today, about the failed drummer, they say, to sing like leps - this is a sign of quality. do you remember how you earned your first money, what were the feelings? wanted more. and how they spent their mother gave away a little one, there was still a canteen job, bread was cut by the richest pop artists, every day. maybe even every hour someone utters the name leps, but orders the very song in karate on the table, the wind cries outside the window, of course, no one could fit into the life of

a big country in such an unusual way. in general, you do not measure with gramophones. i just came out one time and said that i no longer want to receive all the money. everyone knows i don't get enough of them. enough, mind your business, all these plates, forks, mugs. people who come to the concert, here are your numbers, while someone is running youth. today, the wrong artist enters the stage with timati ani lorak stas piekha and it seems that all the participants in the season of the voice show where he was a mentor are now dreaming of becoming part of the leps team. not at times, but thousands of times higher. that is why young guys and girls who work in music from any other field. they grow very quickly to some it

helps some it ruins therefore among. of his worship and still there are admirers? which you don't miss, i have always loved women, always loved beautiful women, always tried to spend some amount of time and money on them. many of them, probably, may regret that we ran away. many may be happy. i wish them all good health, but i don’t remember a case where someone didn’t come back to me. everybody wanted return. there just comes a moment when you no longer wait for this person, but leps is one of those whom love suffering does not inspire luxury. it says suffer to work. we need his last disc at the moment. these are 25 songs for every taste, up to these in english with a guitar. new and even unrecorded compositions sound at her festive concert at luzhniki olga knyazeva anastasia

etochinskaya mikhail semakov ivan strukov ekaterina koryako and vitaly nikonov channel one. grand musical show by grigory leps in luzhniki the audience of the first channel will soon see it, that’s all for me, thanks for being with us, and right now the program is tonight tonight we celebrate the anniversary of karen shakhnazarov, the outstanding director general director of the mosfilm film studio. camera motor my

profession filmmaker, well, you're doomed, in principle, all the time working. there is a camera, i figure out everything that i see . you can make a movie out of this. what kind of a movie is this? how can you make a story out of this? a bee on a warm day in the spring of his bee leaving a good guy, young people came to him quite by accident, a few volcano bogatyr, the audience did not go to work for him as a taxi driver. everyone, of course, says that they want to turn the world upside down, of course, it’s

not bad to turn the world upside down, but still, i think, the first main one. i think a beautiful woman, what now you need to do to have a child is scary. of course, i would like to put at least a little free life too . i wanted to create a studio like this ideal, but i would say, i would not believe that we would be able to do such a scale. first of all, i want to congratulate you on my own behalf. you and i have known each other for many years as we work in the same

council for culture under the president of our country, and you know, i often read your interviews, i always watch them. when new ones appear, i was surprised by one thing that you are like that. well, how shall we say. true, you are an outstanding director of our country, but you very frankly declare that if you had a chance to choose again, you would not have chosen this profession. yes, here why is this so, well, firstly, it seems to me that in general the same thing is done quite boringly. if there was a chance, i'm actually something else, why did you choose her? well, i think actually i chose it for the same reasons that all young people, basically choose this profession festivals are beautiful women. ah, so to speak, some kind of extraordinary life. this, of course, attracts, then you realize that the cinema is quite different

enough. everything is different. yes, they did not want to become an artist, namely a director. i think from i wouldn't have made it. listen, i'm generally afraid of the camera, in fact, honestly, but listen, it's different, it's completely different. these are the actors - it really is. this is an extraordinary creature for me. maybe in this photo. i had to take advantage of this. do you remember your first reaction to the screening of the film showing the film well, because this is a completely different kind of movie in the cinema. i have to say, i remember i had a premier courier in russia for 2.500. hall. full applauded this very well. well, i'm not in the hall. i am

as though all the same an example i enter. yes and that's what i just wanted to ask came out. i noticed that some old woman left the hall and left. i wish i was ready to kill. most importantly, twenty-second minutes later the odds returned from the regular audience. yes, i remembered this one, you know, boney elez has a famous spanish director, there is a book there. in general, i am a big fan of bunili and he has a description of how he had such a famous picture of us the dalusian dog was premiered. what about in paris? i don't remember where in short, he describes, he says, i scored stones in my bosom and became everyone behind the screen, so that if someone leaves the hall, they throw it should

open. i think my colleagues will confirm. this is generally painful, of course, the moment when people leave this hall. and if it happens massively, but i didn’t have it. you know, just what i observed as a child. it fell to me, the honor very often every summer to relax in the filmmakers' house in pitsunda and there, er. i remember very well they showed the premiere of one film not i will name which one, but all very eminent directors, the most popular artists of our country, rested. and now one film ends, this whole generals, who were sitting in the most honorable places. he passed by the author of this film. it was also a very great director. and uh, someone said, congratulations, someone so grimaced, who one very famous director passed said why.

what do you know, they say this is this is the premiere and the directors. yes, here he comes, says the old man. here you have this scene there, here is a frame, very good. just congratulations well done. a first success here is the most deafening one for you. friends a young man you what you did before your passion for jazz studied in musical technology, you are always wonderful in this scene. you return your technical school from you , it can turn out not bad and they see how things turned out. samsonov, you think they

gave an article in the newspaper. well, we've gone overboard. so what, everything will be all right? ai my dearest, this picture became the leader of the 1983 box office. and, of course, it brought you tremendous success. i am i think that in our country, in general, in the russian-speaking world, it is known by heart. it's impossible not to admire this painting, not to love it. that's what i'm most interested in asking the screenwriter. how did you manage to smuggle this idea of ​​jazz. e in the soviet union where, in principle, it was not a very popular problem then. we weren't into that, when we wrote the first draft of the script, it was smashed into

pooh and right. and how did it differ so much, yes, then we will have another option. the first most was gone. they are completely different, you can make different films. and what there? about something there, there is a scene where, uh, igor, when he hacked them to death, this uh, and the inspector, the inspector, and one of the commission asks him, in what year now in what year was the uprising of spartacus and it was filmed in what year he was born ? karl marx i have a question for the jazz band, please. tell me, please, when was the uprising of spartacus the uprising of the slaves, led by spartacus was 73 bc. here is the work. what did they do on spartak so neutral, yes,

