good. well, who would have thought? who is the lad, animators personal lad? he didn't do it himself. i 'm telling you, for sure, i pressed everything on him. in short, the state, and you're in no way again with everything in

abundance. hmm, you can only have one orderly, personally, fedor is not enough for you. you know that, my dear, if something happens to the old woman, i have absolutely nothing to do with it. you are the administrator and answered you. come on, call, call, inform your relatives about what happened. it's worth it, wait. undress why are you sitting? why would you call naked? take it off or not, what's that? force majeure turns you on? my lazy teddy bear

would you like to try give me please, i don't spice driving. with blows do you have it? children about of course, there is chateau found a little expensive. yes, but it's worth it. a bottle of the '90 harvest is 50,000 two hundred, and '02 is much cheaper, although the taste is almost as good as only 21,000. times smoke rocker let's go over. let's go for 50 any

time. what are you? decided to get into credit money. i will work. i changed my mind about a glass of white canteen and mineral water. as you wish 40 years have not been here piano, all the same. anna andreevna, but i still do n’t understand, not at ease. why do i insure all this, sorry. in your person there is an opportunity to justify yourself to the very front of whom? and suddenly

someone is sitting upstairs writing down everything in the ledger. you are an atheist, but what if you think 500,000 is enough? no, i'm not stupid enough not to understand. that no millions are enough? and then what? i've lived a terrible life. you understand, and only now i realized it. i don't want you to repeat my mistakes. it's almost life. all actresses actors this is me i. and everything around me, i am around myself and everything

around you. but this is just zhenya's profession, and it becomes an overvalued value. and life real life goes away and you stop loving. it goes unnoticed. everything becomes a game. and people close to your people are the closest they also become extras in this game. and this is not the ability to love. it will lead you to the end of life. just like me, no one will need you. nobody will love you either. i took

my life. six because i had very important shots. all six times, straight some kind of mysticism, not sisters, not brothers. this, by the way, is very affecting her. i think that my hands are up to the elbows in blood, so the edges are always. the famous actress my mother was dying in the arms of strangers. no, of course, these were the deals of the professionals. but i wasn't there. i was at a festival abroad. she

screamed, but no one heard her, because they are good, kind people, but they are strangers and god forbid that your mother should die in your arms. how can you not live? i know it for sure. i want i want to share this knowledge with you because i feel sorry. if if you do everything will turn out, you see, and now i don’t have it. please choose choose. i'll come

and choose. if i heard then i will find it there. because i have no other trump cards. here is not a single one.

oh, it's hard to drag no, you're light yes, light. genesis

for some reason do not bend. eugene, go to andreevna zhenya's apartment, and in my naivety i thought that the one who pays someone to order music, she is right. dear, you put me in an extremely awkward position. i'm after your request with great difficulty. agreed with the administration of this medical institution violate the prescribed regimen. this is fraught with prison doctor. being here is fraught with only one. and

everyone knows about it. it would be better to prepare injections. everything hurts so, my dear, it's no wonder you could die in the car at all. if you take him away, i'll check out of here tomorrow. and i 'll tell all the journalists what a mess you have here and the hell you'll earn something on me. let's go already. stop girl. tomorrow i have a long outing.

so that there is no talk about the regime, i have seen enough of your these regimes in my life. zhenya nothing, i have nothing against her andreevna, the only condition is, i'm with you no no. and no discussion. zhenya let 's go. zhenya, you're crazy. the question is in the wrong place. where tomorrow? but how do i know? she asks to come in. still

tearing up. cigarettes in the restaurant forgot, not a stick. not a stick, really. then that's what the pskov region has a village called koromyslovo. there is an old, decrepit house there. well, like barak people live there. i know i have to go there. can you? well, yes, only in that direction the route is clogged, and in which direction not clogged kilometers 150 hours 11 we will go out, but we will get along, i was born, and i wish there until i am 16 years old.

i really want to see it, can you? i can thank you it's been a long day. well, i drove. enjoy your meal. is your door closed? there is nothing to steal from me. do you think 500

thousand? rubles are nothing, right? i am her daughter's husband in your russian. this is evseeva's son-in-law, and your rented apartment has been decided to kill. until i decide. maybe the muzzle could be another part of the body write? so grandmothers.

