i will ask my people. he got to the first roles in low-budget films of his character. the vicious superstitious thug in bay roger's feed brought him fame in europe but went unnoticed in america, where bronson increasingly began to flicker on the television screen to earn money. i was asked what is wrong with this picture. look at this place there is little light here. that's what i've been using for many years with general electric's powermight bulb, you have enough light for a powerful flash. put on the light and shoot. in fifty eight he starred in a television series advertising flash photography. the man with the camera

starring charles bronson, his photojournalist characters were a far cry from his former badass image, but the show only ran for two seasons, not long enough to solidify the new image by looking at another set . motor here the filmmakers of the dirty dozen are filming the last dramatic scene. director aldrich, as a general on duty for weeks in command of a huge army of thousands of actors and technicians in the sixties , the screens were flooded with a blockbuster glorifying the harsh male friendship filming, similar to large-scale military manners, was occupied by battalions of actors in

uniform. it takes six men to guard the village. how many thugs? 30 with guns bronson played in the film the magnificent seven which was a huge success and continued this line in the films the great escape and the dirty dozen. the shooting intensified the competition between actors eager to get noticed. the magnificent seven and the great escape became a springboard for steve mcqueen. but bronson wasn't as cool as steve mcqueen, he was just an ideal actor for adaptive roles such as where the main plasticity and the hero has little text. what happened, they tried to force me to tell

him since then and did not think to offer another. you are here. back of the head so good, good. at the age of 40, bronson was still playing supporting roles as sadistic gangsters, and three more of his career came to a standstill. how did you meet? we were in germany. i came to see one of his films. i saw him he smiled at me and he has a charming smile during the filming of the big escape bronson became close

wife of scottish actor david maccaulum. she was from an english intellectual family and tried to persuade bronson to act in leading roles in europe, bronson refused because at that time those who failed in hollywood were looking for shelter in europe, but when the success of two italian westerns, which he refused, made the little-known actor a world star, bronson understood his mistake and went to europe farewell friend a film scripted by marseille writer sebastian, the prize is shot by jean erman , a man with a pipe. here he is taking away the film of the young alain delon plays the demobilized doctor. and he gave his hero's friend his severe american face.

charles bronson why did you want bronson and andal is necessary, because his appearance as a villain was needed, as well as bronson's training. this case insisted on the candidacy of bronson, he knew him because he bought the picture, he paints pictures, yes, persuading bronson, the french producers offered him $ 100,000, twice his usual film fee. farewell friend, had a huge success all over the place. goodbye friend almost paramount bought the film everywhere, but found it difficult for viewers to release the film in the us only on tv. in the sixty-eighth, bronson met the

director who changed his fate. while hollywood kept him on the sidelines, sergio leone saw in bronson a little bit of america's greatest actor. he alone could incarnate a man from a stone of few words, expressing his pain in playing the harmonica. you brought me a horse. looks like we're missing one horse.

you brought two extra to this meeting once and for all established the formula for success. long look mysterious look no or little text naturally, i don't like it when there is a lot of text in a film, you need long looks. my characters live one day, no problem, no fear of death. life as a deadly ballet bronson found an image that stuck to him lone hero in search of a place.

who are you an important detail of a tough picture about the birth of the united states american distributors found the film once upon a time in the wild west too long and heavy, cut it and he passed without success for bronze. it was a new failure at home, but in the rest of the world. it was a phenomenal success that gave the actor the status of a world star, namely from hollywood and gives autographs as a star that is not arrogant. i beg your pardon. i thought you were busy today. at the insistence of jill ireland, who became his wife, who also

played a small role, bronson starred in the film by rene klementman, staged specifically for marlene jami. the film rain passenger of the 1970s is a story about the meeting of a girl who had just killed a girl. of her rapist and harry dops a visitor to an american who seeks from her recognition in their communication of the motives of complicity of love and despair. and where is the revolver bronson eclipsed with his game. marlene gill. soon 6 hours will start to beat with the last blow. you must confess to the murder. oh, otherwise i'll kill you. i swear i told the truth. i don't believe you either. and i to you. when a guy

like bronson metaphorically tortures this girl mentally to find out what he wants him to hate her goes all over borders. who, at some point, everything turns upside down and instead of cruelty, we see obvious tenderness, the rain passenger had a worldwide success and received a golden globe, as the best foreign film about hollywood producers, bronson won finally in english, let's leave so okay, let's leave no let him speak french. evening of champion boxing at the first olympic champion of tokyo albert podpodzeev returns to the professional ring in a fight for the champion title

