don’t go anywhere, but i’ll tell you, mishun, how come i don’t know about the taganka, you understandm on the lubyanka, kochuk is in charge, well, we’ll miss everything, don’t even think about it, rudakov said to wait for him here , ah-ah-ah-ah-ah, well , where are they making you like that, all of you, just like a carbon copy, that in gb they don’t teach you to think with your brains, but kostich, look, no, sanya, your tricks are bigger with me they won’t pass, but what tricks, they have a bomb, a flood can fly across moscow. something needs to be done, guys, pass it weapons, hand over weapons, on, quietly, quietly, quietly, quietly, quietly, guys, let's not be naughty, guns on the floor, guns on the floor, hatch, clan, kartum. map and barrel, stand, be quiet, i’m behind him, rudakov said, yes, you got along with your rudakov. shine it on. yes, andrey sergeevich, what happened, misha? moscow is in danger, we need maps, we need people, we urgently need to raise everyone, rudak, i breathe out, i breathe out, the operation is out of control, the santas have just gone underground, weapon

i have two tickets to taganka, to taganka, yes, that's great, but my diploma is burning, i'm going to lenin, let's do it another time, well , let's do it another time. who are you waiting for, vladimir ivanovich, who? vova kapp. let's go. are you a writer? yes, vladimir ivanovich, something like that. explain, i don't get it. i graduated from the institute of cinematography. stop, i don't need a movie. no, but cinema is the same, first they come up with it, then they record it. only then they shoot it, oh well excuse me, you know, i'm so busy i don't have time to fart, what's your name, vitaly, listen, vital, you should write a book about me, 3 years ago i was a captain of armored forces, and now i'm a millionaire, you know, i understand what's so hard to understand, you don't understand a damn thing, last week my assistant was shot in the chenyi, that's it. first they fired a grenade launcher, and then they finished him off with machine guns, as a former tanker, you should have foreseen the situation, so i foresaw it, that's why assistant and sent, and did not go himself, a subtle mo

says, you’ll be in moscow, come to the theater, i’ll show you. met vysotsky, boris khmelnitsky, at tagankahe first time, i look at the service entrance is standing with some fragile girl, then when we met, it turned out that this is ira rodnina, no more, no less, they’re all young, and volodya runs out, you say, kolka, quickly, let’s go, boy, why are you standing there? reach out, that's it, he grabbed the three of us and started him. the audience dispersed, came out, the theater was empty, i went up to the cleaning lady, there i said: aunt, has vysotsky already left or not, yes, they’re sitting in the dressing room, i knock on the dressing room, open it, sitting borya melnitsky, volodya vysotsky, vanya bortka, someone else -that. some of the actors sit there, relax culturally after performance, that's all. khmelnitsky, who are you? yes, friend, kolka burlyaeva. an excellent teacher, step player, volodya kersanov is his student, he suffered with me a lot and for a long time, let's look at the fragment, listen, everything is in your head, everything seems to be in order, but what, what, onl

terribly dusty, as i later found out, it was terribly dusty, then the women there had perfume , the tagankaumes than red moscow, this air, it probably poisoned me, well, lured me, that's it, it works, nina igorevna says that she will never confuse the smell of her native stage with anything, and this is not deceit. the actress has served the russian academic youth theater for 40 years, that's where she ended up almost immediately after graduating from the higher theatre. that he has such a texture from which you can make both he and the director, can do anything, i don’t like it when it’s not coquettish, i can’t, i’m so embarrassed when they recognize me on the street and start asking me something, and it always seems to me that i have nothing to say, because i’ve already said everything in the theatre or said on the screen that i can, together, be generators, and what about us? 10 years without roles, though, when i came to quit, because, as in mishchany, i’m already young at the bitter dress, i said this, alexey vladimovich, he did not let me go, became, stood up, stood up, we work, in th

i have two i have a ticket to taganka. to taganka, yes, that's great, but my diploma is burning, i'm going to lenin, let's do it another time, well, let's do it another time, who are you waiting for, vladimir ivanovich, who, vlovu keppa, let's go, you're a writer. yes, vladimir ivanovich, something like that. i didn't get it, i graduated from the institute of cinematography. stop, i don't need cinema. no, but cinema too, first they come up with it, then they record it, only then they shoot it. oh, well, excuse me. i'm so busy, i have no time to fart. what's your name? vitaly. vitaly, you owe me a book about me. 3 years i was a captain of armored forces a while ago, and now i'm a millionaire, you see, i understand what 's so hard to understand, you don't understand a damn thing, last week my assistant was killed, guys, first they fired a grenade launcher, and then they finished him off with machine guns, as a former tanker, you should have foreseen the situation, so i foresaw it, that's why i sent an assistant, and didn't g