they re-voiced, yes about what is possible and what it is forbidden. that's just the whole group, well, it so happened that the general secretary died at that time, and on the tenth and the whole group left on that same day to shoot at the rizhsky railway station, and i was left alone there. well, there's no one. i have to rehearse me the director constantly, so to speak, so that i play all the time. i fulfilled all his wishes, in short, i turned on the full music in the room, one music is jazz, a cross orchestra. i hit everything as soon as possible and suddenly opens. the door opens and a woman enters. i don't hear anything. but i understand what you mean, but i turned everything off and she did. what do you allow yourself? country mourning

died, the secretary general and it neatly put it all together. all this was so fast, and he left and thought whether they would come for me or not, but in short, he said everything perfectly that nothing was the way the quarantine was then. tell us how you selected eroticists. well, first of all, i have to say my roll. well, i probably won’t open america here for our colleagues. i believe that the main thing in cinema is two components, the script and the actors. if you are is called you get into the actor you get into, that is, if he corresponds, if he carries in himself what is laid down in this role, you won the picture. you can then do nothing, in principle, it will be, if

you don’t get into an artist, then no matter what tricks you take, no matter how you shoot, so that you don’t come up with, there will be nothing like a mise-en-sin, therefore, for me, this artist here, as it were, the center is the center of cinema, i take this very seriously, but i try for the role of igor a lot, there were many well-known. eh, there was someone, but one of those the democrat was his main competitor in the final, you already won igor. oh well, not just defeated time igor how you got on this day. i do not get tired of telling her, firstly. first time. i haven't seen my parents together for a long time. it was no, it was the fourth, probably our first acquaintance. i can even accurately call my first shooting day in the film we are from jazz. this is when we are sitting in a tavern playing the harmonica. everyone says vidal what kind of

drums he has. and here are the drums. let's find your style they will pay us a hundred a hundred, even the gypsies are not paid. uh, and i know exactly why, because i have a sorry muzzle there, i served in the army in the cavalry in the regiment and got to know each other. karen and i were on saturday at the studio, there were few people, and i wandered around and kept waiting for me to start shooting in the film, mm, anna pavlova, where i was approved, and i served and waited for me to be called. here are some layoffs. i came to mosfilms. wandered saturday, no one, dusty corridors empty groups. i look into one group and look pictures interesting fegeral these trumpeters. jazz, something behind the voice. hello hello and tell me, i could not see you on tv. recently, i would not know, i'm in the army, we have a bad script with the tv. want to read. i say i love to read nothing to do. until tomorrow evening. i read the script. you can, i

say i can. the next day we made tests, and a week later i received a telephone program at the headquarters. i was called congratulations you are approved, then our frame. i know for sure because filmed the first one, because there was such a guy to fatten the suffering went on. civil life is fun. sometimes without food forever with something, with an adventure, yes, and the face became sharp, which will explain why the koran says one of these most outstanding directors is precisely in the selection of actors, when we well, you probably may appear in the form of one trips when the courier was filmed. then we really liked it, but i won’t tell how they drank it seemed to us, it was one to one, and we were with a square. for us and many i liked it, but they showed it, they showed the leadership of the judges, the editing began to speak. there is no reason that he

has a sloping chin, that they will not look at him for a long time, and only thanks. here is the fact that the two of us have already begun to hesitate, because everyone around says that everyone has forgotten everything against not a single person who would support this, but the koran is not, because he was sure, and i, therefore, that he is the perfect performer of this. and thanks to the man it turned out. that's what karen says would be different, you know what i'm here i really like what larisa dolina plays. indeed, here is the singer, yes, an african american, she is so organic and really feels that she is an african american. i remember that then in my childhood it seemed to me where they found such a singer. she speaks russian and so on, then i already found out that it was larisa and so on. this also came across ideal. she was quite young, as it were,

yes, just a frame. yes, on this day he died for 6 months filmed the tenth of november. this is just the day of november 10 of the second year, the day of brezhnev's death in general there are many interesting stories associated with this painting. the first is that i filmed there while i was six months pregnant with my daughter. it was extremely difficult, because i was in the maternity hospital for my entire pregnancy as prescribed by the doctor. i had such a horizontal mode, that is, it was generally strictly forbidden not to get up, otherwise i could lose my child, but korodu told me to film and he himself came to me on receipt

and also brought and brought health, where i was met by a four-man musician filmed on the day brezhnev's death and, of course, in connection with these circumstances. well, there was a shoot. poll, but since the money was paid for it, then karen georgievich went to the trick. he called the then chief putin and said, well, how is it? we've already paid. this is state money, and we were allowed to film this big episode at the rizhsky railway station. here it is. our powers ah, that this picture is not just a landmark for me. not

just a favorite, but also connected with the most important episodes of my life. yes , my paws went smartly dear how many years? i congratulate you on your birthday, your anniversaries will never be set to do this. i will never get tired of repeating that i am grateful to you for choosing me in this picture of many , many, long years of life both in cinema and in life.

you see, this is a kind of luck and such a tragedy and an actress who is in her sixth month, where, in principle, it is necessary to remove it so that it is not visible. and well, so that it doesn't damage the health all together at the same time, of course, this, well, the movie consists of this, for which we we are talking about contradictions. sometimes it seems insurmountable. well, somehow it is the most terrible. yes, so to speak, he is modest and does not tell how pankratov got into the picture. we are from jazz, and in the eighty-second year i shot the film the adventures of count nevzorov and all the leadership of the state cinema, and censorship in general, fell upon my picture from the shredder in the captivity of the mikinematografists, the deputy

chairman of the state cinema spoke from the podium, who said that pankratov was a black man from gates looked at the october revolution, and i realized that i was more there is nothing to do at mosfilm. and i already negotiated with anatoly, vasilievich efros to leave for a small armored acting to return to my first profession and i remember with the koran. in the cinema house in a restaurant, we sat down and drank a glass. here he is something suppressed by some kind of everything. i say, i decided to leave the cinema. and here's the real friendship friendship is not that you drank a glass at one table there, there is wine or there does not interfere with another. a week later he calls, and he was at the start. we've already filmed, not anymore, screen tests have already ended. yes i suddenly, a week later, karen calls, says, sasha, you can’t help your friend borya brondukov.

