this is a play to be, staged in the theater according to the military memoirs of mogtunovsky. looking far ? and all was. close we have a very difficult performance. there, three women play three hypostases of one man of genius, but in

such a situation during the war, you know, personally, i play, huh? the youngest. here he is at the age of 17, and i play. i am doing my best. i just don't know how he was 17 years old. i don’t know how young he was, but i try to endure something so alive, which is generally typical, probably for many. that’s for this seventeen generation war. she's scary , she's scary. i don't want to die. i want to live in 1943, innocent smoktunovsky, along with other cadets of the achinsk infantry school.

recently, privates were sent to study at the front on the kursk bulge in the very middle of nowhere, of course, when he got to the war. for the first time it was very scary, and he describes that in the early days he vomited and had a real condition. shoka later in tough fights. near kiev smog tynovsky was captured for several days, the nazis led a column of prisoners along frost almost without food. and so, he also describes a column of prisoners of war, when they were walking and there was no longer any strength to go at all. and when he was at the end of the column. he saw that those wounded. already there, if they were coming, they were just shooting them , already shooting them, it was clear that if you want, you have to go to live, and smoktunovsky walked. overcoming yourself, do not pay attention to hunger and cold and gradually ended up in the head of the column every second. he

frantically looked for an opportunity to escape. this terrible case was carried out when they were already out somewhere in in the carpathian region, a column of hungry hungry prisoners of war, amezh, the germans are free, and he somehow only owns this with his somehow organic matter. without words showed that i need a german. allowed me to leave only said. the column at that time stood at the bridge, then there was some kind of hitch, the guard was distracted and smogtunovsky. understood now or never did he quickly slide under the bridge, found some niche, huddled into it and froze in the hope that they would forget about him, and when he had already heard innokenty mikhailovich that everything? already silence everyone is already gone. even then he was afraid

to move and somehow budge. but then, nevertheless, he found strength in himself, after some time he went through the forests through the forests and reached the village. and then he knocked on the first hut, risking his life and the lives of his children, a ukrainian peasant woman hid and went out. vasilisa shevchuk, the actor always remembered her when he became a people's artist of the ussr. he often invited a woman to visit and helped with everything that he could call her women vasily's meaning, it was dad. vasya connected innocent with the partisans and soon he was already fighting in the detachment. when our detachment came to ukraine, he joined the red army with the

rank of junior sergeant. smoktunovsky commanded a platoon of submachine gunners and took part in the liberation. warsaw for the performance of one of the tasks of smoktunovsky was presented with a medal for courage, but the award caught up with him only half a century later, right on the stage of the theater during the performance. e after bulgakov's easel demuleier played the magnificent oleg nikolaevich efremov e. innokenty mikhailovich played the king of the sun. and we were told at the end there will be some important moment, we all don’t disagree, we wait and people come out. like someone, here's some kind of general, apparently, then we understood his fellow soldiers, a visual aerial flight and they visually tinned the award found a hero. inokenty mikhailovich smoktunovsky, came through all the

hardships of the war includes, so to speak, uh, the war of attack. uh, captivity escape guerrilla liberation. warsaw to take berlin is not heroism. i just honestly served my fatherland from my life i love my homeland. i love russia after war, smoglinovsky began his career in the krasnoyarsk theater in the capital, he was ordered to go due to the fact that he was a prisoner. he was forbidden to live in 39 cities of the country, and above all in moscow or leningrad, namely, they were the center of the theatrical life and so attracted the novice actor , on the orders of stalin, any prisoner automatically became a traitor to the motherland. and it did n't matter at all. it was taken in a terrible battle. when

the german forces were many times superior to the forces of the soviet army or surrendered voluntarily raising his hands was unimportant. you were a traitor. i don’t know what, according to stalin, the prisoners should have done to arrange a session of collective suicide, for 10 years mogtunovsky played in the theaters of krasnoyarsk norilsk the terrible makhachkala and only after death. stalin was able to finally get to moscow by that time he was already 30 years old. how yes, so you almost love, swear, you don’t know how in the film , soldiers based on the story of nekrasov in the trenches. stalingrad smoktunovsky practically did not play. i just remembered that terrible time that destructive deadly force past millions

of soviet people. spoiled then he had another military role as a surgeon in the film by sergei bondarchuk they fought for the motherland will have to endure. the sixties did not return to the war for him, the time when he fully revealed himself as an actor and played the roles for which we know and love him about love, about life, about hope. this is an actor who equally brilliantly appeared on the movie screen of

the cinema stage, which was. equally good in any roles that could play from emperor to prince myshkin to sharp comedic roles throughout the film. watch out for the car. in fact, it rests on it. maybe i acted wrong, but from the bottom of my heart i could not stand it, because they steal a lot. after all, i wanted to help you, citizens of the judge, and therefore all this happened in the seventieth year of his life, having lived an amazing creative life, leaving behind his children and grandchildren, for the sake of which he fought for the future. on victory