filming in odessa, vysotsky had to fly to moscow two or three times a week for a performance at the tagankae airport , the theater's thunderer would sit down next to him to turn him into, say, hamlet. the next day, he had to take part in morning filming in odessa again. there were cases when vysotsky flew out of moscow on a mail plane, surrounded by packs of newspapers and sacks of letters. there was a war veteran in the cast, alexei mironov. he played the driver ferdinand, kopytin. he was the only war veteran in the whole cast. the actors have a common dad, a common father, calm, knowledgeable about his business, and he goes through the whole film in a very interesting way, now they are dancing and singing, he is standing next to them, looking at them, they are discussing something, he is rummaging around in his car in this ferdinand, he knows the responsibility, this is his office worker, if there is some kind of chase now, then he should immediately start up and rush. alexey ivanovich mironov played all this, he reflected it all very well in the film, and it was not in vain that govarukh

venue of the festival territory of the future moscow 2030 has opened in gostiny dvor. future in the tagankaion of fragments of the historical fence of the church of martin the confessor, built in the 19th century, began, it was demolished after the revolution, but recently it turned out that two pillars survived, we can say that they were saved by a transformer booth installed next to the temple. all the details of the amazing story in the report by alexander bastretskaya. behind the rustling leaves , the squeak of traffic lights on sozhenitsyn street can be heard. recently, next to the church of martin the confessor, volunteers discovered a unique thing: here is a booth with atypical angles, it looks like an old fence and... there are soviet photos where the booth stands, but the fence itself is no longer there. we noticed that this notch here, it is present on these pylons , repeats the pattern of the historical fence. this is the only reminder of the original fence temple, which was built in the 19th century. and this is such an amazing combination. historians call it polympses. the temp

this is also the legendary magazine youth, but in those decades, then my beloved had a performance at tagankard, because well, i studied, i studied we have excerpts there, a performance. i auditioned for rita, because, in principle, all the girls were approved, except for me and olya, that is, rita and zhenya, everyone else, as if they already understood who would be filmed elena drapeka, ekaterina ma yes, well, that is, if to be honest, the rostotsky film crew had licenses on the table, all five of them, and such an age , so much older. on our camping trip, we’re learning how to wrap party clothes so that they’d wrap them right now, easily, i was the one with them, well, after all, i’m a sailor’s daughter granddaughter of partisans, by the way, look carefully at everyone, they learned from me, tell me, this is such a banal question, but it’s still important, i’ve been teaching for many years, almost 20 already, at the mkhat studios school at the theater institute, so... this is very a shy young lady, despite the fact that she studied to be an artist, by the way, rostovsky felt this, apparent

, to amkhat, have you heard, yes, i heard something, oleg efremov, yes, well yes, i wanted to go to tagankabut there's a disaster with tickets, shall we go? let's go, listen, well it's inconvenient, you don't have time now me, what are you saying, liza, i really care about you, i 'm trying to look after you, look after you, well, if you don't mind, liza, i talked to my parents and said that i'm not going anywhere, and... what about them, they, well, it hurts them, of course, but they want me to be happy, so they'll understand, arkady, why do you need me, i'm a simple village girl, you'll get tired of me, and you'll hate me, well, why, liza, that's a strange question. if you're gone, there'll be nothing, emptiness, well, of course, they'll take this apartment, most likely, but my aunt, she has a one-room apartment in novogireeva empty, and we can live there, if you agree, even on a bench in the park, yes, that's possible, i agree, and you're a chatterbox, and i'm a chatterbox, that's how everyone will think of us now, i don't deny my guilt, i'm guilty, i'm sure the girls will come back, they