i swear by mom. she does what she wants, what she wants . that's the boy she wanted. here's a boy for you. and can you imagine, if i want a girl, you know what will start there, it's scary where you went? yes? do not be afraid, i will not run away who is afraid. listen. here's the money she left me it was inconvenient to refuse twenty, however, not enough in europe sat too modestly.

give it back to whoever you got it from if you don't need it. why did they come? do you know you want to look into your eyes? take the envelope. fair no, it's just mandatory. this is right. all the best goodbye. hello you called me.

my phone is just off, sorry. the project has been launched and needs to be approved. okay, yes they will, let's go. call right away and from me you have all your hacks from the 10th fitting of a suit, then we immediately warm it up. there are age-related changes - this should be right on the shore, as you must fix it today, but when the scenery is ready for a long time, you need to catch up on the schedule once in money. everything is good. i understand,

honestly, but it’s not very much necessary to go to one place. see that you are not sent to another place forever. serge dudkin as a reserve performer is waiting for him only whistle to blackmail. she was tall, slender, resembling a snake, very

beautiful and extremely thin. here is the 13th year of her peak and the fortieth year of the peak of creativity, but a completely different, completely different tread. another tragedy and a different understanding of life, and that road was opened to me along which so much had gone, along which my son was usually taken away at night. and here, for some reason, they came for him in the afternoon, and it so happened that she andreevna one was at home here and what kind of literary authorities in leningrad did not matter to us young poets, because we knew that an anakh lives in the city for the birthday of anna akhmatova today. on the first she didn't go anywhere. here i am not a mystical person at all, and for some reason in the evening on the

white nights. you suddenly feel that there are some shadows of people's names above you, but you are an italian passion in every fragrance of antonio morti stores, an individual entrepreneur. i'm not ready to give away what i myself earned for one ruble and transfer to individuals to a personal account up to 500,000 rubles. every month. we deliver ozone with love today comfortable and stylish shoes from adidas with super discounts up to 50%

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one shopping for a summer residence in a supermarket. pay for goods from your favorite sberbank card stores and get 10 percent bonuses. order. hello hello. yes, yes, i'm ready to listen, this is such a madhouse. well, then they close the project and open it. now they just can’t physically find a replacement, but i can’t let you down. well, you yourself know. yes, i don't know. and tomorrow daytime, well, they appointed in a row. okay, anna andreevna, i'm sorry that this happened. i promised, of course you will.

the layer lies the word did not say. she can

do you want me to give you my car? i can drive . well, it's true, today it's too late in such a distance, and tomorrow morning.

kitty what are you doing broke? you to whom and all of it i'm late. and there is no such more in the list of patients. what are you hanging? the cooks are carrying from the kitchen,

granny died on andreevna at 4 hours 27 minutes. before dawn. it's the bell boy himself creek time. fluffy darling

man i have in 10 minutes starts here you see that there is a party. we arrived here. change fans. well, if you want, i'll give you money. well, are you alive? well, take a man? well, please, what, please man? all right, kid, don't be offended.

in your mind, where does the change begin. hello, are you listening? forgive me, please, i will not be able to participate in your project. call seryozha dudkin approved okay? i'm sorry.

excuse me, i didn't notice you and brought you in. yeah, just right.

when are all the stops? the first time akhmatova's voice was recorded in petrograd in 1920. she came to the living word institute to sergei birshtein, the founder of

russian audio archiving, and read into the trumpet phonograph, several poems preserved on these wax rollers were brought to akhmatova, gumilyov. their marriage had already been broken off, but they were connected with fate and were recorded one after another akhmatova on april 22, gumilyov, 24 a year later they would be arrested and shot, and his arrest. she learns at the funeral of the block buried the block, all of petersburg, the coffin was carried in their arms to the smolensk cemetery. august 21. their silver age is over and the precious album of dedicated poems will turn into markings of losses and partings. tortured in the camp osip mandelstam was a friend from youth until his last days , the shot first husband nikolai gumilyov, artist boris androp, her lover, who left russia in the seventeenth year, vladimir shileiko,

her second husband, the great orientalist, who died in the thirtieth, and the shadow of a summer garden inscribed by hand to buzhinsky, near which they lived with olga 's judge's girlfriend, the dancer of columbine from the poem without a hero, she will die in paris, abandoned by everyone in 1945 and that's it. the music of the beloved name of both arthur nuria, who ended his life in new york, also sounds. and the moscow address of marina tsvetaeva written by akhmatova on the cover she will outlive them all and say, i didn’t know what was planned for so long. there was this feeling of great loss. and indeed the feeling of the final break of epochs is everything she andreevna is the last there is no this great, she is ancient

