tv Aivazovskii. Na grebne volni 1TV July 30, 2022 12:10am-1:06am MSK
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this is london 2004 on auction court without painting by russian artist ivan aivazovsky st. isaac's cathedral on a frosty day sold for 2 million 125,000 dollars. for some time, it became the most expensive painting in the history of the russian artist. but prices for aivazovsky are growing all the time. the ministry of internal affairs of russia has achieved the withdrawal from the auction at the auction in london lot number 23 central exposure week of russian auctions. this picture of the world-famous marine painter ivan aivazovsky is in the evening. in cairo difficult negotiations. started 2 days ago, interpol intervened in the auction according to data special services evening in cairo it was stolen from russian
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owners 20 years ago, the estimated cost exceeds 3 million dollars, experts calculated every 100 euros invested by voevazov, in the nineties by 2000 they turned into 529 euros. that is, the swamp artist has risen in price more than five times. no wonder they're being hunted? the police found paintings of the aivazovsky sea of the island of capri and polenov the head of a jerusalem jew, who was kidnapped 1.5 months ago , the criminals were detained. aivazovsky is not only stolen, but also falsified. yes, so that not every examination can identify a fake. on february 17, 2017, a message appeared, presented to the president of armenia, sergio sargsyan, aivazovsky's picture of the sea, alas, turned out to be unreal. why was aivazovsky forged? because it was very expensive, those who cannot afford to buy
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aivazovsky dream of at least seeing his seascapes. the tretyakov gallery continues to set records, the exhibition of aivazovsky's masterpieces was visited by 600,000 people, thus , in popularity with the audience and the famous marine painter bypassed valentin serov himself. what is it for the phenomenon of aivazovsky why today, 200 years after his birth, he causes the same? to be considered in the magazine ogonyok first of all, i was immediately stunned by this huge block of water, i just came out. the first book of the azov battle was released in the soviet era. there are only three color illustrations honestly. the battle, the black sea and the view of odessa wanted this book. give, sell,
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he says bread rations for a month. until now, no one has been able to convey the colossal power of the wave, the transparency of water and the glow of the moon path on aivazovsky's element i'm ready to kneel before him. i would kiss his footprints to be his student. so who was he the man who painted 6,000 canvases in his life and left us many mysteries about himself and his life.
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this is turkey istanbul, the famous dalmabahce sultan's palace. a pearl of baroque architecture, which houses a collection of three dozen paintings by ivan aivazovsky. there is nothing surprising in this. the palace was built by representatives of the famous dynasty of armenian ottoman architects bayans. after the armenian genocide of 1915 in turkey, the entire armenian cultural heritage was destroyed, the temples were converted into mosques or the cemetery was destroyed and plowed up. however, the dalmabahce palace, built by armenian architects, has been preserved, as well as the collection of aivazovsky, a russian artist of armenian origin, moreover, erdogan, two
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paintings from 30 leaders, and now important negotiations are taking place against the background. meanwhile, it is known that ivan aivazovsky himself heard about the massacres of armenians. in the ottoman empire threw everything into the sea awards that he received from the turkish sultan. and yet aivazovsky still highly appreciated in turkey and not only in it. he was very expensive during his lifetime and his works are still highly valued at one auction, he doesn’t remember where they won very quickly, two artists rembrandt and aivazovsky and
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rembrandt sold cheaper than aivazovsky however, when it comes to aivazovsky, it would be absolutely wrong to reduce everything only to money. october 14 , 1962, the day that is considered the official start of the caribbean crisis, when the world stood on the brink of a nuclear catastrophe. jacqueline kennedy asked to be connected to the carcaram art gallery. do you have a painting by russian artist aivazovsky i want to rent them urgently. but what kind of paintings were these and how did they get across the ocean in 1892, aivazovsky, already at an advanced age, made his most distant and, as
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it turned out, the most important voyage to the world history for the world history it was still possible to be unwashed by the wave. he wrote directly to stick ivan ivanovsky painted two pictures of a relief ship and food distribution. during his visit to the united states, the russian artist presented these canvases as a gift to the washington carcaran gallery, and now 70 years have passed. jacqueline kennedy moved them to the white house fish room these paintings witnessed the world's vital debate about the cuban missile crisis. i don't think it's a coincidence. this very fish hall or fish room. it was called so because during the presidency of john f. kennedy, a his, an impressive prize trophy from
