and it is not clear where they disappeared. the main thing that made them different. it was air. they had an insane amount of air pumped in and human solidarity, hi, give me a ride when the company is done. well, what is human solidarity for us now? there hello hello hello how's the company. doesn't mind convivial. well, solve it, you can change your mind. let's go through the place, that's enough. the film the pier for me is a film about the cubes of fate, you know, there is chess, i thought two two four went, but life, it looks more like not to chess, but she backgammon before thinking

and going. you still have to. shake the cubes and discard. each step is accompanied by some kind of accident and the berth is just about these cubes and the fact that the bride katya, who is supposed to marry the skipper, will moor this man, because with him all his life and shpaliks are easy and free, and he destroys all these illusions . like this and like this shakes and lets her a cyclist, and the tamers of the tigers the kidnappers of the cello of the test pilot the test pilot of many men. this night magical night. here she is walking around moscow and hmm so that she finally understands, the dear girl in your life will obviously be someone else, this is not the point at all. it's just a small comma

, and tomorrow time will go back and nothing will appear tomorrow. you will not appear and become yourself this tomorrow, because it will be different to shoot this film was supposed to be vladimir chinese. he also studied at the hykomets. on the course, roma, along with tarkovsky or shukshin, was nevertheless considered the number one figure there it was from him that everyone waited for new revelations. volodya chinese was young from the village, brought up by his grandmother a gypsy, he puts the truth, while he

was the most elegant and wore a scarf such as a scarf, a neckerchief. where do you take it from? he wrote good poems. the room was in a hostel, so beautiful , so a diagonal composition was separated by a curtain. they threw out these beds, set the clocks so low and everything was arranged for the tea ceremony. and by the new year it was completely closed.

they said you know shpaliks, but the script doesn't tell you very weak script. where did you see such moscow ? there is no such moscow vladimir chinese after 2 weeks put on his only suit, got on the train, left and hanged himself in a forest near moscow. in this room everything as a result, they all committed suicide. time does not exist, there are happy moments and you always hope that the next generation will be much better. better savagery will not be so often. commit suicide

including begins. and why yes, because and that pushkin was not suicidal when he went to this duel or lermontov bullied martynov, who knows? where what detail? in this sense, it can become this very detonator, from which a person hangs himself; it cannot be discussed senselessly if a priest were caught there at that time, who would say a word. some word, quite simple simple words, is enough for this so that suddenly a person looks at himself from the side or a bandit who would demand money, but they say to me, yes, yes, this is all, uh, this circumstance, oh, which no one has

the right to judge. no one can do anything, therefore, to say their thoughts on this matter, right? and i i enter, as in a dream, in the snow flying at sunset, spring is already flying farewell over the world. sveta veil loved surprised by the phone reports that snow has fallen. how to describe his fall slowed down his flight? yes, the snow is not on the offensive, it is retreating, but it is flying. he is quiet not impudent otherwise, snow. there is no goal to wave his hand to him flying blind. people are lost only once, but the one who lost is not found, and the person who visits you

says goodbye and leaves at night. and if he leaves during the day, he leaves you anyway. let's bring it back. while the square is moving. come on now it we’ll return, we’ll talk and we’ll set the table, we’ll turn the whole house upside down and i’ll arrange a holiday for him the whole house upside down. and a holiday for him. discussed when it was recommended it. and gena was

invited by the script. gena was such a first, then marlene said in all interviews that, of course, it was difficult to make him sit down at first, he wrote everything pretty quickly, and then khrushchev attacked. for some reason yes, bullshit. well, even now, and repeat. it’s even funny when these amendments were issued and it was necessary to change everything all the time the film has already been filmed. how much did he make of it? i was 20 years old, they put part of the material with them, they didn’t hide my legs at all, but it really worked. he got it, right? funny internal laughter very scary

actually i am at this time. it's not true, you say you're not tired at all. are you in some kind of trouble? i don't know who is more fortunate. i think that all the same, the lucky bastards were lucky then only tarkovsky later, and i think that not without the participation of the ethics of cinematographers. he entered the cinema. thought he was considerate the kutsyev viewer was a representative of this absolutely incredible cinema, which today, in my opinion, is not appreciated at all, because , in my opinion, no one watches these films, what remains in a flask is a small supply. today, the concept of intonation of the frame does not exist at all, and we see this gigantic stream of films all there about aliens and about someone else, but no one talks about

aliens to your own unearthly soul, comrades. please pay attention to modesty at the festival in the city of kamne practical clothing for hair not soot festivities and country festivities walks games in towns business trips. modern lines. the throat begins and ends with the last contractions in the region of the spine. dance, it was me and genka who, during the shooting of the party, forced ilyich for some reason, everyone was very eager to get there to shoot. and genka and i decided that we were proud and we would not shoot. and here we were on the set there. in the year

1962, he arrived, and i see a handsome man standing there, and i ’ll ask someone there, who is shpalik, but the name is already for me it was. naturally famous because. he entered the cinema immediately and immediately immediately became famous in all directions. this is a rare case, but it is a fact. yes, i saw a handsome young man. soundly, dressed with a beautiful hairstyle, it was just the first time about him that you can’t say anything else beautifully.

