you're a proverb that's why he never said at the same time after the accident, and the daughter of etush recognized her father's young friend. raya she did not accept his choice of their relationship. disordered for a long 8 years. raya left for the usa, the actor was very worried that he did not see his grandson. only at the end of an etush's life. they started talking again occasionally. well, of course, i understand when mothers come out, and suddenly, uh, another woman appears. this is the jealousy of children and jealousy. to what degree of selfishness a man like vladimir abramovich needed a support nearby. so i think that raechka also reconciled and understood us with this situation and accepted us in the spring of 2001 in march. lena moved in with vladimir abramovich for a year, and etush had a fire character,

and lena is not timid either. always flattered him. this is the sharp corner of his character, she skillfully smoothed out. you should have seen them together it was such a very interesting picture, of course because terrible here i am please, terrible vladimir lena sits with a table around him a butterfly a butterfly flutters vovochka vovochka vovochka vovochka vovochka it was surprisingly impossible, officially registered. exactly one year later, the difference in years and the age of the actor raised questions for many. who is this young woman who suddenly appeared, is she hunting for money and fame , will this relationship turn out to be a disaster for the actors, the press added fuel to the fire, they bring me a newspaper, and i read that i married a young woman, everyone secretly married, that uh -

we're having a good time. some kind of zucchini all the time, in fact, i got married, not secretly. and obviously it was wedding and no suspenders. i did not. she decided that she could go for what she sees, it is clear that no procedures have rejuvenated with happiness such an open and good-natured majority of the people who communicated with him. they just didn't know. even those with whom he played on the same stage, he was a closed person. maybe someone was able to open his, uh, heart or his soul, but i was not among the er dedicated no. no, we had a distance, and it has always been preserved. actually. etush was

an amazing paradox, a tough and domineering man with great self- respect was a comedian. jumped. well, maybe you look look at our activist. this is an armed bandit, death from mortally hear a serf. now the police will figure out which of us are halov, and his harshness and authority in life sometimes looked intimidating, and in the movies they seemed hilariously funny. they call them names, and we also fight for the honorary title of a house of high culture of life, it's a nightmare. he 's a tough stern, and comedians are mostly soft actors. well, let's say leonov or raikin. and there are tough comedians. for example, louis delphinance. are you not

walking? what kind of drunken antics is this kind of collective artist who plays in all seriousness with a very big temperamental inclusion in the situation, you can’t play the fool. you have to play seriously. one must absolutely spend money, then it will be funny on victory day at the first not two photos of the personality industry one per pass answer. we cut only under you of a picture. hello, would you like to order a card for documents or artistic personalities and one for pass. the perfect storm big premiere may 9 at

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take your image to ozon t-shirts from the spring collection from 299 rubles. and sneakers from 1.199 rubles. he made each hero of the fairy tales directed by nadezhda koshelerova enchantingly bright. and this was not always spelled out in the script, the actor himself endowed his characters with characteristic funny details, sometimes inventing them right in the process of shooting. everything it was laid down that there was not a penny in the house. the king the king himself must open the door inconveniently in front of vladimir abramovich's neighbors for her. it seems to me that he was such an artist, well, such a talisman, that is, here he is, she always found a role for him in every film, and er, she believed that films without vladimir abramovich should not be his

characters, the villains did not cause hatred or fear they were also loved. well, maybe you can’t say the same about the karabas-barabas from the cult picture. leonid nechaev adventures of pinocchio his children after all were ill dmitry iosifov was nine years old when they attached a long nose to him and let him communicate with a terrible bearded villain, why are you here? now i will take you to this and just like a professional. i will torment you, and we did not understand where the lines are, where ivan is a man, where he is a character. it was physically very difficult for etush to shoot in the crimea. the heat on the same was multi-layered warm clothes, and he simply hated it, of course, everything is warm there, hot, the costume

was hot, the legs of the actors were shod in a wooden cathedral with a very high platform, so that karabas seemed huge. several times he almost dislocated his leg. what was it like in all this ammunition to lift a twenty-kilogram boy and put him on a hook. is it you who interfered with the performance of my beautiful comedy? well, everything. all your song is sung. therefore, he talked quite seriously. that's because he was also afraid to collapse and along with me lie the responsibility. this is a village of dolginiha. not far from here. dachas. lena leads us to the monument to karabas barabas.

