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197? and let's be the first to get a massage, you wo n't miss spring, because mts premium is no longer only mts music and kion online cinema, but of course, uran scooters and for mts subscribers also 50 gb of internet, where are the eyes? shpalikov he was somehow special, the sun

was reflected in the eyes of some buttons and in general he was healthy and joyful and you could say about this young man, he undoubtedly brought a bottle of champagne for success and said that he had come up with a cool script for me . a barefoot girl walks in the middle of the street. a guy on a bicycle appears in his hands, slowly following the girl, the guy is holding over umbrella girl. she dodges, and he still goes after her and smiles like it. mushroom rain in the sun - this is an idea, and then, and then we

'll think of it. danelia actually doesn’t like to talk about gena in sofia’s restaurant, he planted him there to write poetry, that is, he promised that they wouldn’t let him at the table until he wrote, well, this song, i say in moscow this is not the only case when i he was thus forced to write.

the japanese in moscow was a real triumph, the first and last. but i can still pass, i will dissolve the ocean. i don’t know yet. once it was a long time ago. when i first

started in the cinema, i drank in the morning and fell in love with everyone i met and crossed. i was afraid to watch her for a very long time. i was afraid. later, in this great picture , i cried there is no picture from the fact that you died so young and no one else made such pictures. vam filmed the insanely long end of his first picture, a girl with an accordion walking on the water barge into the water. it was a declaration of love to you century. where are you

now where are you clever? we would be friends. and where are you vega i know where but from the fact that i know such yearning.

the sixty-seventh year came out, the only directorial work of shpalikov, the film a long and happy life starring shpalikov took off. inna walking his second wife, the mother of his daughter dasha in bolshevo, they took such a photo on the market, but this is absolutely such a village gena wrote to me. again, 63 years old hatches, i have had nicknames since childhood . i observed all this directly, they

rented a dacha next to my dacha. and how happy it was, but they were good. there is a very happy summer at this moment. there is all life. and maybe the whole life enter for a person in one or more than one summer in one day. maybe the whole life enters, and the rest is all the background, it simply cannot be all the time by no one. it's good that there are some wonderful moments. this also doesn't happen to everyone. there are wonderful poems dedicated to hoarfrost under the wind the pines make a good noise. holy throne. you do not wake up to me with a

hot shoulder. touch, your dream shakes the pines and keeps. i hold you in my dream. and i hear a woodpecker pounding a tree. today is sunday in the forest in the country on the highway and in the swamp. the rest of a day not yet begun. indistinct outlines of objects i think how you entered into me my affairs of care and consciousness. leaves in weekdays of our celebration. but in the morning i want to wake up to look for words and forget words. hoping to love to obey is a piece of happiness, but he felt it

once he was able to write it. not everyone gets such a real feeling. from which there is a desire to continue to live, how not very happy it’s not very good it’s not important to live on, but there is an obviously final moment when in one moment there are so many things that contradict life. moments that ends here does this happen too? viktor nekrasov during the war years the captain of the sapper troops, a participant in the battle of stalingrad for the story in the trenches of stalingrad, he was awarded the stalin prize viktor nekrasov, the famous author of romanov's cops of stalingrad, was a friend of shpalikov. when nekrasov fell into disgrace and was in poverty, shpalikov wrote

a script for the kiev film studio, received an advance payment and gave all the money to nekrasov, although he himself was heavily in debt. i'm walking around moscow, isolation is almost here complete but i'm not complaining. worked this year a lot sat longer writing history for will they launch or not? there is a cloudy hope although, to be honest, i don't give a damn about it. for a normal person, this would be strange, at least.

drink once or more when left, however, do not drink for 40 days. then they wrote this very you and i. she just followed him around with thermos pies. so that in general, so as not to break loose and get drunk , the picture you and i, created in collaboration with larisovich. pitka thundered at the venice film festival in the seventy-second year, but most of shpalikov's scenarios were not accepted. what are your films about good people about, your heroes wander around the city and do nothing,

clarify the meaning in the ussr there is no choice or do you drink? or are you healing or are they not printing you? the fourth is not given? gradually, the charming shpalikov turned into a tramp. and when it became completely unbearable. but that's how it became unbearable remained in reserve. one remedy, it remained to go to the vending machine on kievskaya and drink two or three glasses of white fortified cursed blessed public port wine number 14

on token number 25 from the ticket in your pocket, get off at the river tram, walk along the ladder , implied by the flags, the splash of waves, get off and swim under the drunk port wine. seagulls flap their wings, the water glitters and ripples. ahead, at the turn , the barge slowly turns around. about the wind of the upper deck, which rushes between its painted garden benches through the eyes of passengers closed from bliss, about the gorky park of culture, which accommodates everything that is so useful and useless, about the crimean bridge that rises so majestically on the horizon. be cursed are these days, cursed be river trams.

