the only independent work of vasily sheremetyev in the moscow metro, a worker with a newspaper at the kievskaya station, at first they did not trust the count, they believed that his origin would not allow him to create a truly proletarian image. i did first. i studied very well at the institute of foreign languages, but my father had a stroke. i studied daytime. they didn't give it to my mother. uh, leave at your own expense to be cared for in the hospital. she also had problems. she sat with him from morning to evening. uh, instead of mean, nannies are nurses. and i was forced to leave the institute at work. my father was paralyzed for 11 years. here i am finished artistically. i am an artist from tank painting after the revolution , the sheremetev family, scattered all over the world

evdokia lives in moscow nikita sheremetiev of america peter of paris the most parisian sights are the eiffel tower, the seine embankments are a stone's throw away from the arc de triomphe, and here the russian conservatory is nearby. it's in the hall on the second floor. that's where it glows now the windows, when you sang fyodor chaliapin and in the office on the first floor the directorate brilliant sergei rakhmanin, now the current rector is working outside this window. pyotr sheremetyev will not get away from the fact that you are a descendant in the simple and pearly sheremetyev artistry is an inheritance that cannot be abandoned. russian conservatory appeared in paris in the early

twenties and teachers and students. there were only russians here over the years, everything has changed and now the paris russian conservatory. just a good french music school that doesn't forget about tradition. how many years have you been in this mansion already? uh, in other rooms, but the main image of sheremetyev is typical for russian immigrants of the first wave . he considers his main business to be a 350,000 m² apartment built by saudi arabia. whether it is possible to call its architecture frozen by music is unknown, but pyotr sheremetyev found time for live music as well? and i'm really like 10 years in a row actor, even though i'm an architect uh

was fond of acting on stage or uh, more often uh in the climatograph i played the most interesting actors. uh, i played with the most interesting directors, i, uh, drank a lot in the film, the light of a woman, pyotr petrovich sang romances with a guitar, shading the main characters performed by irony schneider and montana with a russian flavor. a new blade, we can in recent years pyotr sheremetyev often travels to russia in moscow to st. petersburg in ivanovo where the form of this corps helps the sheremetyevo center and the cadet corps his son boris petrovich sheremetyev , the young namesake of the petrovsky film, loves to wear it. marshal, he lives

separately from his father with his french mother and the name of the ivanovo cadet corps is difficult to pronounce cadet corps father hopes that sooner or later boris, his eldest sister ksenia, will still learn russian quite possibly. the children of pyotr sheremetyev are interested in everything russian, like the current wife of count sheremetyev, she is italian, she is engaged in the art of south america, the sheremetyev family enters into eighth century of its existence. what is the history of the sheremetyev family the next film of the vorontsovs, they can be called specialists in coups d'état. at first they arranged them, then they tried to prevent them. they gave russia the first woman statesman. they built an all-russian health resort in crimea. they named the newspaper.

true, they also brought out the russian russian breed of horses. in 1974, the film kalina krasnaya was released, scriptwriter, director and lead actor vasily shukshin do you see my friend, if would i have three lives? i would have spent one in prison, to hell with it i would give you another. and the third would have lived on a sled. she's the only one for me. i'm glad. the main character, a former prisoner yegor progudin, after serving his term, is released from prison in a

country where almost every family knew firsthand about the camps and prisons, the story was quite ordinary. what fate awaits this man, after all, now his present. it's the tarnished reputation of sidelong glances and gossip about the difficulty of finding a job and starting a family. i have help about the release of shafts. tomorrow i will go and get the same passport as yours, exactly the same except for a small note that no one reads. understood, egor comes to the village to his pen pal, a simple and trusting girl who loves correspondence, as they call women who enter into relationships with men who are serving time in places of detention. it hurts and hurts the soul. that hurts and hurts the soul. i really don’t know what to do, as if i knew his age. true, he wrote letters for a whole year, there was nothing to do there. they are looking for you

i knew what songs he wrote, smart about love. no, it's all about life. i don't know if i love him or feel sorry for him. and if earlier a recidivist nicknamed grief was eager for debauchery and revelry, but now all this is crumbling from him like an unnecessary husk and something completely different becomes important to him. the sad past overtakes the old friends take revenge on yegor for not staying with them. it's true that her film rather makes you think about the choice about

your place in the world and society, about how to build your life, and just about life itself, this picture embodied the whole essence of the russian soul. it has. all pain breadth passion, the ability to love and suffer unusually strongly, we will be with you in 1974 from the film red kalina. i, uh, now, together with all the spectators, watched. here is a small retelling of the films that hmm are trying to make in these short minutes, of course, not a single retelling reflects a single second at all. uh, everything that is in this film, because it is certainly not exhausted by the plot. that's the main problem in the plot, like, everything is right, but in fact you will never retell what this movie is about and not understand these undead life, yes. yes, yes, i shot a picture with the japanese and, uh, we show you, so to

speak, they somehow look stupidly says, well, we also have a lot of pictures about fucking for but we don’t get such an impression. this is about bandits, which means they did not understand about love, about tragic things. i forgot to introduce. eh, so carried away immediately conversations. you forgot to introduce the people who sit in our studio. of course, we should have started with this. and if she teaches metal, great the director is exactly, we started our conversation with him years nikolaevna fedoseeva shukshina in our folk studio the main role in this picture is natal gvozdikova, who also played in this picture , very tiny on the steering wheel, but there, it seems to me, roles, there are no small or large ones there it's just that each character is remembered and finally whether you are these morphemic polekhina, who were not filmed in this picture. once he understands well the life set forth in it since. she herself was born and raised in the village, and therefore we will be very

curious to know your point of view, i must say that the picture in the seventy-fourth year took second place, as the leader of the rental, 62.5 million viewers watched it, and even more over the years, i see. but then it was recognized as the best film of the year. it seems to me that this was rather unexpected, or something, because i have the impression that in the mid-seventies, paintings were more fashionable, or something, and the city, and the city failed me with glaciers. as you say. i, uh, that's what i want to say when e shukshin brought the script to his studio to gorky's studio they said, yes, they are interesting, but we have a studio for children's and youth films and therefore a criminal. the protagonist, oh, in question is not a movie for us, therefore. let's give the script to another director. shukshin you must have been glad to give. well, not this scenario.