i always say hello when i arrive. the monument was it was created a year ago at the initiative of one of the local residents, andrey chizhik, a businessman. he told lena about what he had planned, asked how you feel about this , how can i relate to this extremely positively, i said well, and uh, well, somehow they immediately began to discuss. that is, right away, concretely, to specific cases, it wasn’t that there was once somewhere, then something no, he immediately supported the idea, and also actively helped it to come true, the well-known actors, producer andrei sokolov, this is his character, then this is like grozny with one side. and for some reason we all love like this and here it is. i remember that there were publications and there, well, as always, there are many well-wishers, and that's exactly why they made karabas a barabas. why did i just write? here the guys

do what you want, it interferes there, please, we see him like that, everyone immediately fell silent at andrey sokolov, who graduated from the shchukin theater school of mass recollections about what kind of karabas drums professor etush was yes, the only people, uh, in the shchukin school in the classroom, whom i cried. so, in general, in principle, it’s quite difficult for me. uh, so to speak, uh bring to tears, but out of resentment from resentment , it’s hard to say for your unprofessionalism who else among the teachers of theater universities has raised so many brightest stars in theater and cinema. lyudmila maksakova veniamin smekhov alexander zbruev zinovie vysokovsky alexander belyavsky and dozens of the most famous names are all students of the etush.

some work began on the role. here he was, in this sense, very scrupulous, very responsible , and his word was exactly how to say it. well, certainly what he said, that is, he had very great authority. vladimir etush began teaching acting at his native theater school named after shchukin immediately after the war, the role of a teacher was perhaps more responsible and important for this than any other. you know him too. if you whisper like that. no one will hear you, no one will see you, and you will not make any impression. he had his own idea of ​​what and how to teach future

actors of the hand. you can't do it like you do it, nina can't come up to sniff this very it must be done. it's physical. you have to feel. you can just start talking loudly, and in the end you will completely this emptiness. or maybe achieve this emptiness, then start talking loudly. choose this is your right this way, but you can't play on the stage like that, you can't rehearse like that for others. children are good to me. this is where we need to tweak things a bit. you are already late with your medieval education not finished. our profession is not for fools after the first year, he tried to expel me and sasha threw me out because we were not able to be actors, and responsibility for us, all the teachers were dumbfounded by such severity, the same way he was

surov to himself in 1987, in the wake of perestroika, vladimir etush was elected rector of the famous pike of one of the best theater universities in the country, this is the man who was afraid of the whole school. we were all scarier rabbits. tougher than a human. it seemed to me that he was so cruel, not a sympathetic terrible uncle. he was the captain of a huge ship. he took him through all the storms and storms of the nineties. now they understand it, the stars of theater and cinema etish students. there was something intimidating about him for the students. this is it with all the respect that he aroused interest, and further on some kind of reverence

, they say that the etush had such energy that it excitedly rushed to the school when he walked swiftly. in the class, he was an incredible energy man, magnetic magical quiet. quiet. quietly, and then how to give. i remember that she was showing some kind of a classmate of mine, and an etudget grabbed a chair in the heat of the moment and put it down, so vladimir ivanovich didn’t stand up straight in the department dare to break chairs. that's all, everything will be there and everything is quiet, like banderlog all burunov told how once in the second year of the school. he, as they say, lost his fear, made a parody of the same one, showed the rector in an etude for the test. everyone was waiting for my order

to expel, just in case, you go to the order board there, look where the schedules are, but no, the order did not appear. the parody went to the people and became so popular that burunov was even invited to show it on the anniversary of the master, we found this record. here is a small fragment of it. it's the same 80 next to him young wife. i don't want to teach you from the new system of stanislavsky but keep in mind that what is due to inexperience to you, maybe not to everyone due to inexperience, maybe, maybe because of misunderstanding, maybe because of selfishness, perhaps , for some other reason, everyone present and vladimir abramovich himself interfere because it was done with talent and precision. the stern

rector, whom the students were so afraid of, was a fair person, the one who faced his harshness. perhaps or reprimands will tell me well how not? it's scary. this is some kind of iron woodcutter who cuts right and left. and there was no need to change. he did not try to please everyone, did not allow any liberties, hated frivolous attitudes towards the profession and did not accept excuses. once, at the run-through of the performance, i already noticed this in the orchestra pit of the boy, the son of his stage partner maria aronova, she simply had nowhere to put him at that time, of course, he was furious at the presence of a child at such a crucial moment. this is a violation of all the rules, this child has already begun to scream indignantly frightened, because karabas-barabas. yes, even on top. yes, even with a mustache. moreover, in the costume of an actress

, etush sharply laid siege, took the child and left the run. it was a real scandal. the performance was in jeopardy. it was necessary to somehow get out of the conflict situation. i went to apologize. i go to his dressing room and knock. i say vladimir abramovich, he turned his eyes on me like that, this terrible aquiline nose, this is how he looks at me hard and i’m from the clamp instead of saying, excuse me, i said, you know that i'm not afraid of you anymore, i believe he slapped me and went thinking, let him tear me to pieces and i hear such laughter in the dressing room and the next day, when i came to the rehearsal. he held out his arms to me like this and hugged me to wait.

