this instrument is a ceramic drum, a very rare instrument, it is called udu, utar, an arabic instrumento be revived, woken up, somewhere they crush it with their feet, somewhere they spank it, somewhere they tear it apart like this , tear it apart, then... they hit you like that, then they hit you again with a slap, like this, like this, so that it hits straight, clay, such a material, it’s kind of warm, you know, it has this energetic filling. that there is, if you have it, if you have a cup at home, or you eat from it all the time, you kind of fill it with your energy. the ceramist has been working with clay for 34 years now, but still considers the ability to make a traditional pot to be the pinnacle of his skill. in general, everything in the jar is thought out, because, you see, dozens of generations of potters have perfected this form, it’s convenient to use. that is, it is under the hand, that is, an adult takes it with one hand, a child can take it with both hands, in the umsk region, based on our ethnographic findings, there are a lot of krinkas, a lot, why, because milk, some