i hear, well, a very long time for a long time we go. well then, go home. no no i won't go mechanic like that. you don't have to talk. i'm all going. ribbons well, the wheelbarrow is not hungry, i ate with chicken what i boil tatyana evgenievna was very modest in life. that's how she was raised. so many emotions of feelings on the screen and so restrained during an interview with a french tv channel in the years of his triumph. in what sense in life in general? i married her. that's

probably all the changes in the personal order that happened to me. samoilova talks about to her second husband, valeria osipova, also briefly. she told our film crew about him for a very long time, he is insanely interesting, than insanely interesting. he is a very interesting person, with whom the friendship was for a week, probably, their marriage was promising. he is a writer. she is an actress , he wrote the music, he wrote the story and got state time, crazy on the set

of this film, the whole star cast of the film the cranes are flying director kolotozov, cameraman usevsky and starring tatyana samoilova yevgeny urbansky innokenty could ktonovsky vasily livanov wandered around western siberia a lot at night . the men could hardly stand the shooting day, either waist-deep in a swamp, or in an icy river, they held on with their last strength. and thank god samoilov, nobody got sick. although in these conditions it was quite normal. if someone got sick, but thank god our

cup passed, in fact samoilova was sick, but hid her condition from everyone. after filming, she had to recover for a long time. i am not worthy by nature. well, here and there i worked in the oven and came after nature at 7-8 in the morning, the more evening samoilova again sacrificed herself for the role since childhood was not distinguished by good health. she said from a hungry military childhood, but tatyana evgenievna did not like to talk about her health. how can i say, i would like to say how can i say, but an injection is impossible? this is my

case doctors case 2 years after hard filming and illnesses, the actress survived another drama, its consequences were much more severe. it happened in hungary on the set of alba regga, twenty-six-year-old tatyana samoilova and forty-year-old hungarian actor miklash, gabbr played lovers. in fact, they were actually in love with each other. and these shots. captured, perhaps, the greatest love in the life of an actress. after pickup. they decided not to part with the writer valery anymore. osipov was a civilian and nothing prevented him from remarrying, it was time. i cant

fool yourself more. i am alive. let it be that it will be better than lying to deceive. samoilova flew to moscow to see her parents and talked about the changes in her personal life, but the actress was not released back to hungary. i love you. now the war is a war, and here the war is only when there is a war you can’t love once the war, so the whole life is over, but i don’t care at all who you are and what you do. i was just happy. no

, that's enough tatyana evgenievna experienced a serious nervous breakdown, ended up in the hospital and for a long time, did not the actress wanted to see anyone, you know? completely unclaimed. here in this whole horror there was nothing to play. you see, she was invited simply for the fact that tatyana samoilova appeared in the credits, over time, the offer to act in films came less and less. samoilova went to work in the theater. she brilliantly played katerina in ostrovsky's thunderstorm. but soon problems began at times in the theater. she was so overwhelmed with emotions that she forgot that she was on stage. there was a traveling performance, in my opinion, in tula. for some reason, i i didn’t go, i went, tanechka was still there and we also dubbed, because the actors can be busy. galya samoikhina, that is, if they already took it,

so how much i traveled, they never took a second instead. sorry, but they took it here, which means there was something that could require a quick replacement. it was a difficult period in her life, samoilova felt like an unclaimed actress and an unhappy woman who once abandoned children. now she wanted to become a mother and soon a new admirer appeared in her life. she came to my office there on some business. i remembered something about tatyana's day. and i plucked up courage, laughed, i say, tatiana today is your birthday yes, yes, i want to invite you to a restaurant. that's how we got to know each other better was a fan was not 32

years old 33 years old. we were painted eduard mashkovich became the third husband of the actress. new love betrayed samoilova's strength at that moment she was approved for the role of anna karenina in the film from the archi, and she went headlong into work . anna karenina, and he had an actress like, uh, tatyana, the very work on this role seemed to bring her back to life. all tears of misery of failure. everything was forgotten than for me. extremely expensive image of anna karenina it seems to me that the strength of her character.

the great passion of the mind, some subtlety and sensitivity of thought allows her to feel and act in life at the behest of her heart as her brother for alyosha and, of course, i saw anna finding the apartment and as a talented person she absolutely reincarnated into her and was the anna whom we accustomed to seeing, and i looked at her as, in general, at the creation of such a creation. here, but for god's gift. i lived with anna karenina for four years, two years. we filmed for 2 years. i carried it in myself and experienced and checked, this is for my viewers. i think

this is her business. mm, not even as acting as biologically, as well as externally biological in nature. i knew tatyana evgenievna very well , and it was her direct business with her fear of her m-m female ones that they were what suited anna and therefore they played so easily. we love scenes they were afraid of it. because she went in like that, both of them would fall down there too. that she has the last message there, she still does. but i don't remember, she's not through . who knows the emotionality of the incredible

intensity? her openness. it's on a completely different plane and it's impossible to remember that it's because it's a purely emotional human takeoff. after the role of anna karenina, the desire to become a mother woke up in samoilova with renewed vigor. however, the doctors told her that she could not have children, so the birth of her son mitya became for everyone a real miracle, i generally believe that a woman without no motherly love. this is not a woman. she must know this. it's fine. i always forget when people forget these moments, when all of a sudden it gushed hot and terribly pleasant. well, this is wool, this is great

