ’s his worst problem, if you remember, alone from his last conversations , i forgot what the hero’s name was, but he just appears for a split second near the boat, they stand and talk, and after what is called fate came for