he agreed, but asked if the audience would be confused by his appearance after a course of chemotherapy, his hair fell out in ostankino ivan arrived from the hospital and asked the editor not to take the elevator, but to go up the stairs to the fourth floor as if he wanted to test himself. steps were given to him with great difficulty, but the breathing man tried so that no one would notice this. he entered the studio, sat down in front of the camera and began to talk about theology with a smile. actually, i met him when i was a year old , he gave me a glass with written by ivan dukhovichny still decent. here, then, i boldly justified it. so, he sort of determined my future, well, in general, today a person is quite decent, although at some time he was indecent, and so on. tell stories. yes, ivan dykhovichny

used it to revive the long-forgotten for ivan of the past country was the past in his family, the father of the playwright vladimir dykhovichny, the mother of the ballerina alexander, synonyms and their famous friends. they created them during the war at the end of the war such a brigade, four of them laskin dykhovichny, slobodskoy and bogoslovsky for the last year 45 they traveled to the fronts already at the forefront in germany and gave concerts for the wounded theological song. the three of them sang slobodsky, there was no hearing at all, and therefore he was ordered not to sing. he only opened his mouth, and suddenly at one concert he began to sing, so howled and spoiled, that's all then. they you say at the next concert, they will sing at the moment when they will sing, they will all stop pissing off, which means that such a strange, such a pilika surrendered there, not sladkov here, well, endlessly, they

played each other ivan's father and his colleagues created many real musical masterpieces, their songs were performed by leonid utyosov mark bernes claudia shulzhenko and mishka from odessa, which remains a hit and is still sung by the whole country. oh, how ashamed i am so big i'm crying. you are odessa bear , which means that you are not afraid of grief, no trouble, broken sea, in those years it was customary to walk. to each other, it seems today they don’t know how to have fun, as then on the old film the guest enthusiastically dances and plays scenes fooling around here vladimir dykhovichny drinks a glass after a glass. actually. there, his otka is just water. here is his beautiful wife alexandra all young cheerful and look very carefree,

in fact. every day they walked on the edge of a knife. she was not just dangerous outside your window yesterday, she was deadly just outside the window and says, many people are not from their companies. never returned to it and stayed. so to speak, somewhere in the camps or there we were destroyed by this building and everyone walked all the time in one club with a sword, and that’s it. they understood that one word and my father was in prison, the second three years, too, at the end, he was already looking at it, but then he was released as there quickly enough. it was a terrible life, but they were absolutely not inflexible people. the authorities persecuted not only the playwright, but also his wife, a ballerina of the stanislavsky theater. but this was not the worst thing. once a beautiful ballerina liked her son. they went to the metropolis, remember, uh. i was very young and i remember what it was. well, scary

scene, because uh, they were in the metropolis, father. he was waiting for bogoslovsky to come and he kept getting up at the table and watching no well, to be let in, because there was something to say that these were tables. it was their big table coming up. someone got up from behind his military uniform. so he took it by the shoulder and planted it. well, he planted me twice, then my father turned around just to hit him practically and grabbed his arm strongly with a bone. it was vasya stalin here, hit there in a restaurant, then everything would be fine, he met him and said, here is such a brave man. so he came to us drive home. here he began to take care of my mother. it was sharp to turn out of this business for so long, then ivan was just a child, but he well remembered these visits and the atmosphere of the stalin era, the incredible

thirst for beauty and everything that penetrated fear many years later in the film abyss of sin. forever returned to this fragile world, where at any moment they could be arrested and deprived of life in our alley. we lived in a big catholic alley, old moscow is like that. he was my dad was a very big car lover after the war gave him his knees. there for some songs bmw sports i drove in an open car, so i 'm wearing a red shirt. well, in general, handsome and he became vasya stalin began to offer him some kind of crazy park in general, that he wanted to sell him some pennies from you and along the alley. i remember he showed an empty translation, because he was unhooked, he accelerated and slowed down, showed how the car slows down. this is a chic car. papa stroked him said that i need an offer that had

