to whom what piece will be transferred and how much will it cost, if we assume someone's share is more expensive than the second share, then the court can recover compensation yes, the equality of these shares from one at the expense of the other . here it would seem a simple difficult everyday story. and how many completely unnecessary emotions of spent nerves are here and human greed, greed and selfishness are to blame for everything, here is a photograph of my mother, who strictly bequeathed, no matter what happened in life, that we should remain brothers. well just things like this are happening right now. i don't know, i have no words. i do not know what to do. how how to execute? mom's testament, i want all this, so that everything would be fine with my brother. every time divas are given how quirky, people can be

even the closest relatives, when big money blinds their eyes, however, this whole side, like the world, unfortunately. the law of man was on the air in the court. alexei primanov, see you as usual. on the first channel on friday in the same studio.

tonight you'll know all the secrets behind the scenes one of the most popular and beloved theaters in our country, all the theater of satire with us, the adored people's artist of russia, the president of the satire theater alexander

shirvindt, the artistic director of the theater sergey gazarov, as well as all the most important stars of the ninety-ninth season. it’s convenient for me to declare my love to your theater very, very pleasant and easy, because one of the very first theater shocks i had happened just uh in the satire theater at the play, malysh and carlson ah. it was the mid- seventies and since then, of course, 3-4 year old. it was probably the most wonderful feeling that i had, that’s true, i experienced in the theater, because i so sincerely believed that spartak mishulin was carlson hmm well, i thought something

shocked the fact that the kid at that time was playing . woman, you know, i didn’t understand it then, but we prepared some shots for which alexander ilyevich is 49 years old. this is the fiftieth anniversary of your theatre. here, let's see. actively with a creative spark satirical zabal jokes at the ready factory to the side frowning faces comparison to the classics with an eye on the shortcomings at the solemn festive anniversary parade, the old generation station,

the 11th generation. a veteran of our theater eternally young fifty-year-old theater of satire allow me to declare open the head of the theater of satire and yet, who has not lost his humor. where are you? i dream of the day when our moscow theater

of satire is for blood, because there will not be a single satirical theme left for its performances, but this is only a dream, but for now live. live and work i 'm sure this dream will never start, because that there will always be something to laugh about. and what do you dare. and what to show, what has changed in these 50 years, what has changed in these 50 years, nothing on the same rake. you know very interesting tribute to time one of the greatest performances of your theater little tragedies of the big house, yes, little comedies of the big house you had a

monologue there when you write a record for your son in order to communicate with him so that he can hear you , expensive. sound letter and hopes that you will take it for jazz put the record on the player so you listen to everything that your father is yours, so to speak. in vain has been trying to tell you for the last time. it's just that this record is the only opportunity to talk with you, so to speak, to establish contact. because i leave for work when you are still sleeping, you come home when i am already sleeping. or i'm still sleeping. by the way, when you

come home safely at night, turn on the light, do not try to walk through our room with your mother by touch. it's better to see once than a hundred times hear. you are an equilateral triangle in physics, you have a triple in literature, a triple in mathematics . you only have one five. and here and today i took it from my jacket. but in the repertoire of the satire theater there is a performance and a play from today, which was specially written for alexander anatolyevich shirvindt, and i have the honor to play together with alexander anatolyevich in this

performance. and the truth is, the play, uh, was called the great forgotten, but 2 weeks before the premiere, alexander says. oh no, i don't have to not so it should be called, but alexander no, this is such a cash title. no, i don't want to. i’m not the great one, but we say you are not forgotten, but in general, in short, i alexander anatolyevich came up with the name where we are, so this is a huge number of all kinds of interpretations, because the audience says they saw your performance, who we are wonderful. how to get to the show? why are we eh? where are we from when we are where we are who you are, in general, this is a huge amount how much why is this the trend of the time? i recognized alexander anatolyevich how much? we are very expensive tickets impossible to get into. but always sold out. and if you want, i’ll tell you about the shock of the satire theater from shirvindt with derzhavin, because i always had the feeling that in any performance of the satire theater it is necessary to play and when i came to act as an artist

