this film, dovzhenko is shooting with above all, screenwriters mike johansyn and the famous otaman yurko tyutyunnyk, and this is still the 29th year, even before the repressions, and it is either happening or will happen. as i understand it, in kharkiv there is a trial over ieds, ugh, and dovzhenko films such a colossal, multi-layered, fundamental story about 2,000 years of ukrainian history, and here we actually see that it works and his ukrainian identity is revealed. how do you watch this film today, what is it about, what is it to us from those times, says dovzhenko, how do you watch it today? i would say what exactly this film, i understand that you decided to take a trilogy, so of his stellar films, first of all, it is a very interesting artistic experiment and a technical experiment, because in this film. in zvanihor dovzhenko used a lot of such cinematography and editing techniques, which were innovative, because there were combined shootings, because he still tells a myth, and it is a little like a fairy tale, and this fairy tale, it is probably characteristic of many films abou