akhmatova on which the rays of the silver age crossed. because while she was alive , this great age. with her departure with this knock of the earth and the coffin. in general, it ended in russia with the funeral of poets. there have always been something. highly an important event by pushkin, and now, as if the readers almost fell out of love and suddenly everyone rushed to the house to the konyushennaya church as if they were burying ugly people. well , pasternak can be said before our eyes, and so the funeral of akhmatova is the laziness of the intelligentsia. it was a tragedy. well, for me it was just some kind of personal grief. on the day when akhmatova was buried,

shostakovich pronounced the queen of russian poetry and, shocked by her death, began to write the second cello concerto. it's about his music. she once said when the last friend looked away. she was with me in my grave anna akhmatova was buried in the st. nicholas naval cathedral in her hometown in thick and wet march snow. he fell asleep who came to say goodbye to her, there were so many of them that the cathedral could not accommodate all the unannounced funeral, unauthorized filming. these shots. you see, for the first time, they were not included in the film of semyon aaronovich's personal file, anna akhmatova, whom he made already in the eighty-ninth, and then in the sixty-sixth, at his own peril and risk, he and his operators on film and cameras allocated for film gorky filmed the funeral of akhmatova concert

omni god saves everything. this was the motto on the coat of arms of the fountain house, the former count sheremetevs, where akhmatova lived in the seventeenth year, these words are deus canned, then god saves everything for me akhmatova made an epigraph to her poem without a hero and explained the motto in the coat of arms on the gate of the house in which i lived, when the palace of the counts sheremetevs wrote a poem, and the famous fountain house overlooks the fontanka river. from which he got his name, and behind him stretches to foundry on the avenue, the sheremetyevskaya estate itself, an outbuilding and a garden with this space, and akhmatova's life was connected for 35 years. she came here to live for the first time in the late autumn of 1917. that's where

she settled. there, there is this window, most likely on the second floor in the former stable outbuilding. she lived there with vladimir kazimirovich shileyka, before the revolution he was a teacher of the grandchildren of the old count, sheremetyevo, and as a teacher he had a room right here she called this room the sumerian coffee house on the floor, fragments of ancient cuneiform tablets, and he lifted them up and dictated his translations of ancient syriac straight from the sheet. she wrote from dictation for 3 years. but as if closing the hearing on what was happening around the revolution and the terrible years. after the revolution. then she will write to you humble you're crazy. submissively. i don’t want no trembling and no more for me the executioner’s husband at home, but you see after all, i came myself de brezhda winds were in the field and it was so warm in your captivity, and

darkness guarded the window, she left from harness and rolled up to different addresses. kazanskaya fontanka 18 fontanka two, sergievskaya 7, the marble palace is not without reason in recorded books. her last years. there is such a record of my palaces and the beggars of their lives. that's how she got that she lives in sheremetyevo marble, but in a mansion. e volkonsky on the fontanka , this is sergievskaya 7, but in general, he walks through the courtyards, climbs the dark stairs , goes along the m-th communal corridors. a few years later, akhmatova returned to the fountain house in the southern wing. the windows looked to the north, where once she lived with a shileyka, she was brought here by an affair with art critic nikolai punin. and you can say the fate of the old game in sheremetyev in the seventeenth year, fearing the ruin of the palace, gave it away. the first museum of noble life arose here, the wing was given over to a service apartment and

punin, as an employee of the russian museum settled there with his family doctor and passion for anna akhmatova i love and do not want to live without you. even if he could the first time the date remained in the diary, japanese. it was through this door that akhmatova entered on the nineteenth, right on pushkinskaya. yes, this is on the nineteenth of october, 1922. and when she settled here, and to the question of the grown-up ira , she understood and she usually answered gradually, and her life in this house , along with this strange family, would not immediately begin immediately. right here behind these windows. how many times then did she climb these stairs to the apartment of the punyans, which became her home, he sat down spiritually, arranged at the beginning of the 20th century. centuries to the wedding of the daughter of count sheremetyev, what are there in the