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swordfish fishing. against its background and against the backdrop of aivazovsky's paintings, president kennedy gave press conferences. this background was a message not so much to the soviet union as the parties of the war in washington reminded both of the russian squadron and the long- standing sympathy of ordinary americans for the russians. the message reached the addressees so the work of aivazovsky contributed to the cause of peace. something similar is happening now in turkey, the meeting of the country's leader with the heads of foreign states in the new presidential palace in ankara is being held on background of paintings by the great russian artist. having moved to the palace in 2014, recep erdogan in the hall for official meetings replaced the portrait of ataturk, the founder of the modern turkish state, with
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two landscapes by aivazovsky. he was in love with constantinople and painted it. and then in 1945 , and when he returned, uh, and it happens, there, according to the memories, according to the drawings, according to the watercolors, just from memory, uh, dozens. just if not hundreds of paintings, if azov depicting, constantinople in 1856, ivan ivazovsky was presented to the sultan abdul majid was the first to award the painter with the order of a niche in the fourth degree. the next time aivazovsky arrived in turkey at the invitation of the armenian diaspora in 1874, the artist provided free assistance to turkish armenians. the new ruler, sultan abdul-aziz, worked in azov , was delighted to have bought everything that aivazovsky brought with him and ordered 30 more paintings to his
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new dolmabahce palace. the sultan invited aivazovsky to paint pictures in the almost completed palace by one architect, who was an armenian and his friend. this means that there is a historically established collection of ivazovsky paintings in turkey, some of which were transferred to the ankara presidential palace. when the paintings were handed over to the turkish court as a sign of special respect for the merits of the artist, sultan abdul aziz presented aivazovsky with the order of osmonium of the second degree? in fairness, we must admit the love of honors and noticeable vanity were the weaknesses of ivan konstantinovich. look at his ceremonial portraits, which are kept in feodosia every order. registered he really liked, of course, the memorable addresses that he kept from national
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communities from institutions. that is, it is for him. this whole entourage, uh, was very important to him. however, soon the turkish awards, by the artist’s own admission, began to burn his chest. when in the mid-nineties, the ninety-fifth, the massacre of aivazovsky began to occur, a series of paintings appeared about these terrible events. aivazovsky, in anger, threw these turkish awards into the sea, protesting. uh, against uh, what happens to him people. and after that, he has never been to turkey , despite this dimash and the armenian origin of the artist in one of the halls, meetings the head of turkey always sits down between two paintings by aivazovsky, this definitely
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has a hidden connotation. but what is this mystery yet to be solved? art is the security of the country. it's not easy, and people like aivazovsky they show, firstly, this is our pride and they show what human genius is capable of. the future is unbelievable, dear and significant artist is not yet ivan but avanes was born in theodosius in a poor family is so poor that his older brother was given to be raised by a rich merchant. the fear that, due to poverty, he would also be given to unknown people made the boy desperately look for a way to earn money. he played the violin for passers-by, ran with an errand and then one day, when avanes offended, the owner of a fruit shop, a wandering, tatar singer, haydar consoles the child, predicted to him with wealth and glory, any of your misfortunes
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will turn then no one could imagine how accurate this prophecy would turn out to be. fate thanked from the very beginning, the stars converged well over his head over his fate, and they helped these stars. his parents dreamed that avanes would become a musician and bought him an old violin with the last money, but whenever the boy experienced strong emotions, he was drawn to draw. there were no paints, no pencils, and he drew lines on the rocks or on the white walls of houses. once a hooligan was caught doing this and reported to the mayor feodosia kaznacheev himself. picture a little hmm armenian boy
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who, uh, draws with charcoal on the walls of feodosia's house on newspapers. suddenly, the architect sees the treasurer tells alexander ivanovich, and now alexander ivanovich kaznacheev takes the boy into his family. separation from relatives, which the boy was so afraid of, turned into falling into a fairy tale and vov was very fond of in the family of the mayor and was called in the russian manner vanechka, when the treasurer was appointed head of the tauride province, and he moved to simferopol ivan went to the gymnasium and met many friends of the family of a high official . russians noble families of very high rank in the house, for example, people like the naryshkins. hmm, it was just a library for me, but there was a collection of wonderful collections of old engravings, from