here he came, he says for screen tests. you have to try it, but there are no partners, you are friends, he says, play along bori, in fact, brondukov came to try on a suit. it has already been approved. and he said brondukov. you've known the pankrats for over 10 years, you haven't done acting. here's what i want to try. he is very worried. and you are friends. you play along with him. i remember dancing something with a saxophone, running around, spinning around the storm of the storm around me bundles. and the camera, it turns out, filmed only me, then about a week passes. the koran makes a very sad face and says that you have been approved, but you know. don't let me down if you refuse, he says, please don't refuse. agree to shoot more. koran knew that i am not a musical person, i have no

hearing, you know. and i was shocked. i tell you how to shoot the koran cinema so that i don't leave. you see why i love scary, because well,

i'm not a musical person. i remember that the crown also had a head twitching to shoot, you know? madanchik, i could not enter the phonogram. and that

nazarov takes a step, he says he didn’t help, and he puts my back to the camera, the soundtrack begins. and then i stood with my back to the camera, then i was already turning and saying allah insisted, my suitcase, i got a suitcase. and here she stood, and here she insisted, the suitcase stood cold. come on, put your suitcase away. come on, take your briefcase. well, take it away. come on, take it away. come on, put your suitcase away. but i won’t remove the sounds, but i won’t remove my suitcase, but i won’t remove it, but i won’t remove it, and i won’t remove it, then the suitcase. i’ll take it away, but i won’t take it away, and i won’t take my suitcase away, in short, everything

was, of course, i didn’t have any noble ones, and we were really friends with him. uh, since i started filming and he was hanging around the studio at the time. oh, and one time actors came to me. these were not samples, but to read the text, and i didn’t have to play along, and sasha came and sat. i say listen you have nothing to do. here, read the price here, here the actors so to speak. by the way, i absolutely didn’t intend not to shoot and didn’t know that he was an actor in everything and he began to play along, and i just fell. i mean, it was so funny. it was so i'm ordinary interesting, talented and so on. i say, let's, i'll try and we tried without any chipmunks and tried several times. there wasn't any brondukov in sight, just a few times, but i must say, i

tried it so cool that nikolai was trophic. i am i say, well, how does he say? well, of course pankratov so that's how it's different. well, omit fantasies, they decorate the movie. they don't decorate worked at first when i arrived. well, i haven't met the director yet. i just read the script. as a result, it means that all the most intelligent person met. we are very much like this. eh, that says the same thing, and suddenly they ask me a question, but you know how to play the drums. i immediately understand everything, if i tell him now, no, then everything is possible, but there i think, yes, i can think, then i will learn in the process, somehow like this on this lie. i somehow got back a little and went further into trying. by the way, yes, indeed sasha pankratov i saw a hired drummer and taught you. yes, that's how he peeped, by the way, the

wonderful guitarist taught everyone. yes, yes well, igor owned, and the fano and, in my opinion, the guitar was prepared by me. kolya, and when we arranged the premiere, it was not a premiere, but a show in the composers' house, the hall was jam-packed with all the jazz players. we were very worried. i remember how professional jazz musicians will perceive picture and suddenly the picture ends we are excited applause everything comes up to me a gray-haired man, it turns out that a representative of the union of composers from

vyatka comes up and says. sasha, could your jazz quartet come to us in vyatka and give a concert, and i sincerely tell him. yes, we are positioning. i say it. it's just that we imitate that we play notes there, we take chords. correctly? he says. yes, i say, yes, he says, i always suspected that only crooks work in the cinema. but for us it was a compliment to believed that we professionally own the tools. well, this film is still loved by igor's songs, i will ask you. thank you remind one of everyone's favorite songs. we will not even comment on this with such thoughts. i'll sing this song, it's called the old piano, yes, and today you yourself understand, who

used to play the old piano all in fright. he's only fugues, he's trembling all over with fear he didn't hear. now i play it. i'm an old piano, trust me, trust me, an old piano, when these keys are touched, the hand then.

it's hard for you, but understand, you have other rhythms in life now. of course it's difficult. shit and i'm a little sorry for you, old piano trust me trust me old piano. when a hand touches these keys, then longing flies from my heart with me. you will share and grieve sadness, my tired old piano. the old piano used to play all in fright. it's only fugues, it's all trembling with fear, they don't hear you, now

i play it. i'm an old piano trust me trust me old. another favorite film of all winter evening in gagra tonight in our anniversary program outstanding artist hot handsome my fellow countryman grigory leps happy birthday, it matters. please tell me what your

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nail fungus with the basis of the nozzle treatment it has become even more convenient up to 28% more profitable than the european analogue. reception no something on the first of course, everyone's favorite films are another winter evening in gagra and not only because it is dedicated to uh dance. well, for me, first of all, thanks to this, it was in my childhood, but the greatest actors play there, of course, er, the brilliant

stekneev, but already alexander vasilyevich said that he had no hearing. uh, no sense of rhythm, generally their yes to the music to the dance. he is, so to speak , indifferent, but how could you take an artist, which, well, there must be a step it seems this is a question georgievich yes, he took risks in all roles with me, where i took part in his films. that's really. you know? well, i don't have rhythms or hearing. he approves me for a winter evening in gagra . what are you, apart from you, no one really knows the tap dance now. i'm the only real one left with my head all

right. seems to be ok. and what? and the fact that you're crazy can come in to learn step with such a sense of rhythm slept, he kicked me with such a gait. how are you on tv right now? the program was about me, yes, they said that i died. on what program? we will definitely look. thank you, you will. yes contact you. you will be engaged in tap dance, i will not. what will you be? how small. well, there is another very interesting role for you. invented primadonna played by gundareva, and where she