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film i have to go, what is this a test or a test? what does it mean? cinema 1tv presents nick you know what i want to tell you, you need to give birth, mom, i grew up hardened, unlike and i don't need all this. and let's not suddenly become good mother, otherwise no one will know. you understand, yes, now or never, i practically kneeled my life in front of you, okay. how does the new year begin with fluffy christmas trees

of gifts and expectations of the holiday, or maybe the films that we love so much the new year begins with the dom kino tv channel, turn on the new year and the cinema tv channel. 18 years of life, the performance began, and now our life together began. well, in general, almost almost the same, in fact, approximately coincided. and when it 's over, the performance is the last time we have it played on february 6, 1918, because vladimir abramovich was already having a hard time. this was evident, not by chance, he says, we played a performance, of course, played the same one, and she stood in the wings with

a piece of sugar on her palm. suddenly he will need age he has diabetes. he needs to be given medicine on time. she controlled everything. well, he couldn't even hiss. i don't want to take your pills. i and lena are not offended. she said, little johnny, i made you an injection. it does not hurt. i want an injection of vovik. let's be quiet. get away from me and i want on koka, this little vovochka needs to be done, lena told him, and she also understood, if this one already feels its lack of demand, as an actor his life will end and she began to look for new plays for him, new roles. they discussed it all together and he played all the time. it means that i have a call. hello. hello . vladimir abramovich is talking to you. what is vladimir abramovich asking? etush who

is vladimir abramovich, of course, klara novikova was surprised by the people's artist of the ussr, etush needed her lessons in jewish dialect. the ninety-year-old actor while working on the image of the furniture salesman gregory solomon from arthur miller's play price for the play quay, ask. the rabbi, who owns this dialect best of all, the rabbi said to clara , you understand, it comes from my aunt sonya from my character and from my parents, of course, everything is from there, and he says, i would really like to ask you to meet and try. maybe you can give me a hint. this workshop was able to reproduce the accents, temperament and manner of speech of different peoples. after the role of the saahov in the caucasian captive. all the country tried to guess. where does etush come from, from

dagestan or baku, yuri nikulin, with whom vladimir etush became very friends on the set of the film , told how the secretary of the presidium of the supreme soviet of the ussr, mikhail georgadze, asked to resolve the dispute, who are the artists by nationality? one half says that he is azerbaijani. my wife and i believe that he is georgian. i say say please. to me a brilliant artist in the center, he could play an italian from an english greek , anyone, he was very accurate in every role. he read me the part. and i gave it to him. i told him spoke. here it is necessary so here it is necessary so, and here is my

dad. he still climbed around so he did with a squint of his eyes. he is the guardian to understand that they want to deceive him. so he wanted to understand something, and i and so he began to do it in the eye, then he says, and here it became for him. as the life of the sister became insolent at the end, the success of the performance was a grandiose marina became the legend of the vakhtangov theater, great actors , the patriarchs of the russian stage, took part in it. and this one, almost until the very end of his life, he played one of his best roles in the pier. i was here 100% hit absolutely him and how he is in it in this story this excerpt of the performances brought a huge amount of humor. how he is val in the hall and how he included himself in this his age his already

status. it was, of course, so beautiful, my god, it had a unique feeling, a scene of professionalism that turned on regardless of the internal state and external conditions. even when in the dressing room he was sitting absolutely exhausted. he was dressed and made up. he went out and suddenly the performance stopped, we stopped performance for four minutes. imagine what three or four minutes of stage time is. this is how the hall met, etusha. that's what a real actor means, i saw how he grew taller, how his shoulders straightened on a physical level, suddenly this person became vladimir abramovich, when at the age of an actor he exceeded

90. he mastered the audio-super, in the theater this tiny gadget is called an ear, but in order for the ear to work, you need a professional prompter behind the monitor, who sees when and what to suggest this profession has mastered lena because this one really wanted to hear it was her voice. at some point, my monitor turned off. that was, of course, with that is, accordingly, it turns out that i neither saw nor heard the scene. that was it, of course. horror, this happened during a benefit performance, where etush played an old fireman and changed into a women's costume at 95, his memory was failing him and he needed tips. well, i just already had the rhythm, probably, the performance knew it somehow. uh, it turned out that i was able to prompt, without even seeing, i can’t hear, what is happening on the stage.