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which aivazovsky drew something, redrawn a collection of rembrandt engravings, a german colonist, artist, joganross, gave a talented young man a recommendation to the academy of arts, where he was accepted by patches at the state expense? already after 2 years, ivan received a silver medal for his first academic landscapes and was assigned as an assistant to a fashionable french marine painter philip taner, who was just opening his exhibition, and then a scandal erupted. by chance, these landscapes were not far from the landscapes of philip tanerre and the public, and first of all it became clear to the toner himself that his landscapes lose in comparison with the landscapes. his student , eighteen-year-old ivan, was lying in the infirmary with a fever, imagining how, at his request, the jealous frenchman was deprived of scholarships and expelled from
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the academy. in fact, he was furious, and even complained to the emperor that the works of his student were presented at his exhibition. aivazovsky nikolai ordered them to be removed, but again it happened, as it was predicted, the trouble turned into fame and fortune. for aivazovsky, uh, the intercession of good people of worthy people began. krylov , for example, a professor at the academy of arts, who taught, in the family of nikolai, the children of nikolai , drawing painting, acted as such intercessors. the intercessors hinted to the emperor that he should be proud that his own subjects were more talented than foreigners. then nicholas i
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began to ask the courtiers if they had pictures of the young artist, a rush demand for his work began, and ivan himself was sent to study in europe for a week at public expense. he is in the same city in a week in the passport mark. he is in another place in 3 days, he again moves to a new place, and he has not left himself without work for a single day. aivazovsky loved to work on location in the morning, when the sunlight is still white and not colored by dinner, the light turns yellow in the evening, turns pink, and at sunset lilac, all landscape painters in that aivazovsky first painted small miracles, because that everything changes very quickly in the air, for example, the sun does not stand still. it
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moves, the color changes accordingly, and everything changes quickly on small ones. e the size of planks or canvases will quickly fix the state of nature, 1, 2 3, then in the workshop. they processed it. and these tales are false wallpapers of azov that he wrote from drawings did this is a lie. he caught light relations so from nature envy and gossip , the constant companions of glory about aivazovsky when he became world famous, really from lucky they say the marine painter does not write from life by imagination. in fact, ivan had a phenomenal visual memory, which allowed him to accurately convey the most fleeting states of nature. the movement of the living elements is imperceptible for a brush to paint lightning, a gust of wind, a sparkle of a wave, unthinkable from
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nature. yes, the sea, this is an element that is constantly changing; it is impossible to write from nature aivazovsky the great, russian artist. this is the clarity of childhood. for everybody. who was born in our country and looked at a reproduction of the painting the ninth wave. but in the days of the ussr, it was hard to even imagine that someone could have aivazovsky's paintings in a private collection, they cost unimaginable money for a soviet person. in addition, it was considered a masterpiece of the place in the museum. therefore, the possession of paintings by this artist could end for the owner with the most dramatic way. this happened, for example, with the famous singer lydia ruslanova. she had an absolutely amazing taste of alive pisya and at the same time she had a piss. in 1948, the nation's
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favorite artist was arrested by reason for arrest ruslanova became close to marshal zhukov, the husband of the singer, general. kryukov was in close contact with the great commander. it was all stalin's attack on zhukov of all people close to him to some extent , or two people were arrested. among them , all close generals there are adjutant generals, uh, just adjutant, uh, the drivers arrested everyone. the collection of jewelry and paintings owned by lidia ruslanova became a real gift for the investigators. marshal was accused of embezzling trophy values and the presence of treasures in the family of a loved one. zhukov of a person became an indirect confirmation of these insinuations. immediately after the arrest, the paintings of leader ruslanov were requisitioned,
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but what to do with them? no one knew. i know that this question was considered at a meeting of the soviet government. because part of her painting is some kind of a few pictures, maybe, yes, they were just hung in the tretyakov gallery. after the death of stalin and the complete rehabilitation of lidia ruslanova, some of the paintings were returned. and in 1962, she gave way to the famous collector elena aladova, director national art gallery of belarus one of aivazovsky's landscapes symbolically titled the ship's last breath. the fate of other bolotins of aivazovsky from ruslanova's collection incredibly worried another collector of the world-famous cellist mstislav rostropovich, after being forced to immigrate from the ussr, the musician, together with his wife, singer galina vishnevskaya
