that's all i need to go through.

vasilisa tsarskaya voting number 09 this was the last contest entry for today, but before we know the name of the last vocalist. i would like to express my special gratitude to sergey sergeevich

zhilin, the fanugraf symphonic jazz orchestra. egor creed's team on stage agatha muceniece also dear mentors, special thanks. for each performance of our participants, you can see the hand of a professional and, of course, your great love. i hope that your words will also have a positive effect on the voting results word mentor polina gagarina good evening again, guys, well, first of all, i'm sorry, i want to turn to your mentor, because the choice of repertoire. well, at least a surprise. and yes, because he turned to, let's say, not at his time. and that's what the midshipman's power is in the first place, but it was e incredibly touching

it was. and so talented and so grown-up guys. i don't have time to tell the story, but in any case, thank you very much. thank you. buster i'll start telling a story, then lo and behold, i want to thank your mentor for choosing. weiss, building a composition. just amazingly sensual and a little sad, well, in light. you treated the task that was very difficult for you in a very adult way, and my respect for you as your mentor is super. great. a word to the mentor egor creed firstly, i want to thank you guys very much for the fact that i worked with you. this is thanks to you. they need to tell you. thank you. this is the first. ah. the second

is probably what we managed to do today i conceived what was born from the song of constantius because constance is the song of my childhood. i watched the movie the three musketeers and i wanted to arrange some kind of nostalgic moment today for all viewers of the tv channel. remember your favorite songs, soundtracks from your favorite soviet films, and you guys succeeded 100% thank you for being you , now my life you are part of our huge family. thank you guys. you better thank you mentors for your opinion. well, listen or do it your own way. it's up to you dear spectators. you have one last chance to choose your favorite send an sms to number four four seven with number participation message limit. and you can distribute them among the vocalists however you like. we will find out who will continue the fight for the title of the best children's voice in the country very soon.

keep voting. for now, we will remind you how the creed team performed elizaveta demenina voting number 0.7 fedor sorokin voting number 08. turkey pass vasilisa tsarskaya voting number 09 sausages bundle of tenderness, enough for everyone the first card in life and financial literacy since childhood. the most beautiful end of the

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friendly meetings and home holidays. the first channel opens the acceptance of applications for participation in the all-russian drinking songs competition. go to the site, fill out an application and get a chance to win 3 million rubles. the first card in life and financial literacy since childhood live broadcast channel one voice children on the stage of yegor creed's team one place in the final right now i'm closing the voting lines, please, complete silence. show us the results of the vote. wow

fedor sorokin superprite finalist as the voice of children friends, i think that everyone will agree with me, you amazing artists, dmitry and i can’t do that. this is definitely not to be discouraged. we will be sad that we are left without you. i want to tell everyone who supported me, who supported me, to say, in general, to the whole team of yegor creed that they worked with us? egor thank you for doing such a great journey with me mikhail

thank you for your work on all the songs. thank you agata in my support group to my teacher. thanks everyone. and of course to channel one for giving children the opportunity to go through such a big way. thanks vasya, come on. i want to say a big thank you to my parents and teachers. many thanks to the best mentor in the world egor egor i love you. i also want to say a big thank you to channel one to the entire voice team. children sergei sergeevich and your wonderful orchestra. thanks a lot too. thank you, dmitry agata thank you thank you to

my beloved school number 24, and also to its director elena alekseevna thank you thank you very much, guys, we are going through everything egor, we are ready to introduce all the vocalists. all finalists of the super project voice children in the team of basta ksenia kan elisey kasich sofia oloreska to the team of polina gagarina malika taigibova sagyn amirbay uly anastasia chumakov egor creed shamil ivanov adela zagrebena and fyodor sorokin the winners of the super project

we will find out next friday live it is you dear viewers. choose the best voice of the country in the children category, but that's not all on the screen you. decat, the votes for the best mentor were distributed according to the results of this episode, right now we are closing the game for viewers and voting for the best mentor of the season we will know the names of the winners in a week, and all the performances and the best moments of our project. watch on 1tv.ru. my name is dmitry nagiev, my co-host agata muceniece good luck to you love and patience all bye bye.

lyuba now if you were not a friend of our family and volodya in particular. i would never go for it and just go, well, for your sake to say. honestly, or rather, honestly for the sake of volodya alla sergeevna i am also here, because volodya they got married in the year of my birth and lived together for almost 55 years. she spent her whole life under his protection, invisible to the outside world, and it was impossible to imagine. how can she live without him. volodya was my closest friend, kinder, smarter than him, and didn’t know anyone, but both of them unexpectedly

found themselves in the space of this film, because the years of his serious illness, his departure were cherished together and immediately after, for a long time, they didn’t understand what to do with this emptiness and with this pain. we could share this emptiness and pain only with each other. this is how the movie began, who beat you nobody? basically a red light. he also tried to take me out.

