went to film in 17 moments of spring to play - and kuravlyov had to play, but in stove-benches , and shokshin himself and oh, and he entered the frame as a hero with his own problems, prokudin’s problems - this is shukshin’s problem, and not some kind of social hero, i agree here, but we are more likely talking about the fact that shukshin more than an actor, a director or not, that’s not the point, that’s what the movie is about, etovich, but what about a holiday, a holiday, like which one exists, yes, after all , there is a question at the limit, is there such a holiday, he is tormented by this question all the time . because he doesn’t understand what a holiday is, he goes through trial and error, mistakes, yes, and complete mistakes, he doesn’t make a single right decision, except maybe one right decision to die, because he has dried up, because that he can’t move on, he doesn’t know how, that’s the most his terrible problem, if you remember, one of his last conversations, i forgot the name of the hero, but he appears. just for a split second near the boat, they stand and talk, and after