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, collected and popularized russian art for many years. after the death of rostropovich in 2007, the collection, including several paintings by aivazovsky, was prepared for sale on sobiz auction and there was a sensation that caused an uproar among collectors around the world. a few hours before the start of the auction, the famous russian businessman alisher usmanov bought all the paintings, and then donated them to the konstantinovsky palace in st. petersburg. could ivan aivazovsky ever imagine what passions that have little to do with art will boil around his work? he was 20 years old when he became a star in italy and he was an extraordinarily
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talented artist who painted the sea. i think, that aivazovsky is the best artist depicting the sea in the entire world culture. frozen warm wanted who it is. uninvited guest dad, you recognize me. i am yegor your son. you don't have to hit. if you recognize me, tell me. well, firstly, i returned from prison and came to my home, and there strangers wanted to take my father in a psychiatric hospital, they didn’t let me, i had to get you out, but for some reason i’ll decide how the house completely fell into the hands of my father with its contents. oh, i'm afraid. they do n't let me sleep. it's good for me to offend people. do you think why kesha was pushed into a madhouse so soon? repent
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how much do you work here 5 days a week for 8 hours of light two years in a team precisely that time flies full time in delicious can arrange. it must be admitted that the sweet romantic views of the coast from olives and bays, which the young graduate of the academy of arts wrote in italy, were still not mature enough. still, they sold like hot cakes. those brush trials, uh, sold out right away. in aivazovsky, for example, the venetian
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king. e, the bavarian prince is what we simply know from documents and slava went about the russian artist. then the artist was not even aivazovsky yet, his ancestors, the gaivozians, lived in lvov for some time and began to call themselves in the polish manner. gaivazovsky. chaos helped ivan to break off the first letter from his last name and start a new life . that was the name of the picture, which almost ruined the artist. it happened when ivan found his brother sargis in italy, the one who, due to poverty, was given up by his parents for education. sargiz became a monk gabriel, in a monastery on the island of st. lazarus, not far from venice, in childhood, the brothers were incredibly attached to each other, separation became a drama for everyone. and
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so they found each other again, ivan, shocked by the meeting, decided to paint a canvas where light conquers darkness. painting chaos, the creation of the world attracted the attention of the vatican, the cardinals accused the artist of the image of demons it could have cost too much not only the reputation, but also the fate of the artist hung by a thread, it cost the catholic church to recognize the picture as heresy, ivan would simply turn into an outcast. but the pope wanted to personally see the chaos. quality brought for the presentation. e to the papal palace and dad from his desire to purchase this picture and avazovsky, as we would say now, made an absolutely wonderful marketing move , he gave this picture to me. it was this picture that the
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artist signed the names under which he will enter story, aivazovsky, meanwhile, as predicted in childhood, trouble for aivazovsky musicians turned into fame and fortune again and again, they continued to happen ordinary events a year after the events in the vatican , the ship on which the artist sailed fell into a terrible storm in the bay of biscay lost masts and two did not sink. ivan, miraculously, who survived on land, discovered a parisian merchant, to whom the artist left three landscapes on a commission, he sold these paintings at exorbitant prices, because their genius the writer allegedly died in a shipwreck. french newspapermen rushed to describe this curiosity and dig up the details of the biography of the
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lucky aivazovsky, so a romantic story with the famous italian ballerina maria itaglione appeared on the pages of the press. it was rumored that after the breakup, ivan gave a taglion, a palazzo in italy, and she gave him her own pink shoe and sent violets for her birthday until the end of her life. it is known that the lady was 13 years older than aivazovsky. i think they knew each other. and i think, everything else is well. the legs of lovely ladies flash in their footsteps, something was written about it. many. well, the young man must be interested in something. well, this is very in the style of that time, many were fond of the ballerina. these rumors incredibly
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fueled interest in the artist both from buyers and from the fair sex. the successful artist was known as an enviable groom in st. petersburg. he often visited the house where two daughters were married, but ivan was carried away by their governess julia and was dirty. secular petersburg did not approve of the choice artist and proud aivazovsky took the bride to the crimea, where he was adored by everyone, even the local robber who made his beloved fellow countryman, an unexpected gift for the wedding, a scarf for the bride. when, after the wedding , aivazovsky and his young wife were traveling from feodosia from feodosia to sheikh mamaev, they suddenly stopped their estate in the forest and among the group of horsemen, there
