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and such a cry began, viktyuk would not be viktyuk if he had not brought me to tears. in all his performances, i cried, i cried at rehearsals, he adored it when an actor cried real tears. his special pleasure was to bring me. why did roman viktyuk undress the artists, why did he steal books? we'll talk about this tomorrow morning on ntv. i'm sergey mayorov, happily. the best thing for today is for edge. the commanders informed the serviceman that his nine-month-old son had died and immediately sent him home straight from the air defense forces. was on the line of contact. i was informed that i was being urgently introduced into the genital area. the man was horrified when he saw the baby. in the coffin, there were bruises on his face from abrasion, at the funeral i immediately, of course, drew attention to this, the boy’s mother assured her husband that their son died as a result of an unsuccessful fall, she said that he fell, she raised him and. .. saw that he was already dead, but the man believes that she herself is guilty of her son’s death, you assume that you
and such a cry began, viktyuk would not be viktyuk if he had not brought me to tears. in all his performances, i cried, i cried at rehearsals, he adored it when an actor cried real tears. his special pleasure was to bring me. why did roman viktyuk undress the artists, why did he steal books? we'll talk about this tomorrow morning on ntv. i'm sergey mayorov, happily. the best thing for today is for edge. the commanders informed the serviceman that his nine-month-old son had died and immediately...
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Apr 10, 2024
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the history of the memory of roman viktyuk today in the “once upon a time” project. roman viktyuk has always been sharp not only in the russian language, but also in the dramatic language. men with makeup, in thongs and feathers, women in rigid , brutal corsets excited the theater community from tokyo to new york. even there, critics called viktyuk scandalous and provocative, and the public voted in rubles, or pounds, yens and dollars. i’ll tell you the main feature: a new actor came. or a new actress, he was appointed to the play, rehearsals began, he said: you will definitely be naked in this performance, he looked at the reaction, there were actresses who did so and said, no, this will not happen, someone undressed right there and then, right now, you won’t, but now, naked, this is such a provocation that he always did in order to liberate the actor, this does not mean that as a result this actor appeared naked, it is important that his nature, his physics and his psyches were tuned to this openness, because he believed that sexual energy is the energy that br
the history of the memory of roman viktyuk today in the “once upon a time” project. roman viktyuk has always been sharp not only in the russian language, but also in the dramatic language. men with makeup, in thongs and feathers, women in rigid , brutal corsets excited the theater community from tokyo to new york. even there, critics called viktyuk scandalous and provocative, and the public voted in rubles, or pounds, yens and dollars. i’ll tell you the main feature: a new actor came. or...
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been working as a director for 11 years, a little older, that’s how i became director of the roman viktyuk theater. do you have your own office there, secretary? but no, i never had secretaries, i, i - at the nataganka theater there is an office, but this is absolutely not a secretary, not a secretary, i don’t know how to try very hard, you know, not to turn into a manager, by the way, you and i are there , yes , irina, alexey, it’s good when someone comes to your office and they call you by your first name, patronymic, or just by your first name, they call me by your first name , patronymic, of course... well, probably, in some ways i’m a tough leader, because i i really don't like it when the theater turns into social welfare, firstly, and i really don’t categorically accept it when people sleep, eat, and so on in the theater, you know, such a false perception of the theater as a house, a theater as a house in a different sense, not in that there should be a bunch of things here, shabby cots with dirty... there, there is no extra ticket here, i remember, of course, my feeling, he
been working as a director for 11 years, a little older, that’s how i became director of the roman viktyuk theater. do you have your own office there, secretary? but no, i never had secretaries, i, i - at the nataganka theater there is an office, but this is absolutely not a secretary, not a secretary, i don’t know how to try very hard, you know, not to turn into a manager, by the way, you and i are there , yes , irina, alexey, it’s good when someone comes to your office and they call you...
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Apr 11, 2024
04/24
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let us once remember the people's artist roman viktyuk. abdominal pain is one of the most common patient complaints, from why they arise, why the stomach hurts if all organs are healthy, what functional pain is, the head of the evidence-based medicine clinic, candidate of medical sciences, alexey paromonov, will tell us about this. good morning, the program your doctor is on air and here we are talking. hello alexey dmitrievich, alexey dmirievich, today i would like to talk to you about stomach pain, and this is a very common story, i think that there is no person on the globe who does not have a stomach ache at least once every six months, once a year , and maybe even more often, i just got sick, something happened, the pain varies in intensity, sometimes a little, sometimes stronger, sometimes very strong, sometimes i felt like... this pain goes away, sometimes it doesn’t go away, that is this is one of our most common, let’s say, places in the body that almost immediately starts to hurt, there’s probably no other place in the body
let us once remember the people's artist roman viktyuk. abdominal pain is one of the most common patient complaints, from why they arise, why the stomach hurts if all organs are healthy, what functional pain is, the head of the evidence-based medicine clinic, candidate of medical sciences, alexey paromonov, will tell us about this. good morning, the program your doctor is on air and here we are talking. hello alexey dmitrievich, alexey dmirievich, today i would like to talk to you about stomach...