which he had not hatched for so long, but he really wanted this role to be for me. and he wrote precisely so that i would star in this picture, without even thinking about the heroes as much as that's about me personally. well, this is the situation hmm he had so he wanted to help me after a long long stay not in the cinema, but with the children and at home, fortunately, fortunately, it is also rare when he came somewhere to the cinema house or met in the union on the way sergeevich bondarchuk and shukshina told me. what is his story with this script? what to do? vasya come to my association for a car. thanks to sergey and everything that this film took place. it was so interesting to take such care of your

spouse that a movie was made for you. well, you also understand, this is a rare case, especially for shukshin, he is, as it were, a different person in character. well, a sign of gratitude for the fact that i sat for several years and never uttered that i want to act. e, although there was an invitation from the mayor of nakhutsiev in the july rain and there was a screen test for the main role. and when i was approved slowly. that, uh, shukshin met with khutsiev and said, lida will not act in film. she's only mine. there, for sure, there was a role for the species, right for her, no one else. could not, of course, this question that i asked. it's scientific about what there were more fashionable pictures about the city about. well, very

technical progress, that is, the whole look was there in the future, the village. well, what about her to shoot here, he definitely was, she exploded the picture. she 's so blast. i just grabbed everyone, because it was a picture about life. remember how you watched it, yes, because hmm we watched. uh, they spied this picture at the institute, and i remember that they usually go out and there they say something to each other, it ’s just that everyone came out with such a lowered head. that's because, well, the truth is the picture of all shocked, but sergei polinarevich. he especially spoke. in the film, he said that, well, first of all, he said that vasily shukshin is not only a writer, he is a wonderful actor, he is a wonderful director, and that he has a wonderful wife of people,

fedoseeva, who never wanted to fit in. eh, well, as if in some kind of standard, but, on the contrary, she walked past the standard and played beautifully and was very beautiful. he spoke very nice things about you. he even said that when there was a funeral, he was looking for your apartment after the funeral to visit the family, and he says he met a man who was wearing a frayed leather jacket, and he said. well, i'm actually a prototype, but this e, the character hmm and he tells us showed us how to get into the apartment and suddenly quickly left. well then, maybe many wanted to show prototypes, maybe, but how is it? well i do not know. i think by the end of uh, the

transfer program. i learn a lot of new things, i'm in the apartment or what is wheat and about who said what to me. eh, i didn't seem to be very good. uh, hmm, the house was so involved in that atmosphere for me, the main thing is shurshin uh-huh further when i was in college. eh, somehow i was a little distant. i personally. although it has never been shown, that's why i'm so interested in everything. despite the fact that you were so far away from the name of the picture, it seems that you came up with , uh, i will now say from the very beginning, when in the hospital at the pie. call me late at night and said i need to tell you one thing urgently. i went to him. he met me very sad , straight tears shone there was none. i say what happened? well, let's go to the ward, let's go. we

went to the room. he says, this notebook, you see, school notebooks. she's such a thick calico cover. take it home now. come home. don't sit here and read, what is it? it was a scenario and above all thought. how to call his script unusual? and there is a role for you. what happiness? i too grabbed him kissed and ran home and began to read. i couldn't tear myself away, and he was sitting at that time, uh, the head of the clinic in her office claimed to hear his call. yes, and when i called, i was crying. i was so i couldn't talk to me. i just couldn't breathe. he what happened to me? naturally? first conversation parents? i say, i read it, polina krasnaya. i don't know why it broke out from me, because there is a sing-along if it is a knee-length red script.

i listen ingeniously like this. this karina krasnaya turned out. and how did your invitation to the picture for this tiny episode happen? let's remind the viewer now, because it is so small, but let's be so wonderful. we'll remind him, and what do you, dear, and what if we take it and be glad to see a couple? there are pennies, you transfer money, so transfer it. citizen i am your comrade. and even a friend and brother. work work here and there. well, since your appearance in

the picture happened. before that, i had already starred in a small role, however, there was more, a stove-clave. i remember that when i walked along the corridor, i met mosfilms, vasil makarchi. even if he was in a hurry, he always stopped and asked, natasha how are you, why are you working somewhere? are you filming somewhere ? well, well, and as if suddenly, at one fine moment, they called me, they say, vasily makarovich asks you to come to the studio. i left everything and came to selmaka you tell me, so you sit in the audience reading the script. i will lock you up. i say, why does he say that no one distracts you. and when you read the script. i'm already telling you this. yes, you will knock on the wall, and i will come to you, and we will talk everything with you. i have read the script. i'm fine i understood, and i said, in short, you know, take me to the raspberries, and there the heart, he led me to this mirror and said. well, look at you, what a raspberry you are. he says, play me this girl at the post office. and of course, i said yes, yes, yes, yes, yes, but

the most interesting or i have a precious little book. look, script reading. kalina krasnaya march 7, 73 years old. then it goes, so in a few days 11:30 photo test kalina red, 14:30. again, after some time, the fitting of the kalina red costume and the expedition for one, two, three, four five days on the red knee i was settled in the house of a collective farmer, there were 15 beds. i lived alone. it was the first time in my life as a collective farmer and vasily makar said, did you ever go to dances and agri? no, my generation didn’t go to dances anymore. we have already written in the audience. he says let's go to the dance today. i say that you are witching? we will dance with you. he says, no, i want

you to see how the people have fun here, and in the evening we came to the dance floor and looked at how the people on the beach, then he told me about the barges, who passed by on the island where the prisoners are sitting. striped clothes, in general, it was just a discovery for me. and when i got to the set. i was wildly worried and the operator zabolotsky told me, mind you, you’ll screw up, we’ll kill the role and after this role, if some films yes attached some phrases, then they said here, it’s stop shooting eyes here. stop shooting ice-cold with your eyes, but oh, vasily makarovich doubted. uh, who will be the main character? or did he immediately realize that this was his role. no, before i got his script. he told me , think about who should play here,