in moscow we went with my stepfather bought for big money, two tickets i didn’t have enough for my mother and went to the play. then. i didn’t know that the theater could leave, either on tour or on vacation, and the stage could give up that evening too, which means it was on performance by roman viktyuk maid 15 minutes 20. my dad tenses up a little, because half-naked painted men mean a specific story. well, they would look like madame, which means during the intermission. i understand what it is. yes, i must try. you have to walk around guys you don't understand. i see romka died, there is no one for me. you do not understand the verse, i see how tense, then my dad is every minute. i think we should get to intermission. we go out. so on the street summer is a monument to mayakovsky, dad nervously smokes and it is necessary

give credit to the sense of humor. i'm talking. well, uh, what does he say to you? well, what can i say? uh, shirvin kept us, of course, well done. let's dive into the uh atmosphere when really detained us on stage to go out is well unknown to all of us. uh, it means that no personnel officer will not touch our address, cinema panoramas come, masses of letters. yes, yes, tv viewers from movie lovers , it is noteworthy that none of these letters are at all interested in yours. so i think it makes sense to thank the hands of our viewers. for the attention that is not given to you in general. where are you? that is, now it’s not

being filmed simultaneously with several directors in front of other actors, i know my colleagues, they don’t shoot me, you don’t try to shoot this interesting idea, interestingness is still interesting. here is yours for you. which desktop is still the closest , well, maybe a movie, of course i'm on the highway. i live on the arbat in moscow and that means. better jeanne of the field, as we take, let's go down in 186 pictures, an interesting thought. no one tells him that he flickers. i didn't act in 186.

and it was all there, almost all of them were sitting there. these are the shchukin schools. here is next. here in this house there are apartments for artists of theaters, mikhail stepanovich derzhavin's father lives there, mishkin is wonderful. you do not remember in this apartment until now they lived and pens. now zhuravlyov has remained. this is a children's party from 10 years old. he, firstly, you were

shown in all the lights then, but at all theatrical ones. you know, the way we were preparing, after all, we were preparing a wonderful scene with paranormal, remember, people whom you portrayed parapsychologists. are you visiting? parapsychologists take an empty three-liter jar.

fill it with tap water. put in the center of the table. i start to drive to charge 10 20. 30 40 degrees went to the evening issue of the newspaper to use the newspaper for other purposes, it is not recommended to work for you. i'm working, don't cry, i'm watching

you. what is the length of your impact on the object? from 20 cm to 2000 kilometers

to believe this one i saw it. water swallow like a knife.

they were very funny guys. tell a story about when mikhail mikhailovich's sister tanechka tatyana mikhailovna how did you completely take her clothes away from her in order to perform for the anniversary. this genius is also a miniature. we'll see you again, but the tank is absolutely a copy just put on. you are absolutely her boyfriend. she absolutely adores our artists.

lauren andrey mironov and adriano celentano have been in moscow for three days but have not settled anywhere yet. there she was sent to a small hotel. cosmos was given a number, and there the taxi driver mixed it up and brought it to the hotel, the colossus says, light is big.

so that she does not stick to me. well, we'll see you again. but how? it's funny how they chose size 44 stilettos.

but after the commercial break, we will remember the greatest legendary artists of the satire theater andrei mironov anatoly papanov, many many others. what is there, what is there, people with a flat booty watching from a banana can make three or four more jumps on the water. kvn major

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gifts for purchases in lenta so-so-so. here is wonderful wonderful wonderful now fix this pose hold hold hold wonderful. and now change i can't konstantin i'm opening you, if you fixed the rate for everyone , you can no longer change the cash loan at a fixed rate of 8.9% of each opening. today's the evening is dedicated to the legendary theater of satire, which recently opened its ninety-ninth season. but i've been going out for a long time. the fifty-sixth year consider which of the years is better. well, or good peppy excitedly expect. as usual, only

better. a little bit. the audience will be familiar, ignite again, rot. it's good that they left. you are from home. here we are all together from there one miracle, our heart is a miracle, and alexander anatolyevich too and always go for health. glasses must be missed. hello hello i won’t say often, but today why are you i came here for 15 minutes on the sidelines and shyly lower my eyes. but what about girls in the first place modesty should be. that such a value is next to such a close one hmm this is amazing

alexander anatolia did i ever think that i would go on this stage to congratulate you on your birthday? thank you let 's put it next to there so that there is no grave, i personally spent 80 congratulations out of 88 years of my life.

