ivanovich khotyanenko, hello, vladimir ivanovich, thank you for coming, we have a theater actor , lenkomhagin, and we’ll talk about dostoevsky for a reason, this year marks the 150th anniversary. publication of a separate edition of roman bes, and taking advantage of this occasion, we will talk about the novel besa, about dostoevsky, about creativity, and most importantly, about today. partly the reason for this is the architectural institute, which i graduated from at one time, because in our architectural institute of that period, these groups, rock groups, and mozart, and wagner, and high literature, all got along quite happily. , whatever, here it is... and i suddenly recalled the impression, i re-read, first of all, everything, so i remembered, naturally, constantly, or rather i remembered, i thought, on the side in this internal controversy, but nabokov didn’t convince you, you seem to now think that he, no, nabokov, i think that he is completely wrong, absolutely, that is, he is in his own way, that well, for this you need to know nabokov, him, that’s him there was another little