except for you. hmm, i texted you. you will shoot me, uh, well, you of course, damn it, thank you well, bravo who will play? i say something i did not think, he says. i talked to ludmila gurchenko. and before that we had such a photographic trip to italy. where was lyudmila? and he just fell in love with her, because she sang , danced something there, all her stuff, he called her, said lucy, i want to propose to you in one scenario, which is called kalina red. she read it and said, thank you vasya, i will be filming. and who will lucien play? he says, and i, in my opinion, told you that i was inviting you to the

role of lucienne, she says, i don’t know, maybe from happiness that you invited me. i didn't even remember you. no, i'll just be the lead. he says, lucy but i'm sorry, this is lida and he says, well, maybe there is another actress for this role. well , he said two kind words to her. she understood everything that i needed to talk like that too and said no, next time you invite me. and he even thought of inviting her to razin to see an old woman for a fortune teller. there's some kind of old woman there, stepanya's female roles. razina was not lyudmila, but the films did not work out. and you also wanted to play the russians. or did you not read? and you didn't read. i’m not me at all, only already, when i came to give you free rein, he also called me here vasily makarovich himself called me and said, natasha, i

will finally shoot my picture. i give you for the night. so you have to read the script tonight, and it was all from some pieces, then green paper, pink, white with a simple pencil, there was something else and i understood that the script was a man. i think god, how many roles, damn it, men, but for women he says, we'll find nothing. well, uh, lev nikolaevna remembered that vasily makarovich immediately counted, apparently that's what it is. the steam room will work and the couple you have really had is amazing and not only in this picture. well, let's remember here a small piece from this picture. you know, i from my childhood. i only remember my mother before the cow. raiki called a cow. my the russians let her out of the fence so that she could feed herself , you know, when the snow melts. patches of hay thaw on the roads they collect we

released. and someone is looking at them, yegor dear words are worth nothing. listen to the words skip. this is a motor-country camera program and today we remember the year 1974 and the film vasily makarychev shukshina kalina krasnaya lev nikolaevna a. here, uh, man shukshin was a burden on the city or not. well, for one thing, he hated that comparison. e critics, especially critics, that he was a village writer.

yeah, for him it didn't exist separation. ah, separation. and what does it mean, uh, urban so -called urban writers are worse. that's not the point. yeah, he was worried about the theme of the peasantry, and therefore kalina is not so much a criminal thing. here is this hero. yes, yes, namely, that this man, this yegor, who at some age, at the age of 14-15, stumbled and went, that means on his own. uh, there i met those people who are in the mall and that's why stepana razin's novel this also doesn't help them not a yes about the uprising yes of the christian movement a and stepan razin is a cossack, but he was also baptized from somewhere in the voronezh region. they always worried about this topic, because it was he who wanted the village to look like a city, not

a city. it looks like a village. he was just worried about the question, if you left your roots, if you left this village to settle in the city, don't lose it, don't leave it. uh, not that you are there, uh , some kind of skills. uh, some habits of their native villagers. that's it, that's it, that's why his hero and who live already in the city any story any tell, and he was worried that you bought here and left something there. and what needs to be done for this in order to remain first of all, of course, with a person and not lose touch with his native home, and therefore in kalina this old mother is red, whom e still found. yes , this scene is one of the most important and, uh, the most, in my opinion, hanging scene, but this, uh, this is not an actress, it turned out that they went out of the boloty

hmm to walk around this small village to look after a house in which they could live good fortune, and now an old woman in white came out, as he told me in a white white dress, almost in a wedding dress she said, dear guests. i saw how you fotkaet movie. hey, come visit me. i have a samovar ready, because i looked at you and saw you. and when they started talking, she began to talk about her life, and it was all with complete coincidence. even more than there were scripts. it was e here with shukshin and her life, and he came home, and his eyes burned with happiness that he had found, they were just smoking him. just gotta be very careful with her. you will be filming. let me leave the question to myself now. what questions will you give her as a journalist, then you will thank her. and so, when this scene, all uh,

we kind of got it, yes, but of course it was edited and so on, firstly, grandma was sure that this was her son. which remained in the war in the future, she already has this portrait from art. the movie hung on the window. uh. he says it's his son. this is not shukshin this is the first and second. what you came up to me says, well, you heard what is his pension? do you have money? and i say, i have two tens. he says, well, he gives it to her, i called her on the porch. i say grandma. thank you for taking pictures with us. yes , i give her words, these are two tens. she so they would have me rumpled. there, too, i was worried when i worked with her. uh, she was filming, a and she takes these two tens so she smooths it out and says. no, cut it in half. and what did she work there? yes, well,

of course, i gave it and she cried and said, thank you very much, i will never forget that's all. whether no parents? they killed 20 rubles 21 rubles 40 kopecks, you see that they humiliated the pension of a large estate 2700, but i never had it. i said yesterday mikhail

fedorovich are doing. he says, why is this all? he says it's our fault. i say your mistake mistake you ask your mistake. and we in all the picture quite often there is interspersed with people, in fact, the cake is visible that they are sitting at the table. sometimes people are clearly locals and drink a song or just laugh and talk. this is what was important. yes? it was very important for you because he knew and did everything. here, only when we were 25 years old, of course, he says, i didn’t know much about what was happening in the city, but i knew very well the life of these people, these characters, this

way of life or him, it was important. e, so that it was e to bring it to the people who do not know the village. i want to remember one more actor. well, there each work absolutely shines, but uh, here are the parents or these are incredible two wonderful artists and so i heard. that ivan petrovich ryzhov was the favorite artist of ah vasily makarvich, because that, he was also a peasant, but i don’t know why his soul lay like that; he has a wonderful story . uh, at petrovich’s yes, he says, we somehow, uh, went out together in the morning, they lived in a hotel in belozersky. and we had some kind of separate standing house, but some residents still lived there, and they went out at the same time either to go to the bus to go to the village to shoot or on foot. they met and vasily says. well, can we go to petrovich on foot? well, let's go, let's go, that