obvious connotations to take a luxury car for next to nothing and let vasily look after him freely wife. to refuse meant to take a big risk, and yet vladimir dykhovichny. i wanted to keep my dignity. he continued to drive a bmw donated to kalinin, which constantly broke down; spare parts for it were not brought abroad. nikita bogoslovsky, who was one of the few who traveled abroad. he gave me the first chewing gum. i was 6 years old. it was hell, what a year no one knew what chewing gum was, no one knew at all, i had a pack this one generally adored it, because i always make some gifts such here are very important for the child, such where you can share in the yard there to give something like that to share everything that was accepted by the spirits lived on chistye prudy. there were communal apartments, intellectuals and punks all mixed up. yard morals tempered character in the yard people came up and

i was small and they hit me, which means against the wall. i came to my father and said that my father was in tears. i was 6 years old. he says, well, every time i will immediately go to the yard, it means to catch up with people. you decide somehow yourself this question. i went to practice in boxing. and then i didn’t have any problem when ivan turned nine, the family moved in. they were given a new apartment in the cooperative of the bolshoi theater on karetny ryad. here i had to fight, not only for myself this life. this is the edge of our house. and here we lived old moscow inhabitants, where in every second family someone was sitting there under a criminal article. these courtyards here were all sorts of whole gangs of oblique, degtyarny lane, kolobovsky lane, and it’s clear that they are such a white bone in the form

the teenagers of our house did not like fights all the time, and now, i remember that it came to knives, yes, belts with buckles are so serious, blood was wounded and ivan went through the whole thing like a real yard leader. friends of the dykhovichny raised their children in a different way; they were taken to classes in english and modeling from plasticine. in these frames, the children of ivan's friends dykhovichi are not here, he was always more interesting with adults. he did not know that he would have to become an adult very soon. i just lost too early. unfortunately parents 14 years, when his father died very soon, it became not enough, there and so on, he remained an independent person. ivan dykhovichnye filmed the most tragic feelings of childhood in the film inhalation-exhalation.

fragile ice is crumbling under your feet, and under it is icy water, in which it is so easy to drown. but the day of his father's funeral, the consciousness of loss, as if deafening. from the day of vasa's funeral outraged by what? someone something to him is me these feelings of fullness of life. which in childhood seemed inexhaustible. you can’t , what are you, it’s nothing dangerous for you, even useful

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beautiful girls. ivan was never tall, but he was. a few years older in those years, it's a huge difference and was one of the the brightest. let's just say the boys of our yard, the teenagers of our yard, looked after the most beautiful girls in our yard, and then there were wonderful girls. the same one of the beauties of our entrance. this is ksyusha ryabinkina, behind whom, of course, ivan was following the ballerina ksenia ryabinkina, who soon became a screen star. she played the swan princess in the famous film adaptation of the tale of tsar saltan, she was recognized by the most beautiful girls of the soviet union alexandrova, the daughter of one of the alexander brothers, leaders of the red banner

ensemble, the song and dances of ivan and tamara were fascinated by completely different foreign rhythms. vanya and tamara alexandrova were just an absolutely champion twist couple when they danced together, both of small stature. these are very mobile. it was just some kind of acrobatics and rock and roll, but the twist was, perhaps, not surpassed by ivan and there were lobsters. this is called courage properties of an artistic nature. ivan decided to become an artist and entered the moscow art theater school as a free student, a year later he was expelled. i was told that myslinsky was glad to be the rector. he was such a very intelligent person. he told me, vanya vanyusha, you can be anyone. maybe you will write as a critic or i don't know, but you will never be an actor. i give you my right hand to cut off. many years later, i successfully went to work in the theater, which was called on taganka