i remember a very long time ago in leningrad there was a creative evening. and there were several people there, which means there were shoes in brine and for some reason the organizer said, call this one to whom you told rudik furman. he is such a man of genius, he was the people's

artist of russia, and he is the one who begins. shura was born. when rudika talks about me, i have the feeling that i am standing here in my circle. it 's amazing what you learned. why, tell me i interviewed alexander how hard it is to be

an artistic handle an artistic handle. this is who you are gingerbread, but when gingerbread is in the hands of knut and when maksik i see you in a laurel wreath. i say this 100%. what a laurel wreath give and i dragged endlessly plays, but you know, let's do this maximum ourselves so okay, well, this maxik and suddenly i'm in london and on tour to them. and the call. where are you? i say, i can jump in london now , it should be visually, but the question is never solved by phone, only there maxim maybe i say, i'm in london maxim i have romka romka here how do you understand that novel grigoryevichuk? i'm leading you now. the main thing is that you have everything there. and this is a long time roman grigorievich. i heard you want to play? alexander

anatolyevich's concept is changing, but the fact is that the viewer of satire will not understand, the playwright. what kind of piats marsik? so now i'll call romka, all this is endless, and these plays and that's it. you are so expressive, they are all like the unfortunate nina whom you are strangling. yes? i don't envy. they get it. it’s actually really, uh, i’m probably without words so that you would be silent then, remember, i interviewed you and that means i came to you in this amazing to prove to you i need, but the academy came amazing, this is really a person ,

who revived this amazing great school and with such love. to think that tsiskaridze is such an arrogant cynical you are a more reverent person who treats his work this way and you will find it, they say this is not a compliment now. this is gratitude. i understand that this is a ballet class . yes. you see how the artists of this drama. they are all wooden. i think, well, it’s necessary, and you saw, and at least you would have come and looked. i think, that someday definitely sit down. uh, kolya in the hall and saw some called i was hoping. what kind dramatic artists, they are all plastic and and when hmm sergei alexandrovich came to the theater. and i have long dreamed of working as an earthling and that's it. somehow we didn’t succeed, didn’t fit together. and suddenly it 's max listen well, finally, i myself have been waiting. ah, green light. let's think what are the three plays to choose from. i don't

remember what the other two were, but hearing the masquerade. i said only masquerade he max but only without words. well, well, you know, this is lermontov, this is great poetry. oh well, why and then in the office? i say, well, wait, well, somehow. well, of course, to a person who is almost fifty kopecks used to, and all of a sudden you need to work with this mouth, and you know, this is the most beautiful thing that has happened to me lately, the interlinear, which sits inside you. i used to play a masquerade in satyriconia. he is inside you and in such a way as to tell the story with the body. yes, this is exactly the story of me, i really like it. i, uh, love this performance, in general, all of our team, that you're right, let's see a piece.

i'm waiting for an invitation.

can it be between us? for him to poison her, i that not everyone understands. what ended a couple of words. in fact, i tried so i now remember that i am our conversation with you. it

must have looked like practically talking max out of it because i didn't get it, he tells you he asked you 10 times, you're fine, you know it's you, where are you going? this is it, that is, you will dance for 2 hours. you will do it. yes, i will. yes, i want it for me, of course, he laid me down, just on the shoulder blades. uh, i thank you many times . these are very serious men's posts, but you remember, i'll tell the truth. i know. the thing is, hmm, that's how we were taught. it seems to me that this is correct, when do you open the new day? for 150 years to play what you already know how, but it's not interesting, in this case to me, and when it turned out around, a young company they are all 20-25 years old. and suddenly you start something among them. yes, i have been, of course i have concerns. but you know it 's giving up, it's not for me. and i just like to live so interesting. let's listen to those