they walked together for a kilometer of three, and it didn't matter to you. they came, he said, well, that's it, we'll come and shoot. i'm talking about what we talked about. well, it’s interesting, after all, yes, what, he told some plans, if he doesn’t, we kept silent all the way. i tell vasya that the truth is true and the vampire says that you even tell him. yes, what are you saying? through himself from the village, he knows all this, so they never said a word, but he is very much ivan petrovich, as if everything is clear anyway. yes, two men are walking and that's it. clear. well, let's remember ivan petrovich flipping his ass at his work in this in the picture, the elderly people immediately write me down in the robber, they tell you, accountant. no, you are starting to breed hakhanki here. here's what's the thing. well, out of jail. and why are only murderers sitting in prison, or what? who will kill you? something enrolls, you just don't fill in here either. i

saw some accountants, translated the accountant all quiet a little, like the accountant's shattered voice of a weak point, and then i noticed that they all take courses and like to watch ballet on tv, i'm talking about the accountant. she will believe. and as soon as i you went back to some fight or a car in the forest, you fucked up. oh, were you the first to work in this picture or not? or you immediately took it in its entirety and i entirely, because it was the impression that, well, really. we couldn't even

talk to each other about the characters. why because it 's just that somehow the inner emotionally captured everything, and the thing is that hmm well, since i myself grew up in the village, i m-m, how to say, i had my own memories e, some even things. maybe they are similar, i’ll even say about my grandmother. uh, she had a lot of relatives and at least 570 people came to each holiday. uh-huh and it was several times a year and everyone cooked and everyone brought and everyone came. i just want to say that after all the village. it's probably something special. i have already said that, of course, you cannot exhaust this picture with one plot, because it is neither about time nor about the plot, but there is still an amazing quality in it. it seems to me with all the aching soul for the village behind the peasants there are

unbelievable. the most irony that vasily had makarvich, and this is the desire, e of the protagonist , to search for an endless holiday, and which is very reflective. in general, our national character, it seems to me, well, uh, incredible ironically done. here is one of the, uh, scene, i propose to recall now. well, the tavern soul. let's get dirty, we're all set. i had to go to one artist. no one has. well, how is it going? well, how did i say ? the people gathered for debauchery.

oh my god, my straight girls with peaches. the image of the birch trees that the main character has egor and as far as this reflected vasily makarvich himself, here or this is still, so to speak , a trait invented for this hero, not even in a birch in nature itself for him. the main thing is to live in nature, breathe in nature. yeah, that was the main thing. but birch as symbols of russia, a symbol of the mother, a symbol of the earth. this is birch therefore. eh, when did some critics write? well, beryozka is a felon , there is no beryozka, truth, er, here. he says they don't understand. if they smelled this, so

they saw this too. return home return from prison home and suddenly the first thing that comes across is this mud road this is if a birch, of course, there are some crows over it. well, this is a symbol of love, very tenderness, a symbol of, uh, loyalty if you want this native land, this is the return but they are not so banal, in fact, they are still invented that they are girlfriends, but not such a birch on which you don’t know there you pray. and so my girlfriends are natalya, here the main character has the name yegor, who easily turns over in grief. which is also such a good metaphor to say so, and our life including, but i know that somehow he influenced the choice of the name of your son. we had such a history. i also didn’t tell the line nikolaevna, remember, yes, we are walking with him. here

we are at the birthing center. yeah, and at first i didn’t know that this was a maternity hospital, but vasily makash look, this is a maternity hospital. now you and i will sit on a bench, and there someone will be born. and indeed you sit down on a bench and suddenly scream and it's already evening yes cry of a newborn, and he says to me, well, what would you call this child. i first of course, i was terribly confused. and the way i was absorbed in the script. i was worried, first of all, i knew who was playing what role. i am almost all the actors who played in this film. i knew almost everyone personally. i say, i would call him yegor so he looked, really, i say, really, but already when my son was born, or rather, it so happened that my father died before the

birth of my son. i loved him very much. i said it doesn't matter. what day will my son be born, and he was born on ilyin's day, and i named him in honor of father fyodor but we had such a story with vasily makarychev. i'm looking at this photo of our scene right now. i can tell you about her. this. well, the top ones, yeah, the top ones. yes, when the scene before the death of yegor, he asks for water there, so that lyuba would bring some water. eh, they couldn't get it right. this is the scene to run the operator is not to run some kind of circle stopped that i kind of runners on this. e kruge, i almost fell, but still i ran to some rivulet, where they were and when i returned back. e. played his part. but how we would die on the stage, yes, and i stumbled on me, didn’t fall and ran up immediately fell down fell on him and

it seemed to me that he laughed, and i hugged him like i was sobbing. why, a man is about to die, then, when he shouted, stop, which means that both he and i laughed. why i don’t know, there are some moments that are completely incomprehensible. eh yes. well, what happens there? i don't even know, and he says, are you , are you laughing? i say, yes, it seems to me that you just didn’t laugh at something. are you out of your mind ? i say, it seems to me, well, i shouldn't have fall. well, well, what to do? well, he says you imagined it. i say, it seemed that you laughed something at me. you shout something now, stop. uh, because i'm kind of there. he says how stretched, you thumped on me. so that my breath was taken away from me, and i just couldn’t breathe anything and i didn’t, maybe

some kind of wheezing escaped, and it seemed to you that i laughed, then uh, in general, we argued for a long time, even quarreled on this occasion, then when already with him e was sounding. i looked, it's a camera. i couldn't voice. that is, i saw, i saw, completely dead, and i felt bad, and the guys , the actors, were standing here like vanilla, maybe i stood up and i felt bad, and i say, i can’t. my legs don't hold. holds me bad now. they called the doctor. they called an ambulance. it turned out that my blood pressure was 200 20. and. oh, god, i suspected. what just what is it, what happened to her? don't know. i don't know what it is, but i really saw this scene. then, when he mounted it, he called me and said, look carefully, why am i big