behaves so freely, she offends the dresser. and so it was, well, everyone in the theater world knew. what a tough character this incomparable beauty has and they perfectly understood that she did not know that he was a person very tough, she never behaved like that at all . in the morning, without sleeping, you bring me all sorts of rubbish. i thank you lord irina melnikova they are chukina and go on stage like garden scarecrows. i can't by your grace. get out of here not as a child. i

looked thought, what they are all the know-it-alls here prima donnas. well, i watched many people on the beach, as i said in georgievna's house of cinematographers , i clearly read it, but here's the garbage. you know what you wanted to say. he was also very far from singing and dancing, but he was there, he was a drummer is one thing, but a tall one is completely different. they don't knock. no, it's clear not to knock. somebody's legs need to be removed. look here. here on this frame there will be more well. in general, it is clear that he does not know how everywhere, and this is not his. and what are you the main thing it to the drummer only instead of sticks legs. movie ears, but legs separately. and this is kirsanov

, this is kirsa of the deceased. unfortunately, there was a choreographer, and yes, the teacher was ready, but the most interesting thing karen gave us a month, it seems, to rehearse, there were certain dances, and volodya became with me study. well, after three days, he realized that nothing would come out of me. no taper would work, and so on. what needs to be shown? i say, yes, let's improvise, pour. so we improvised

arrived, so the koran pavilion comes to mosfilm and says. well, show me what they rehearsed there. what did i divulge there? this should have been captured on film. it would make the whole world laugh and the spanish there or something. i've done it there already complete nonsense. karen sat and looked and said, right? after a week of shooting, he slammed the door and left. alexander you remember at least one movement, and then karen removed the movement in the final, because it, well, i won’t say. what state was i in? i say, you are in your soul, it is on the whole sole, which is not possible in a degree. and kirsarov says, listen, sanya says this, in general. no, not in the russian degree of international is something. come on, repeat. i say, you do it

again. he says, listen great, and then big in the finale of the film, the koran gives legs - these are my legs. where does it go. these are my legs. this is an invention of the pancratic black touching. well, like suffering , something new is born.

i am proud of this music you have always picked up. yes, for all films. well , yes, of course, well, the composer in this film, you know what kind of composition i have always intrigued me. this is a famous french song about a bee.

and below, on the thick grass behind her, the caterpillar crawls with longing, fixing its gaze on the bee and the space , and burning with passion, she said with tears. i love you. bee tell me how to fly away with you. who remembered her, because alexander ivanovich you remembered, yes, a song about a bee. this is my favorite. this is very rare musical material for the second

song in the same scene. it was already karen who suggested it after bee where when in plain clear. gaze. this is already his and was, when simple and gentle. zhora caress. you me my friend does not answer, the flowers of the debris of the earth and the sky flare up. let 's always let's shake each other, we are so close that words are not needed, what to repeat to each other, that our

tenderness and ours are more precious than his. fun hour will come to us each other words that we will be together together forever. svetlana, you starred in this movie when i can’t do it, thank you and health to all your creativity. hey, your video. you know, i'm getting married, when the wedding. you know,

about this. i wanted to talk to you. you don't have to worry about me, i 'll do everything. well, in general, you may not come to the wedding, that is. and dmitry vasilyevich and you, he does not educate for everyone. igor and i will come the next day. let's go somewhere all day together. dad, are you offended? no, what are you by the way, i can't be at the wedding. well, of course i ca n't. we are going to romania on tour. well, this is a scene, by the way, not literally, of course, she was taken from life and told, the second wife. she had

this situation, that is, not literally the text, and there we came up with it, but she told it terribly here in this scene. i told and we understood that and therefore used. by the way, there is also a text such that dad, i'm getting married. who is a journalist? i'll introduce you. and after a while i'm marrying a journalist on prophesied imagine the picture for me was still very much like it. well, how would you like to place yourself. worried about it, because i'm not sasha was in different moods. and it was necessary to hmm, so to speak , to be at the right time in the right place. but

hmm everything went very smoothly calmly somehow. eh , even i would say pedigree. he received it very warmly. we talked and talked, and in general, it’s not so scary. everything turned out like this. so this video before that i was always very jealous of the children who acted in films. and when i already came to study at the moscow choreographic school. there was a girl who studied there, whom everyone knew, because she starred in your films as a little girl. here in this movie. well, yes, let's look at these cards correctly, she later became a soloist, in my opinion, a very good girl at the big theater.

well, karen is holding on, we have a surprise for you, anya will come to you now. happy birthday to you. i wish you the health of your wisdom, and that you have the strength and

inspiration to open new times further. flowers, well, you know, thanks to you georgievich even i i met anya after so many years. anechka graduated from the choreographic school and became an artist of the bolshoi theater and danced in many performances. what do you remember about filming this movie? well, the most important thing is that the film turned out to be my ticket to life, because the first dance that i performed in my life. this is clearly on a winter evening in gagra, and here it became obvious that the girl has the ability to dance knave and i was taken to the choreographic school to continue to do further, i finished, i entered for the most part. how do you do you think if there was no this film hmm you would not have the desire to dance? i liked being an

artist, that is, i can’t say that specifically for ballet. no, i can't, i liked to dance and perform. it's like something like this. what do you remember from the movie? i could kill now. i remember. yes, let them be children elementary, but still this one is clear, i remember, i remember choosing a good girl. you needed to understand that children were children, it could not find a girl at that age who, in general, especially, the pace was generally such forgotten and needed was a girl who is here, with whom you can learn and charming and, as it were, maybe, there is, and she learned, and she was there. here volodya kirsanov yes studied. he showed me twice, i got it right away. yes,