bags of strangers, sheremetyevo lindens, roll call of brownies in punin's office, she will live with him 16 years longer than with anyone else, these photographs taken by the punny are illuminated by his love. and on the table are portraits of his wife and daughter. anna arns moved to the nursery and in this agonizing outer triangle of prosperity. they are doomed to live for many years. i was born in the fountain house before the war in the thirty-ninth year, when the relationship of nikolai nikolaevich was exhausted, despite it was andreevna who stayed to live in our house in san andreevna, running ahead like a river. i lived until her death, that is, my 25 years, and then in the mid- twenties there was a large dining table in the dining rooms, and at this table everyone gathered

there are several photographs taken never, by nikolaevich at the table and anna andreevna anna evgenievna aarons is sitting there. that is, this is such a big family circle. nikolayevich never liked to take pictures, he took great photos a on andreevna all all photos of the nep period because paper appeared in the nep, there were plates, glass, up to which it was possible to make negatives. and these plates. mom, my little one received from nikolai nikolayevich there for 30 minutes and walked with them until they appeared. it was such a favorite pastime of hers - a photo lab, especially nikolaevich never worked in the bathroom, because it was the local easiest to darken. there was one small window upstairs ; she jealously photographed nikolai nikolaevich at the entrance and she photographed nikolai nikolaevich in armchair. he photographed her in this chair, and

then she took a picture of him yes, so that she would show jealousy and endure it with such patience. this is hardly how the photo album of their life arose . how important it is for you to live on the fontanka where a lot of petersburg is not important, light and food, and petersburg wrote to her, he and the place of their constant walks with a photographic apparatus, tsarskoye selo their childhood and youth, where akhmatova studied at the gymnasium, where is the pushkin lyceum, where her son lyova was baptized with gumilev she whispered real water wait soskoselskaya to put on i hide cypress brew in a box empty in a fatal

casket, and that lane comes to an end. there is no darkness here, no shuya, a city of parks and a hall writing on you about his striding lev nikolaevich gumilyov, whom i called uncle lev , appeared as a fountain in the house in the twenty-ninth year, she andreevna wrote him out of bezhetsky, where he lived with his grandmother, mother of nikolai stepanovich anna and her sister's aunt shura aunt shura was categorically she was madly afraid that even fate would await him, that nikolai stepanovich lyuba was settled in the corridor, they fenced off his room with a curtain, he

pinned a portrait of his father to the wall and began to live so a little lion child appeared in the overcrowded apartment of the punins of another exit didn't, but he still ran. in 1934, his son, the executed poet gumilyov, was finally admitted to the university exactly one year later, the punyan was arrested and lyova was arrested overnight in the fountain house for creating a counter-revolutionary terrorist organization. akhmatova travels to moscow and writes a letter to stalin by hand. i have been living in the ussr since the beginning of the revolution. i never wanted to leave the country with which i am connected in mind and heart, despite the fact that my poems are not published. i continued to work. i ask you to return my husband and son to me. they take the letter to the kutaf tower and wait for an answer. she had such a terrible face , so thin that i didn’t recognize her, and misha also remembered elena sergeevna bulgakova boris

pasternak, in turn, wrote stalin’s life akhmatova is as dear to me as my own resolution of stalin on akhmatova's letter to release puen. and gumilev and report on the execution the next day, akhmatova received a telegram from leningrad that the husband and son at home took themselves away at dawn for you, as in the us war, the dark upper room cried the most respectful candle, the cold and chill floated on your lips, do not forget the death post of the population. i will be like archery wives under the kremlin towers. 1938 was a terrible year for akhmatova. on march 3, he arrived in leningrad for the last time. mandelstam, they with the hope of yakovlev spent the night in the

fountain house. everyone tried to cheer them up, but they understood before what he was standing, the time was an apocalyptic writing. akhmatova's misfortune was on his heels. for all of us on march 10. lev gumilyov was re-arrested and taken to a prison in the espalier. with a big house. as the st. petersburg building was called the nkvd building, and on may 10, mandelstam was arrested at that time, my son had been sitting on shpalernaya for 2 months, she wrote down, and the tortures were spoken louder, her second letter to stalin did not help, the time of her prison began queues. shpalerka crosses forwarding would show you the mocker and favorite of all friends of the soskoselskaya merry sinner, what will happen to your life, as the three hundredth with the transfer under the