got your plan? i say where a tear rolled down from you, how could i laugh, in general, he says, no, i took it, because the voice moved, as if the person had already died, and the hair was moving, a well-known case that writers say that heroes live besides them . well, when the script was already being written, there was no idea, after all , this character had some other fate. here's to somehow spare him. uh, spectators spectators, first of all dependent spectators came. he says, i know one thing for everything in life you have to pay. you betrayed the earth betrayed his mother, in the end he betrayed his small homeland for the rest of his life, the hero should not remain alive, eh, yes, well, maybe that's where i play there , i don't know, but i shouldn't, i didn't want to, i myself loved your mountains, so here uh, z- writes

that our audience is very kind. well, i love this guy. and, of course, it is a pity to part with him very much. so maybe. if hmm uh, as if the viewer would have known in advance, uh, maybe he would have staged it and written it. yes, but i would marry children, give birth and forget everything, this is the most shameful life, but it's not interesting. it would have been all. since you studied together with vasily makarychev, then with me, uh, it would be a pity to lose this opportunity. here, as if some such memories of the period when he was just starting. was there a feeling of some kind of such a shock from him, despite the fact that you were peers, where i was, so to speak, the two most i turned off. it's uh, vasya and tarkovsky didn't have stars then. they were serious. they were hard workers

. well, very noticeable people, and he has a day started at 9:00 am and ended at 11:00 am. he took part in all student works and never refused. but they are already three or so. well, he was like an actor, he was like a director. e, the heart paid for everything, well, it was in the heart. worn out i tomatoes will be burkov who loved him very much wonderful actors. true friend. he absolutely said that he was talking with this doctor there, who opened it. well, he has the completely worn out hearts of a ninety-year-old man. he paid for everything there in centimeters. everything is alive survived. i want to say that when already being an adult. uh, i got seriously ill and i think that this should be read, and i took the book. i came to give you a

boiler, and you know, now, i’m telling everyone now, read this novel, because the scene of the death of stepan razin is something that’s not human at all, as it was all written by vasily makarych, because i understood that he empathized with all this, because it’s just like that even for me after how many years, right? gone and i always say honor this novel. thank you for remembering because one. recently passed, i don’t remember who wrote that andrei tarkovsky said that if there was a picture, razin’s, shukshin would be the first number one e director, he wrote that not only in russia, thank you. so i went through this because i remember andrei tarkovsky, there was one such interesting episode. uh, hmm andrey

invited us. you remember us, they lived to visit us, they lived on the kursk cheese at the russian station, there was a small apartment there was one room kitchenette, and and something about us andryusha invited vasya, i came with her, we came. eh, opened to them. he tied the door to andrey in a white terry robe, damn it, with white, concrete, white slippers and white socks. vasya is like that, and now andrey is right. what's wrong with you? sore throat, lida let the chirke pass, and you and i will go into the room. a few days later he says to me, listen, you know, perhaps i should buy such a white coat. i say buy a bandage. let 's get dressed, white socks and white slippers. yes , very seriously. i'm serious too. like a

fool, i began to look around the shops. this one wasn't in a sense, vasily makarovich was close to them in the shops of such gates, that is, robebinsk. he, too, was ready for himself no, no, yes yes, yes, yes, yes, and i bought him a brown bathrobe. e with a blue and yellow stripe. he was so happy that well, if not white, but we will find white, but he was already leaving this two-three-meter bath. well, he was wearing a bathrobe. and even such a moment zhanna chatted and called me and says, we studied together and says to kolya papa bought a sheepskin coat. she to him she to vasya it's good to buy this sheepskin coat 400 rubles. she is standing. so i came from college, brought this sheepskin coat and sat. so you went to the mirror

and said, yes, dostoevsky is not a prophet. beauty will save the world. yes, yes, yes, right now, suddenly, right now , something is harmful to the head. by the way, i must tell you, because literally in the next part of the program. we will just continue to remember 1974 . uh, thanks to the picture kalina is red and let's remember how our country lived and what fashion was at that moment, what people were generally fond of. so stay with us. we will continue soon. 1974 and film kalina krasnaya two more wonderful interlocutors irina vladimirovna krutikova joined our conversation. fashion designer, designer, honored artist of russia and vladimir devyatov , people's artist of russia in the repertoire, as i understand it, a huge number of folk songs, which is also important for us in this conversation. well,

take makarovich was a man. uh, amazing talent, uh, and, of course, in this picture, and she completely absorbed our mentality, as if she were very general about us, she burns out about village about our character and so on and incredible. i think, uh, here are the costumes in this picture. they are very much the same, also speaking in their own way, which are the characters of this picture, and so i would like to, and irina vladimirovna, call with me to these mannequins, which we now have here in order to discuss , uh, well , main costumes, and then ver. we rush at the table and we will continue. wow here we have twice represented, so the actual hero yegor and uh, here is the heroine of lady nikolaevna uh. i wanted to note. all your personal. why did you like it and that's it, then say stranger

is unknown, and this is unknown. your personal unknown. yes, it's a shock that hung on the wall. yes, it was my idea, it's amazing, because it seems to me that such a telling detail is true, vladimir, here's what you will tell us about these pendants with paintings by artists. well, these very expensive and very valuable things, of course , i know, at least i didn't see it. i was very much not quite. well, in small towns i worked a lot, because our fur industry was located in all small towns. so i didn’t see anything like that with them , just like a red shirt on a man. yes, it seems to me that this is, well, a little touched. uh-huh, he

doesn’t want such a guy who just wanted some kind of holiday all the time the soul asked. it seems to me, perhaps, well, maybe it's still such an artistic technique, of course, it's such a pure cinematic in general in the cinema very often costumes. eh, they embellish a little. it's a little better. what they really were at that time. yes, especially since, if here are pictures, well, he takes pictures at this time, yes, then embellish a little, in general, not only with regard to the countryside. well, the townsmen also wear a suit. yeah , why do you say that it was an expensive thing. it turned out that it was sold almost in department stores, that it was some kind of plastic. hey, pendants. or is it mine memories are deceiving no, well, after all, this person must be completely different, which is nikolaevna. yes, of course, it is precisely this pendant that