who could not be at the studio today. they too talking about the theatre. this is our legendary stage, there have always been full houses and the fact that we have always lived well, in general, is true for 100 years. ah, very family-oriented, we have always been famous for this not intriguing nepotism and a sense of humor, then at some point it was decided that our photographs would acquire a somewhat unusual look yakovleva alyonochka yes vasiliev yurasik do you see what a respectful attitude towards him? he says, borisovich, well, here you see, such, glory, of this theater valentina nikolayevich a ray of years pofanov mironov arossia,

vyderviny shulin, arkhipova tkachuk tatarskaya rungi osharov all people's artists. i came to the famous trumpet of the satire theater valentina nikolaevich when i was received, i came to his office. he told me , i have a palette, i have such paint , such such each one. take your place. you, too, you, too, will occupy him with lenochka. he always said that i made the theater of the classics out of the sketch theater, because the classics and the classics, because a lot of it remains infinitely important to this day. for our entire society, alexander anatolyevich in general with his arrival. he changed a lot, firstly, the time is different people, others went through the nineties atmosphere of the theater, maybe she became more like that, you know, even to some extent , maybe free, he didn’t hold such tight

reins, what, maybe and not very well? he is more silent for the leader. it seems to me so, it seems to me that the leader should stomp his feet and shout to build everyone, he will simply shut up and already want to do something so that oh oh oh. oh, i want to like it, i want everything, i 'll do everything. i will do everything to alexander, but at this time he does not say anything. i look at you and just marvel at me. i'm all cute, mine will already be wiped off. here are 20 years. i served in this and i am glad that seryozhka is now at the helm and i think that he will succeed and succeed perfectly. how much work? how many plans are in the plans of plans, so it 's great. i will be happy to meet the centuries of you.

we still remember today the pre-anniversary parties. yes, it was a completely individual figure. the thing is, he was uh, darling master's student. he sat in the box, and then bob jumped out of the series and tapped. he was the first leaker, and young people are sitting in moscow. then he was an artist when we went on tour, guys, so we are going to this wonderful city, a museum. uh, the 17th century is already a progonar. do not take anything superfluous, so that's what, and at the same time

sociable about you and always in a company, but they were afraid, they were afraid, without this it is impossible to be a leader. we have a piece of the rehearsal of anti nikolaevich revizor , let's see. petersburg yes, i didn’t know how to pay, and i’m an old sparrow on

another apartment, that is, i serve in st. petersburg, i won’t go with the whole team, they said no, that i don’t have a penny. after all, valentina nikolaevich took me to this

performance for the role played by alexander anatolyevich. i played bobchinsky and will receive it at one rehearsal. so, well, in addition to what alexandrovich just said. he is always looking for quoted and read mayakovsky, he said, he is my friend, my friend volodya and when you see through the window, mayakovsky's monument is next to a man who says, wow, these are two realities connect. that is, this is his friend. yes , remember, yes, yurochka, tell me, what year are you in the theater ? i 76 1974, but i want to tell you how i left the theater sotra. we had a performance barefoot in the park then there was no entreprise and olga alexandra russia , who played the main role there alenka yakovleva, we went to the administrator, some drove us and someone knocked a ray that we were going to earn money. money calls us a ray. everything always went. he

scolded us. i, we leave the office, they let me get me started. all i then say all the truth. i mean, i write a letter of resignation and leave the call to the gate. raise, please, valentina nikolaevich i'm coming to be written, for what reason nikolaevich we play with full dedication. so, this is not a hack on me, my father never shouted, and here he runs somewhere full. oh, valya yura, i’m fucking dolma valocordin, so

then the administrators say yura, we said that you were taken away. in the drain, you feel bad, and i rehearsed youth. louis 14 louis 14 the next day. i come to the sword rehearsal. all here botford. they call me to valentin nikolayevich. i came to him such a piano, i stood up like that, i think, i stand like that with a sword, a hat. now anything else i just a and that's it. and that's how he looks, that's how he looked at me. i stand for a long time, after silence, silence. really, we are for 100 rubles. our friendship? come here, i'll kiss you. one of your roles where you are

very young, do you want your son to be an international figure? you want you want not me. well, why should i fulfill your childhood desires? i have mine . where are you going, well, i don't know, really don't determined, well, perhaps on a philosophical one. in october of this year, papanova will be 100 years old, of course, the artist alexander was unique. i want to declare my