, playing in the play master and margarita, i ran out naked in my underpants in the role of a cow and in the dark could to do whatever i wanted with the audience, and suddenly i saw this very one next to me, who was sitting in the sixth row. i grabbed his hand in the dark and said, give it back, the bitch told him from his dream of becoming actors ivan did not refuse, he was accepted into the famous pike. we had a fairly friendly company, which consisted of now. in general, all famous people. it was leonid filatov boris galkin not on ruslanov alexander kaidanovsky hmm and he is their eternal. sergey varaksin and i not to get lost against the background of such bright classmates, the guitar helped, i am changing. i am the same atheist love, as it was, i assure you, and with what to tear

my hair i send songs to the verses of denis davydov, something hussar right and terribly temperamental, it was probably not just in the style of denis davydov, it met ivan’s inner needs and he sang it. i know this very well and i remember he sang it when it was so cool on the course. i love the golden and educational performances of the shchukin school, but you can look at ivan dykhovichny in the

1976 ph.d. here, for the first time, young irina muravyova appears on the screen together with partner. they put on an enchanting show, a real carnival in the person of ivan dykhovichny, she simply lost a grandiose artist because of him. well, imagine a person who moves phenomenally. eh, everyone remembers everything. kostya raikin but ivan i assure you he moved no worse and danced no worse. it was a period when everything seemed to be on the shoulder. grekhovich did not discover in himself one talent after another, he succeeded in everything, and to play the guitar. we dance this domestic suffering. arcadia sakvich. raikin saw sinful talent of a comedian. this happened when ivan once performed with his number in a combined student concert, portrayed

a civil defense teacher in a pioneer camp. he, so he said, he greeted them, so he greeted them like this, he greeted them, and then he understood that he was in the pioneer camp and with him and it means that he began to move his hand to the pioneer salute like this here and when so he reached of this, he turned out to be very satisfied with what he means, after all, from here moved here. it was all incredible. it's funny after graduating from the shchukin school. arkady raikin invited dykhovichny to work at the leningrad theatre, the young artist was given a large salary of 120 rubles for those times. but soon ivan realized that in the raikin theater the most sought-after artists, raikin yes, and a large salary went to pay for guests to live in leningrad, ivan had nowhere. yes, the khavechny returned to moscow. it turned out that

a talented actor was expected in moscow. he immediately received an invitation to work in the most popular in the theater of the country on taganka, the success is incredible only with chaliapin there in the nineteenth year and with taganka in the seventy-first, and there is happy talk that vanya fell in love with olya polyanskaya, that olya might come here, there is generally no place for talking and there on topics poliansky oh, there is a member of the politburo, on the contrary, this is also a danger, because , uh, it means that it is not known how to deal with these butts with these vokhs with security officers who interfere with life, of course, but real passionate love dmitry polyansky was not just a member politbrodtsy, like the ussr and the third person in the state after brezhnev with such an action could make a dizzying career 30 years later in his film. kopeck director dha,

the eternal one convincingly proved this on the example of his hero and mitya from lieutenants, he stepped into the generals. that's how, thanks to a penny, petya got to heaven. and he became a general. and she really suits you. dykhovichny could become a general, but he did not marry for the sake of a career, but in love and he liked to be an artist in the rebellious theater on taganka in the stagnant seventies, when life could go downhill for one anecdote, lyubimov allowed the actors incredibly daring antics on stage. velikiye

luki and the seventeenth division refused altogether. why should i say far away ivan dykhovichny shone in the famous play the master and margarita in the role of cows? the spectators sobbed and slid down from their seats with laughter, and suddenly koroviev snatched out the faces in the hall with a beam of a flashlight and briefly asked. maybe you want to expose in the hall sometimes there were representatives of the authorities, influential people who they came out of curiosity to see how the artists denounce this power in many, a chill ran down the back when the audience got goosebumps the shock was not just easy, but the shock shock in the early seventies ivan one of the leading actors of taganka at that time alexander meta was looking for a hero for his film . moscow, my love, seeing ivan on stage, in the

taganka theater, the director. firmly resolved this role will be played by the eternal breath. the actor himself is a popular taganka theater singer with his unique repertoire of hussar songs, which enjoy great success charming handsome in my mind, it was the perfect character for a melodrama , it was almost necessary to play himself cheerful, hospitable, able to talk like a man to a man without words. understands, oh don't remember the person. was symbolic, but the main character of the film, played by kamaki kurihara, is dying of the same disease, which in 35 years will take ivan's life.

