sofia and the context of the works of the strugatskys, well , in general, you need to read all of them of ​​progressorism, which, well, roughly speaking, you need to learn to understand their language, of course, and how they are very specific authors, when you read several works by the strugatskys, they were all written in a different language, but in their own language, it’s like you have to have an internal adapter, a translator, when i read as a schoolboy, for me it was one language, and then... after 15-20 years, this it was a completely different language, and you said before we started recording that during the filming you wanted to bring a film, well, more action, so to speak, yes, to slightly reduce the level of horseplay, this is not quite this, nothing, no , i really and we were arguing, i wanted it it was filmed so that there would be action, it’s not even because i wanted to show off there, as it were , with stuntmen, so that it would be beautiful, the artists are always... on this stage, this action, it would decorate this picture and attract, maybe there are more young p

how an earthling gets caught. such a story , that’s what attracted you, i’ll tell you more, this is strugatsky, well, that is , there are people to whom civilization should be grateful, there are those monsters who are destroying this civilization, and naturally, as it was necessary to come up with, that this is where history does not coincide several centuries ago, which means this is rumata, who seems to want to change the life of this planet, it doesn’t work out, it doesn’t work out not because he can’t, but because he doesn’t... repent, well, that is, there were several options, what the tobacconist said, from the tobacco street, from tobacco street, yes, yes, that's good, that the film was filmed for 14 years, i convinced him over 14 years that, firstly, this is not only respect and love for the strugatskys, it is immediately clear what we are talking about, about such a brilliant work, the attention to this film is already different, to this title, let's maybe look at the very beginning, a small fragment, to also make it clear to the audience. what are we talking about, this movie is not

these are the strugatsky brothers.ion 1.100 for anton 3900 for you 4.800 for artyom denomination denomination one thousand anton what do you say vabank roman pass let's play this song by vladimir with anton shainsky to the poems of mikhail rebinin is its first performer. portugal, spain, latin america serve as something like our babayka. parents scare their children with it. in 1799, this artist depicted the appearance. elkuya. looks like goya. absolutely right. coins - a thousand. very thin coins of the early middle ages, known to the uzmatians as bractiates, had this manufacturing feature. very thin coins. let's get a look. chicanka on one side only. and thickness on the other side , a convex image of what minted. trees in songs 400. why are you standing , swaying, thin rowan. right. houses in art 400. among the prototypes of the mansion from this story by chekhov are the manor house in bagimov, tarusa district, and the house on the estate. houses in art, it’s quite obvious that the title of the story should contain