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valery gay germaniki mutual consent they kept me i tried to break free to leave me dragged to the cabin to tell the truth, and then save me. help. are you aware that you can be cancelled? how can you merge, like fights of mutual consent, only in an online cinema, download the application and watch, right now for free with an mts premium subscription five oscars, this happened almost 100 years ago, the silent film star george valentine. he has all the threads of glory, he has everything one can dream of, talent, success, a true friend, a jealous wife, but one sudden meeting changes. his life a love story understandable without words and no, imitated by jean

dujardin in the film artist next friday on the first three more films and bronson became indispensable in europe where the producers without hesitation unfastened him half a million dollars for the project. his name helped fund the filming of terence's young, franco's red sun, and a spanish western featuring stars from all over the world. bronson starred there with alain, delon and the japanese star testiro mifuna, the male company was diluted by an ex-bond girl ursula andres cristina you are a whore, you always have been and always will be. always knew how to deal with

a woman. after the success of the film of the sixty-eight year bullet with steve mcqueen all the alpha males got into high-speed cars without long chases there were no action films at the beginning of the film the city of violence, serge salema for a whole 10 minutes the weather goes behind bronson's car. the thriller turns into a melodrama when its heroes are hired by a beloved woman. at the end of the film, he kills her and the sight of him being beaten in a dog touches the hearts of the audience. shoot you

that coward you won't shoot, i'll kill you. like alain delon bronson became famous in japan, a major cosmetics firm paid him huge sums of money to advertise men's cosmetics, giving gloss to his desperate characters. even children were allowed to be carried away by the bronze, who appeared in the piru magazine in the form of archie cache, an adventurer of dishonor and conscience. but bronson was annoyed that all this was passing by american producers and

viewers. he dreamed of returning to hollywood and a successful meeting awaited him. jill ireland introduced him to his former english fan directed by michael weir, charlie is famous for his difficult character. our first joint film was called compatriot. this western filmed in spain, charlie had not a role, but a dream of a half-breed indian who is being pursued by bandits, these bandits. they screamed all the time. he was there behind that rock of charm at that time he was sitting in a hotel drinking company and did not go anywhere only once. he drove out and his cadillac covered everything with dust, the actress who played his wife was tied up naked in the role. i told him to jump out of the woods at leo's school, bend over her and cut the ropes. free wife. he refused to say that he would not appear in the frame with a naked woman. we did this we

filmed her laying filmed her naked body her eyes and then char cuts the rope he liked the film but he said michael it's terrible you edited the footage and it turned out that i was next to a naked woman. michael winar, enriched bronson's image in the film the hills of horror. he undressed it, which was not difficult. after all , bronson always agreed to appear half-naked. strange behavior for an actor who did not want to be in a frame with naked women, but bronson was full of contradictions. for 50 years, he has not lost his animal magnetism, as noted by director john landis, at that time a simple assistant. he played an indian and almost the entire film was in the same loin agenda. i thought he must be in great shape. he

was short, but very muscular with excellent sanction. he sat looking through you and no one dared to disturb him. winar and bronson were so successful that they started a new joint film. the mechanic picture starts with long silent shots in bronson style long silence more 15 minutes, when his character carefully prepares the first kill michael winara emphasized

what bronson is strong in with a minimum of gestures with maximum effect. according to the script, the mechanic is the story of a professional homosexual killer who takes on a young apprentice. this is my son steve. this is mr. bishop. hello, in order to get bronson, the american producers removed the hints of homosexuality and added the role of the call girl that bronson demanded for jill erland. contrary to the opinion of producer irvin wintlar. i had a premonition, without him there would be no film, we would demand to take my father for the role of a girl, i would agree. this time, a hundred more. it took a long time to write a letter. in

some of michael winer's bold shots , the script's sexual ambiguity was left unnoticed by bronson, who was too preoccupied with his compare. these first two joint films of winar and bronson passed unnoticed in the usa and only in double screenings. and on the world screen they were successful to the surprise of the americans a year ago they named my guest the most popular actor in the world. it is strange that most of the films that made him a superstar, because he is an american actor mr. in