understand you, finally, afraid of falling under the charm of vysotsky, solonitsyn did not watch hamlet on taganka, played his own, not to the rupture of the aorta, but a philosopher opposing evil, not a word about love, in the years as yours live not boo. understands how he wanted to talk with someone sincerely communicates, while the viewer is not a close person, and he is no longer in this world. fortunately, alexey solonitsyn managed to ask his brother what was most important to him. if you take on something, you must be reliable, reliable in life, reliable in profession, reliable in everything, in love, the whole homeland, it's true what you said then, it's true. alexey zotov, mikhail kunitsyn, vladimir grinevich, pavel bolkonsky, nikolay maloshenko, vladimir bokarev and anastasia beristenko, channel one. and finally , footage of the most ordinary, at first glance, amateur fishing, the scene is sakhalin. as soon as it hit social networks, the video immediately went viral, the formula for success is simple, a really big tuna was caught. 112 kg, but weight alone is nothing without real emotions

man, understand , finally, afraid of falling under the charm, solonitsyn did not watch hamlet on the tagankanot to the point of aortic rupture, but a philosopher resisting evil, not a word about love, in years like yours they live not by storms, but with their heads, he bought ordinary... household boards, then squeezed out tempera in tubes figures, pictures, images, they say such boards torkovsky gave to felini and antonioni and both were delighted with another talent of the great russian actor, he passed away at 47, his daughter larisa was still a little girl, and these shots for her are like personal memories of her father. here i just hear my father's voice, who is talking to me, let's go home. will be happy, another heartbreaking role of anatoly solonitsyn opened recently, for more than 40 years no one knew about this nine-minute film a conversation about how i want to talk with a loved one, and he is no longer there. fortunately , alexey solonitsyn managed to ask his brother what was most important to him. if you take on something, you must be reliable, reliable in life, reliable in yo

taganka theater. presents the premiere performance "wooden horses", directed by svetlana zemlyakova based on the novel by fyodor abramov for the theater's sixtieth anniversary. leonardo's performance about the life and fate of leonardo dovinci, directed by yuri grymov, is shown at the modern theater. starring dmitry bozin, yuri anpilogov, alexey bagdasarov. the theatrical space inside begins the new season with the performance of the brusnikin workshop, we are already here. an existential comedy about life on mars was directed by sasha zolotovitsky. the shukshin project housework for the ninety-fifth anniversary of vasily makarovich shukshin's birth is taking place in the cinema museum. among the exhibits are portraits, photographs, sketches of the scenery for the film kalina krasnaya, posters of the films in the pechka bench and such a guy lives, working materials, paintings about stepan razin, a fragment of the writer's village house and much more other. the exhibition "golden embroidery of karelia" is open in petrozavodsk until september 22. the exposition includes traditional women's

yursky, gert, the fate is interesting, the story is interesting, and lenya felatov talked about the tagankahouse with... i want to say, i want to say what i dream about, don’t, katya, i dream of being very beautiful so that all men will like it, and i also want driving in a beautiful sports car to... a scarf, on the seat next to a tape recorder and a small dog, that's fair, you are dog lovers, you have two there, dog lovers, from the casket, we have two boys, we did everything wrong, we took, well, let's start with the fact that these are jackie russell parsons, this is the same as jack russell, that's how in the mask film, only on more, i think, such proportional, beautiful legs, yes, they are even faster, in general, we took two dogs, not only of the same age, but also of the same litter, we took the brothers when they started having problems, we started turning to specialists, everyone told us that we were crazy, that nothing could be done, no one didn’t take it, but problems began, which of them was the elder brother, yes, problems began in this sense, problems began, who was more impor

the taganka theater shows the premiere performance of sva on the new stage.ues in the exhibition hall of zaryadye park. the exhibition includes painting, graphics, sculpture, objects, decorative and applied art of the 16th-19th centuries from the collection of the arkhangelskaya museum reserve, which is celebrating its 105th anniversary this year. the yekaterinburg opera and ballet theatre presents the ballet fairy tale pero on the stage of the nizhny novgorod opera and ballet theatre as part of the big tour project. directed and choreographed by maxim. the performance by andrey prikotenko based on leo tolstoy's novel anna korenina is being performed at the novosibirsk old house theatre. a joint exhibition project with the museum of fine arts will open in plyos until november 10 . pushkin museum of arts, dedicated to the western european landscape of the 19th century. the exhibition includes paintings by gustave courbet, charles francois dabiny, giacinto dzhiganka and other masters. a total of 37 works demonstrating the formation and development of a new figu