love. can? allow me i was preparing in the eighties. i watched the play with you. wake up and sing. it was fantastic so much energy of enthusiasm youth here. it always seemed to me that an actress should be just like you, just like in this performance. how many years have you been in the theater? oh, it's scary to say half a century. you also have an anniversary. and by the way, i stole something from the big body, just at this

time was put to carmen as a weapon. it 's great. i sometimes dreamed that i was forced to play. we dance at the bolshoi theater it was a horror, incredibly, but god is with him. and then once after, i don’t remember the new year. what is the first number of hours at 10:00 or 10:30 call. nina could you come and play a play tonight? uh, the actress got sick. and that's what got me out of bed. i don’t understand why i got up and came, i don’t understand, i come there is such a talmud that it is impossible to read hikmet one female main role, our dear hero played. that means no one in the theater, not a single

person. well, the first of january, and i don’t understand what to do, it means that they finally got through on the phone, they scratched him out from somewhere, he arrived. i say, call alexander. katya can play with the temperature? but you can’t play like this, but it’s already late for 4 hours already five six. i drink half a glass of valerian, and we play and we had a soufflé, which a man was sitting under the drum like that, of course, it was impossible to hear something hissing, but wildly interfered, but somehow we played. how can not be done . let's see a piece from your

performance. wake up and sing. dem success, he chooses from those who can be the first to laugh at themselves. excuse me, he lives here. at home, i am the granddaughter of her cousin. my name is or is it. well , why wouldn't i say that you have a very docile nature. ninochka recalls, firstly, the background of this performance. he became a hit, then in the country, when there were artistic councils

then in the theater, and then the song this is also in gentlemen of fortune sounded, yes, aha means, uh, and there the council and nikolayevich talks about the forecast for the season. i mean demons here is a work about want to invite. uh, because of paris, it also means this.

well, there is nothing, and then, therefore, they brought the play. do you remember the piggy bank was called, do you remember, no, the piggy bank is a hungarian play before two such nice people, translators, they are at the same time something else in the embassy, ​​a piggy bank. it's scary, because it 's a lady and why ask for the name, like the ray came up with the name he came up with, yes, we got it from markush.

i cannot tell you this amount. so i would n't sit here. understandable you know what i mean, one of the most popular operas in the world. this is the wedding of figaro, and that's where i would not listen to this opera wherever i could see this performance, even in the team of the francese. you know, i always correlated suzanne the countess, al-mawi his figaroz with the

performance, which is the epoch-making greatest performance that you played, this performance was just fluttering, you had to change clothes hour. well, an hour of unfortunate time is needed. well, in this house , in general, the servants dress longer. the lord, they don’t have lackeys who could help them. i don’t understand why they had to risk their lives and throw themselves out of the window. well, how is this rice, why did i bury myself alive in the ground, so that i didn’t want to talk to you about this, not to volunteer for this. you know that the king has appointed me ambassador to london , and it was my intention to take you with me. well, as something of a diplomatic courier, well, mature reflections and really changed their minds at all does not speak english. how come i don't know what. well i do not know. yes i know, i know how yes, what? it is good to know english, you need to achieve a little, you can achieve everything. tell me when you went to the biennale, the british

came. here is such a brand, the great theater was doing all this in yugoslavia and there for the first time i saw hair, then there was a music. that's what madam is there and against the background of this hair you porgin. and somewhere i forgot where they rowed, or something, which means i 'm standing on the street, early in the morning to keep a bear. we wait andryushka, but oh, instead of

not washing his hair three times in a row and drying it twice in a row, he can’t go out into the world. we are standing and he was always late. hmm in short, and there for the first time such hotels and for the first time we saw these doors moving around . central weren't the results beat it, then it's all of it, and yes, the huge articles are written. hee hee

mishka says an example of a theater since we remembered andrei alexandrovich of course one of the most iconic artists of that period. let's see your duet with me as a film director. people often ask what i'm shooting now, what i'm working on, roughly speaking, now i'm filming. will you calm down or not?

so will you fly away? shoot. i am a movie epic, a thousand and one nights, first of all, you all want to know who , so to speak, will star in my central roles, yes, you guessed it, yes, you guessed it? i think a few words. serezha will speak for himself. say dear meet. then more here. thanks, darling.