1972, bronson redoubled his efforts to conquer the united states, he allied dina de laurentiis with an italian producer who was trying to gain a foothold in hollywood by releasing similar successful films on a smaller budget. charles bronson got the lead role in film exploiting the success of the godfather. the godfather made such a splash that the godfather had nothing to do with our film. although it made a splash. like you said, but our film is here nothing. i think that a lot of the material for the book the godfather mario pew took from paper. after all , it was joseph valacci who was the first. who wrote about the mafia well admit that one of the motivations for your film was the financial success of the godfather any film you want to make financially successful. yes , i love straight answers. the film was a success, delaurentis

secured a collaboration with bronson. giving him the right to a percentage and signing a contract and three more films. bronson is worth $750,000 and it's no secret. there are no secrets in america fortunately, everything is open. you can tell the truth. bronson re-starred with michael winar in cold-blooded killer, where he played a cop with dubious methods . his characters are reminiscent of another played two years earlier by his old acquaintances. i know what you're thinking, i fired six shots or just five think, you're human what do you say, mouth? i haven't seen the films, but i've read the script. it

came to me through the hands of many actors, i liked the script, but for some reason i was not busy filming. or maybe i was not invited. i don’t remember exactly, but i read it and realized that this is a very good script. i thought clint eastwood was the way to go. an example of fashionable now acting with a fixed face, you have become another example of both can hold the whole movie. so not a single muscle on the face will touch bronson was looking for a way to win. in this rivalry, filming of the cold-blooded killer was barely over when the war and bronson conceived a new film. the one that boosts your career. the death wish story of a new york accountant on

whose wife and daughter are attacked, a respectable american goes from self-defense to violence due to police inaction and his love of firearms . the preparation of this project involved many and there was a lot of controversy. dina de laurentiis agreed to be the producer if the title was changed, he believed that the word death would guarantee a box office failure. michael winar managed to convince him. the distributors wanted to see the gangsters as white. to avoid accusations of racism in the first scene of the attack, this condition is met. look, mother, how the master works nice my bag is in the kitchen. and in the next one i'm not worth

a bastard because of this, the film will be accused of hypocrisy. and only bronson was lucky; his heroes gave the accountant a more masculine profession of an architect. released in 1974, the film death wish caused great controversy, some critics believed that the apocalyptic image of new york reflected unreality, and the thirst for legality and morality increased after the nixon presidency, others saw it as propaganda of the arms dealer lobby. the lynching itself is terrible, i do not approve of it, but the film does not call, go and kill local bandit, the idea is that society has reached that extreme point where people crave

law and order and will support anyone who will protect them. the new york times called the film disgusting, and the chika gasan times wrote about the quasi -fascist self-defense ad in the complex and moving film was. it's just that it was filmed for the entertainment of a certain category of viewers, and it impressed. they appreciated him. they began to applaud. yes, they received a film in which they saw what they themselves cannot do. at the end of the film, he began to openly enjoy murders. martin scorsese will smash this theme to be the suicidal version at the end of taxi driver. when was the last time you gave a standing

ovation to a film, the colossal success of death wish sparked a dubious vogue for revenge films, a kind of urban detective where ordinary people take on the functions of a bungled police force and helpless justice rages. his hand was cut off, his family was taken away, his soul was taken away. he's hoarding anger and will explode soon this film will change for bronson. all the lord is with us today one of the leading actors peace. thank you frank, in 1953 bronson finally became a superstar in the us and his

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