i mean, i think we did have when we ran the sydney theatre company, you know, doing 19 shows a year,hed artists, and with a desire to tour internationally. so whilst the shows were given birth to, so to speak, in australia, we were interested in their... to see where they connect universally, outside your own culture. and i know first—hand from touring shows — like gross und klein, which is a german play, or streetcar, which liv ullmann directed — that, as you tour, the works accrue meaning. and so, for example, with new boy, moving through all these different festivals, the work... we like to provide the film—makers that we work with the space to accrue meaning to the film. because sometimes, a film emerges fully—formed, and sometimes, it takes a while to emerge, like the new boy. so, i think you have to... ..to have it say, "this is the sort of work we do. "this is the way we work." i think you're not really alive to the needs of the film—maker, or to the responses of the audience. not that you're allowing the audience to tell you what the film is, but you allow the work to grow th