the main architectural monuments appeared here under pyotr mikhailovich volkonsky. later, under nicholas i, pyotr mikhailovich volkonsky was the minister of the court and appanages, and occupies such a position. he had the opportunity to invite great and famous architects here. after the revolution, sukhanov suffered the fate of most russian estates. throughout the 20th century, the ensemble of the tomb church was subject to destruction, even though it was recognized as a historical monument and transferred to the union of architects. sealing and conservation were supposed to save it from destruction. in the summer of 2023 , conservation was carried out in this church, that is, a comprehensive measure to prevent ... the destruction of the monument, when there was no conservation yet, the roof here was leaking from the rain, and there are still streaks, and this wall is in some moment was collapsed, that is why here to prevent the complete destruction of this wall, they put up such a structure of boards, well and this is clearly not enough, the entire estate requires

necklace, they made a necklace, they poured out crosses, there is a portrait of sergei grigorievich volkonskyy-fifth year, here is a portrait of maria nikolaevna, polkonskaya roevskaya, also the same time, wonderful, portraits of their children, excellent, everything is excellent, arsem, only an umbrella is missing, he wrote very tender letters to his sister, he was interested in natalya pototskaya, how was she, what, and she died in 1930, he didn’t know about it, after that he still wrote, which means he wrote and was sad, that’s the story, and at the same time he began to write anti-government treatises and believed that further in they wouldn’t deport him to siberia, but it was possible to deport him; in 1941 they sent him to akatuy. loyalty to their women, and women to their men, yes, and the guys were brave, they came out with open faces, they did not sit with a cookie in their pocket and... why, in general, the history of the decembrists has always been for us forever will remain the most romantic story? this was a podcast of precious stories, with you were ekaterina varkan and sergey n

in this famous scene, the meeting of the volkonsky spouses, no words were needed, he again played everything with his eyes alone. in the eyes of oleg alexandrovich, and i saw his heroes. in the soviet period, there were few such films. there were practically no heroes, was, suddenly there are people who make you want to cry, and read books, learn, they called him our alain delon, he himself really didn’t like it, and this is his last appearance on the screen, strizhenov left the cinema for 13 years, almost never gave interviews, and then suddenly enthusiastically agreed to a wheelchair and the role of a cantankerous old man. in the past, an inveterate dancer, why in the past, now i’m good enough? this is absolutely the type of a real hollywood actor, his appearance is so ideal, this is exactly our virtue, that he is ours, no matter how they said, allen, allen, allen dallon, this is ours, oleg strizhenov, and that says it all, directors adored him and feared him at the same time, and you can talk as much as you like about his difficult character on the set , but what's the point if the viewer

pushkin dedicated these lines to mashenka raevskaya, who later became the wife of the decembrist sergei volkonskyhis fifteen-year-old, fragile, young girl throughout his entire life, but more about that later, now, forgive me. " i want you to enjoy the surrounding beauty, like the great poet once enjoyed the waves kissing the feet of his beloved, forgive me, hello, don't say anything, just hear me, i 've been going crazy about you for days, i feel naked , you are my comet, you are my breath, my life my, you are a warm rain of hugs, at the end of summer, olya, i'm just going crazy about you, i 'm driving on the highway now, in 5 hours i'll be in ours. no, yes, my categorical no, have you thought about how it will look, and what will i tell my family? by the way, over these two weeks i've managed to get used to you, you can do whatever you please, but you won't see me anymore, why are you talking, olya, wait, stop, just fly to me, now a flight is nothing, no, i beg you, you... give me a copy of your passport and i'll buy you a ticket, if in an hour the document won't be there, i'll be in your city

ivan prozarov, vyacheslav chereshko, pavel volkonsky, vladimir bokarev, irina chichuy and alexander gornostaevl one. moscow international film week has started in the capital. it unites nine russian festivals and the best films from almost 50 countries. choose a cinema, a picture, time, register, here it is, the magic of cinema, until august 28 300 free screenings, and not only in cinemas, in the program, not only film sessions. olga pautova found out what this week will surprise, dive into cinema impressions with your head, high-profile premieres of russian and world cinema, the next 5 days you can see not only in cinemas, but in the most unusual. places throughout the city, on roofs with picturesque views, on a barge, in parks , reserves and even in a pool only 30 platforms all screenings are free. it seems to me that this is a very good experience in holding, so that there was a combination of art, sports, dosub, a good dosub in moscow. this is exactly what was needed, probably, so that this summer would be remembered for something unusual. masters from china, turkey, thailand, egypt brough

in this the famous scene, the meeting of the volkonsky spouses did not need words, he again played everything with his eyes alone. in the eyes of oleg alexandrovich, i saw his heroes. there were few such films in the soviet period. there were practically none, suddenly such people appear, from whom you want to cry, and read books, learn, he was called our alain delon, he himself did not like it terribly, and this is his last appearance on the screen, strizhenov left the cinema for 13 years, almost never gave interviews, and then suddenly with passion he agreed on a wheelchair and the role of a cantankerous old man. in the past, a jaded dancer, why in the past, now i'm good enough? this is absolutely the type of a real hollywood actor, his appearance is so ideal, this is our goodness, that this is our, no matter what they say, this is our, oleg strizhenov and that says it all, directors adored him and feared him at the same time, and you can talk as much as you like about his difficult character on the set, but what's the point... he gave his all to the viewer, and we feel this is still, i am