very much determines this very personality. i do not take. now, in general, this hero here. yes, the content of this hero gives an absolutely precise definition. uh-huh, and as for the general, here is a white blouse, a plaid skirt. so we found out that this, of course, is from the wardrobe of nikolaevna's glacier, but in principle, it seems to me, it's so quite a festive one. uh, a solemn look, this one that could exist in any time skirt in a cage with pleats. a white blouse, or any other plane here, will do and you will always be well dressed, you still have to go out . like this. day off is perceived, it seems to me, today we would say that this is casual wear, but in the seventy-fourth year it is still more. well , better. as for this magnificent mannequin, it's fascinating. well images, which, of course, it is clear that this is unthinkable

humor. so to speak in this. it seems to me that the suit is laid or not, or here is the length of the jacket matches the fashion. no, it corresponded, but it also hurt more than a city storm, just at that time men's jackets appeared, which were somewhat elongated and something in between a jacket and a half-length. wow so average. well, it's heavy to wear. this is the pioneer version. although this is according to today's perception. it's very funny when there are few legs left, and the jacket is so long and it seems, it even seems to me that such a fashion has not come back to us so much for me. this can be considered in no way as a half-coat. here's how a short coat is just the length. these are very good boots, which are separately paid attention to in the film how acutely popular they were. you know, i don’t remember it at all, but she has suede boots, i have low shoes. i now pay

attention that men go to suede. and so, somehow, you know, i’m not unambiguous about this, because for you you need to be able to wear shoes and take care of them. it's not like you kicked her off your feet there anyway, like this one, which means there is the most chic, so to speak, of course, but i'm not his people chose leather shoes to make it easy. god forbid , and then there will be rubber. yes, and suede means you have money. if you have a deputy 6 in order to allow you to buy suede shoes, among other things, it means that you are still walking on clean roads. yes, because, because you mostly wore gala in the countryside. shea and all kinds of shoes, he seems to be wearing in the country now , so it was the village that everyone wore, yes, and great attention was paid to this. they were different and were very beautiful. well let's remember how suede boots are actually presented. i can

carry bulls' tails. because i'm all around in suede. so what we have here. handsome , well, they shuffled to their liking. natasha is the maximum beauty, as for the tie, as ties were just like that at that time, because they were patterned, but they were so active, active and very large in size. yeah , these are not even visible here, where it ends, for sure, it goes below the waist. well, with such a

jacket, you could afford it, and the cap is so tiny, while this also fits. yes, yes, this is the image that we can see. now, if you come off this villager, not rural, it's really poignant. fashionably dressed man in seventy-four. well, not spicy, fashionably boring. you know how it doesn't matter. yes. it is not by chance that such a no is not indifferent. well, the shoes were also picked up, and okay. thank you so much. let's get back to the table. but, it seems to me, how dressed is still very important. uh, in the thieves' raspberry there, just everything is very fashionable there, or a hay wig and there, uh, as much as possible. to me it seems that all the most chic trends are expressed, how they worked on these images. eh, glacier nikolaevna, do you remember my tanya gavrilova? hey classmate?

yeah, when lucy refused, i had to go on an expedition, a and in general, we were all friends together, she was friends with anatoly zabolotsky operator. uh, and uh, vasily did not, in general, who to take on this, the next one on the stage said the best actress was on the course. eh, that's just a wig. this is purely coincidental. she just came a little so easy like that. in a state and something her hair is red there white gray black one should have had this wig. that is, it was necessary to somehow cover them with something. but it was fashionable wigs, but it might have been fashionable, but they simply did not exist. but still, thieves, raspberries, she had a janitor, because other money, therefore, they could afford anything. but the cap, it is such a knitted cap. here is a gray one, too. here, a sign of the mid-

seventies or not. this is not such an emphasis, maybe it was on this, but rather. here is such a rumpled cap from fabric. rather, this is dirty. well, the maximum front is, of course, georgy burkov in this company is simply a luxurious handsome man. light raincoat light corduroy. cap, well, just an eye some kind of tie in a cage, and also some kind of pastel intellectual. uh, how is vasily makarovich to his own? uh close friend, how do i understand the trust and exactly what role? why did he choose this role for him. uh, well i don't know why i can't answer for him. and as for the costumes, uh, then uh. well if it

i like it, everything, it’s convenient for him to play to finish, otherwise no matter what artist there would be, the costume would be super there. and what he sees and what he has drawn in sketches. eh, well, you can still say. i'll talk to the director like that. you are normal things. well , of course, this is natural, especially since this is not a historical costume that should correspond to something there. it's actually our time as an actor, amazing, uh, who can do anything. uh, nothing, not playing. uh, so play what you never dreamed called he liked this role again. i want to tell a story. it's much. everything is more interesting. well, of course, deeper, of course, it is written. but uh, as if shukshin was no longer interested in this raspberry. well, now i propose to remember, there is one more, but an episode. uh, actually the

first appearance of your heroine, when she leads the hero yegor in the tea room. thank you. listen, let's get out of here, otherwise we're all watching like two hairs on a bald head. well, let them look at you. you didn't run away. here is the release note. well and how long did you sit last time i sat for 5 years. it with such hands. you're an accountant. i can't even believe the slippers were sewn. with such hands, only break locks, and not sew slippers. well, you say. she

was just discussing with her whether this is a trend, so to speak, or is it still the work of the costumes in this particular film. everything happens on its own, of course, if fundamentally modern. well, she's ready to meet her fiancé. why why not buy this one in kostroma on the market, right? you know that i bought him and zabolotsky a red shirt, we bought it especially for this film, yes, especially for i bought the filming, because when i complained that i loved i used to love red, and it