production by yuri muravitsky based on the film by imir kusturica black cat, white cat is shown at the tagankathe performance is based on the novel by ken kesey one flew over the cuckoo's nest is being played at the malaya ordynka theatre. director pavel ursul. starring vladimir maisuradze, lyudmila svetlova. mikhail palosukhin. the exhibition , from small to large, is taking place at the tretyakov gallery in lavrushinsky lane. the exhibition features extraordinary-sized graphic works, from giant drawings to tiny miniatures, created by borovikovsky, bakst, shishkin, golovyany, kromskoy, somov and other artists of the 16th and early 20th centuries. sergey davidchenko continues open piano festival in yekaterinburg, with the performance of works by pyotr ilyech cheikovsky. vladimir drama theatre shows the musical "the young lady-peasant" at the first theatre festival "princess olga". at the st. petersburg theatre of musical comedy, the musical by georgy firtich, white petersburg, based on the novel by andrei bely. directed by gennady trostenetsky, artist oleg gololovko. and the youth theatre on f

on taganka. there is a phone there. "you will mumble and ruin everything, and i will introduce you as a great artist, i will say that you are my son, that you are a genius with a kink, that i want to meet her, show her my paintings, and then you will come to the meeting and start telling jokes, talking about petka, and you will also drag anya into it, i will call her myself, no need, i will meet with her the same thing, be more impudent, i will stun you like should, she likes these, i'll figure it out, hello"? "hello, hello, hello, can i speak to sergeevna? we, yes, we know each other, and this is very important, very urgent, no, it's not personal, it concerns the painting, thank you, sergeevna, hello, "we don't know each other, but i dream of meeting you, i would like to exhibit in your gallery, no, no, my last name is not ..." will not say, wait, lilya sergeevna, wait, lilya sergeevna, wait, don't hang up, lily, lilya, that idiot who spoke to you is a great artist, i swear, at least me and the prosthesis, if he doesn'

suddenly one day, yes, i don’t know, there was a wonderful company, we laughed, had fun, i lived on taganka and the davidovites guys came, vlad came with his wife, they were sitting, yes, they were sitting in the kitchen, he says to me, will you take program, i sent him, well, how can you come to television from the street, without experience, without anything, but they could convince the devil, well, they convinced me, you've been hosting this program for 33 years? there, you see, tell me, did all these professions come in handy for you later, one way or another, even when you were studying at a flight school, did you still have to be a mechanic? no, well , first of all, i still fly, although i've already moved from a helicopter, i asked myself, i wonder, if something happens, a person can land a plane, having set this idiotic goal, can he find out or not maybe i went to the boeing 737 simulator and hung around there for six months... twice a week, as a result i found out that it can't, it can't, a person is just, well, 5 percent, well , 10 percent, well, because i land on the simulator, o

understand, finally, afraid of falling under vysoksky's charm solonitsyn did not watch hamlet on the tagankabut played his own, not to the point of breaking. household boards, then with tempera in tubes he squeezed out figures, pictures, images, they say that torkovsky gave such boards to fellini and antonioni and both were delighted with ... another talent of a great russian actor, he passed away at 47, his daughter larisa was still a girl, and these shots for her are like personal memories of her father, let's go for a walk to the river, here i just hear my father's voice talking to me, let's go home, mother will be happy, another poignant role of anatoly solonitsyn opened recently, more than 40 years ago, few people knew about this film, a conversation filmed in one shot, what can you expect? as he was silent, so he remained. 7 minutes solonitsyn's hero is a rural tractor driver, he communicates heartfeltly with someone, until the viewer understands how much he wanted to talk to a loved one, but he is no longer in this world. fortunately, alexey solonitsyn managed to ask his brother what

the first premiere of the season of the taganka theatre, a performance by anna zakusova based on theilevin. we returned the historical appearance. everything was done so that we could work here in the future and invite our wonderful russian choreographers here. the restoration of the yakobson ballet theatre is being completed in st. petersburg. the third international festival of film debuts of the eurasian continent. the sixth is being held in yekaterinburg, the geography of the competition is expanding, this year there are films from serbia, portugal, norway, china, pakistan, but one of the main goals of the festival is to promote new russian cinema. stanislav anisimov will tell you more. attention to russian works at the international film festival 1/6 is perhaps the most important trend of this year. and this is primarily due to the topics that directors choose. they are relevant and poignant. what can a family do... igor, that's the name of the main characters, the founders, the members of a dance group from tomsk, they came from an orphanage who were able to conquer the world,