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i put this game i can't, i eat it damned every day. if only pavel luspekaev had enough bread, his vereshchagin from the picture the white sun of the desert became one of the most beloved movie heroes by the people. bogatyr but a snowy soul that he could cry over a beautiful song. pavel luspekaev is a soldier of the great patriotic war, and the war, like moscow, does not believe in tears as a sixteen-year-old teenager. he volunteered for the front in terrible battles. almost lost my arm. he

was amputated so that this was not visible, the actor on the set put iron boots in his boots spacers. a man with an extreme tragic fate, when pavel was only 14 years old, his native rostov steppes, german tanks came, after heavy fighting, the village was occupied and he got up to help the partisans, and at the age of 16. he

is already in the regular army. served in the partisan reconnaissance group. they were transferred across the front to perform the most difficult and dangerous tasks, he could then be included in this group, as natives of those places, and perhaps because there is no information anywhere where exactly he fought. and this is clear. why, because the action of similar groups. they are classified as a secret. even now, many data often had to lie in ambush for several hours in the summer on the ground in the winter in the snow. and during one of the outings. while still quite young. maybe because of this, he , too, well, somehow he did not calculate his strength. and, in general, he spent a very long time. it’s just, well, in such a snowy ambush, which is why it’s scary, and when it froze many, it’s terribly bowed, his success later, and then it was much more terrible for him wound in the arm, which he received during one

of the battles, the elbow. the joint was shattered , an amputation was planned, but after hearing the conversation of the surgeons. pavel began to persuade so passionately to save his hand that the doctors tried to do the impossible and they succeeded here, of course, also the youth of these people, yes, and the desire to live on with a full life, imagine yourself in this peaceful life, and in this bright picture here is a man in an astonished disabled person and so on. yes, that in itself is scary. demobilized successful at the end 1944, when the partisan movement ceased to be necessary, the war completely moved to europe; later, pavel entered the shchepkinsky school. hiv was considered one of the first pupils to play in the theater, with time he began to act in films as a teacher. vatel performs similar gymnastics during the filming of the film republic of shkid the actors suddenly

had a severe pain in their legs, he was taken to the ambulance right from the set. it turned out that he had developed atherosclerosis of the vessels, the disease progressed rapidly at some point, the doctors said, it is necessary to amputate the fingers and part of the foot otherwise specifically after the amputation of the actor. i had to leave the theater for a whole performance on my feet, it was no longer possible to withstand him constantly tormented by phantom pains, but he never complains to anyone when he was invited to the role of vereshchagin, they warned the shooting would be difficult, the role required movement, and there would also be desert sand heat. customs is good. he defiantly, just walked around the room. here we were sitting, and he walked with a stick, he really walked and said that he could stand it, that he liked it,

how he sees this role. here you see, uh, not that he knows, or an actor, they came to persuade, or an actor, somehow not. there was some kind of thing that just came from him. this is when a child sincerely asks for something. here in him sincerity is, well, bribed. it's just, well, it was impossible to refuse this man anything you understand. that was the feeling, the director of the film, vladimir motyl, was ready to rewrite the script and make an option where vereshchagin would be on crutches, like a veteran of the first world war, but this option was successful categorically took him away, because he said that when a hero dies, it is vereshchagin who dies. one must really feel sorry for him, he must be a person who still has how to live and live, and in whom this vital energy is in abundance. and if he is already such a battered elderly

invalid. eh, some wars there, yes, then there will be much less sympathy for them. now let's come closer fedovanovich. but after filming, he really drove everyone away, no one , so as not to come up to him, went to the sea and just sat and swam and swam for hours. here comes the movie he left the country in march 1970, but with all the power of people's love for this picture and vereshchagin in particular. pavel uskaev could not be recognized. he died during the filming of his next film, all

the king's men, before he had time to play even the third of his scenes. his life was suddenly cut short by a rupture of the cardiac aorta in the minsk hotel on april 17, 1970 . the actor was only 43 years old. blind shura and if i were a revolution would i look at me, shura i would go to the leader of lieutenant schmidt revolution. ai shurochka before the revolution. i was rich human. i had a family house on his panikovskogo. it is impossible to watch without tears without tears from laughter, whoever plays whether it is a court judge, an assessor or a cemetery watchman, his appearance. in the frame, she always raised the degree of humor, fought in the sapper troops,