seems to me that this, when all the more there is a conversation about that fashion, when they are with e, ivan petrovich with his wife, that's who she brought senka razin was found there, so it seemed to me that he should be like that. here, well, i don’t know why it’s bright. however, you know, this is what red is, of course, for the countryside. it's very cheeky. yes, it's incredibly cheeky. and of course, according to the film, and films - it was very suitable. here you are perfect completely options, they found that this is red and that's it for this hero. i just ask for millet i thought, i know that yes. yes, i say something. no. and if you talk. in general, in the countryside and how they dressed, well, how they dressed, they dressed like this so that the dirt was not visible. and by the way, to say at that time there were generally, you know, such silpo stores there and vodka and

bread and kerosene and absolutely magnificent clothes and terrible clothes. well, it’s magnificent, because representatives were sitting on the purchases, but what is now we are called brokers yes, foreign collections were shown and there were brokers from various department stores. and representatives from each silpo sat there, and they don’t know why they chose the best that was presented there, and it was all sold in the teleport, people had a good one, apparently, if they chose the city itself, they brought it. god knows what's in the village. you know, you won’t see this in the city when there are 150 things hanging in the city and among them there are three beautiful you. you will never find these three beautiful ones, but here on the counter. here it is all together costs. moreover, in the course of everything together, there is a herring and austrian shoes, and both a dress and japanese poplin coats with faux fur

are closed in leather in a circular fashion. that is, i have not seen such people in moscow at all, and you are surprised. why is she dressed like that? e love. she went to her silpo, bought an unknown white cat, passing by the fact that i had a village house in e sashkovo and visiting mimostic shops. it is a general store or is it all there and us, because well, they didn’t buy it, of course, if there was money, you’ll take it, you’ll take it, where it's you there our city girls ask from the village. and there it all hangs and who doesn't need it? why did woolen things hang there too? absolutely magnificent, probably, parents reflect the truth of life in this sense. lyuba just here they are dressed as much as possible, so to speak, are close to our idea, but lyuba still meets a person with whom she corresponded for a whole year, yes,

therefore, she has, so to speak, a special, uh, look at her costume, as for the tea room? do you remember it by itself popular. like selpo had a tea room. they were wine glasses, because that's why they were very popular. that is, they didn’t drink tea there, they sawed everything there. that is, here are any, then they all lie, yes, herring and austrian shoes are nearby, and everything is sawed there too - you have the impressions of desperate ones. no. here you spent the night. i am in the farmer's house. yes, yes, i remember that indeed, when we were filming somewhere in a small town. and villages, we asked to be taken to silipo to buy some little things. this is definitely vladimir a. and what concerns? uh, you, here is a man who had so many folk songs in his repertoire. eh, they

are, was it allowed to somehow branch off in terms of a suit or had to follow a certain dress code and be, well, in the folk style or a tie like that you could allow yourself, then you didn’t know, but this i today's word answer picture is some kind of dress. today it was clear to everyone. look, maybe i'll tell you. and my opinion, which differs from communication here now, firstly, i had a red shirt. also, you see, irina vladimirovna no , she was domestic. it was just the seventies , so i had a gray, elongated jacket and a red shirt. here with the same. long these i don't know what it's called skates, yes, so it's uh, it was fashionably stylish. yes, and if we talk about hmm, about how vasily makarovich is dressed yes , here i can say that this, of course, is

an exaggeration. come on, it's obvious, that's even a case, yes, in his hands. well, it was certainly stylish. here is the case - it means you have everything in okay. you are doing great. yes, you're doing well. here you have a red shirt, this fashionable tie and a case. it may be empty, it doesn't matter, but now it's not casual. this selection. he was very literate, just like glacier nikolaevna. here in this white blouse with this little thing. she meets a loved one, whom she lays down her hope and life, of course, she was created, of course, she, that is, well, if we talk about the film as a whole, i can say and here's a folk one. first, there is a huge well, a few folk songs, but he starts right with a folk song. yes, it means that in general this film is like a folk song, because folk songs are funny 50 about 60%, and sad

30-40%. here, too, it is both funny and sadder. there are moments when tears well up, and there are moments when you sit by your stomach and hold on to laughter. ugh when they kill him. yeah, who i'm talking to or when he starts to sing like that, yeah, you know, and at the same time, he's joking. again, some jokes there, jokes from a folk song, so the film. well, i think that this is one of the most brilliant films and just do not argue with this hole throughout. you understand all this word to god, uh, because he is filmed, i just mean, without any modern special effects. yes , some kind of technical means of some kind of computer graphics, everything was filmed simply, but nothing was so great, yes, but it was great filmed so much that it shoots to this

day for how many years he is 45. yes, it's true. another sign of the times that i want to mention is this. uh, when lyuba is sitting with egor and they looking at the photo album. this is practically already gone from our life such. here, unfortunately, yes, such a detail, when all all the relatives and photographs are here, one big, the other very tiny, some kind of postcard, pasted. it's just going away due to the advent of we all have cell phones that we don't know for all the time, i don't have this phone print out the old fashioned way. yes, it's wonderful. you have a lot of photo albums in the house i have a lot. and i understood that there would be a lot of photos. and so, when there was some a trip or a picture, or some kind of meeting. besides

the fact that i keep a sixth grade diary, right? here i come somewhere i meet some interesting people, that is, there is an interesting impression. you recorded it, yes, the album immediately into a photo album. why because they get lost, they steal them, and because of the album it is already difficult to steal. that is, you paste directly? there, in the same place, as it is, if the album is large, such a page is peeled off there, yeah, yes, and photographs are put and sealed. yes, and already everything from the album will really disappear, such changes album. yes, everything was done differently, and so on there were special ones that were applied and black-and-white photographs were inserted there, depending on the size, these corners were pasted before. it was my grandparents who had a desk and all the grandchildren lay plastic and plastic. granddaughters, great-grandchildren to children. yes, yes,

but not on the wall, namely here. everything was written under the glass on the table, everything was framed with photographs, everything is fair, in general, with photographs, if we talk, here are modern technologies. i also use them, e modern conditions. it seems to me, that they are not that durable. here, uh, i have pictures that my parents brought. e your grandfathers great-grandfathers there. yes, i have photographs of my grandfathers, there are a thousand e, 879 of the ninety- second year, and i know, here they are, i see them, they have been preserved for more than 100 years my friends, when i was 75 years old, they took a bald piece, well, remained after repair, yes, and pasted my different photos and from different books of famous people, directors of actors, and they wanted me here my photo from the film.