it worked out somehow and even i don’t remember that there were any long rehearsals or how cool it was. no, these teeth were not there. ouch. inserted did it. well, this is also always usually before the shooting, the child has to lose his teeth to say, it was a difficulty. here i have nothing in the film and so on not because everything interferes. this one is staggering, the other falls into the third grows. and these were all the overlays. yes, there are some such things in this picture. here is admiral ushakov, this is what we filmed. do you remember this ship, which was the first such disaster during perestroika, when we filmed it there. here is literally for here we type in december. but when he was there, in my opinion, in the fall, or something, that he sank, we landed on him from sochi because he could not go to novorossiysk, he

stopped for several hours so that we could take off and we came there on a boat, and so to speak, here we took a few shots, here. with arkady , we still had lunch with this captain, who later became a participant in this, i remember, we then sailed back on the boat and it was a very beautiful evening. such a sunset the ship stood and my operator was volodya's patronage, he says he had a camera. cone. we filmed on a cone. he says, i have 5 m in this, let's finish it. i say, well, what can you get here, it's all talking. he says, well, anyway, when reloading, it will disappear. come on, i i say, well, take off the passage there beautifully, there really was some kind of mode called setting, there are rays. he took this picture too. i entered the apartment. there stands after this this. and you can say the last. here, flashes through the last

shots of this admiral admiral ushakov or admirals, yes, yes. in the head to shoot about the steppe, and already in the eighties it was not such a popular genre. we had a picture. we are from jazz and worked with them. here he taught them, that is, volodya kirsanov was a choreographer, and there was a tutor bystrov uh-huh, in my opinion, alexei andreevich alexei andreevich yes, he taught them. it’s just that he was such a retired dancer, which means he’s such a drinker, a drinker like the former givers, but there was some kind of unusual in him. that's all there is in people, there is some kind of core. it was shorter, and we are familiar with it. only i was just like this hello hello in short, he dies during the painting, but she has nothing to do with the painting.

just a heart attack something like that, he was lonely there. and somehow, when we were with sasha, this is the law after we came from jazz, something hit us. come on, here we are let's make a picture of this person. we didn't know anything about his biography at all. besides , we saw him several times. and so, that he is a dancer or that he was a folk dance, he was engaged in estep. and so we began to invent a picture, but the most amazing thing is different. we filmed a picture, it was released and some one is calling. i hear a young woman. well woman. there, probably 30 years old, and he tells me that you are such and such, i say, yes, i say that you know, i just watched your films. you shot this in the ground in the evening. i'm in cinema was. well, yes, what does she say, you understand? that's exactly right. my father, this is what you just filmed, but you know, i just passed away.

unfortunately, but here you just removed the life of my tap. i was just sitting, and i was just recognizing this as my father. so i don't know how it happened. thanks there, that's all. i say, well, something hit me. i don’t know, i’m talking, but as a surname, she says bystrov a. it was the daughter. uh. yes, she did not know this, since he was divorced. and she did not know that he worked for us there, that we are there and that he was, all the more so, as if the prototype of this hero in general, but that's how it turned out, what happens, we sort of made a picture that is our own daughter. suddenly i recognized my father like that, we didn’t know anything after the advertisement, we will continue to remember the wonderful films that we shot earlier back. i won't give them their real name. do you remember rudolf adel my

friend? we worked together during the war in the center they know that we were friends you will smile elsewhere colonel i will call dolph abel, and then they will understand that yanovich has been arrested a citizen of the ussr information on atomic weapons you are facing the death penalty silence. you can think whatever you want, but we have to save you in prison, they will kill you , my beloved, they will not succeed. they don't bother you. tell the authorities that i was terribly scared agreed the fate of the legendary intelligence officer in the film the us government against rudolf abel

tomorrow after the program vremya these maheev masterfully help to complete my dishes, which has already been proven many times, makes my dishes tastier. welcome to a world where everything is just for you. so

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, the supermarket drops delicious, the prices of your favorite goods are cheaper than in the store, bananas from the tape. online from 49 rubles order profitably. tonight we celebrate the anniversary of the famous director. karen shakhnazarova. you mentioned another of your wonderful pictures of the courier. allow me to introduce our new courier ivan miroshnikov

according to which you are going to exist in society, and the principles are the most simple, i would like to have a decent salary car an apartment in the city center and a summer house in its circumference. yes, even less work you need to have a child. you are a man. do you have a dream? i have a dream coat they say. and i don't care if you're right, soon dream

something on the axis. my favorite moment in this film in general, when he starts to sing the singer there, as if one of the guests continues his song of the nightingale, when he helps, and he still does not stop, still does not give up. here, of course, this is very reflects up to the new generation, which then. nightingale alyabyeva, where are you going?

my slime sings the voice of isaiah.

today one more guest for you fyodor dunayevsky how did you get to this picture? how lucky are you in life. well, according to the pull how does everyone get into the cinema, everyone knows how to apply there? so why don't they take me all my life? and you thought, i thought, but nastya is not my classmate malyaeva. we

played together in the theater studio at school. they tried a lot of people there, and so on, my photos are simple and a few more guys are also from our the theater studio is just up to you dad. dad made this film. he is the cinematographer of this film. he gave it to an assistant for actors, who then invited us there for a photo test, then a movie test, then there were videos tried. in general, it was a rather lengthy process, then i was in business and that's it. no not like this. nastya said that he had already learned to eat it. you left in the evening. half worried. yes, and she says, here we had a guy, and she already read the script to us and says, there is one to one. well, she knew. fedya says, here he is one in one his and ours karen yurievich said to find him found. you're in the morgue, then you worked. no, i studied and works in the morgue.