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Apr 12, 2024
04/24
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absolute authorities broadcast their delight about viktyuk. valentina talyzina, leonid markov, margarita terekhova, gennady bortnikov, tatyana doronina, konstantin raikin, irina miroshnichenko, galina volchik, valentin gavt, marina niyolova. in 1991, following the expressively plastic and scandalous... maids, the theater world exploded with cries of sensation, watching roman grigorievich's em butterfly with counter-tenor eric kurmangaliev and sergei makovetsky in the leading roles. this is how people's artist of the country sergei vasilyevich makovetsky remembers the master. i saved this part of the interview with the great artist, which i took from him last summer during a tour, especially for this program. you and vektyuk are from ukraine, you are from kiev, he is from lvov, you talked and maybe joked in ukrainian, we always spoke, switched to language, and if we are in kiev , if we come here, then i speak ukrainian language, everyone is so amazed and it seems, and you know our language, i say, and after reading the abc book, i will never fo
absolute authorities broadcast their delight about viktyuk. valentina talyzina, leonid markov, margarita terekhova, gennady bortnikov, tatyana doronina, konstantin raikin, irina miroshnichenko, galina volchik, valentin gavt, marina niyolova. in 1991, following the expressively plastic and scandalous... maids, the theater world exploded with cries of sensation, watching roman grigorievich's em butterfly with counter-tenor eric kurmangaliev and sergei makovetsky in the leading roles. this is how...
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well, in about the same way, i was offered to become the director of roman viktyuk’s theater, because in his private theater company, roman grigorievich staged two plays for me, and we were kind of friends, we were close enough in his theater, a situation arose that it was necessary to replace director and i was offered to become the director of the theater... in principle, this is such an absolutely administrative job, there are papers, government procurement, i don’t know what else is there, restoration, repairs and so on, and you agreed to this, based on the fact that this is like a new role, from the fact that this is a life role, a life role, it’s so funny, well, kind of ridiculous, in my everything actress, if anything you were not easy. it’s okay, by the way, i had the same thing, i understood perfectly well that i was not a personnel official, and if i didn’t turn out to be a rector, well, well, it didn’t work out, of course, he wasn’t there before either as a vice-rector or as a head of the department. , yes, he just became, well , he became, it turned out, it tur
well, in about the same way, i was offered to become the director of roman viktyuk’s theater, because in his private theater company, roman grigorievich staged two plays for me, and we were kind of friends, we were close enough in his theater, a situation arose that it was necessary to replace director and i was offered to become the director of the theater... in principle, this is such an absolutely administrative job, there are papers, government procurement, i don’t know what else is...
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Apr 21, 2024
04/24
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filipenko, zhdanov, yuri vasilyevich, prokofieva, and i shistakovich, and staged it all legendary roman viktyuk. we played with microphones, we could whisper, as yuri vasilyevich did, but mikhail sanovich always spoke very loudly, this is his temperament, there is a quality of temperament, so maybe up to... i don’t know how the director didn’t die at that meeting from a broken heart, because everyone is on hand only mikhail sanovich, what a big bastard, he... says, wait, wait, wait, well, don’t be so rabid, maybe the director’s language is also incomprehensible to me, but i see how great they work my young colleagues, masha aronova, seryozha makovetsky, volodya simonov, maxim sukhanov, yulia rudberg, how can i say that this performance should not be in the theater, but... i tell him, mikhail sanich, let’s do it, well how? i say, i’ll make an agreement with the director, i’ll find a director for you, let me, well, seryoga, well, i agreed with the director, mikhail sach, everything is fine, he liked it, do this performance, suddenly he says: how dare i, so many people for... the man
filipenko, zhdanov, yuri vasilyevich, prokofieva, and i shistakovich, and staged it all legendary roman viktyuk. we played with microphones, we could whisper, as yuri vasilyevich did, but mikhail sanovich always spoke very loudly, this is his temperament, there is a quality of temperament, so maybe up to... i don’t know how the director didn’t die at that meeting from a broken heart, because everyone is on hand only mikhail sanovich, what a big bastard, he... says, wait, wait, wait, well,...
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Apr 19, 2024
04/24
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i’m not going to share roman viktyuk’s pie and i don’t think that even one tenth does not belong to me, i felt that i needed to take a little break from it. now , almost 3 years later, he invited me, and he invited me quite persistently and persuaded me to work with lalita, because you understand that such a valita, it’s so easy to do , without this performance for me, let’s say, even some kind of milestone in my life. maybe after lalita i began to undress my artists , olya, que coisa mais linda, mais cheia de graça, ela menina que vem, que passa, num doce balanço o caminho do mar, moça do corpo dourado do sol de panema, seu balançado é mais que um poema. é a coisa mais linda que eu já vi passar, ah por que estou tão sozinho, ah porque tudo é tão triste, ah beleza que existe galisnar? and nudity - these are two different things, if we understand that our body is capable of not being ridiculed, because i undress harmonious people, why should we hide our breasts, why should we hide our neck, thigh? i don’t know, but all the ancient gods were half naked. and that was the b
i’m not going to share roman viktyuk’s pie and i don’t think that even one tenth does not belong to me, i felt that i needed to take a little break from it. now , almost 3 years later, he invited me, and he invited me quite persistently and persuaded me to work with lalita, because you understand that such a valita, it’s so easy to do , without this performance for me, let’s say, even some kind of milestone in my life. maybe after lalita i began to undress my artists , olya, que coisa...