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they do not always coincide. but i love you. i love more. than before. not not you. yeah, nobody knows today. uh, who appeared before vinokur or a short flight of stairs, because we are already, as it were, the party lenin e twin brothers. we are just a bra and vovchik half a century of friendship tomorrow at the first century in our studio the stars of the theater of satire have gathered and we have one more excerpt from your today's performance. who are we here. let's see your version. i like more. why let's

look at an excerpt. then the pistols understood, yes, one, two, three, four, five, six seven, eight, nine ten. yes , choose your pistols. well, i think this one is good good choice once or twice i've already read now. choose your pistols. here the eleventh yuri borisovich, when i read who you are playing,

i laughed a lot, because then the teachers at the academy want to scare someone very much. they say, now let’s take you to the head physician there, it turns out that the teachers call the head physician, which i quickly cured, how do you like it in this image? well, right there it's not about the doctors, of course, but if you say a sheep doctor, my dad was a very famous surgeon , he was the director of the sklifosovsky institute, so i'm in this system where we are when we also thought, here. look where a little crazy at all the sick and the doctor and everyone is very much on this topic, when it means that someone in the team is indignant at me. the academy is located on zodchiy street in russia, and the whole

street is painted yellow. i always say that you want a yellow house. well, i found a gray one. ah, probably, they hardly differ, but as we promised our viewers, that we will tell the whole insight of your theater. we know that you are very friendly, which connects you not only. relations with me fishermen, yes, it was amazing, when it's my birthday. and fedorovich calls me says, well, listen, we are here, than hmm well, again, we will give you some kind of hermetic, which the whole apartment is littered with next. well, what did they come up with, let 's go fishing on your birthday. and the three of us went. friends of alexander anatolyevich , of course, who knows him all somewhere in

ryazanka there is a fish industry. alexander and fedya settled us together. everything for la-la-la sleep at 4:00 in the morning the door opens agents alexander says quickly. get up now, the most zhor will be. hmm, you think fedka quickly, something dressed came to the lake, no one else was thrown an hour of silence. we caught pecking, then these friends arranged for us

some amazing table on the shore, they cooked our fish soup. i think it was my best birthday ever. sergey, you have already mentioned your new performance, comrade. i keep georges on purpose, because alexander anatolyevich said that i did not prepare. let it go and it will be. here, comrade george is much nicer, and you have a new artist in the theater . fedor. you are the youngest we get into a troupegit in a new team, interesting. very warm

i recently found sonya's diary, what is it about? no, i will never fall in love, because love is my attraction. i'm like a subject in the other sex, a legendary integration turning point. lord, a hundred of this has accumulated in total. and tell

one of the two of us eat home. why did you change your name? why did you decide that it was not vanya no, i did not change the time in the fact that this is the third play, which is composed of two of the whores, chekhov lesha and uncle vanya and the goblin. uh, his name is just uncle. that's why there is not a word and not messed up. not not added, but if you go back uh, uh, i'm very glad that fedor, uh, accepted the invitation. we have worked with him. e earlier before this in the cinema, true, but i stayed in this. well, a pleasant shock from the energy in the movie starred in my film partnered yes, it was yes, that's why i

understood that he has an internal resource, it's always clear from the very beginning and somehow cautiously hinted like that. you don't want to take part in the lift theater. and i am very glad that it took root , and in my opinion, fedya, this is very interesting the theater acquired uh alexander anatolyevich how did you react to such an acquisition of the theater no? kolya , can you tell a short story about how to get into the theater to sergey gazarov, now, when i was graduating from school, it so happened that konstantin raikin called me from the course, one of the course called me oleg, uh, efremov called mikhailov to you of the course alexander of one of the course alexandrovich led by the handle and showed the little hand.