really. yes, yes, such career growth. what's wrong? yes, where it was necessary to get a job so that no , well, i worked in the morgue. i worked in a hospital, but just uh. well, how, when they are sick, who are alive, they generally deliver different experiences. but in the morgue, just right, nevertheless, they sleep there quietly, nothing. the most interesting thing. a few years later, fedya wanted to offer to continue to remove this courier. and so we talked with him, and he says, i only all evening i say that nastya also said, and we thought he was playing himself. he says, you are completely mistaken, not at all like your this ivan, i am a hero from a tender age, here are your

words literally. i'll go right through, but you see what an amazing jump from the morgue right into the frame with churikova and basilashvili, so few people are lucky. i hope you're not going to be a courier for the rest of your life. i compose verses of shifts, petrovich and why are you publishing? bye? no. yeah, i get it, i can read it. here is an example of the latest. i am a monument to himself was erected not by man-made, a folk trail will not overgrow to it. hmm, he ascended higher as the head of the recalcitrant, and the alexandrian pillar. well , what is inexpensive, not bad silence we dream of grass grass. green grass legs

covered. this is already the third time. we have a young artist, whom did you discover? what does it mean that i discovered, in principle, i achieved. this was what i needed. this i can say that when i say, sometimes they say something, you helped me, but i say, well, it's us, you helped me. where did you find ivan? ivan filmed with me, by the way, back in there was a half moon. i have. the first is people worked. the first work, but i don't remember at all karen georgievich said there, yes, in general, i remember that i came home. dad said, so vanya was approved, so you have to go to such and such a film full moon day. should have shaved. it was brazenly necessary and it was necessary to go in the forest to kalmy. and i

remember the only thing that my mother said, and then i worked for you at the hut and we flew to estonia to play like that. well, for some reason, my mother said to this, how you fly abroad. so you said on papa, papa said. well, if you want, i remember that you boarded a propeller plane. he didn't say so. mom only found out at the airport where we were flying, that elista is not abroad, we flew there, so the fields, and now i'm completely bald. i remember only my episode that i am their bread. yes go to plan. here, in fact, he is here for me, in my opinion, about 13 years old, something like that. most importantly, i didn’t remember at all when it turned out later that we were already in a more conscious state, and he and i could tell when i was filming, well, karenina series from the history of uronsky and i also had an artist.

which as they say, i will not name the name, but i did not like how it works, and i parted with it. so i had a situation i needed steve i needed steve and now i was literally in the corridor in the corridor. yes, and i really liked him. i saw him, where did you already shoot him, that i saw him somewhere. i thought it was, of course, a big risk, because it was without trials without everything. i say, and it was necessary to shoot. i say come on, and here he began to act, and i realized what absolutely exactly was terrible we filmed in the winter about completely started forgot one word. it is clear that i could just not say it, that's all. i'm very grateful, first of all, that he got into this business. and secondly, he did a great job. and there he suddenly said to me, do you know

that i have already filmed with you? i speak as when he speaks. well, like a full moon day there is such a boy, it's me, so to speak, i remembered, that is, it turned out. here is some kind of such a very strange combination, as a result, which, but you you know in the movies, actually there is it. here we are, here mysticism is present in the cinema. it is done according to some of its own rules. for example, i know that you are starting to shoot. here's a week or two weeks, and you suddenly feel the picture, how it all went. and in principle, she is already going according to some kind of plan and sometimes it is very different from what you have in mind, but the main thing is that we no longer interfere. you don't need to be embedded. we need to help this, and this is the feeling i have here, i always wait when i start. do you

trust him? yes, i trust him in this some there is mysticism in the cinema. here is some kind of fate that it, as if with itself, as if gluing itself about it, but it turns out. these are the most beloved of your movie is the assassin king. but, it seems to me, the most mystical movie, which, by the way, was absolutely a mission with him, absolutely it was everything that happened to him. it was absolutely mystical. all because you filmed it at a time when no one was talking, no one had ever discussed it so widely. but it wasn't, first of all, about the killer, no one talks, of course, it was the theme. it was not not, well, this topic was closed. then, of course, the fact that magnesium got here, which got there. ah this, too, at all utterly mysticism was absolutely. well makdalov at that time. i think one of the three most popular artists after yes after yes orange.

he was top there, star star passed this cassette with a colleague and each other, how incredible it was just in this and uh, when we started working, we are the most interesting thing that we are when we write a script, we we always need to represent you imagine must imagine a face, and you can imagine a face, in general, an actor who has already died does not matter. it doesn't matter for the script or the actor you know, you'll never get it. by the way, we represented makdala and represented oleg yankovsky well, oleg we understood that he would be filming, a makdala. it didn't even cross our minds. he was a crazy star, then we got a british producer on and my still my friend. and sashin brahms, who, uh, says, and we already tried everything. we tried between by the way, a good actor, including petrenko,

auditioned for this role. alexey in short, i said, yes, prayer, i don’t need anything in particular, and so i quit. here is the makdal. he says, well, guys, there's not even anything to talk about. well, nothing and nothing. well, parted parted, then suddenly he calls. says, you know, i talked to agent mcdown. i talked to mcdon's agent, you know he wants to meet. well let's meet, they made me. i flew to london from london to geneva in geneva like in spy movies. i am i'm flying over to genet over there in the evening at 5:00. he must come to the hotel. he was filming there and the next morning i have to fly away mobile. no, i walk around geneva thinking, and if he doesn’t come, what will happen, how it’s not clear at 5:00, he comes alive, sits with this cell of his, do you remember who his wife later became, and he tells me, you have a script there is, but

i did not have it in english script. he says, well, tell us about what kind of movie you'll be doing. i start with him, but the film is rather complicated. i start telling him. so say in english somehow there for about 40 minutes he said, then he says, well, okay. you send me the script in english , and then we will decide everything, the most amazing thing in this story. well, it was then that i was, you might say, a young director. i did not understand you stars of this class. they have everything scheduled for several years, this does not happen. so heaven, 2 months later well 3 months later. it has already been filmed with us. e in vladimir has been prepared. aiming for the heart stand all in a row.