crosses you will stand and burn through the hot new year's ice with your connection. in the autumn of 1938, akhmatova left punin, a relationship arose with dr. vladimir garshin; she moved from putin's office to the former nursery . she burns verses from the future requiem. records on a piece of paper gives to read, so that they remember their friends and perform black ritual in the words of lidiyshchikovskaya on december 3. gumilyov was sent to the white sea canal on december 27, died in the mandelstam camp with his son in prison. she rode the tram and the chukovsky girl who accompanied her wrote. a tram, like a tram, people, like people, and no one sees that she is akhmatova akhmatova said that there are two

types of slava: one is slava when you are in a parisian dress in london going along the nevsky and after you akhmatova goes akhmatova goes. this is probably the peak of her glory the fourteenth year, when everyone absolutely recognized her after this explosion of 12-13 years, when her first collections came out, and the second slava says that she once stood in line for a rusty herring and not alone, a living soul does not suspect that you are a poet. and when it finally opens. this is a long-awaited door, and from there a specific smell, stale rusty herring. you have someone in the back with fresh humor and the islands of the sea on a dish of oysters in ice. akhmaty has already stopped writing poetry for 25 years for 10 years. she fell silent. here is the thirteenth year of its peak and the fortieth the year of the peak of creativity, but a completely different, completely different pace. another tragedy and another

understanding of life by the fortieth year, this tragedy was revealed in requiems and in the name without a hero. this is the white hall, the white hall of the sheremetyev palace, the white one took the fountain house. this is the scene of the poem without a hero through the platform from the apartment here just like that, turning the key at the door and there really was a lantern from a bunch of keys, since then there will be a hero, so under the roof of the fountain house and evening wanders from tom with a lantern and a bunch of keys, she goes nowhere didn't leave. here i am not a mystical person at all. for some reason, in the evening of the white nights, do you suddenly feel that you are above you? there are some shadows people names sounds, i don't know how to explain it.

when exactly at this time i somehow clearly experience that what is called is determined by the word eternal presence. here she is always. she will always be right here in this place, like no one else. i mean the garden and maybe the white hall was so important for her to bring the shadows here hold. olga cinema people their youth shadows of the thirteenth year. here they are all reflected in the mirrors against the background of the windows and this garden they will come to her in december of the fortieth year on the eve of the forty-first shadow of the thirteenth year on the eve of the fourteenth, the first war, and then there will be a second for her. this is a very important dimension of the present non-calendar xx century. new year's

eve fountain house comes the shadow of the thirteenth year. under the guise of white mummers hall of mirrors, i lit the cherished candles. to make this evening glow. and with you who did not come to me, 41, i meet the year of june 22 , as punin recalled, having heard on the radio about the beginning of the war, she ran into his office. she was painting the beams in the attic of the sheremetyev palace with a fire-fighting mixture, she was on duty with a gas mask at the gates of the fountain house and the stock of the siren, and the rapid breathing of the metronome rushed to the bomb shelter near the portico. here, cracks were dug under the old house in the

late summer of forty-one. and akhmatova went down there holding the neighbor's boy vovka the jackal in her arms. here is chile in the garden and they say fires st. petersburg orphans. my children, these cracks are a shelter, you know, fleeing from death, as if people descended into the underworld there. right here right here. the pharaoh stole the rifle with the maximum effective range. well why are you quiet? am i supposed to say that the first person our foreigners are visiting after the failure of the manganot, my man in moscow will decide everything autonomously, he knows how to do it mission amethyst premiere of the multi-part film tomorrow after the program time you smelled him once and disrupted the operation so that you smelled him the third

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the human being refueled me such a cashback came. sasha is enough. good deeds love silence. but again, cashback, at first they thought you didn’t like me much. no, sasha, at first i didn't like you less. thanks not at all. thank you for everything you've done for me friend. mts is your friend sasha use the mts bank card and mts subscription premium you get a super cashback on the most popular categories of 5 percent at lukoil gas stations, supermarkets, cafes and grocery delivery. shopping for a summer residence in a supermarket turns into a profit. pay for goods from any store with a sberbank card and get 10% bonuses, and also a

discount of up to 20% on chilled pork from the metro supermarket. book profitably. from the year of the fortieth year, as if from a tower, i look at everything, as if i are saying goodbye again to what i said goodbye to for a long time, as if i crossed myself under the dark vaults. i'm going down august 25, 1941, besieged leningrad a line was written down by a molder, like a descent down into the

