perhaps the sultan found himself a new fun. i dare to remind you that i was born in the serbian, the princess went to the port, as i wanted the bride of the sultan. you were already in my bed. if i let you, you 'd already be dead. then why all this janissaries. what are you at the table, like a ram molly has never seen the movie one tv presents 205 will. vertinsky, where are your things? not? i have no things and we know you here. another scene went completely under the knife. it is about how samokhvalov

molested the goose. yes, yes, he is to her, not vice versa. could help the viewer to better understand the behavior of the heroine. this topic i will break with my next letter, many considered olga ryzhova in the film too intrusive why she pursues poor samokhvalov if he did not give her any reasons, good morning, olenka write some indecent letters. the family team work, but it turns out that samokhvalov gave a very good

reason. look at this shot from the set of the hero. basilashvili sat down beside olga petrovna quite frankly. he hugged her and began to whisper tender words, which disturbed her. heart, former lover. and now, in place of this forest, the city is clear. what have you been doing? this is samokhvalov only for self-interest, so that olenka gossips with him about the employees of bagels. is he from the catering department? yes , department head. and what kind of person? borovskikh from the place of industry, then all the romantic memories flooded over her.

this woman is told that she is clever, which means that she is a complete fool. can you imagine locked in a key cut out in the office romance blaze scene, where in the finale the heroine nemolyaeva tries to protect novoseltsevo from kalugina, when she chases him to lie down, a friend puts an empty box on her , the only photograph of this scene has been preserved. notice in the background a man is clinging

to a glass door and watching. maybe even betting . whose mass of all of us will take the scene of the film was not included, most likely ryazanov, as a great master , felt that this was already too much. son, where? uh, the heroine svetlana malyaeva puts a box on the head of the heroine alice friendly, this is from an eccentric comedy, but still an office romance, comedy lyrical yes, and the audience would not have believed in such a metamorphosis, because throughout the film olga ryzhova practically shook in front of her boss, she would hardly have dared to take such a bold and even impudent act in the first place that does not work. here is the main plot, when the director

shoots a picture, he shoots a lot of material, then he comes in, because there are some laws, their own conditions for a ride. but rezanov cut out the role of alexander fatyushin for other reasons, the actor appears in the film just a couple of times. although according to according to the scenario, the hero of fatyushin was one of the important, albeit minor, characters of verochka's secretary, with whom he constantly sorted things out. yes, i remember myself. have you fried eggs in my skillet today? and i forgot to wash it after myself, what kind of rubbish do you smoke scenes when he came to some on either a moped or a motorcycle, he came to pick her up. they say something is there. there was such

love, but it was a love line, it never reached the audience. alexander fatyushin in the theater accidentally severely injured his eye from the stage actor went straight to the hospital, and on the set of krizanov. didn't come back for a very long time . and then she said, sasha, i'm sorry, the decoration has to be broken. we can’t wait for you, because the shooting could not be completed. ryazanov removed this whole story from and to the viewer, and did not find out what the husband of vera’s secretary looks like from the whole director’s idea, only their telephone conversations remained. we need a baby do you want us to have a baby? but i can't

now. until the end of the work, there are still two hours of ecology here i can’t leave the director’s film was when everything came from the director, all decisions were made by the director. well, the director bore full responsibility for the transition to advice from editors and censors, and so on today, producing films. alas, most of the cut scenes from soviet films have not survived; now everything is recorded on a memory card; video can be transferred to a computer hard drives and save tons of footage, gigabytes used to be filmed on expensive film. she had to save dozens of rehearsals of takes from here, and only one motor film was cherished and groomed in every possible way cherished, touching lyrical comedy

pokrovsky gates, as if it does not imply any erotica. they threw it, but they didn’t catch it. however, director mikhail kazakov shot one fragment, which the censor seemed too frank to enter or not to enter. but for a moment, if not vulgar, i was forced to remove it. such a whole, contradictory heroine of marina hefty enters kostya into the room, the door closes behind him. well , then everything, as it were, is clear, but kazakov wanted to clarify. there, in the corridor, a globe was pushed up against the wall into a cupboard, and on the cupboard stood a globe and this

the globe was like this, that is, it was clear what they and the neighbors were doing there. here the censors looked at this trembling globe and demanded to remove it. and these shots were already taken by our cameramen without this, like a rhythmically swaying globe. although this scene with the globe should have been combined with another scene, when kostya, having fallen in love with rita, an employee of the registry office, cuts off old ties. he twists, the same globe, as if hinting. goodbye polygamous life. interestingly, she will write there, i will certainly write, bye-bye, i cross out, this yes. well, you know, here it is. eh, it would be necessary many, many times. watch the film to connect

