and he began to say that he really likes me, but i was silent, smiling bitterly. he stopped beside me and said, i understand, irina, why do you need to tie yourself up? i'm a strong muzzle. for an aspiring actress, the connection with the prisoners could put an end to not only her career, if they got married, uh, there, mother would lose all civil rights in the same way and would remain a strong settler next to him. irina risked her own fate to be close to her beloved male union, which lasted about 10 years. here are five norilsk years and, uh, wives from leningrad in norilsk acquires and a close friend inokenty smoktunovsky was here in voluntary exile during the war. he ended up

in german captivity and feared after the military reprisals. both worked on the stage of the local theater. such a long, bony young man appeared in norilsk in 1946. drama and comedy sergei shcheglov was personally acquainted with smoktunovsky on the stage of the polar theater cemetery, shmitekha, civilians were also buried there. and prisoners, and prisoners were poured into common ditches. forty-degree frosts and back-breaking labor took thousands of prisoners to the grave freely; settlers did not find it much easier. actor's fees were not

even enough for food; later smoktunovsky admitted that he helped him survive. he offered a friend an unexpected income. in this photo, georgy stepanovich took me with my sister and with a cat. well, here we are sitting, so she’s reading a book or i’m looking at this photo, my mother was taken by saprykina, at the end forties worked as the head of the kindergarten. a strong actor turned to her with a request to allow him and smoktunovsky to photograph children for a small fee. these unique photographs have been preserved. the first color pictures, by the way, are the first venereal ones. it's quality paper, and he filmed the band. i have a group here, where the kids are sitting, there they developed small films themselves in the home laboratory with the money earned for the photos by friends. shared equally. georgy stepanovich modeled everything and it was he who

screenwriter director. and in general, this is all his work from starvation, but it was not his only help to a friend that we have this great actor, but some spokenovsky. this is also the merit of georgy stepanovich dzhonov, because, unlike the burnt smogtunovsky, he was not a fighter. and uh, wives. what is called lent him his wings, moreover, he wrote him a recommendation to ktonovsky for arkady raikin and armed with this zhenovsky letter. smog tonovsky came to raikin and this was the beginning of his acting career. smoktunovsky decides to leave norilsk in the fifty-first year, 15 years later, he will fully thank his friend for his help by inviting him to film. ryazanov in the comedy beware of the car. trouble happened to me. you helped me the case with you trouble, i'll help you.

when ryazanov spoke with punctunovsky, they had such a conversation, who would be invited to play the role of a policeman, and innokenty mikhailov said, “here i have a friend, an amazing artist, the picture was allotted for the role of traffic inspectors, no more than 10 minutes, but the audience remembered this character and fell in love. and when he starred with me, then with me many people ask that the artist passed him, no one did. behind him did not stretch the train of any roles. is this a real policeman? i say, no, this is an artist, and in general, this picture gave him greatness. start is the scene with the wife and smektunovsky entered the golden fund. stepanovich himself made some pieces of soviet cinema, because he was an adaptable man of technology, he mastered it very easily and rode this motorcycle very easily, you won’t even find such a motorcycle now

there, like a stupid motorcycle there with a sidecar. with all the cases, but he rode famously and easily, so when there were just some driveways, georgiev stepanovich always sat at the motorcycle. yes, i got it. what the hell? come on, wait a scene in the movie watch out for the car. she shows how these two characters absolutely sincerely treat each other with sympathy, she is not played. she came from life to the movie you ran away from me. you're making a habit . i'm running away, and i have a habit of you running away, and i'm catching up with a very small episode him in the picture, but he was so accurately made by him and so accurately they worked together with innokenty mikhalych in a pair, because here, of

course, their friendship helped to start the motorcycle. would hook up to your volga like last time. after the car already he was like, how would you tell him the picture helped a lot. after this picture, he seemed to sigh, he opened up, it was the acting of this brilliant role in the life of georgy zhonov that could not have had a second wind, if not for his third wife, irina, it was she who helped the actor return to leningrad in the fifty-third year, the term of exile from the burnt came to an end, but the order for release. the leadership of the colony, the actor could not leave norilsk, only at the insistence of his wife. george wrote a motion to remove the punishment. she undertook this statement,

which would have been shelved by hundreds of thousands of others , it is still unknown. how much time to take a hand-made mask, he is a lubyanka and she did it. irina's desperate act justified itself. a petition for release was signed . my mother did this for her loved one. after that, dad knelt down in front of me and said, i will never forget, he did something for me. in the summer of 1955, his wife was completely rehabilitated and finally received permission to return to leningrad. he, 40, needs to start life from scratch, his native city, where no one was waiting for them, where there was neither work nor housing, because housing. this apartment in novorossiysk was lost long ago, she waited for her son and the exile of her only son from her