in view of the fact that your relatives in europe continue to advance on soviet russia ural the council decided to shoot you. he played in english. he played in english. we this picture is still interesting because i don't know about history. excuse the world, there are such examples

when the picture was simultaneously filmed in two languages, there was an english version in it makdal, and here and there he spoke english, and we dubbed it, and all russian artists dzhigarkhanyan yakovsky are all yankovsky, which are very heavy, they all gave out the text in english was a very strange man. he was his brothers in america. he's on a manlan, ascended he being a jew adopted by a protestant. he was, as it were, cosmopolitan in his worldview. you understand when, if only russian actors would be a little bit. it sounded, well , it would be false, but when it’s with a mcdow, but he is a great actor, but at the same time he starts a good one. i came to excuse the shooting, when he lies, the dying yurovsky in this bed, and he tells me, sasha,

come here. i'm coming. he says, listen, this was filmed near moscow where chernogolovka, and here is a village near the coats are sold for 200 rubles. which in los angeles costs 1,000 dollars in winter. and me actually had to coat. i say where is he here asked the driver. he took me there. i went to carry or came to such a rural store i go, there is none. i say, they told me, you say, it’s been five years, no one stole, the idiots came to stay. finally a coat. well , you know, this is such a party, here. bogdan used to buy it, - he says - you are crazy here in the ussr the ussr is you crazy, he says, such a coat, what kind of coat are you than saying 5,000 dollars in los angeles? which glass for sure?

after the advertisement, we will talk, and another pride that the pencil nazarov created and at the moscow studio that he raised almost from okay , let's operate on you granny, though now subordination for the weak has kissed the entire hospital nurse from monday on first i'm leaving there, immediately. can you hear me? this is where the right sauce is important. ketchup makeev

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from pulkovo airport, where relatives of flight 245, who crashed today on the dublin mountains, are starting to gather. really nobody survived? yes? heard about your brother condolences? two passengers registered for the flight did not board the aircraft; it is no longer on the list. well , think for yourself, wherever dima was, with whom he could not help but hear about the plane crash. he cannot fail to understand that we are all on our ears here. why doesn't he call, no opinions, igor surprisingly, my brother's wife, since i began to notice that my husband was staring at her , did not hesitate at all, that igor is the end

of innocence. are you really not afraid? cinema one tv presents no, all the attacks were at night, where you found on the shore, except that you have no witnesses, no evidence. there can't be a roller coaster for the premiere of a serial film. and what do you say, if i marry you a man first become so that you have something to respect.

wife takes what's the problem, and you and i will get married crazy, baby. so, someone else's uncle you are dearer than your own mother. in the film white night, a gentle night, today on the first woman, she will now come up with such a story that

you and i will not only quarrel, we will scatter in different directions. tonight, in the pond of his friends and relatives, the film director, koran shakhnarov celebrates his anniversary. so you said that very often there are stories from uh life comes. there is such a movie american daughter. this stone says, i auditioned for this kristina orbakaite yes, in general it was a tragic story. we have them with wife. well, how are relations normal, and are we going abroad somewhere or do they not tell? it is clear that everyone knows the story, then i will tell the worst. it wasn't in that it was flying away. we were at home, me and my wife. love friendship ddt we

flew there for a week we arrive. first, karen got out of the car and called me home and said alena ran away, that is, it was a shock for him. i say, come on, he says, i looked, no clothes. no. here is what she did. so you have no idea what he went through then. everything as in movie all right. no, it's like a fantasy movie, it's a fairy tale, it's a melodrama. it’s all different in life in life, and continuation in life is more, as it were , dramatic, but the picture had to be said, how young people are, they say, the coolest thing in america, it was absolutely a gamble, an absolute gamble, because we have no money in the nineties. we wrote scripts for the american theme, actually. no, one

time. we, like the swiss, brought something from us there and rutger hauer had to play, because he also tells me why i like your script, because i have the same story. it was from him that the winzila disappeared from us, and he, and after that he became an actor, became a big star, and they have already passed 20 years. it turns out that she lived there somewhere in canada, and he lived in america. so it’s for him, but he tells me, but i understand that you don’t want me to play. i say, yes, i don’t want to, not because i’m an excellent actor, but it was important for me that he didn’t speak english, and it was important for her in russian. what are you coming?

my dad was mrs. this is my real dad russian. i'm dad dad dad, dad i have a mom, yes, not yours, your mother is your grandmother. baba grandmother train lilac mist floats above us. but the vestibule burns. midnight star the conductor is in no hurry, the conductor understands. what's with the girl i?

i say goodbye forever. excellent american actors were filming there, all these stories are about them, but it was still telling me for a long time, he says, you all sit in russia, think that here we get millions of those who receive millions from 1/100, and most of he receives nothing from the actors, and moreover, he works, just waiting for the role. and i have very good american actors in this picture. there fees, basically was 100 dollars he paid in los angeles lived he paid. we didn't have money to pay for the tickets. we filmed from san francisco. he paid for the tickets to san francisco. he only said at least you can pay for a hotel, and in a hotel, like for 20 dollars, such and such and very good actors, but most of them.

and all, uh, everything is sort of understand hollywood and people understand the word hollywood when they live there in los angeles tens of thousands of people who every water somewhere works as waiters taxi drivers in shit clothes, what will they get when we are lucky for the practice, some are not very, in short, that's the story was. vladimir i know that you have prepared a surprise because you will perform a song. we speak american want to ask why exactly this song was already very fond of. this is precisely because it is in this, well, for me in this song, as i

always say. i am a soviet person. i don't want to immigrate from my time, but she is for me. that's good, cool, she's got this. lyara premiere songs deeply inhaled and exhaled with words. lilac mist floats above us.

what's with the girl i? i say goodbye forever. are you looking into my eyes? and squeezes out his hand. will she leave maybe for two. or maybe we always lose another call and leave. i may lose you friend forever. one more call and i'm leaving.