that is, everything was already like this, such a choice, and one of our teachers at the shows says, listen, you don’t could show up worse, your classmates also need work, and we had a show at the theater of dzhigarkhanyan dzhigarkhanyan was busy then, and he was watching, which means that sergey gazov was our show. i think, well, here i’ll play it up, so that they don’t take me for sure, so that i specifically drop something for someone else, i see that gazarov. so somehow everything is already so hard for him, i think everything is all right. after that, he'll take it. oh, and here it is by no means . here it is not necessary, it is not necessary, it is not necessary. across week they call me to audition for mosfilm. i go into the room and sit at the gas table. he saw me and did so, but he had to say something. i

know, i have remembered this question all my life. he seemed to be looking for some question in space without looking at me, and he said so. says say it without making eye contact. says tell me, do you know how to do something serious. so, how many there are 20 2 years and uh, now, and then i also played balalaikas with you like that. here is a story that brought such news, something you will put bulgakov and such a good artist, how can you imagine in the form of balls? will be working?

we will try. i hope something works out. let's watch another excerpt from your recent performance. she said, i told you that you are watching, you confuse a person, and you are comfortable with me normally. hold it, take it if you like.

t-shirt, how many years have you been in the theater? i have been in the theater since 2014. soon the anniversary can also be said, yes, your anniversary coincides with the theatrical anniversary. well , yes, you can say so, yes. actually, here this performance, this child, is an excerpt from which we are now seeing. it seems to me that this is something new for the theater in general, and perhaps even experimental in some sense, because the relationship between parents and children is touched on a very serious topic. without understanding. we very often do not hear each other, as a rule, as a rule, we did not hear each other. and i was very interested in this. work and, again, partners, amazing me. sasha prepared a surprise for us. he will sing. i want to say that sasha has

prepared a surprise. sing songs from the repertoire andrei mironov is always a very dangerous story. there are, uh, actors, uh, creativity, which must be treated very carefully and always be aware that you can’t do better. i beg you. tell us, please, from the source, how the song falls in bulgaria was conceived and written bequeathed to the composer. uh, it's wonderful on andreeva, our bulgarian friend is deceased there. here and there always, so they fed, ate in the sun, shore with a sensor. and then they left, and we began to starve andryushka, so they called their wives, which means that not to become an inveterate drunkard yourself and on the beach. found wrote a wonderful colony. we're lying on this

beach, right? you understand the blue potrohalatryka, but in bulgaria in bulgaria everyone is still bryak and it means, i don’t know what it was on then, on some tape recorders. here is the melody. i say eat. falling snow leaves about the witching temper, yes magic brush. this is my wife, then i heard that i was saying somewhere that it was my words that dragged on.

the eye of an ancient pond, why are you cute? pinocchio yes pinocchio and pinocchio brilliantly i then came to retired home to ask permission to sing a song. i say hello. legend entin says. i'm not a legend i'm a classic, please classic pass song singer unknown what are you laughing at? what

are you sad about, oh, how apart from each other now we are far away from the black disk you are talking to me. snow is falling on the beach and the leaves of the bewitching are spinning, the

pie is a wave of the magic brush. the dance of the stars of the rainbow is a living bridge from heart to heart from heart to heart translate the translator of the word into the language of the night into the dialect of clouds or grass in the meadow. well, are you a translator? in your eyes dots, you are not trained in this , you can’t, and i can get you snow on the beach and circling there.

dance of the rainbow stars a living bridge from heart to heart bridge from heart to heart applause eternal glory beloved and wonderful artist of the satire theater andrey mironov grigory menglet valentin pluchik. thanks to them for the light, for the joy, for the good, for the wonderful wonderful roles. a bright memory snow falls on the beach and leaves swirl.

snow after the commercial break we will continue to learn the secrets of the theater of satire important about the autumn call and partial mobilization of sergei shoigu's statement was verified by the minister of defense. how do those who have just replenished the people of the armed forces prepare, and in what conditions do they live on the first day in a big country