, uh, three sons who survived. the absurd charge of espionage dropped, but the theaters they are afraid to enroll an actor with a camp past in the corpse, only a year later zhenuv manages to get into the leningrad regional drama theater on liteiny prospekt. here i come with great trepidation, because the scene of this chakra. served my parents and dad and mom for a number of years and i am a very young child with pleasure. came here, after 17 years with titania, it seems that fate is finally favorable to the bottom, he has a family, a loved one, a job and for the first time

his own home here. e in communal apartment got a room, my parents room, 19 years old, on the third floor two windows belonged to neighbors. and this is the third window of the kitchen of our apartment. the quiet life will not last long. he told me a very interesting thing there, that my life is developing like this. it's just that i'm all set. only i have a house family child. this is where everything goes to hell for me. sorry for the harsh word. a young actress lidia malyukova appears in the theater on liteiny, falls in love with her wife and files for divorce. dramatic parting with his wife irina unfolded right in the theater in front of the actors of the corpse. everyone was insanely sorry, it was insanely impossible for irina to

look at her. she has lost so much weight. and so, uh, there was such a feeling that you would blow on him and she would fall. and yes, she saved him from exile. and, of course, it could have crossed her mind that someday he might leave her ? only many years later, irina was able to understand her ex-husband. she, like no one else, knew that the wives of a man of impulse to interfere in his fate is useless. actress lidia malyukova will become last love with wife. they will live in marriage. almost half a century, for the sake of her husband's career. she puts on work in the theater and will move to moscow with him. can all this be done without me with novoselov made of paper? well, of course, i still have some business in moscow, she was a wonderful actress, she sacrificed her profession for him, when he

was invited to moscow, lydia and georgy had a daughter, yulia. when i gave birth to yulia, they were on tour the theater, i didn’t go then i went to the theater in novosibirsk. he sent me a telegram. i have her now, my love for you, share the two of us. i just loved my family. and it seems to me that, uh, as soon as he had free time, he was driving, only home, only home, lidochka yulechka, that's all we were filming our family scene. georgy stepanovich let us into his apartment. and then i was a witness. here, here, i think, here it is his world, how he loved his family, his wife, yul, the youngest daughter of the burnt one. julia also became an actress and even played with her father in the final series of films about the scout tuev. end of operation resident. with dad, and he will

only in the evening. only by the age of 42 does recognition come to his wife, the actor is invited to the main role in the cinema and is recognized on the street, but the successes of popularity do not change him, he took for granted all these numerous awards for honor and dignity. he really knew that he could embody them, er, embody dignity with honor. in the sixty- eighth year, zhzhyonov becomes an honored artist of the rsfsr; 10 years later, he is a former convict, an enemy of the people, receives a kgb award for the role of a tuliev intelligence officer. i always played people, uh, with whom they wanted to be. here i played a party person, let's say. i didn't play like that. i

say it a thousand times not the way it is. and what should it be? scout tuev, general bessonov, crew commander timchenko, with this movie hero, it is impossible not to believe them, it is impossible to forget behind them. not just acting, something much more. the fate of the most burnt in all these images that he created and the military police surprisingly from the screen was his kindness, he was absolutely, a positive hero, whom the viewer believes he a very real honest person. so when such a person is still an actor, then it was very expensive he was among the favorites of the people, as a rule, people love artists who are worth it

we are all used to the fact that our parents are our strong rear wall protection from troubles and hardships, whatever happens . they will definitely understand, console and help correct mistakes and give good advice and as a rule. we are completely unprepared for the fact that someday we will have to change roles with dad and mom, learn to protect them, understand and console them, reaching a certain age. parents begin to depend on us, but out of habit continues to teach life. how to respond to their moralizing and get annoyed? how to maintain normal relationships and not blame yourself for breakdowns?

his relationship with his parents was so difficult that he was forced to give up everything and leave his homeland forever. and only the departure of his parents made him think about what he was doing wrong because of the answer, he went to the old people. today, his entourage is people over 80 and he has about a hundred of them shortly before his 50th birthday. he radically changed his life, left a high-paying position the art director and went to lead a wood carving circle at a local nursing home on how to build relationships with elderly parents and live in peace and harmony with them, how to communicate with the elderly to understand them and remain calm. even when it seems that there is no more strength for it. alone with everyone alexander galitsky is glad to

welcome you to our studio. i understand that this is the number of observations of the elderly. it led you to the desire to somehow accumulate, or something, this experience and even write a book about communication with them. well, in general, this story, as if my relationship with my parents were complicated. i even left the country changed. yes, you changed the country because of complex relations, it is very difficult, how would it be, how would you tune in all sorts of days to others, you just didn’t understand a lot. there in mom in dad. at least there was great love, but how to put it this way it was very difficult to understand each other and then when when they left at all.