that globe with this globe, you understand it hmm right away it’s also not very not very it’s so very subtle it ’s very so in kazakov’s way such subtle hello in general, marina dyuzheva is sure, be in her place, another actress, perhaps trembling the globe would have been left. you know, i have such an appearance that i have never been offered bed scenes. you know, i am the first pioneer. the first komsomolskaya pravda i never had any sex scenes. when as you read these works, the truth of temperance will be revealed to you. abstinence. i don't know. i'm all so sudden. such a controversial scene with any

hint of sex in soviet cinema in the first place. this scene, it turns out, was also cut. here is a fragment of the transcript of the meeting at which the film was discussed. moscow does not believe in tears to the speakers was the then director of mosfilm, nikolai sizov. some moments in the film simply struck me, for example, the love scene with tabakov. if we were to show it in its original form, as it was at the beginning, would you were horrified. it's just obscene. what was there that scared the authorities so much, and if you believe the words of menshov

, he didn’t shoot anything too frank, less in that person who, uh, i ’m sure that he did it all right. well, as it was considered at the top, the actors undressed too hastily, remaining in their underwear. they undressed standing against each other, he was down to his shorts. she stayed there in this combination. oh-oh-oh, well, i removed it. well, now sasha will come from the institute, the same claims were made to the scene of seduction the heroine, alentova, an enterprising rudik in the professor's apartment, says director vladimir menshov filmed the moment of katerina's seduction in more detail, but the artistic councils insisted on

cutting the price. now i would look there at the long side of the intercourse. i would say why should i watch it. i'd better watch after this films already generally speaking, they kind of get up any later. sex in soviet cinema was immediately cut out too much then there was a struggle for morality. for the same reason, no naked bodies on the screen. but there is one film in which the director defended the right to show nude female figures. ask a nurse. tomorrow at the first

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go to vtb and everything will work out. the film the dawns here are quiet about the war and young girls who die while performing a combat mission is a very good movie in which every frame works for meaning. there is a scene in the bath in the picture. when all the young heroines are shown in their beautiful note? oh, zhenya, you are a mermaid. they shot a cellophane film through a dense film, in which only camera lenses were embedded. we didn't see it at all. who is there for walls. so, so this scene, which did not make such an impression on the people, the population of the soviet union was filmed very

chaste, a special shooting regime was announced at the film studio. gorky - there were no strangers girls. they were very shy , hiding behind brooms and basins as best they could, but at first they all in unison, generally refused to go to the bathhouse. what did it cost the director stanislav rostotsky to convince the actresses to star in this episode, but he convinced such a figure to pack in uniform. and at your skin is transparent, and he told us, girls, this scene will be, well, in the middle of the film, when the viewer has already forgotten that you are a woman, you are always in tunic boots. this is, as it were, natural, but war and a woman are unnatural. it should not be, of course, rastotsky did not need nudity for the sake of nudity, as is sometimes the case in modern cinema. he wanted to show a terrible contradiction, young girlish bodies and war, which

will not allow the heroines to become wives and mothers. it's not nudity, it's not just, yes, i say again that this is an exposure of the topic, because we see them all the time in boots with wheat, how they shoot. but film officials did not understand the meaning of this scene, and during the premiere of the picture on television in the seventy-fifth year, it was cut out; in response, rastotzky made a big scandal and threatened to remove his

name from the credits if the bathhouse episode was not returned. he got seng left, but it is said that she was much longer in the movie. and that it was cut very fundamentally, when a remake of the film was released in 2015, and the dawns here are quiet. there was also the scene in the bath from it is easy to guess that the girls did not have to be persuaded to undress for filming for a long time. i'm sculpting a film rostov film by renat davletyarov two completely independent films, in my opinion, which are two adaptations of different stories by boris vasiliev rinat did not set the task of killing beauty with war. there was the killing machine of the war of everyone in a row, of

course. today , directors no longer hide the beauty of a naked female body on the screens of a completely different movie. the main thing is just that with this there was no overkill. censorship and cinema are incompatible things, every director will say, especially when you consider that the soviet artistic councils often included people who did not understand creativity at all, but their duties included necessarily having a hand in editing the film . this was the directors' biggest headache. there was always an apparatus of officials present. and these were terrible people, because they didn’t look at the pictures and initially gave discharges, and they just looked at these orders like this, it fits the order

remove, and it fits. yes, because of such a technical approach to the creative process, fragments of films were often cut out for subjective reasons, for example, in the film mimino, the main character of the film is georgians and armenians, a real couple from the jokes of the maine republic disgrace the republic here become mysterious friends. armenians meet georgians here before my join in this film. here it will be an anecdotal situation, armenians, georgians, armenian, driver, georgian pilot, and somehow it all stuck together in this

film, the censors forced to remove a small scene, essentially an anecdote azerbaijani. chana rode in the hotel elevator with them two japanese, he says, i will say, but do not be offended. look at this japanese. look at these russians, how they look alike and the camera pans. kikabidze is very funny about this, but the editors did not consider the episode to be cut out so that our friends from the east. do not be offended by the film mimino was released in the seventies at this time, relations between the soviet union and japan warmed up. good morning, i'm the director's considerations