happiness. in which i lived. here the result is the most son is his place where he was born? then we left here, 69 years. and we lived here in 1952 , my son. he became a little wheelchair. i saw his muzzle. i saw his breath. i listened to him. i raised him, raised him, mom was here we were all here on this balcony sleeping on this balcony. here. we breathed fresh air here. well, what else to say? well, this is our fate, our old ancient area, which we all love very much. on the balcony, my mother and i stood for a very long time talking and talking. what kind

of builders are there? so they built them, what a good house. this is the school where alyosha grew up. everything, this is dear, everything is expensive. vasya lunar climbed the stairs and spat, and i was only 19 years old. this was after flying. it seemed to the cranes that all dreams came true a son was born, nearby, a loving husband, samoilova wanted to enjoy motherhood, but mother zinaida ilyinichna intervened, she was convinced that her daughter was not able to raise a child. for some reason, she was always very afraid that tanya would do something wrong. i mean , she had it. a good start, but dancing against it turned out to be too much. this is what she gave birth to, she is a mother, and she has the right, despite the tears and objections of her daughter. she took her grandson to

her and samoilova again had a nervous breakdown completely. like anna she lost her son and could not do anything change. everyone hates each other. we torture ourselves and there are no others. no impossible. for eduard moshkovich, family life with his beloved woman gradually turned into a test. he had to constantly reassure his wife to persuade him to go to the theater to go on stage at some point,

he could not stand it and left the family. after 7 years of marriage. he already said something about what needed to be decided here. someone to take that step. because it became hard just very samoilova was again left alone without a husband without a son without a job after anna karenina in the movie she played episodes and roles of the second plan. and she wanted to create completely different images. from dostoevsky, summer wanted her xix century. and when i met a crucian, who said there, i am now doing, uh, a noble nest, said, didn’t i really invite you, didn’t invite me. she always waited for her to be invited to act with actors. it was not

considered shameful to call a friend of the director and ask if there was a suitable role for samoilova , this was unacceptable. yes, a proud aristocratic woman, i have never heard her humiliate herself to any request. and including requests to give her a role never, and this is precisely pride, not pride. in the west, winners of the cannes film festival are bombarded with offers , they are paid big fees, they are surrounded by care and attention. tatyana samoilova was helped by only friends and fans of the beach in general, a modern fashionable clinic of some kind to improve her health, because she is not a recipient

of state grants from the state pension. many will say, well, just think, she is an actress, why does she need to pay. let's say i'm a pensioner. i don't you have to pay, i think, yes, because such pensioners. like you, like me, there are a lot of them. about such cultural figures as tatyana samoilova a few last years tatyana evgenievna lived with her brother alexei i don’t know tatyana evgeny allows, please, you allow with the difference in age. i was always by her side and helped her when i was already an adult, and

now i help. so no problem. no, it's all right. everything is fine. the son of tatyana samoilova dmitry lives and works in the usa with his daughter. dmitry named a girl in honor of her mother tanya inherited the beauty of her famous grandmother.

for the time being, perhaps, she has not grown up to such an age when i can show her films with my mother, well, mother, tatyana evgenievna is terribly loved by her, she did not demand special attention to herself. but if she didn’t like something, she wasn’t silent, during the filming we also got it. why do nailers know so much and write so much. but, well, madam, who only talk, just talk about yourself from the family and not only about the family, i can and as much as you like, as you talk about those whom you loved and why you love them. here this is already a misfortune, because this is my own business. no, it’s a completely different matter when it came to favorite roles, tatyana evgenievna could talk about this for hours, a friend. well, of course, life

is an adult thing, of course, it’s very difficult and you don’t need to tell the audience about it. watching my videos, watching mine, how my heart beats, starts music and let them love. her veronica her anna her tanya is impossible to play. it can only be lived from having decided on everything on the verge of one's capabilities, and this pain cannot be forgotten, it can only be carried through the whole own life.

yes, that i very simply loved my parents well, that the boy would remain on may 4, 2014, on the day when tatyana evgenievna turned 80, she died. the most important thing is not to lose. we are all used to the fact that our parents are our strong

rear wall protection from troubles and hardships, no matter what happens. they will definitely understand, console and help correct mistakes and give good advice, and as a rule. we are completely unprepared for the fact that someday we will have to switch roles with dad and mom, learn how to protect them, understand and console, reaching a certain age. parents begin to depend on us, but out of habit they continue to teach life. how to respond to their moralizing and not get annoyed. how to maintain normal relationships and not blame yourself for breakdowns? his relationship with his parents was so difficult that he was forced to give up everything and leave his homeland forever. and only the departure of his parents made him think about what he was doing wrong because of the answer, he went to the old people. today, his entourage is people over 80 and he has about a hundred of them