but then, for the spiritual, the period of fateful meetings of strong feelings had just begun. in the theater, ivan dykhovichny made friends with the main star of taganka the famous vladimir vysotsky, the idol of millions , took great care of the young artist and even invited him to perform in his concerts. however, this did not turn ivan's head for himself, the place is a swamp - this is an idol - this is a genius. well, it wasn't said that way, but it was meant. and when volodya spoke, now he will come on stage, my friend. vanya sings the songs of denis davydov to the end. vanya was amazing in one more pike. did andrei mironov have a manner when they spoke well of him? he turned red. the voice of the era for many years

later, the director dykhovichny brought the image of vysotsky to the screen in his film a penny and received a flurry of reproaches. the performer of the role washed on vysotsky. it doesn’t look like, and the idol was put up in an unsightly form, but the breath always had the right to the naked truth , such as he didn’t know vysotsky, perhaps no one and no one tried so hard to help a friend overcome his weakness. rise to arm yourself to conquer. i saw this, this gentle fusion of two very strong people, strong personalities, vysotsky and sometimes ivan did not leave volodya for days, forgot about himself family and replaced him on stage when vysotsky was not able to play for the director yuri his beloved breath, he was eternally a constant understudy.

i experienced a great artist as an actor, maybe she had some kind of vision, you know, these are very painful things. this is not only vanya, this is any actor. any person. do you want to show something? everything, this is useless wall of the best works of ivan dykhovichny in the theater, the role of pushkin in the play , comrades, believe me, and won not a monument to a living person, a bully of wine lovers and women, however as planned by the director pushkins, there were five in the play. this theater is built, as it were, for talented extras. these are talented people volodya vysotsky but this is just a brilliant person,

you understand brilliantly. and if someone started, something acting, so to speak, was extinguished. because you get out of that, you understand and it’s worth saying so. vysotsky's disease progressed, the breathing almost did not part with him. although he saw everything with her, it is impossible to save someone who himself does not want to be saved, when ivan realized that he was no longer a friend, but rather the shadow of the great man, the gap became inevitable, but until the end of his days, the pre-khovichi was worried about the fate of his friend. 10 years of breath, the eternal dedicated to taganka, every actor of the theater understood the director here is the main one, however, to feel how you plunge into the

world of other people's images and serve only as a means of expressing other people's thoughts was unbearable ivan dykhovichny decided to become a director in order to tell his stories, the only way is higher directing courses but to get there talents, it turned out to be not enough. but i need to have a recommendation from the studio of the union republic to enter me could not go on like this for 1 year, second year, third year. i no longer knew what to do, a miracle happened, this is the lady who led these courses. she called me herself and said. can i go to your play the master and margarita for which i can't get tickets, she came to my play. after the first one, you came to me cold and said, i give you my word, that you will take exams for our courses. so dykhovichny entered the higher courses of directors and screenwriters. and always here i am, for example, i saw his eyes before herself, like the eyes of a person who listens to the attentive and

is interested in this plan. i know that andrei tarkovsky gave a lecture to them, and some phonograms were even preserved. tarkovsky made an indelible impression, especially his mirror before the director did not bring his personal experiences to the screen. the rest of the eternal liked it. and when he shot his first picture, i really liked her tester. here in such a completely free with a free attitude to time, time will have to stand. it will take time rear up, so to speak, with a mound. what was unusual about it in this picture? the director of this screen time lord of time, having received this time, ivan returned to his personal most powerful

experience, the heroes of his first film lose their father and find their first love, ivan's first love of breath, the eternal name was tanya, she was his classmate, her test father. proshutov in the film, the test director, clearly drew parallels with the events of his own life, not by chance the young hero. the son of the eternal breath played dmitry, and the role of romantic heroines. an actress named tanya tatyana drobich. you love the actress who plays you. you love her because you should love her. you really believe in it, but you care, otherwise you won’t understand anything, yes, this doesn’t mean at all that there should be a bed in a dream or the result is absolutely. so, on the contrary, if you enter into a relationship with her. you will ruin a lot of things in your movie. i am absolutely convinced of this relationship with women.

