excellent acting ensemble in the frame of isakova, petrov, borisov, khabensky, young idelshtein and verishchagina, and breakthrough technologies for our industry. i'm assessing a picture of 100 years in the future, as a final picture, at least for our studios, i mean the art studio and hydrogen, and of course nmg, and for the entire industry. i really believe that this will be the starting point for other studios and different filmmakers in general to become infected with this topic, to understand that you can work cool with this, put important meanings there and that it is real and that our industry has matured to the point of doing it in a qualitatively cool way, and there will be more of this, and of course, the plot itself: the authors did not copy the moves from the secret third planets or guests from the future, breathed new life into a story familiar from soviet childhood: a moscow schoolboy meets a girl from the future. they are being hunted by space pirates, in the hands of teenagers, the fate of the universe, control over time itself, the stakes are higher, the audience is delighted, ev