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of the rosleskhoz guard, 90 years on guard of the forests of russia shpalikov, he was somehow especially radiant. i am i do not know how he was given how to shine? it somehow he had the sun reflected in the eyes of some buttons. and in general, he was healthy and joyfully disposed, and one could say about this young man, he was undoubtedly born. uh, for the joy of success , gena shpalikov came, brought a bottle of champagne and said that he had come up with a cool script for me. daughter. in the middle of the street, a girl walks barefoot, shoes in her hands. a guy appears

on a bicycle and slowly follows the girl. the guy holds an umbrella over the girl. she dodges and he still goes after her and smiles like. mushroom rain in the sun - this is an idea, and then, and then we 'll think of it. in the restaurant he promised that they would not let him at the table until he wrote. well, this song is not the only case when he was forced to write in this way.

ask the chinese. excuse me, you are chinese. japanese for the sleepers of whom the film? i walk around moscow became a real triumph, the first and last. and i can still go through, i will dissolve the ocean. i don’t know yet.

once upon a time it was a long time ago opposite and transverse. i heard about atalante. i was afraid to watch her for a very long time. i was afraid. later , in this great picture, i cried there is no picture from the fact that you died so young and no one else made such pictures. in memory of you, i shot the insanely long end of my

first picture, a girl with an accordion walking on the water into the water. it was a declaration of love to you century. where are you now where are you clever? we would be friends, and where are you? i know where but from the fact that i know such anguish. 67

year released, the only directorial work shpalikov film long and happy life. in the title role he removed the shpalikov. inna walking his second wife, the mother of his daughter dasha in a larger market,

they took such a photograph, even quite such rustic, this gena wrote to me again in the sixty- third year hatches me, just like the nickname from childhood was. i observed all this directly, they rented a dacha next to my dacha. and how happy it was, but they were good. very much at this moment may be enough for life to have a happy summer. there is all life. or maybe a whole life sign in for person in one or not only in one summer in one day. maybe enter the whole life. the rest is all background. it's just that no one can be happy all the time . it's good that there are some wonderful moments. this also doesn't happen to everyone.

there are wonderful poems dedicated to inna under the wind the pines make a good noise. holy throne. you do not wake up to me with a hot shoulder. touch, your dream shakes the pines and keeps. i hold you in my dream . and i hear a woodpecker pounding a tree. today is sunday in the forest at the dacha on the highway and in the swamp. the peace of a day not yet begun. indistinct outlines of objects i think how you entered me in my affairs of care and consciousness. our celebrations are leaving on weekdays.

but in the morning i want to wake up to look for words and forget words. hope to love to obey. this is a piece of happiness, but he felt it once he was able to write it. not everyone gets such a real feeling. from which there is a desire to continue to live, how not very happy it’s not very good it’s not important to live on, but sometimes it’s obvious, of course, yes it adds up to one moment so many contradictory life. moments that ends here also happen. victor nekrasov during the war years the captain

of the sapper troops, a participant in the battle of stalingrad for the story in the trenches of stalingrad, he was awarded the stalin prize viktor nekrasov, the famous author of romanov in the trenches of stalingrad, was a friend of shpalikov. when nekrasov fell into disgrace and was in poverty, shpalikov wrote a script for the kiev film studio, received an advance payment and gave all the money to nekrasov, although he himself was heavily in debt. dear victor i'm walking around moscow the isolation here is almost complete, i'm not complaining. i worked a lot this year, i sat in a larger one, wrote a story for a little spike. will they launch or not? any vague hopes? although, to be honest, i don't care. for a normal person, this would be strange, at

least. drink once or more when left the truth not to drink 40 days. then they wrote this very you and i. she just followed him with pies and a thermos. so that in general, so as not to break loose and get drunk , the picture you and i, created in collaboration with larisa hiss, thundered at the venice film festival

in the seventy-second year, but most of shpalikov's scripts were not accepted. what are your films about good people about, your heroes wander around the city and do nothing, clarify the meaning in the ussr there is no choice or do you drink? or are you healing or are they not printing you? the fourth is not given? gradually, the charming shpalikov turned into a tramp. and when it became completely unbearable. but that's how it became unbearable

remained in stock. one remedy, it remained to go to the vending machine on kievskaya and drink two or three glasses of white fortified damn blessed public port number 14 on token number 25 from the tickets in your pocket get off at the river tramway on the ramp with the implied flags, splash, get off the waves and swim. seagulls flap their wings, the water glitters and ripples. ahead, at the turn, the barge slowly turns around. about the wind of the upper deck, which sweeps between its painted garden benches through the eyes of passengers closed from bliss, about the gorky park of culture,

which accommodates everything that is so useful and useless, about the crimean bridge so majestically rising on the horizon. be cursed these days, be cursed watercars. i would blow them all together. i know where they stand at night. let me blow them up. i see you, i remember. it seems to me