that we suddenly say to the japanese that all the japanese are on one person. and when they say that these russians all look alike, that's fine. and when we talk about them a lot of nonsense from the movie mimino one more scene. true, only for a while, when the picture was shown at the moscow international film festival. where are you calling? you were confused, this is tel aviv, tel aviv the last scene, when he called in the rear, he ended up in tel aviv, because we did not have friendship with israel. and why are we suddenly showing such a touching

scene that makes you want to cry all the time, namely with israel. don't hang up. nothing here kulikov staging. well, in principle, they acted fairly and then restored it. i'm here, but from the film the white sun of the desert, in our opinion, very powerful scenes were cut out. where there was absolutely no time for laughter, they did not accept the fragment, which seemed to the artistic council to be too gloomy. remember when abdullah's wives are sitting in a cistern with comrade sukhov. i feel good with them

mahmoud as a result, abdul is killed and sukhov frees his wives. come out young ladies, but then the scene followed, which the leadership of the state cinema, forced to remove when women get out of captivity sukhov opens his arms to them, but they all run past him and rush to the body, the abduls of his wife sob and lament our master, when it means that he was dying or dying, as in this case, here is the owner of the harem, yes, then , of course, the duty of the wives was to really cry him to tear his hair out of his clothes. to howl in every possible way, which means he shows his grief, how they loved him. that's how

they mourn his loss abdul it was the guarantor and their existence. by the way, while the wives of abdullah were sitting in a barrel with them filmed another episode. he also went under the knife, however, this time the knife was the director himself. substitute sukhov enters this tank, where, together with the girls from the harem. here abdullah sets fire to this bug, that is, even there they begin to suffocate, tear

their clothes on themselves, beautiful breasts, beautiful bodies. and when there are a lot of them, e, this is extraordinary beauty in the smoke, but it is meaningless, because, in general, you understand what it is for. uh, for the sake of which it was filmed, they also cut out another strong scene, which they planned to finish the film according to the script after explosion of a longboat with her beloved husband, vereshchagin's wife goes crazy. director vladimir motyl very realistically

showed what happens to a person at such moments, madam. good luck, for whom you are kind, and to whom otherwise and so she walks between the horses muttering that her son has died, that she must go to astrakhan. this is her homeland, when they kill, that's it. she's crazy, then she hits the rails. uh rails in the sand. and now she is raking this sand in astrakhan, but the editors cut this scene out. she explains that this pier has already gone to lean on. i feel sorry for all the cut scenes, absolutely all of them. i'm

not going to explain to you that this could be left. and it could fly. i had to cut and so on. i am not the editor of these films, but from the point of view of censorship in general, all this was absolutely ugly. there is another controversial cut-out scene, but already in another film in the film, moscow does not believe in tears, the heroes of fatyushin, the hockey player gurin appears. should. i will send you with the first salary and tell you that he was invited to coaching . in general, a good guy came to his senses, but they all believed in it and he didn’t, who decided on his future fate, because, as you

know, there are no former alcoholics. so vladimir menshov thought so and initially shot a different version, as at the end of the evening. gurin is terribly drunk and everyone understands. he will never change. well, forgive me a little. normal, but the authorities were ordered to correct the fate of the soviet athlete and leave a happy ending. we know a lot. in which we even know media alcoholics who have changed and it depends , again, on the internal state of the person. here he wants to be dependent or does not want. i think that a certain number of sedentary alcoholics will see this film. even if one person,

it gave such an impetus from the inside to stop drinking, even if one person escaped, then this is already a great thing, everything, it’s logical what i do, i didn’t see a single hockey game last season, but as in a good book needs to be able to read between the lines, just like a good movie. you need to be able to see. between frames, many viewers, even in this happy ending, guessed the sad fate of the hockey player gurin. they read it anyway, it’s still understandable, and it’s still clear what gets out of this state, but the athletes won’t get out anymore . here, just everything turned out much thinner. it seems to me that the image of gurin was so close to the name of alexander fatyushin that

it even harmed him after the film, many were sure that the actor also drinks heavily that you have a letter i'll show you. they don't tell me, they send a third translation. well , then the seventh will be, of course. so my machine broke down, which prints money. every morning. these extreme circumstances have nothing in common between the fate of the hockey player, gorelin and the artists alexander fatyushin. do not confuse and please, uh, how to say, do not denigrate his memory , soviet cinema was cut mercilessly, but what

an amazing thing the pictures, even having suffered at the hands of the grief of officials, still became masterpieces, because they were made not only with great professionalism, but also with soul and love. and this is very important. we adore these films, we constantly review them, we quote them, despite all the intrigues of the censors.