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was an olim, and he offered it. e gift. eh, it seemed to julia that the people of crimea themselves, in the person of alim the robber, blessed aivazovsky's return home. ivan konstantinovich became interested in archeology and, together with his wife took up the excavation of local mounds and yet aivazovsky, who was an artist of the main naval headquarters of the russian empire, that is, he was in the public service, lived for a long time in two houses in st. petersburg and in the crimea. splendor and sophistication of outfits. after all, her husband was rich, and it turned out that's why the document that accidentally survived. but we can conclude that aivazovsky was a doctor-man. here could
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rather counted a penny. so the samovar was repaired and repaired for 80 kopecks there. julia could not understand her husband, who was still full of fear of poverty, which had once separated him from his brother, and therefore, despite his wealth, did not allow his wife and four daughters any excesses. without the memoirs of konstantin artsov, one of aivazovsky's grandchildren, he wrote that when he was a guest at the house, his grandfather served dessert only on sundays with whipped cream and in order to get dessert on another day of the week. konstantin has the artsolovs. had a personal relationship with secretly from the cook's grandfather whipped cream for him. and that's how they got it wrong. with his wife began to happen more and more often aivazovsky felt more comfortable in the
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company of fishermen and artisans, with whom he sat over a glass of wine more than once, in the end, julia began to go to st. petersburg or odessa without her husband alone or with her daughters. and soon left aivazovsky altogether after she left his house. that was really unpleasant - she lived in odessa, uh, she produced quite a lot of unpleasant rumors and combat. here. i think, this situation affected him for 7 years and completely exhausted ivan konstantinovich only in may 1877 . the synod gave in and granted aivazovsky's insistent petition for a divorce. until that time, the artist involuntarily lived as a monk, like his beloved brother, although he regularly sent 500-600 rubles.
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monthly for the maintenance of his wife, who never tired of complaining to others about her husband's domestic tyranny. she seemed to take revenge on him and married all four daughters against his will to foreigners. of course there was drama, and after all, for several years. uh, saved correspondence with barley-one was preserved about getting a divorce. and yet, it was during the years of marriage with yulia that aivazovsky painted his most famous paintings, which, even centuries later, will make an indelible impression on the audience, for example, the battle of chesme. there is a turn of great influence. i'm with my young man i would do. i raved about the ivanovo sea, its battle scenes are a
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fantastic battery of scenes. she had a phenomenal memory of dynamics, phenomenal hydraulics, and he constantly connects it all here, water and air. being a painter of the main naval headquarters of the russian empire and a courageous man, aivazovsky visited the caucasian crimean and russian-turkish wars aivazovsky wrote that every victory of our troops on land or at sea pleases me as a russian in my soul and gives me thoughts on how an artist can depict it on canvas . and yes, he gave it all with pleasure. he understood that in order to portray it truthfully, one must take part in it. he rushed to the front line
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to see what was happening with his own eyes, and his took care of and sent them. in an age when neither cinema nor photography had yet become widespread, aivazovsky seemed to feel a duty to preserve for posterity reliable documents of the era full of events and historical turns. and his paintings are evidence of battles, ordering the ships to take such a maneuver, produce the moment that he needed and make volleys, because he needed to see how the core flies like a ricochet on the surface of the water. but of course, the main and immortal masterpiece of the artist was the ninth wave. aivazovsky
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painted a picture still under the impression of what he saw during a storm in the bay of biscay, he then risked his life and went on deck, trying to remember the smallest details and nuances of light. aivazovsky managed not only to portray plausibly, but also to convey the feeling. the sun was shining, so i wanted to close my eyes. from the wind to shrink from the wave to recoil in fright, this happened to the artist ilya repin, when aivazovsky suddenly opened the door of the room in front of him, behind which stood his magnificent ninth wave. however, this was not only with repin. i had the feeling that i myself was in this element near the sea. my head was spinning and still, even though i draw myself. so i 'm talking to you, i already have goosebumps. i went right away.
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