the last forgive takes off in the eyes of your big one more call. and trains lilac fog on there ram mountain midnight star kanduk

do not rush, the conductor understands. what's with the girl i? i say goodbye forever, as if in no hurry, what with i am a girl. i say goodbye forever. in addition to films, you have another brainchild,

which is already 24 years old, this is mosfilm mir has got forever. now everyone has become quite ambitious and ambitious. i wanted to create a studio so perfect, but i would say, i would not believe that we could do it on such a scale. here, especially considering that we have built such facilities as a huge 32 gara studio and, of course, these cars are convenient to move around. i will not be modest, my idea was to name some places in butter names our famous directors. we have

leonid gaidai square. we have starkovsky street, bondarchuk square is not in moscow, we have. this is what we call old moscow old petersburg, it's like, a street of petersburg there is moscow scenery, which we have been building yet. already almost 20 years ago, and it is in great demand, dozens of pictures of serials are being shot here. i also filmed here a rider named death, the white tiger filmed. the tank is a general, but this is a copy, and this is the white tiger. well , this is a real thirty-four and a real gun

this pavilion 17 will be the largest in the country, 3,000 m. for 24 years, the director, we have been rebuilding everything. we, in principle, rebuilt the studio, in fact, mozyr as such, it can be said that it did not exist. it's just that the bandits were sitting here, stolen cars, interrupting the numbers. sturgeon poured vodka there. well it was the biggest adventure at the time could, as they say shoot, when i started to change it all. you have the most advanced technology, she is the best equipment. a studio that is second to none in the world there. i want to confirm, because all these years that you are the head, i regularly work on the

cartoon, because a lot of television programs are filmed on mosfilm all the lights. all shows. uh, the studio is constantly working, and it has changed a lot in these 24 years. this is true and the last new pavilions that have already been launched. they will absolutely be launched on the 18th, this is the biggest one in general, yes. i congratulate you on this. and now your two sons will join us. hi great. hello happy birthday. hi what are you doing? let's follow in dad's footsteps. yes i'm in gig

finished. i am a director. i graduated and in general also work in the cinema. mom is an actress, i'm a director. so they seem to be pulled. i swear, i didn’t direct them absolutely in this direction. hmm, but it’s as if your cinematic mother is still at the table, and da vali played a small role. vasya, or played the will of a wonderful actress. are you an actor or a wolf? yes, it's me. and i was so in love with you. i went to all your performances, you then played in the gogol theater . yes, now i serve in another theater. i even wrote you a letter once. well, you probably didn't read

of course, a simple girl writes a letter to a famous artist. no, why do i remember your letter oleg what are you doing here? and i live here. this is my ex-wife. this is my ex-mother-in-law, and this is my acquaintance with you, you can remind yourself with pleasure, first of all, they called me to audition for a film studio. i came sitting as the central secretary of the party. i'm on the other side. i also dressed up classically. i was once scarlett o'hara, who is in the green apartment, decided for herself a velvet dress. i kept my back straight. and i started talking, the phone rang. he said a second. yes, yes, i waited while the negotiations were going on. i understood that it was some very serious things being discussed among adults, and he

hung up and said. yes, i continued the same, i did not choose words, there was some kind of conscious flow, because i told myself a little bit about what i play about what i love about how exciting i am about how i'm happy about the profession about everything. sorry. yes, there was another phone. yes, let's talk yes, yes, and now interspersed with these telephone conversations, and i knew that karen georgievich, uh, had several headquarters in his head, the main central cosmic mystical and the universe, and therefore he hears it all the same. he said, well, that's it, i understand, it seems that you are oh, okay, and we said goodbye, even shook hands, and now on my birthday, after some amount of time a long time. i managed to get

upset and lose hope and then forget to remember again and get upset again, and i went to some master of hairdressing, and he patrick me very shortly and on my birthday at 9:00 in the morning the phone rings. and i have a pleasant female voice. says good morning olga i say hello you are approved and in the paintings of the nazarov or the world history of poisoning. could you come at 4 o'clock today. the earth is gone from under my feet, i say, yes, of course, i was rushing around choosing how da tosya in the picture of the girls what to wear? because it seemed to me that once again i had to make some kind of impression. finally, i rushed crowns looked at me and said. so glancing over my head, but you won’t do anything else with yourself. we then did photo tests.

some wigs were leaning against me, as if something would give, it was no, i don’t do that. never because it's not a gift, but look first. i'm very beautiful. secondly, here is the interview. let's see how you behave on the set. you smear your beak, who in general is commanding us on the site to quietly stop walking, the chatter has been prepared for attention.

you know there is a movie, you know a good movie is a good one. one of the days it seems to me that for some reason you don’t remember this, but i remember this day filming in the pavilion of the film, it was just a picture of poison or a world history of poisoning, when a special day is our filming and special day,

which is called the day salaries. and after some uh there, the morning passed at work, right? and some kind of noon was approaching, probably, all of a sudden the whole group. unfortunately, i heard such a thin, piercing , very sorrowful cry cry. it's simple and it lasted so long and finally, everyone became each other's ask what's going on. what what is and in the group you had a perfect young lady working for you . she is as luxurious and magnificent as this bouquet that she gave you, anechka, she is magnificent. she loves, uh, the profession of the mosfilm film studio and is ready to be there both as an assistant and even an actress. she sometimes appears in her frame. yes, i know, yes, it turns out that she went down there . where it hangs on the wall. here is an antediluvian phone, which you need to put 2 kopecks in order to call. he also worked and she went there and went and put down two kopecks. and i talked to

someone. and my elegant wallet. she left. as is often the case on o, i forgot and left. and when she missed, she returned and realized that the purse was gone. and i'll remind you of payday. she began to cry, she was majestic, of course, but she was crying like just a little, very small girl , so piercingly and that's all. i could not calm down, it finally dawned on you, and the koran says. and what is what is happening at all told him? she is in tears. here it is unstoppable the ball somehow jumps completely not with him. she had it instead of a heart. it's a pity, like well, something at first karen george i remember how he and then he made a decision, he is a leisurely person, he came to the radio and said. you know let's announce lunch a little bit earlier while we're having lunch, the purse that's gone somewhere. let him be

where he left and once again fussed, of course , these people who carry dinners, someone settled down. there is the mind. here igor borisovich is here, cowering himself, they are sitting somewhere. and we don't wondered what was going on. i can only guess how worried this young lady was. allowing the wallet to come back legs into place. finally she went down there. and i found it where i left it on that gray, cold, almost insensitive telephone booth. i don’t remember, but it’s beautiful, yes, and nastenka, you acted twice.