i would blow them all together. i know where they stand at night. let me blow them up. i see you, i remember. what kind of ring i let go and on a high beauty of a strange house i raise strangers strangers

doors dream trust, and you will cut off and answer every table and a strange look. farewell to the ring, i do not let go and on the high porch. i raise. and we are not to blame for anything. we knocked on your door. how are those homeless soldiers? what are they looking for shelter in the

yards? goodbye sadovaya koltso, i'm going down lowers the porch. i rise from someone else's house.

let's get out of here. this is the fourth move in 10 minutes, this is my dream. i work for myself. get your horses going, wives ask questions for answers they don't want to hear. i like it. mom, leave all these hairdresses to your husband. seriously. you're scaring me. are you contributing more than that? the money will have to wait. even with all the cards in hand, a player can make a mistake. i bet everything on this deal. it must be closed, you are making blue blood out of yourself. we don't have everything. it's money so i have to blow my jude law savings in the movie nest. premiere

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the services you need at avito masters here. how is he you that the name i remember fatigue, i sleep badly to improve cerebral circulation of the brain , memory restoration, fatigue reduction and improved sleep, now i will not forget. to repay debts, of course it is necessary, but i don’t know how to earn money, i know how to work , what should i do? i feel sorry for the inca and you will give it, and in general everyone except yourself. felt boots and galoshes sleep on the sofa. you sleep, my little pale-faced brother, embraced by sleep in the square, the

summer garden is silent and on the bronze horse the bronze horseman sleeps. who is wonderful? well, it's just his favorite pastime was walking past the post office. here wanted to write. that's what came to mind. and he read the newspaper, but these stands stood on the boulevard. i walk through the city thoughts in me whistle let go. i'll stop drinking my beard, i'll look for a bride, maybe a widow, maybe not a local klava and i'll name her. she is

serezha let her call me. we are such a face, who will take me. is that the police and on foot to court for such persons, they simply take it. yes, it reached the handle. yes, now the khan is the day after receiving the money, not a damn thing that today is friday or thursday, you are a drunkard, a lost person. can i go to li, to vietnam yes, the war ended there and order is there? or is it in chile to fight the junta, because i was taught to shoot in the army. at night on the fence, however, i read with howard, i didn’t understand collusion. i didn’t understand a damn thing. i know i

kill. and i'm on the sidelines. well, probably only on the moon love it sheet. mozart salieri bookstores summer cafeteria calderone in a city apartment in the kiev district ah paris spring how do you get there? early in the morning they can all swim. and

you will destroy yourself with a western soul. love abroad. oh not good. palette masters you are not are to blame. lovely guys love you brahms like you cut it. so give me a ruble, dear, brother.

i do not need a woman suddenly feel, peru comrade in life and interlocutor. i don't need any of this. i just need a woman whom i don’t even know by name and in a day i’ll forget in person. it is better not to try to consider a person to the end , this is such shit or such stupidity, for some reason it is always not fun. and the last time i saw him.

it was the seventy-fourth year. summer at home. kino stood one person, around whom everyone they walked around as if they didn’t go around him here, no one stopped him. it was shpalikov. but this is another shpalik even at a distance. it was visible. it was a man standing absolutely lost in this space, alone in complete solitude, at the same time, in the well-filled hall, he looked around, and it was difficult to recognize him, but it was impossible not to recognize him, because all sorts of photographs knew him. there was a complete fall in the collision with reality. his jump-jump collapsed the ceiling tragic just a tragic feeling, so time, therefore, i leave you only a daughter, nothing more in a will. i was upset, i fall asleep, that this is

what life is like, that there is no one to hug my shoulder to lean against at night. that's what life is. call is great, russia and there is no one to call. in the autumn of 1974, viktor nekrasov left the country forever, the last lines of shpalikov are addressed to him. what do you dream about every day? why are you disturbing my soul? my closest person to hug, whom you can't. why do you come at night, wide open with a cheerful bang, to wake up and shout how

like i'm guilty of something. and without you it will snow. and i will dream about kyiv. you come, at least in a dream it will be preserved across the borders. that same autumn, in the writers' village of peredelkino, shpalikov writes his last script. the girl nadya what do you need, and the leader of the production, which becomes a deputy of the supreme council, life brings nadya to despair. she goes to the city dump and publicly burns herself at the stake, putting an end to the finale of this scene shpalikov sealed the script in an envelope and sent it to the government the same day. movie, but did not wait for an answer. november 1, 1974