and ivan developed. not only did he never tell. why i broke up with my wife, but i can’t discuss topics. in life, why did they break up? i do n’t know why they agreed, i saw only love, love and amazing friendship and attitude towards mitya towards his son, as like a son, the main role in his first feature film. the black monk based on the stories of anton pavlovich chekhov, the director again suggested tatyanevich, and invited his teacher, the famous vadim yusov, who made the most famous films of tarkovsky, to stand behind the camera. film directing, and this was characteristic of tarkovsky, characteristic of dykhovich. the feature-length debut of the young director was waiting

triumph in venice at the international film festival , the film was awarded the golden asian prize for the best cinematography. and uh, for example, my colleagues told me after the black monk, but you supposedly shot it there. so, in general, as if in your own way, something you would not have in your own way. i took off. i shot he so wanted the director. because it just seems that the appeal to the image is the desire of the operator. no, it’s just that the director solves his dramatic tasks through the image. i say ivan vladimirovich, let's split it up. it means to me this plaque, and here are the documents for you. well, we shared it. so i have a photocopy from the document, and he has a gray comet, plaques dividing

glory in half, they recalled with pleasure how they shared the difficulties of shooting the black monk, real cinematic disasters began. we needed a blooming apple orchard. the apple orchard is in bloom, and from this the picture begins to boil, everything blooms, what we need is the maximum flowering of apple trees, we need it and we appoint a shooting and the night before there is a thunderstorm, a storm, a downpour, we arrive at shooting. half of the color that we calculated is off. it means that the orphan's apple tree, the triumphant of the venice festival, did not yet suspect that his cinema in his homeland would be unclaimed. it was

terribly disappointing, because we saw that in fact the public is looking for completely non- author's cinema. it does not seek to watch the filini of tarkovsky's breathwork, but rather rushes to a rather vulgar primitive spectacle, which began to be produced in large quantities on the side to buy abroad. perestroika began in the country; the state no longer gave money for cinema. now look for the director's funds. they must have unexpectedly got acquainted with the famous french producer pierre rival. already rented a taxi plus with pavel and wanted to shoot some exotic in russia. ivan eagerly began to tell the frenchman stories from the life of his parents practically. it was a ready-made scenario, a new year's idea, there is always a risk in it. he connects the two. incompatible qualities, he knows how to raise money for his paintings and knows how to do with this money. good films french producer not

was able to understand the ups and downs in soviet reality, but he gave money for the film in order to make a movie about the dawn of socialism. it was prorva bratushka, in fact, he is not in russia. this is conditional, this is not a person. and not the concept of just nothing, but nothing that draws in and destroys seemed in the early nineties an abundance of a naked body on the screen. it’s no longer surprising, but prorva caused a great resonance. a story about a personal, very intimate happiness, weak women, miraculously surviving in the world of executioners, it seemed an unusually frank scene, which was, so to speak, designated as request radius and actress signed a contract in which she signed that she would shoot me when we approached the shooting of this bed scene. here she moved away from me, withdrew to the side, i beg you,

i beg you. you know, i can't refuse. i say, here i have it for you, then i will cut it all out, everything that will be obscene. or vulgar or bad, don't worry. you won't see it. i promise you that everything will be fine, the utlenper actress, i really didn’t see this scene. on viewing, she covered her face with her hands in the first second and so i sat until the end, repeating the scene, if only i did n't see it. mom comforted the actress of the film press award and nika for the best actress of the rest forever fought back from applications to put the production of soviet erotica on the stream of a gold mine here is this soviet sex. the fact that it has always been hidden under that power under that ideology, but you are good.