uh-huh, there it is, in general, when you begin to realize that time is moving on another person elderly, let's let him get up, get up from his chair and reach him, this is work for him. they

take time from me and me when it starts to get to me, that is, let's say i call someone's apartment there. yes, i say, where is vasya , where is he, why hasn't he come yet. he says he's out. i say, well, he will come now no, well, in 15, if he does not come in 15 minutes, call me. he needs to go down the corridor, go down and come in, that is, as if time flows differently, for example, it’s harder to get up than sit down. this must be realized. i need to understand this for us in order to communicate with them, each of us is afraid of old age. and so i think, but someone less , so i wanted to ask, yes less. i'm already in the first place, i know that i will definitely have a walker. i already feel, well, you see. when do you look at these people? well, it will probably be so, that is, we also have our own illusion of old age, so they grow old. and i'll be hoo. i have a way to look at myself. there in 20-30 years. so and so,

in general, this is an interesting way, because, of course, of course, yes. well, you think, well, nothing there, okay, well, yeah, we can handle it quite dangerous. uh, history is wood carving. in general, it's like this is the old carving. what is it like? i don't know, because i actually did it there. i was the redirector. in general, i did it, so to speak. how can i put it this way, uh, computer graphics for a very long time. and when they offered me i also said that this is impossible at all, because there are sharp tools, hammers, boards, and a crash there, so to speak, all of the whole work. here he gives of course, here is, so to speak, a very big incentive for these people. feel yourself. this is exactly what you understand, all the theater, in fact, comes to me, because it’s good for them that they need to understand relatively speaking, having elderly people in their house, in order not to run into them there, well, scandals for quarrels

of everything one thing. you have to see yourself in it. if they hiss at you there, if they say some kind of hissing at you, like this one, uh, it’s not because you’re not to blame. you are not to blame for anything. just to say it, that's how it happened that you fell under a hot hand under a hot crutch. i say, well, yes, and that means, as soon as you, you understand, this is the uh reason he then you start, how would this character feel sorry for something, as if, you understand, you are not angry with him. you can't get angry. you must be absolutely calm, as if no emotions and real ones are possible. that is, you can manifest. how would love, yes, well, respect love is warm, but in no case should negative emotions be experienced, they can be played there, play anger to play, but in no case be angry. that

there is, as soon as you understand what to say, everything becomes simple, and old age is when, from your point of view, it’s just old or an old woman. it 's since when is a six year old woman swimming there five styles in the pool? well, she's definitely not an old man, but she, in my opinion, is not an old woman, yeah, here or there, i don't know that i have 10 years with one character. he was 100 years old and had his eye lens replaced. that is, it means that he could come to me and continue to cut wood. i don't know that a person can live to 130. well, yes. i at all i say that the one who carves supports. i think that it may be a little easier for you than interaction, albeit with a huge number of, so to speak, elderly people, but you are still not a relative. yes, this is such a distance at which you can look and

put up with this fading. after all, probably, one of the reasons for our, and complex showdown with our elderly parents and grandparents is that we do not want to. reconcile we want them to be strong it such. i don't know, well, how to say, it's just like that. mm, such a natural phenomenon. yes , you are not you, you may want, you may not want, you can say so with him. well, you can’t fight with him, because you don’t have one. you cannot win. so you, as it were, just need to realize and understand and how to give a person, uh, how to be yourself, that is, to understand that these children's games that they play are important. no matter how strange they seem to me to us, and to see these here in this oldest man of your father, whom you i idolized my mother there, who raised you there. yes, but say nothing to do with it. that is, it

just needs to be accepted somehow, and we, uh, in general, we are engaged in this book , and i kind of explain about it. so, like these, uh, these paths, why is this all happening? yes, i answer simple questions. why do people, for example, sit on a bench? looks into the distance, why is it important to them, they are looking for the impressions they need. that is just like us also im it's just in general ways to find, to say, to absorb an impression, because without impressions, impressions are generally much more important than some kind of physical ones, so to speak, e gifts or something like that you e, write, and old people are people who can easily eat you up, just yes and started opportunities. why don't i know? the fact is simple, behind which you have a part, you are the weakness of