shortly before his 50th birthday. he cardinally changed his life, left a highly paid position as an art director and went to lead a wood carving circle at a local nursing home on how to build relationships with elderly parents and live in peace and harmony with them, how to communicate with the elderly to understand them and remain calm. even when it seems that there is no more strength for it. alone with everyone alexander galitsky is glad to welcome you to our studio. i understand that this is the number of observations of the elderly. led you to want to somehow accumulate that whether this experience and even write a book about communicating with him. yes, but in general this story, as if my relationship with my parents were complicated. i even left the country changed. yes, you changed the country

because of complex relations, it’s very difficult, how would it be, how would it all tune in to all sorts of one for the other, just didn’t understand a lot. there in mom in dad. at least great love, but how would these be very difficult to understand each other and then, when they left at all. i went to work with the elderly. it seems to me that here is yours yet an unpublished book may end up being extremely sought after, because you, i think, are making some kind of revolutionary discoveries. seriously, i say, now they are absolutely not joking, because they usually talk about old age in an aspect. what medical? yes, and no one understands this topic, like with psychology, and no one takes the liberty of it. although we all tell each other, maybe in a cafe, that i don’t know there, mom, that’s how you behave, dad, he made

christmas trees-sticks, when they are there, i don’t know me annoying or how they brought me climbed into the blog began to look. here is what you are saying, just a huge number, as it were, of people who are experiencing on the topic of a huge number, suffering suffering . there is no way out. that is, there people share some of their misfortunes and do not understand how to deal with it. uh-huh, in the same place, in general, when you begin to realize that time is moving along another elderly person, let's let him get up, get up from his chair and reach him, this is work for him. they take it time from me and me it when it started to get to me, that is, let's say i'm calling someone's apartment there. yes, i say, where is vasya, where is he, why hasn't he come yet. he says he's out. i say, well, he will come now. no , well, in 15, if you don't come in 15 minutes, call me. he needs to walk along the corridor, go down and go in, that is, as if time flows

differently, for example, it is harder to stand up than to sit down. this must be realized. i need to understand this for us in order to communicate with them, each of us is afraid of old age. and so i think, uh someone is there rest. so i wanted to ask, yes less. i'm already in the first place, i know that i will definitely have a walker. i already feel, well, you see. when do you look at these people? well, it will probably be so, that is, we also have our own illusion of old age, so they grow old. and i'll be hoo. i have a way to look at myself. there in 20-30 years. and so, in general, this is an interesting way, because, of course, of course, yes. well , you think, well, okay, nothing there, okay, well, yeah, we'll manage, and you are doing, uh, the story is the same woodcarving. in general, it's like this is the old carving. what is it like? i don't know, because i actually did it there. i was the director. in

general, i did it, so to speak. how can i put it this way, uh, computer graphics for a very long time. and when they offered me i also said that this is impossible at all, because there are sharp tools, hammers, boards, and a roar there, so to speak, all the work. so he gives, of course, like this, a very big incentive to these people. feel yourself. that's it, you understand everything, everything is theater, in fact comes to me, because it’s good for them that they need to understand relatively speaking, having elderly people in their house, in order not to run into them there, well, scandals for quarrels are just one thing. you have to see yourself in it. if they hiss at you there, if they say some kind of hissing at you, like this one, uh, it’s not because you’re not to blame. you are not to blame for anything. just to put it this way, it so happened that you

fell under a hot hand under a hot crutch. i say, here, yes, and that means as soon as you, you understand, this is the uh reason, then you start, how would you feel sorry for the character, how would you understand, you are not angry with him. you can't get angry. you must be absolutely calm, as if no emotions and real ones are possible. that is, you can manifest. how would love, yes, well, respect love is warm, but in no case should negative emotions be experienced, they can be played there, play anger to play, but in no case be angry. that is, as soon as you understand what to say, everything becomes very simple, and old age is when your point of view or the old woman, it's since when is a six-year-old woman swimming there five styles in the pool? well, she's definitely not an old man, but she, in my opinion, is not an old woman, yeah, here or there, i don't know what i have 101 years old. to one

character, at the age of 100, they changed the crystal eye, that is, it means that he could come to me and continue to cut wood. uh-huh well, that means up to 130. well, yes, you can believe him. i generally say that the one who carves supports forever. i think that it might be a little easier for you than interaction, albeit with a huge the number of, so to speak, elderly people, but you are still not a relative. yes, this is such a distance at which you can look and put up with this fading. after all, probably one of the reasons for our e difficult showdown with our elderly parents and grandparents is that we don’t want to. reconcile we want them to be strong to the point. i don't know, well, how to say, it's just like that. mm, such a natural phenomenon. yes

, you are not you, you can want, you may not want. maybe with him so to speak, well, you can’t fight him, because you can’t win with you. so you, as it were, just need to realize and understand and how to give a person, uh, how to be yourself, that is, to understand that these children's games that they play are important. no matter how strange they may seem to us, and to see these here in this oldest man of your father, whom you idolized there, and the mother who raised you there. yes, but say nothing to do with it. that is, it just needs to be accepted somehow, and here we are uh, in general, this is what we are doing here in this book and about it, as it were, i kind of explain. so, like these, uh, these paths, why is this all happening? yes uh-huh and answer just specific questions. why do people, for example, sit on a bench and watch? t further why them?