basement of memory on august 31, marina tsvetaeva committed suicide in yelabuga on the same day. anna akhmatova is unable to. endure the horrors of the bombings. she left the fountain house and went to her friends tomashevsky in the writer's house on the griboyedov canal. on the way, they were caught by an air raid alarm. they rushed into the first bomb shelter they came across and exhaled the dog at the same time. it was the very basement of the stray dogs of the literary cafe of their youth where their silver age rang out. the bomb almost demolished the house on on the canal, griboedov and akhmatova went to live in the basement in the janitor's room. she asked the janitor to buy her a pack of belomor. he got out and was killed by a shell. this day. she remembered all her life, olga berggolts, who visited her, wrote in her diary on september 24, forty- first, she went to akhmatova, she lives with a janitor

killed by a shell in the basement. in a dark dark corner, the hallways are smelly, so completely dostoyavskiy on the boards, finding a mattress on top of each other on the edge, wrapped in a scarf, eyes that have fallen off. anna akhmatova muzacha pride of russian poetry, unique great shining poet. she is almost starving, sick and frightened. she sits in total darkness, she can't even read, she sits like she's on death row. and how good. she said, i hate hitler i hate stalin i hate those who throw bombs on leningrad on berlin, all who wage this shameful terrible war. up this staircase. they went up to the fourth floor to zoshchenko's apartment to record akhmatova's address to the leningrad women for the radio. the house shuddered from the strongest shelling in this apartment.

fellow citizens mothers, wives and sisters of leningrad berggolts recalled how, after a few hours , the deep tragic and proud voice of music carried over the hushed city. on september 28, akhmatova was taken by plane to moscow . zoshchenko flew with her, so fate began to connect their names from moscow to the evacuation. akhmatova decided to go to tashkent to chukovskaya. her path lay through chistopol, where writers' children were evacuated at the beginning of the war. first time. i saw her in chistopol, i was still a girl, and she went to our basement where mom rented a room, she was tall, slender, like a snake, very beautiful and extremely thin. i met akhmatova in tashkent. i remember that

she read poetry, how the first shell exploded in leningrad, a few more poems around leningrad and the beginning of the war, there was such a large hostel for writers, and she lived there, she andreevna akhmatova and you know that there in one room and there was also a literary salon, which the poet arranged. utkin mama took me and my brother and we saw akhmatova there, who had just arrived from chistopol quite a difficult way past the urals is some detour, so for a long time and she writes about it in a poem without a hero thundered crazy. the urals are actually there on the map. if you look, it's incomprehensible, but it's because the train went on and on, as if to siberia , then turned south, and the cheerful word at home is now unknown to anyone. everyone else's window is looking.

who is in tashkent who is in new york and knowledge of the air bitter like poisoned wine, and that road was opened to me, along which so many had gone, along which my son was being transported and there was hunger. let the funerary christ gestured and crystal silence. now the earth from what has done right, fascination with mortal fear and remission, knowing the term omit. your eyes are dry and wringing your hands. russia in front of me heads to the east ended in tashkent on august 18, 1942,

our family was in samarkand and returning to leningrad in january 1944 we passed through tashkent. my mother and i walked along the platform, knowing that she andreevna should come to the train, then we decided to go to the car, where my grandfather nikolai nikolaevich punin was staying and it turned out that she is andreevna whom i called akuma. eh, already came and sat. uh, with nikolai nikolaevich. when i saw akuma in the compartment, i climbed on her knees and said about the little hand. i saw you in a dream, and the godfather was sitting near the window. she handed it to me like this on the palm of her hand was a small cast-iron dog. this is a hand. and i remember this dog precisely against the backdrop

of some endless sands e, tashkent, and this is the first thing i remember that was connected with anna andreevna her in the home circle. when in the twenty-seventh punya he took an exhibition of russian artists to japan and a portrait of akhmatova by petrov-vodkin among them , he wanted to send her a telegram, but the japanese at the post office flatly refused, because in japanese akuma means demons, akhmatova herself believed that this the word has magical powers and protects her from the worst thing that she was most afraid of from prison. we arrived in leningrad in the middle of summer, 1944. we were walking from the station to the fountain house when we catherine's institute at that time a hospital in the ayat years. uh, in the distance it seemed some kind of