for a conversation. and i yes no and everything will irritate you, what am i saying? no because just tell me to cook don't like these filming passes. i don't like this car. i don't like it. that's what we even now, as if a little guided by the camera said, i do n't like it. in my opinion, you are driving so long on purpose, because i remember when they called for me , it's pretty fast. we didn't agree on anything. let's so

we talked to you, but did not agree. we are with you said, i said, well, yes, you can, well, as an option, i will not act, as in a feature film i will not. i have neither the strength nor the time for this, the main desire. i said yesterday after our endless conversation on the phone, please, did i put up with it well? lyuba we'll shoot, the way you want these passages, these that i hate, it doesn't matter, because you want to shoot, how you want well now. looking for what for the stage. yes, she looks like that, she is such a fabric as if there were holes, but of course her it needs to be longer and of course it is longer, because there is not enough, no, too often.

this cassette was put, and when this uh sound was in hand, and therefore from hand to hand, because i had concerts and i had to re- do music for three days. clearly not, wait, i’ll explain everything to you now, in general, i wouldn’t trust you if i told you. whether i need to move it somehow. that's not sick. better will be worse. so

wait, wait. so nothing, he just passed by and no one, so as not to touch my endless. this is the first one and you don't need them. take off. this second one is good. thank you.

with this filming, because, well, i'm sitting like an idiot, and this one is being filmed outside the window, what's going on. well , what do you need? oh my god, and what do you put on it?

i went through this 133 times and very wisely said, no one else has been sick to us, this vigilant one said that you didn’t have a face that you could apply on. she quoted something on the canvas, and it’s really, in my opinion, you can apply any mask, any, and that’s really the way it was, and therefore, when you tell me now, now i’m better now, i just old tired woman. yes, i can form, i can why not. everyone can do it, but you shouldn't do it, make-up, a special marlin gate, relatively speaking, you shouldn't do grimm margarine, dietrich. you have

your own grimm, i say relatively speaking. that is, you will look as if you are filming in a regular tv show. this is how i look now after a sleepless sleepless night, and more than once. before that, she was also sleepless, and so on after terrible fatigue, and so on. i can look for 15 minutes very well. and even on stage from afar i can, but why?

this image of a man buttoned up with all buttons is extremely closed. remember the moment when it arose could no longer be the very beginning. yes, there is no very beginning, because since childhood and generally silently. my most comfortable state is

to be silent. you are great. you know that i can be different. and when this mask of a strong-willed woman is carried in front of me, it just, apparently , remains. i am delighted with my own son. i always told him he can take. and what do i says, now i'm getting married for my mother's love. i watched it at the shchukin school, and immediately ran to watch it. and he marked the world. you would have realized that the theater of ours was alive, finally, the

soviet theater was dead for three decades of the murdered stalinist unification in the shchukin school, where alla studies, the memory of aspiring avant-garde art lived, as if by smuggling in the sixty- third in 1998, teacher yuri lyubimov and his students put on a play by berthold, brecht, a kind man from the season. the best episode of her life and gave in a kind person better her way out is not geometric there is a possibility. see plane plane wave ma'am . i'll wave my lungs to see us, help

madam. help the one who is not the one who will fly ms. yang let him fly, losing hope a little. only mother drag yourself garbage mother, she lived in terrible fear, the car will lose. and in general, everything is flying. this is the city of the dead, this city of the dead. she spoke this one simple phrase. well, as she said it, you know what they call it here. a dead pilot, after all, a pilot, which is our dead or half-dead old dead new dead there is already a dying theater, then this dictionary of the city of the dead sounded, all the more intensified in contrast to the general sensations of the revived body people, that with this performance she will come along with her

beloved to the new theater, which will soon become a legend to everything learned. i realized that this is not all. i didn’t need my beloved at all, because at that time, but he needed kolya gubenko zina slavina screamers i don’t know how to scream just in such an open woman’s voice as yelling and that’s all wheels, so he flew into the competition, this one jumps up, huh? i can't stand it. and when i see it, in general, even on the street i go to the other side, i gave roles, but he couldn’t stand me at all and in general, women actresses didn’t need a loved one rather, she didn’t see her director in him, it’s not only the open cloaked sound of director

yuri liubov, really did not need the actors of the premiere. his heroes left the crowd, remaining, while lyubimov created a performance as a part of it, how powerfully and everything that connects the image. here it was necessary to be one of many to be on a par with others particles of famous lyubimov's multi-figured compositions. demidov may not even be recognized, although she is there, marching, dancing the cancan, singing in the choir, a natural and obscure part of her beloved's poetic theatrical revolution.