not true this touch of contempt this arrogance allows her to keep her distance and yes her skill is akin to mockery. to demidova's arrogance, this is also the new front actress of stagnant time, who can portray anything and come out of any role safe and sound. undamaged, this ability to keep a distance will save demidov's aura at different times and invariably successfully. however, it will also likely become a source of missed opportunities for her.

i love many secrets revealed in my togetherness. if if you want, i'll tell you sometime. how all happy stories end. july 18, 1980 at the height of the taganka olympiad, another hamlet was given, of course, no one thought that he would be the last.

vladimir is given a lengthy meal of the funeral of vladimir vysotsky konstantinsky multi- point statistics, listen to the voice of america from washington sibga tired of being a famous actor of this avant-garde theater for a day moscow kept vysotsky and remained a frame. sixty-year-old lyubimov carries the coffin, he looks like a man who buries the price. grief and on other faces not only close friends and brothers of the patogan woman, but also spectators listeners, the number of

which the country did not have pictures of this day from all the cities of short and villages, where at that moment people turned on their tape recorders, opened the windows and vysotsky's voice filled the streets of the alley roads. and the wheels of time were worn down in friction, everything in the world deteriorates from friction, and then time was offended and the pendulums of time froze. and twelve midnight is wrong everyone waited half a day, but again not waited. that's what time has come too

hotly loved by the people. element - it's better not to tease, otherwise the risen return wind will return the arrows to us with a point back performance. vladimir vysotsky was conceived by his beloved as a dialogue of actors and a voice from a soundtrack. in terms of spirits, the delirium tremens of a large excursion reports also on stage, she is the main one here, because they played better than their role on taganka in pairs.

how to download? crawl from the very beginning, it was clear that the performance that everyone was waiting for literally runs into serious trouble, madness the strong require supervision. clogged in the block this horror, the walker is satisfied. he's too cocky. joking, they saved him by standing between him and a thunderstorm. and yet they worked as usual on the taganka for one step of a ban, as if there were no bans.

there are all sorts of remarks from these comrades who do not allow this performance. well, uh, that's why it means we can't act like many unfortunate temporary workers among the rulers of art. this is how it starts.

if they close the performance, i leave the theater no one on me no anonymous letters from them their threats won't work after

boris godunov is also not allowed to be staged the theatrical novel lyubimov accepts an invitation to stage crime and punishment in london furious in the west. he gives interviews in which he is not embarrassed by expressions in six months he will be fired from the theater, and then only from citizenship the actors will remain hostages in moscow. no one yet understands that the former taganka great and furious will no longer be, that then in the summer of the eighties they buried not only vysotsky, but also the great utopia about

existence. in the walls and sinora in general, any film about loneliness about love about death. well, why are you breaking into open doors, you are talking to me, as in general only with a girl who has just graduated, not even 10 years old, but a six-year-old. there seems to be no future. it is difficult

for everyone, but demidova, perhaps more difficult than others. they are going through this difficult moment, if not all together, then in companies. she is alone as always. she writes down all the days of black nights in her diary. sleepless can't do anything paralysis of the will, but you can't tell from her. for her never don't say anything. rumors at some point, the name of anatoly ephesus appeared.

on a march afternoon in 1984, the troupe was told that the efros had agreed. for the soviet theater, a figure as important as lyubimov. although they can be said to be the antipodes of his performances about the life of a private person, vulnerable and contradictory, this complex person is also alien to the theater of socialist realism and dangerous for him. hard is not the word unfriendly. it was possible to do so at the end of this meeting, why is it necessary? why is the corpse sitting

in front of this master this union is impossible. someone should have come there. it was a difficult decision for himself, or it was difficult not for others, it was not easy. almost 10 years earlier, in the seventy-fifth year, at the

request of his beloved, efros rehearsed and released his cherry orchard on taganka. he became one of the best performances of efros and certainly a legendary role. alla demidova. she ranevskaya manages and everything. what is there to say. relations more more contacts attitude to than her beloved petrovich share my mother my. grandfather , if you want, sell the cherry orchard, well sell me with her. after all, my son drowned here. well, pity you a little here. here it is very

important, then it is a community, it means how different subordination is. this is where some different different behaviors come from. and i think that , mm, the manner of rehearsals and the style of the efros performance. in the end, she should have been closer to her, and plus the role itself, the role itself, the role itself, ranevskaya i was very fond of, by the way, this performance was very fond of demidova in this role. that's right, because they had a style, and she kind of understood the cherry orchard understood the situation. she seemed

to be the mistress of her role, relatively speaking, i even had some, which i also really liked with her. even some of the cynicism was. here it was a lovely paint, ranevskaya in which there is cynicism. and you said that she was a dokadent, she was a decadent. yes, she she was already she carried on herself. uh, as if the seal of this here is the xx century, here is his excuse relatively speaking, just such a degree. i can scream like this, but save me again. save, but talk, talk say whether the name is sold today or not sold, whether it doesn’t matter if it has long been finished with. no, turning back overgrown path. calm down dear. you don't have to deceive yourself. you have to look at least once in your life. indeed, right in the eyes. you see, where is the truth, and i see nothing, as if i had lost my sight. here is such an expression earlier in the russian