built-in rather tall figure. almost at the end of the fence of the fountain house. we caught up and it turned out that she was andreevna. she was walking with a small bouquet of flowers, which she immediately gave to me and said, no, i brought you this. i won’t live here in the fountain house, but i’m very glad of your return akhmatova returned to leningrad from evacuation a little earlier in june forty-four, when the great troubles of recent cargo at the station were all over the seal she was met by garshin whom she was going to marry. but garshin survived a terrible experience, he was the chief pathologist of the besieged leningrad, corpses from military hospitals were brought to his dissecting room, and from all over the city something broke in his soul, and he broke with it, and in september 44, akhmatova returned to the penitents at the

fountain in a war-ravaged apartment with windows shattered by bombing without electricity and water. in the same autumn, her son, a lion, gumilyov, managed to be sent from turukhansk exile to the front. we gumilyov caste of the military, he will say, and he will reach berlin in 45, he will bring victory and lyova 's son will return to andreevna on november 16, he arrived in an army payroll with a suitcase for akum. it was just a shock of endless exciting, such an unusual state that it was for her. at the turn of the moments of some very higher such tension and upsurge in march 1946, it was signed in print, a collection of her poems in the state literature would soon be destroyed by order of the central committee of the all-union communist party of bolsheviks. this is one of the miraculously surviving specimens will be put under the knife

and the 100,000th edition of the book in the library of the spark, in the meantime, she was asked to congratulate leningrad on march 8 in the evening leningrad newspaper and to have a photograph of the first two poets of the city, akhmatova and beregovoy, nearby. but at the last moment, akuma refused to take a photo with olga fedorovna and called my mother and me and said, irka dress anka, go now somehow decently and bring her here. eh, i remember this moment very well, because i had terrible boots on my feet. and, of course, i was afraid of them. uh, get in the frame is precisely so that they are visible, so when i climbed onto a chair and squatted not on my haunches, but on my knee, i tried to cover the photo with a dress, the photo turned out to be very good. about whom

she loved her very much. she stood on the table for a very long time. here is a publication from leningradskaya pravda. e. about whom i have. it remains to be called a granddaughter, then in april akuma goes among the leningrad poets to moscow and perform in the hall of columns. there is a photo with parsnips, and not together, and if the photo is separately reading about someone i have already spoken about my poems, it is i who earn the decree. these are the same issues of the zvezda and leningrad magazines, the publication in which the publication served as an excuse to crack down on akhmatova and zoshchenko . the secretary of the leningrad city committee, zhdanov, gathered the writers in the smolny and reported to them. about

the empty, unprincipled poetry alien to our people, akhmatov from zoshchenko was immediately expelled from the union of writers and deprived of ration cards for a while. after reading zhdanov's report, people asked in a whisper. and that akhmatova from zoshchenko was still at large, that she walked along one side of the street, and on the other side she followed a puppy. they met in this way. zoshchenko ran up to her and said, anna andreevna anna andreevna, how can we live on? how can we live, he already knew about stopping akum, she didn’t know anything yet, mishenka nothing special to live on, as they lived after the decision of the forty- sixth year, someone came to her and told her not leaving the house, but coming up every day, like well , and demonstrating that she was alive did not end in suicide. here, and here in the garden these

feathers were sitting and watching her here on the central ley stood on a pedestal, a monument to steel and akhmatova from the window. i have always seen this leader of peoples. well , what was it. after the decision, she andreevna did not see anyone, did not want to receive anyone. i sat almost all the time near akum's bed on a small bench, and kuma was in such a serious condition, upset. olga fyodorovna bergolts brought food, she got up and drank tea, and at some point i told her akuma, and i know one secret. the shark asks me what and how. i speak, only i'm not allowed to speak. i'll just tell you zoshchenko and akhmatova it laughed and said don't tell anyone else, and after 46

years i often saw how large manuscripts were destroyed in my archive, they were burned in the stove. there was a round green stove in the acumen room. she sat on a bench next to a stack from her archive, and she sent in small portions with a ruthless hand, the stove and the poker interfered so that they would flare up, and when the stove was not heated, and when it had to destroy something. she tore a sheet out of the notebook, chewed it into small pieces, put it here and then set it on fire with a match. we looked at a friend and waited for all this, all these remnants of paper to turn into ashes. and so far, in my opinion, it smells, either of ashes, or of tobacco, and passes, 10. the third torture of execution and exile, i can’t sing in this horror.