you know how you feel. you can make yourself a career on this, nothing like it. in our cinema, no one filmed erotica of the soviet era. but ivan is a very ambitious person and, of course, he this is not enough. prorva was not included in the program of the cannes film festival. its director sent a letter of apology to the director and wrote that the time for such a picture had not yet come, maybe in 20 years. the cinema was again praised only for its camera art, a bright colorful popular print of the country of the soviets, foreigners were surprised. and where are the torture camps and the happy faces of the demonstrators on the newsreel were perplexedly looking at the film prorva? i think that this is the pinnacle of his work in this film, he went on a very risky experiment, because he showed the stalin era, which was customary to expose, like a parade from a movie. by

the way, it was called in the western box office or at festivals, the moscow parade. it was a parade. mm beauty, a parade of some kind of madness apparatus of some kind of crazy enthusiasm. there was some bitterness in it, and at the same time there was an incredible beauty. indeed, the characters of prorva seem to have come out of ivan's childhood memories. for example, a polished handsome man. vasily, who looks like vasya stalin or a writer who is judged by his knees, so they judged playwrightgadykhovychny for immorally light songs and squeezed out. and even the singer in the restaurant seems familiar, as if it was she who sang in the metropolis on the evening when ivan's father almost got into a fight with stalin's strong stomach. the breakthrough premiere

coincided with a new personal drama in the life of the director, the second wife suddenly went abroad and took her youngest son with her. since then, ivan saw volodya very rarely, in order to drown out the pain. he tried to immerse himself in work making new films, a crusader. 2 music for december its even showed a special look at the cannes film festival in the program and was also mastering a new field of television for himself. soon, ivan breath eternal began to make his own programs about what he was always interested in the most, and cinema. it's humor then there's some thought behind it no worries worth thinking. no, defense of this and attack. on this. i never saw it again. mikhail mikhailovich began to squat, springiness quickly rolled over to himself. yes, probably walking instead of walking

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when the country was hit by a default and citizens in a panic, saved their savings, ivan dykhovichny met his love, his third olga, ironically. all his wives were namesakes. and why did you forward the papers was a script? i remember it was in my pack . i gave you everything. i gave you all to read. i don't know what the memories of this episode gave to someone became the motive for an episode in the film penny. here olga dykhovichnaya in the image of a tv presenter is sitting in the studio, she really came to the channel to work in the program. good morning, and ivan dykhovichny was the main director of the tv channel . olga never went on the air, but got married without long courtship. and despite the age difference of three decades, such a husband could make a

dizzying career on the screen, but olga dykhovichnaya liked to help husband to make a movie for the filming of the film is a penny, the director attracted a team of the closest people, except for his wife, and even the eldest son dmitry and cameraman vadim yususov. such a number of objects, which was a penny in the film, to be honest, i did not have to. eh, on such a scale of the film to shoot, the main character of the picture is a penny, the first model zhiguli drove along the screen a path 33 long from the premiere on the assembly line in 1969 to the finale in the dashing nineties. and this was already the story of the life of not the parents, but of ivan himself; vladimir sorokin became the author of the script. it was written. it 's pretty easy and we enjoyed this

script and after writing it we realized that what could get a real folk film, which, in fact, happened. to his friend, musician sergey mazaev, and you were offered a central role in the film by a car mechanic, a deep symbol of a russian master, golden hands inseparably with a sledgehammer and forever drunk with this state, sergey mazaev was well acquainted at that moment of his life. he also suffered from a typical russian illness. specifically, the first person who took my hand and led me to a narcologist. he helped me get rid of drug addiction. that is, i am not just words go, and he came straight to me in the morning, he understood that it was difficult to take the first step. and so he helped me to make it, and i am forever grateful to him. i consider him to be like a godfather to me . lidykhovichny remembered his friend