his every step could literally. in the sense of becoming the last after the explosion of a mine. he almost lost his leg. herta to his first wife , he went to the front in 1941, when he was 25 years old, he joked and rhymed, dear. you hear me, damn it, i even sit and see the charge or i order angrily, what she wrote daily. it was his way of getting through. horrors of war. listen to what's going on in my heart. i really want to live in order to see you live in order to understand what i experienced during the war, to understand what i saw live. i want it because only now i have come to know the price of life, the price of nervous life. so, when we finish with the german, and we will definitely finish with him. i do not

take off my vastness of the fifth height in dirty boots. in general, as it is, without washing, i will look in the direction where you are, so without taking my eyes off i will go with heavy steps in a straight line, so that the path is shorter, so that you are faster, but before the victory, it was still necessary to go along the roads of war, and for gert these were especially dangerous roads. he served as a sapper in the forty-third year, when clearing minefields near kharkov, the coat of arms was seriously wounded in the leg; nurse vera vididina pulled him out. how many lives have been saved by these young girls, the gerts of the introduction have been communicating all their lives. and of course, the former military nurse could not help but come to the actor's 80th birthday for 7 months. ever since i. helped you

gerd ended up in the hospital a lot, he was literally collected piece by piece to the botkin hospital in moscow, the future actor ended up after 10 operations. he miraculously escaped amputation, salvation came in the face. the first wife of the legendary designer sergei korolev, xenia vincentine of the famous surgeon , was the entrance, who came to the conclusion that the leg could no longer be saved, and the professor on the round said that prepare for the computerization, and my mother, leaving the ward. she lingered for a minute and said, do not give consent to the operation of your leg, you can save even more. he refused the operation, then his mother also operated on the 11th operation. she did it to him, but she

was successful and in general. although he was limping and dragging, how to say his leg, but it was still his own leg. well, of course. the coat of arms still suffered with this lameness. now he had to live all his life and no longer dance, although before the war. he passionately loved this business. in particular , in the famous drummer cinema, there was just such a place where a well, the coat of arms simply arranged solo numbers. he had a permanent partner. there they played jazz, and, well, the coat of arms was great, as they remember, but those who happened to see it, he danced banter. he was tap dancing. here. well , of course, after the war it was no longer available to him. i had to think about how to live on, what to do. the fate of the actor was determined when he was still in the front-line hospital, a puppet theater came to them with a performance and

saw gert. how much can be expressed with the help of dolls, and most importantly, behind the screen, his lameness will not be important to anyone. i wrote about it that it was a curtain, for which you can hide and terribly beckoned him and gave some hope, and he went to the interview to the sample. they asked him. well, do you know any poems, he said i know, then he read them for 4 hours, this interview was already over in probably six minutes, and then they just enjoyed how he read. and stayed there for a long year, you know. i'm always worried about the question, am i too cultured for you? not too very nice. he brilliant absolutely did it and drove. they are in different countries and in different languages. he uh, so to speak, he learned his entreprises,

monologues, and so on, but hmm, uh, a smart , talented person, he is much wider than his profession, any zinovy ​​hertz. he became the star of the obraztsov puppet theater, he was recognized by one voice precisely with his charming timbre, at first he became famous in the cinema, read the off-screen text , dubbed foreign artists, and then finally came out of the shadows as the first big star role. hertha became the panician in the film the golden calf. i ask him. it goes by unexpectedly. as a result, zinovy ​​hertz starred in almost a hundred films. it's called charm. this is called such an armor-piercing charm that breaks everything. ah. this miracle was just

like that and it is tempting to say that now this is no longer the case. well, maybe it is, but i don't know where it is. we don't talk, then we don't talk about how we, how our new guitars did not turn out to be a hindrance, on the contrary, for the viewer. she became the second. i am an actor, this is a chromatulus, he carried. who went out onto the stage, what is the weather like ? limping is so heavy, yes, majestic nuances. it means, here's your leg.

zinovy ​​gerd lived a long life of 80 years, but he didn’t tell anything about the war, he didn’t like to remember and , by the way, he never boasted of his awards, he didn’t like to talk about the war, he didn’t like to tell stories, but he never, uh, wore any signs or anything even on holidays. if there were any meetings of veterans and so on, he brought some funny story from them, how he met his brother-soldier at the bolshoi theater. these are famous stories, and then it turned out that this a firefighter from his theater. well, in general, it always turned into humor, irony, there was never anything heroic. so alive, charming and cheerful, we actors will always remember. vladimir

basov one of his appearances on the screen