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54.99 more discounts in the mobile application kagocel magnet from the first day of admission begins to reduce the severity of the symptom of influenza and sars, regardless of the type of virus, therefore kagocel is the highest antiviral measure. that's wonderful excellent excellent a. now op. fix this position, hold hold wonderfully. and now change i can't konstantin i'm the same as in the opening, if the fixed rate for everyone is no longer change the cash loan fixed rate. 8.9% each. this discovery is an innovative drug. it helps to accelerate the elimination of inflammation and support pulmonary immunity and an innovation for cough in the 21st century. tonight we are talking about one of the most beloved and popular theaters of our country in the theater of satire. jacobbridlim is here. and what did you agree with him

in advance, no, but i really need it. it's scary, it's important, i'm desperate. who are you? my name is sebastian, i am the deceased's valet, very nice when you get to know him better and he is not easy to fool. think, only the old man went, did you know my father? my god, you immediately look very, very much like him. she once told about this performance the name is naked and she agreed to what it means, well, they practiced with spartak mishulin. they

came up with variations of my last name every morning. and zheshka, come here, cloudberry, strawberry, where is the window, where is pleshka where is it ? here is naked there, how short she is in my dreams. forgive me, naked arossia, and in the morning i think, i will tell, and this dream. yes, i say olga alexandrovna i say you know, she will decide the board in the morning sitting. i say, you somehow dreamed about me today in such great detail. she says, as i say, well, like this, she did n’t say a word, she went to rehearse. i think, fool why did i say that. everything, i broke my own fate, how it will all be, it's a nightmare the next day. she brings me this book. i am reading to you what is written to dear sasha in memory of the joint work on naples. i wish you pleasant dreams. kiss yours was the same

performance. how to sew an old woman? and now, when i remember, this is the performance and olga ilshan. here are the latest performances. she walks in slippers through the mirror. and it feels like they will hire to play and suddenly she comes out and says, uh, here i am and complete the feeling that she threw off her face in these three steps, 40, when a declaration of love. i looked into her eyes. i had the complete feeling that she was , well, 20. well, 30, well, a maximum of 35 years old. this, of course, is very lacking in the theater. unfortunately about this performance, our old woman, dear pomelo, well,

the main heroine, and until the end of her life, this performance was this performance with her departure. and, by the way, you remember the story when, uh, the girl is alone, well, the girl, the pregnant girl with her mother, came to this performance and saw, because she gave birth. yes, and uh, they told this story to alexandrovna because, when she had already given birth, they were able to visit theaters there again, she asked for the second act to watch it with pleasure, because it turned out that she named the daughter who was born in honor. in general, actresses in the theater of satire, uh, some are very penetrating, very much like olga sana and vera kuzminichna when i come to my anatolyevich. he says again you ask what's

next vera yes. the world of the kuzminister is always true, and each season begins with what costume check. she comes and checks, not changing already, in my opinion, never. but all the time he checks the costumes, how it is everything and always have to ask what's next for almost all the chick. all that you know me. i obviously have something here and on my knees and my head sometimes i think you have to think already. that's about this performance. but here's what we'll do. or you can't live. you want at the same time means there was an evening dedicated to andrei mironov and

alexander anatolyevich kuzmina. i witnessed their dialogue, so vera is kuzmichna, says shura uh, before going out. and how can i tell you alexander anatolyevich vera does not flirt, she says. well , what else can i do here in the dark? imagine the young alexander mareev from st. petersburg i think sasha is wonderful, the most important thing with great inner charisma is wonderful, where you found, and the seas speak in tabakov’s studio yes, you graduated from tabakov’s school and when i came to volodya mashkov i say, youth is just needed someone who can sing and dance. uh, uh play instruments for me, well, acting

mastery by default. what else can he not tell you that it is only on the water, than he suggested that i see a few people. i took several. uh, and including a sailor, and i think that she absolutely fits into this great great theater team. and absolutely in the right place. how do you like the girls in the team amazing? no, at least one would say, i did not like that you were not prepared. you will sing with us, show us another facet of your talent, too. we started dancing.

i was afraid that it was, it was gone, of course, terribly

ridiculously pointless. oh, how it would be impossible to return the beginning, it is not conceivable. and do not even think, forget it was very good and passed. it will take all dinner, let's take care of the outfits and was.

let's not cheat and tell fate to god, it's not worth the work of the lord never be, and never be very good again.

talking about the secrets of your favorite theater, i can endlessly say goodbye to you until next week, and i suggest you rush to mayakovsky square to see the performances of the satire theater.