theater. we did not pass the soviet theater as an expression, but in the russian theater there was no wise actress. and ranevskaya's role is not for the actress ranevskaya , who played the mistress of the name, but intelligently, like an intellectual. here is a completely different, modern at this time in modern us. 1976

lyubimov, before this event, friends and colleagues hopelessly spoil relations with the success of the cherry orchard on his stage with his beloved actors, he was jealous of yasno and now, in 1986, mikhail gorbachev has already pronounced his fateful universal values ​​on the stands above class scenery , the same, but the words mean a genuine revolution the actors turn to gorbachev with a request to return their beloved. efros signature under this request too eat. several years spent by efros as the chief director at taganka were painful for him, the theater was falling apart before his eyes. they are a young, very unhealthy, not too,

director who knows how to stand up for himself, is subjected to genuine persecution about our heroine. in this chapter, it must be said, most importantly, she did not take any part. in one of the most brutal theatrical games of the twentieth century. she did not participate in the bullying. anatolia is a very significant difference, the main difference, maybe not even fully realized. in any case, glory to god, it has never been declared. this is. what proportion stood up for the defense of the weak? and yury petrovich of glory despised and poeticized only the strong. he worked all the time. for several years he staged six performances here, but not for a single minute did he feel this theater was his own. he did not take the place of his beloved, even he did not enter his office with the famous wall.

here everything remained the same as under yuri petrovich . this very council did not elect him. today, the choice of either the theater did not choose him. the last time i was at a very unsuccessful marierov performance. i coldly worship him. i can't ask myself this. a few days later he did not pass.

in february, the corpse goes to paris on tour. a month ago, andrei tarkovsky from the soviet union was kept here. of course, only the family of the exile was kept here by exiles and french filmmakers. it was another blow for demidova leaving people with whom she wanted and could work in full force. tarkovsky was her for real, plz. in a small, half-empty

parisian cinema, she watches a sacrifice. after that, together with the writer viktor nekrasov, he visits the grave of tarkovsky at the cemetery of senjanev de boa, a performance in paris for the first time but without a master. cherry orchard goes san hose

i drink coffee day and night i got used to it. thank you love

life is like a whirlwind people do not have time. behind this evening, the whirlwind knocks people down and carries them away and the whirlwind is always above us and we are weaker than this whirlwind, to which the name of time is merciless. yuri lyubimov returns to the ussr as a triumphant all

tv channels show the airport, where he is met by a crowd of devotees and fans with flowers, he goes to his house to his theater and in those days no one could have predicted. what will happen to him with his house theater and actors in just a few years. what happened lyubimov, who sincerely gained experience in the west, believed in reforms and changes, decided that it was time to build the theater in a new way. and this means a contract system, discipline, a sound economy, and not a family at all, this actor was not forgiven for him. all actors from yesterday in the name of the beloved, they poisoned the hilt. today united against the founding father of the tanks that you are a liar you cursed all the best that was in it.

in this conflict, demidov did not come to the side of his beloved from the very beginning. i have never interfered to be honest in this conflict, i don’t like a conflict situation at all. i don’t like this energy, but after yesterday, when i saw all this, i realized that i not only made a choice a long time ago in this to be with my favorite numerous interviews. she will say about the same

does not kick his own father out of the house. if you don't like it, very home. you have to get out of his lunge. why are we artists to me in this holiday? i don't want to see him. she will do this very soon, but quietly do respect for the teacher. in the meantime, in the midst of a riot. she is rehearsing with her beloved electrician, the work is difficult for her, this is noticeable, because when you are miracles and you suddenly become very aware of how blind you can feel for a step, you wouldn’t stumble. after all, no one here will take pity on you, you will fall. so you read, maybe then not will be. but you read that everyone is mocking you, and everyone is waiting for a memory from what you would get sick, what is inside? right now something broke inside me, apparently, something happened

, it got sick, because i am a piece. i remember the day before yesterday we were passing by. alla now looks much more like a cordel from king lear than electro, like the grown-up daughter of an imperious father, the most recalcitrant, but also the most devoted. can you say loving? no, this will not be true, but instead of love, there is a feeling of unmistakable moral choice, what and is called nobility. and another theater is already seen, so far unknown to the non-russian public or to itself. in fact, she herself took a step towards this novelty even earlier, even before demidov's electro, she played the main role in the play fedra roman viktyuk

viktyuk is not new to moscow, but a newly brightly lit name, he is the same age as demidov and staged on different stages back in the 80s performances, the appearance of which in the former ussr would have been impossible. a seductive and tragic animal, he is driven by passions and instincts, but by passions and instincts the archaic memory of all previous generations is preserved. this theater requires fearlessness. is demidov fearless at this time?

perhaps she finally felt her power. it is as if we cease to hold, all-round defense ceases to be madame is not a person without properties. it seems that for the first time she does not deny, but even emphasizes her gender and age, and it turns out that

both gender and age suit her unusually. vulnerability tenderness concentration everything is reflected instantaneously also instantly erased the distance between them and the outside world disappears nowhere gone, but she is not hiding from him, or maybe she will allow herself to be in the center of this world.