the law of the wolf. as soon as the anger starts, you start. this is the very thing. here, in this place , you begin this very thing, that is, in no case should you show that something like that some kind of hook stuck into you, somehow, like you can’t show it. well, i have people. i know for sure that they love me very much. i know for sure that they come, because they feel good and still they tell me, usa is a chisel, not sharp. you didn't sharpen mine. uh-huh, here's the tree. you deliberately gave me such a hard, not p- that is and so you think, well, what do you want well, well, well, how are you? well, you understand, right? ok then. you just take the situation somewhere, try not to pay attention to it, not think about it, and take it and take away. this is where, well, how is such such a kind of theater such. and why do they do it? what do you

think? well, for example, i had such a plot when an elderly woman was needed. uh, and just the doctor advised that the pressure stabilized to get nervous on the cleaning lady the cleaning lady told me this story comes cleaning lady. yes, her grandmother is not removed here. it hasn't been removed. so, why are evil spirits here, well, more than 7 months. and there , like a fish, yes, he doesn’t know what grandma then takes. it's a parade there. well, the doctor was right well. everything else, personal experience made him change his attitude towards the elderly, in general this story, as if my relationship with my parents were difficult. i just didn't understand a lot. here in mom in dad and then when when they left at all. i went to work with the elderly, what kind of world is it through the eyes of an elderly person, when you

begin to realize that time moves differently for an elderly person, let him get up, get up from his chair and walk it for him. this is work. this must be realized. i need to understand this to us, in order to communicate with them, he gave up everything to lead creative circles in a nursing home , a sharp instrument, hammers there, boards, and a rumble there, all this gives all the work, of course, so to speak, very large. these people are motivated to come to me, because everyone is doing well alexander galitsky you write quite a lot about the need to transfer the conversation to other safe topics. eh, and what do you need to study for this? this needs to be trained, relatively speaking, before your parents, uh, in this one, let them age so much, what do you mean, you will have to apply. and how is this what it means to translate conversational security

on the topic of how to train it? as what kind of manipulation, so such communication was the first to come up with. that's all the psychological analyzes of the situation up to there, i know there to say . you don’t have it, everything is there, that is, there is some kind of, so to speak, psychological e, such a prelude to something yes, and as soon as a person enters this one, so to speak, the question answers perfectly understanding, that a flashlight is waiting for him there, after all. you need this, as if with this one, the same thing with me. yes, as soon as you begin to understand that this question will lead you to a dead end through questions, you have to physically change this story somehow, yes, that is, come up with it. some kind of move that abruptly changes the subject, which i don’t know how to say there and leave this dangerous place, because, for example, i really love it when they start talking to each other. it's like at this time at this moment you can relax. it seems to me that very

many older people tend to throw in such rather provocative topics, in particular , talking about death. this is what confuses, but usually children and grandchildren. like when i'm about to die, i'll die. what to say at this point is it a dangerous topic of conversation about death or is it quite safe? she is very safe, that is, firstly, it is not very fond of talking to ricky very much. this is what we are afraid of. but for them it is not . uh scary. there are people who tell me, i'm not afraid, in general, so to speak, elderly people they get tired of living and death is perceived as such a psychological physiological act, which, in general, is here. tomorrow, here it is . and how do you talk to your a-a students about death, if they talk to you,

well, i literally have something to go far. i was still working there yesterday, right? and so they say, here we are now, now we are with you, then we are going to the cemetery, which means that two people died today. that is it absolutely everyday some like this, but to say, well, now we are doing, then we 'll go. yes, i say, you know how in my meets there i come. it's good looking. so lit up. he says to me every day in the cemetery in the fresh air, and israel and your very specific humor. i would say invincible is absolutely grandiose. well, what to do, can you afford to joke about this topic? yes, of course, i do understand my position. i'm their teacher. yes, i can corner them. i can't put them on because it's hard to get up. a a, in basically, how would i punish there. i say,

listen, without parents, don't come, just something like that for the next lesson. uh, i don't have that kind of aspiration , that is, no, like that. here is grandpa yes, such a grandfather. well, this is such a person. we work together with him. we are with him, i look at eye level, as if we have such an expression, yes, so to speak. well, uh, i'm not looking down, not down, and we're looking the same, but to our parents' child. uh, it is possible to overcome this priority, and authority an adult who has grown old, to whom yes, i myself was like that with my grandfather with my i remember what to say like that. e, my grandfather's favorite was like that, that's the food. what do you sort of put yourself on, you kind of understand, these are all the problems. yes, you try to understand, you cannot understand them, well, you try to understand all the problems, health, all these problems that are accumulating psychological severity.