in short, i have a piece of wallpaper with me. so so my photo neighbor on the map just wanted to show. ivan starshov handing you this insignia sergeant know where the guns are on the bastion show you can envy peter that he has such guardsmen closer to the king, you have to stand around him now new people will build a temple in 10 years you will get the prince sovereign me faster.

this program is a motor-country camera and today we remember the year 1974 and the film and the film makarychev shukshina red kalina. today we are talking about red kalina, as an absolute classic, we have no questions. why is he there theme? how how why did it arise at that time, but for the seventy-fourth year. it was pretty good anyway. well, so to speak, an unexpected appeal to the theme of the village to this type of person. eh, well, so to speak, this whole topic, it was absolutely revolutionary in its own way, because for contrast, you must understand that in the seventy- fourth year, for example, the morning mail program came out on the television screen. and that's what it was filled with. let's remember. the first issue of the program appeared on the screens in 1974, millions

viewers of the soviet union hurried to the tvs to see the smile of yuri nikolaev and hear their favorite songs. the program was so popular that even in the soviet army, the weekend routine included watching tv programs, listening to the soviet union and morning mail, comrade viewers. allow me to report to the musical student construction team. arrived at your disposal for the erection of the building of the morning mail mood major rhythms modern instruments in order the head of the detachment yuri nikolaev come on, guys. main idea programs - this is the fulfillment of the requests of the audience . bags of letters came to the editorial office with a request to perform their favorite musical composition.

some of them the presenters read out in the studio, dear presenters. i'm sorry, i don't remember your last name . recently, one song was heard in one of your programs. unfortunately, i didn’t remember the author’s last name, i remember it, a man just sang it. could you pass this song again. well, well, such letters are not uncommon, dear, comrades ask, i don’t remember your name, patronymic, we are happy to fulfill your request is sung by the same male lion, nikolaevna, do you understand the words? here it will be left? and why, because the photo is pasted here? we filmokarchim and children and shukshin's inscription was, unfortunately, no. and the famous italian world-famous director e fede yes , and he writes filini to me, because i am fedoseeva

lidia nikolaevna from the first, yes, this is not a bad world at all. here's a gift they gave me. you see, well, a wonderful piece of wallpaper, it seems my family, not a village family, anyway, i'm still leningrad yes, but such a gift was made by my wonderful intellectuals, apparently, tographists. excuse me please, well, thank you very much. well, uh, if we go back to the morning mail, which we just watched the story about, the requests of the viewers there, basically, so to speak, concern. i would say the opposition of the city, and the village could not have triumphed, the city was interested in whether the city was interested, vladimir well, look, at the same time. eh, did you feel it? uh, the demand for the folk genre, or what? and did you realize that unfairly, he pushed back in the

seventies folk song was not pushed. in general, even now it is not retracted by and large . i'll just tell a story. it was during this period that i studied at the military academy of chemical defense in the seventy-second to 78 years. we had the academic ensemble arsenal in which we are in the club at the academy on baumanskaya street, not far from here, which means we rehearsed in the same club. uh, the artists of the roscocert rehearsed, in particular, the ensemble rehearsed good fellows and uh, wonderful performer of russian songs from the guitar zhanna bichevskaya and it was there that i got this desire, these folk songs. i tried mine and it worked. well, apparently, nature is the mother of the lord god, then i have the opportunity. want and perform, that is, the artists on the stage was ivan nikolaevich surzhikov. yes. hmm, folk songs were constantly heard on the radio, performed there by sergey

yakovlevich lemeshev, and it was a state policy. here is this balance, perhaps, between? yes , of course, i am absolutely sure of it. why there was, after all, the structure of the editorial staff of folk art, which dealt exclusively with folk affairs. there were people who were professionals in this, they were given a certain time, ethereal and so on, and therefore a folk song. she has been on television to a greater extent. so rather than now, that is, they were transmitting a folk song, so it was not in the corral. yes, and now she is not a paddock. right now, i would say you can observe, uh, such an effect. i don't know, really everything about young guys. i think they already have some aesthetics, but for all that, well, a huge number of strange performers, so to speak, well-known promoted from good songs, but if it’s still a feast, then no, no, and they sing

frost, frost, it’s still somehow a pop song , she feast does not take root much. anyway, so to speak, folk pop up. and as for kalina krasnaya, she was popular, then why is this song why you have it like that, uh, jumped out right away. and when we read, when we met shukshin, uh, when we went to the shooting, he ran to our fire, and where did i go to the shooting also on our picture, the general operators, and he had a car svs e with a second director, he ran into our fire, but with a bottle of wine, and even if he had already started, and he was out of his jacket. uh, the toothbrush fell on the bottle. he kept it, you know? they put it down and said, guys, let's have a drink and let's start with retirement, and he himself sang some siberian songs. the guys were drinking. i'm in a corner. uh, uh

here is the bed uh, in. e coupe, where he sat silent, and then he says, why are you silent? here we are then we met earlier at the institute, when he was uh, secretary of the overseas organization of the production department, and i was not a komsomol member and shukshina called me to prescribe me, well, about the sand. why because, uh hmm, the course went to virgin lands, and kostya and i, a skinny, now well-known director on television, didn’t even take us, because we weren’t komsomol members, they never went to komsomol meetings at all. here, well, we met. we are with him on the train and he says that something has sat down in a corner. what is the most fashionable song now, and i said. shed one word two words, karina red husband to sing, and in general, i used to sing somehow, yes, everything used to be