stanislav lyubshin began his career as a dramatic actor in sovremennik, continued at the taganka theaterva theater, then at the theater on malaya bronnaya, but did not stay anywhere for long, only in 1980, already being a people's artist of the rsfsr. lyubshin opened the door to the moscow art theater, where in 53 years he played fifty bright roles in plays that have become classics: tartuve, the cherry orchard, boris godunov, three sisters, cyrano de bergerac, the precipice, the seagull. if you were asked to write a play that best told about your life, what would you write? i would ask to take a vacation, for a few years, go far away, close, well, of course, the door, i would leave it open so that they would bring something, and we would write like that, with such greed, maybe we would write something, what genre would it be, from life about life, my life, i would make a title, or you dreamed of me, and what do you dream of, how i worked as a guard in a kindergarten, i had to chase away rooks that were pecking strawberries, since it was state property, that i was not weak. can the warbl

in moscow at the taganka restoration of fragments of the historical fence of the church of martin theh such atypical angles, it looks like an old fence. and there are soviet photos where the booth is standing, but the fence itself is no longer there. we noticed that there is this notch here. it is present on these pylons and repeats the pattern of the historical fence. the temple lost its historical fence in 1930. what we see now was rebuilt in the nineties. the exceptions are these two brick pillars. they are genuine, they survived miraculously, thanks to an ordinary transformer box with the characteristic inscription mages. when it was installed, historical the fence was still in place, and the booth was literally squeezed into it. a fragment of the historical fence, which has been pretty worn out over two centuries, will take a month to put in order. by the way, on the same street, literally across the street , a unique address sign was recently restored by a volunteer; it is quite difficult to decipher the strange code of letters and numbers on your own, but this is how street hou

and at that moment, by the way, efros took me by the shivorod, efros, well so... even efros was at taganka and he was rehearsing at the bottom at that moment, and he wanted you to play there, he wanted me to play, well, what do you think happened next, then obosili appeared, which, and terikov disappeared somehow, my god, i don’t want to say anything, everything is fine, because smekhov came to me, there were people, well, i mean... scenes for at least 20-18 minutes just didn’t i remember all these cities they wouldn't let us go , they wouldn't let us go from the stage and i'm not such a naive but an emotional girl i almost throw myself on his neck and say well are you happy are you satisfied to vasiliev to vasiliev suddenly he i saw this eye such a cold eye and i say listen you hate us, right? and it turns out you hate us, that is, he couldn't, what should he share with us, that's what was the horror, when i told him, i say: well, you understand, you are a genius, we know that you are a genius, we , we bow down to you, but you understand, to all of us already over 40, we are already adult

the taganka theater is playing the play 104 pages about... the russian youth theatre opens the season in the theatre courtyard with oleg tolin zabiid's sect based on the fairy tale by karl gotts. ivan bolgov's musical, nils's journey with the wild geese based on the fairy tale by selma lager löw, was staged at the moscow puppet theatre on spartakovskaya. directed by natalia pokhomova. and the theatre-practice shows. directed by mikhail plutakhin. the anton pavlovich chekhov museum is hosting the exhibition "in my house, like a lump of coffee", to mark the 12th anniversary of the writer's death and the seventieth anniversary of the museum's opening. photographs, memorabilia, archival items materials, documents, tell about the history of the formation of the memorial museum from the idea. to the implementation and opening of the updated exhibition last summer. the festival territory of peace territory of music on kant island continues angel wong, charles redelier, and. within the framework of the project, a large tour. stage of the nizhny novgo

well, yeah, i wanted to go to taganka, but there's a disaster with the tickets. shall we go?et's go. listen, well, it's inconvenient, you don't have time for me now. oh, come on, liza, i really care about you. i 'm trying to look after you. to woo you. if you do n't mind, liza, i talked to my parents and said that i'm not going anywhere, and not, what? they, well, it hurts them, of course, but they want me to be happy, so they'll understand. arkady, well... why do you need me, i'm a simple village girl, you'll get tired of me and you'll hate me, why? liza, well, that's a strange question, without you, there will be nothing, emptiness, well, of course, this the apartment will most likely be taken away, but my aunt, she has a... there is an empty one-room apartment in novogireyevo, and we can live there, if you agree, even on a bench in the park, yes, that is possible, i agree, be quiet, and you are a chatterbox, and i am a chatterbox, that's how everyone will think of us now, i do not deny my guilt, i am guilty, i am sure that the girls will come back, they will not go to any