i'm fed up with the celebrations of civil death, believe me, i see them that is not a night in a dream. you ask my contemporaries convicts 105 years of plexus and we will tell you. we lived fears like unconsciousness. how to plant children up to the chopping block? why and for the prison on august 26 , 1949, putin was again arrested and, in front of akhmatova, his family was taken out of the fountain house at that time, resting on the riga seaside. this is their last photo together. they were usually taken away at night. and here, for some reason, they came for him during the day. so

it happened that she andreyevna was alone at home, and she led him around. about whom she wrote poems, lullaby over this cradle leaned black spruce-bay. ay-ay-ay-ay. i do not see sokol not far away , not around august 26 in the afternoon, the day and hour of the arrest of nikolai nikolaevich putin, putin will no longer return. he will die in the camp in august 1953 and will be buried among other prisoners in this cemetery in the village of abis in the arctic circle. came for the left. i remember this terrible moment when there was a search in our rooms and huge

boots like that. it seemed to me that some giants were passing by me. e, and. uh, the family pulled off the blanket for a moment and put it back on itself, and immediately came up. mom said that you are making the girl sick, and the godfather was lying in her room, and my mother rushed between me and the left boss told their mother, take care of me andreevna. uh, and give warm clothes to lev nikolaevich, my mother was interested and took out a leuven in a sheepskin coat, which she gave him with her and kissed him taken away. mom came for me,

and we went to the okume and sat around the vacuum beds, but transfer the akume to mom's state the state is impossible, but not one of them cried. never have i seen mama or anna andreevna cry? it's a feeling. some completely indescribable cold horror that spilled over the room, it was when only the dead smiled, glad to be at peace. and there was no need for bindings hanging out near their prisons leningrad, and when, distraught with torment, the already convicted regiments walked and the transporters sang a short song of parting. the horns of the death stars stood over

us and innocent russia writhed under the bloody boots under the tires of the black marusya and life went on its own in a series of these princesses, she painted matte together with anya kaminskaya, once she fell ill with scarlet fever, and she nursed her, then she will give the girl an album with her childhood photographs, her first photograph in pavlovsk she is 11 months old, but she was already gasping in this unique photo. she is in the first grade of the mariinsky gymnasium, gaining baldness after an illness. and this is her in tsarskoe selo with her parents and her sisters and brother who left early. akuma, when laying me down in the evening, did she sing her children's songs? uh shadow above the city wattle for on

the sky, the birds are flying, the bells are ringing, and old yegor's clock is talking after the war. all this room was occupied by a regime institute. arctic of the northern sea route. these rooms under the white hall were all occupied under the ice pool. here there were all sorts of experiments vestibules on the stone old floor there was a booth, and there they were on duty in ocher in their armed guards and demanded to show the pass of funin. and akhmatova did not work here and lived and the word zhelets is written in the position column. what is this weird ad? jake what are they selling? in the end? so everything that is prophesied comes true, the train leaves for heaven, be happy. oh, how we want, how we all want not to die, but to sleep. so , mr. mckinley, ctc keeps its

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fine, comrade lieutenant colonel. bloodhound a you come in, daughter come in, just unfold. gumilyov, residents of unreliable 44 apartments finally ceased to suit the arctic institute, they began to frankly survive in march 1952. they said goodbye to the fountain house and closed this door forever. and she andreevna, together with her mother, moved with me to an apartment on the red end, this is the red cavalry street, but viktor efimovich of the hordes of us, he did not call the cavalry otherwise than the red cavalry either in letters or in

telegrams. it was always insanely funny when , for example, he wrote hello to all the red cavalry and sent such a telegram, immediately, the red cavalry. come to the house on the red cavalry, which before the revolution, as it was now called the cavalry guard akhmatova, will live for 9 years, the apartment was communal, except for them, the unfinished baroness eson lived in it, but here they breathed easier there was no access control. yes, times have changed. they called this apartment the house of open doors. and not only because all the doors opened onto the corridor and never closed. well, and because guests could now come freely, shaggy in in march of the sixty-first year, the week of guinnessburg brought us to the red cavalry in the guests of matadova, my god, there was no more wonderful name of living poets. only pasternak, that's

all. that's all, and no leningrad literary authorities mattered to us young poets, because we knew that they lived in the city. anna akhmatova i was struck by such an unsightly house, they got up, the door opened, and andreevna led us to her room, some kind of poor furnishings caught my eye, probably, she behind and electrical wiring. this means cord. here is a portrait, although there are a huge number of her portraits. i will try to convey my own feelings. she seemed to me. although an older woman. yes, it may even be almost old, but beautiful. and the upper lip is somehow smaller than the lower