vysotsky, whom no one could keep on the edge. it's safe to say i remembered and even included a film about the history of the people's world. as well as many other very different stories. they are all incredibly recognizable. here is a typical soviet couple they loved two things most of all - sausage and figure skating, and here is a girl who did not give money for the desired jeans, and she earned them on someone else's lust. and here is her mother, who lived 20 years in marriage and did not know what an orgasm is, bandits, holidaymakers, businessmen. and kopeyka is a collective image of the country. it seems to me that a penny is still not hers yet. didn't look. and right now she is. it works in a completely different way after a

penny, people appeared who began to call ivan dykhovichny their favorite director. one such fan offered $2 million for any new project. this is an inhale-exhale film, not its ending gives you goosebumps. he turned out to be prophetic. why are you doing this, why? you come to strangers and tell them incredible creepy stories that no one will believe. after all, no one needs it. explain. why is it funny to tell people that in two months. that my time physically feel like it's running out? i went.

ivan already knew about his fatal diagnosis and really wanted to have time to do everything so that his film was watched, as many people as possible to attract to him attention. and we wouldn’t do this if you didn’t come here and sit down in front of us , expressing our readiness to hear both stroking and penka, let’s thank the director for the courage he showed coming here to this director more painful, and he sat with a tense face. no one even guessed what was happening at that moment in his soul to one absolute erotic craft for the sleepless, so to speak, bored people who wrote the dialogue, who wrote the text,

which allows us to somewhat veil this banal triangular situation. late filming, but these shots show that he can barely contain himself, and sometimes breaks into a scream, in this state. nobody has seen him yet. i am not a genius and there are many mistakes in the picture. i can confess to them and any picture that you name me, i can turn any picture into dust in 5 minutes and i was very scared from this picture 10 times worse than with others, because everywhere you are covered with irony of intonation with humor and banter than whatever. it doesn't exist here at all. yes? definitely the last scene in this picture, you are right. i don't know what will happen to this hero. they may never be together, but they can definitely love. they will definitely be able to love in this life. on channel one they showed the film inhale-exhale ivan was happy. the disease did not let

him forget about himself ivan got tired very quickly, he was in a fever, it took a lot of time to visit doctors, analyzes, treatment, and yet he filmed 16 hours a day, he was in a hurry to finish work on the comedy europe asia, he edited the picture ivan was already in the hospital periodically, escaping from a dropper of doctors. he didn't want to let him down. outcome. he passionately dreamed of a new project and even began to work on it. these are unique shots from the film to finish, which ivan was not destined to breathe, the eternal managed to shoot only one scene vasilievich.

the mysterious tragic death of mayakovsky, a classic of the soviet era, but the director considered the funeral episode to be central in this film poet and talked a lot about him with the cameraman. when you know when everything seems to be fine, and the sun is shining, and now, as it were, almost blinding, some kind of dirty, snow some streams. here is the asphalt wet black bare trees. what is bad for a person? is this the frame supposed to be? this is how the scene should look like. ewen physically felt how time was running out, and he still wanted to be in time for so much, the breathy one flew to the festival, the cinema theater to present his picture, the critics were stunned of all the films shown at the festival europe asia turned out to be the most cheerful, it was hard to believe that it was

filmed by a terminally ill. however, i am not afraid of death. well, this, of course, is a difficult test, but i was there generally twice, because i had to go there, well, i returned from there. it's not scary. absolutely scary. being a dishonest person is scary not having friends scary being very lonely in a person's life. this was ivan dykhovichny's last interview in 100 days. his heart stopped, he didn't feel pain ivan died. in a dream, he spent the last weeks of his life in this dream. what dreams did he dream about, maybe a new movie or the closest people, wife olga and sons, volodya and dmitry, they were next to him before last breath. they accompanied him to the last journey. friends walked and walked to the grave. they brought him

flowers a sea of ​​flowers. what else could they do for him, maybe remember like that?

the nightmare has already been imagined. what specific living person is here? a nightmare of hatred in hatred, he trained her here, he turned her into a dog. here, you know, at his age, make love. they are wars. no matter they call me the right to choose. people are not angels, they have no such will to protect themselves from movement. who are you with you and