kirov kostroma leningrad novgorod nizhny novgorod penza tula tambov yaroslavl region i won’t say anything else, because we have a very interesting and very beloved referee, so i immediately imagine that areo spagos is tall. judging the competition, theater and film actor, tv presenter, pad player, honored artist of russia alexander vladimirovich olezhka the judge is accompanied by the secretary of the student college, marina temzova, and the secretary of the areapagat. karina knyazeva motherland and medals help out my assistant natalya fomenko from the city well, you know,

musaratov, of course. ksenia kasatkina of amazing beauty, the city on the volga is called kineshma, ivanovskaya region, winner of the regional final, lev gayanov, city of st. petersburg , city of tosno, leningrad region, also winner of the

regional final your honor dear judge , this is not your first time with us, but maybe someone does not know that we usually start with a speaking contest, 15 minutes before the start of the contest. i go up to our participants and give them a topic for eloquent speeches, and this time the topic is this. a magnifying glass was such a poet, his name was vladimir vladimirovich mayakovsky hello , dear yuri pavlovich let's see what it means the performance shows us through the hyperbolic behavior of the heroes of emotion. and even vices that are invisible in ordinary life without magnification. at the same time, the spectator, the going teacher, not only to enjoy the spectacle, but also to think about it, understands every thing that the author and common

sense are trying to convey to us. and this is very valuable, because it forms picture of the worldview, helping us daily life on this i have all thanks. 29 seconds yuri pavlovich the theater is first of all a receptacle for the smallest details of the subtleties of life invisible to the ordinary eye, namely, by revealing their theater they reveal, first of all, the characters, both individual heroes and general events, and after which it opens the essence of life that is why the theater shows us something that we do not see in ordinary life. thank you so much. an interesting event is also 29 seconds. hello dear areapak. hello yuri pavlovich, indeed, the theater is not a mirror, but a magnifying glass, because it

shows us images that often do not have a place in real life. we all come to the theater most often in order to relax and have fun. yes, even in ancient times. uh, people went to the theatre. sometimes they were not very educated, and in order to convey the main essence to any viewer, it was necessary to exaggerate this image. it was not in vain that moliere said that the purpose of the theater is to show the shortcomings, especially the shortcomings of our contemporaries. i have all thanks. thanks 40 seconds. well, i personally disagree with you. with mayakovsky, too, because somehow i still like the shakespearean approach more, and the meaning of the theater is to hold a mirror in front of nature. but this is my personal opinion. i agree, by the way with your opinion. uh, but if we're going to break it down now, here are your performances. i would probably prefer the opinion and presentation of lev gayanov. so this is how the

french say hatch mind, that is, the first. and who is second and i think that is the speed that you, uh, expounded your thought. uh, in general, it would be so scary that i didn’t catch and understand everything, so i would like to continue communication with you just a little less. hmm, so you will be the second number. that is, you did not understand everything, but did you like the rhythm, yes, very much? i'm just not an envious person. i am able to appreciate the talent of another person. i would not have been able to quickly uh convey my opinion legally well in 29 seconds. so, you don't mean that, by the way, that you were. yes , in this sense, you are somehow unconvincing opinion, but here we are with perepolovich agreed to take some path. i would choose the golden

mean, that is, the golden one is somehow traditional for you, generally reliable after all. oh well, i wo n't use the optimal option, but the optimal one so go for the optimal one please. wonderful playwright in the program of the red no, i choose, slowly but surely, green. how did alexander feel? what will they give you on the red carpet alexander ask. 400 years ago the event was born. in general, some say. geniuses of the world

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favorite stores order a profitable burger for 159 rubles. coupon 22 on the sale market with a split. buy a boyson, buy and relax blanket with a 63% discount for only 1950,488 rubles. now the rest is later with a split without overpayments and documents. the game will go in stages, but in the first stage there will be a mandatory program, that is, you have to play 1658. if you don't want to, you can give it somewhere that 1659 goes on and 1664 goes on, let's try to answer 1658. wonderful. you said, the fact is that october 24, 1658,

everything in molière's life. his theater was at stake. he took a big risk, but it was absolutely necessary. i'm wondering where and why? what were they playing? and in what role did jean-baptiste unlearn? i can assume that they played a play in front of king louis xiv and it was eh? it was a play by doctor perhaps if you say it right, we'll forgive you because there, well, there are nuances. what role did he have? it is important. which, as i understand it, that's what affected the king. possibly with gonorel no stomach point go to the next

stage, and i'm in the stands. dmitry khoteev school number 12 of the city of penza october 24, 1658, the corpse of molière played tragedy pierre corneille not comet but then later, when they played it, then what they played, that the impression of a doctor in love lived through, so the doctor is not a doctor involuntarily well? what was the video? wait, because you've clarified the title. plays play a very important role. vladislav parfenov gymnasium 35 city vladimir moliere played the main role, that is, the role of the most in love doctor after the unsuccessful not unsuccessful performance of e not comedy molière asked louis xiv for permission to e. one scene with which he delighted

the public in the provinces and louis 14 agreed and just performed a lover what a rastertor is. uh, a speaker is a person who speaks to an audience and is able to entice the audience. and olezhka sometimes acts as an aerator, of course, of course, the correct answer in the guards hall was played by a doctor in love. his majesty was present at the performance. king louis 14. you understand, it was necessary to distinguish from this everything hung manner. came out to the steering wheel. likewise, the actors, who, directly addressing their audience, advertised the performance and asked for the decision thanked for the gracious attention, the child was delighted and provided the order of the pipes and the moliere. hall these bourbon yes , to grant the network to this young man the order, as an orator to an orator. thanks to the order to him, but the young men will

clarify the performance, we will not give anything, we will give the medal. why give? well, of course. here, 1659 is recommended to play, but you can refuse this and say, after all, i would risk choosing 1664, the next 1664, that is, we give on the red carpet according to these rules. this is how alexander is played. in november 1659, at the bourbon theater, marière staged his comedy, which was called

funny simpering girls. just in case, i call them in french, because the practically untranslatable name is the aristocracy of their manner. as they say, all sorts of little men and so on are aristocrats. naturally. you understand, they love to be ridiculed and they got angry the next year. at the very height of the season, they began to destroy the tiburgon, that is, there for the the trumpets played and there was nothing more to play when they didn't destroy when the king tried to intervene. they said, well, according to the plan of reconstruction and restoration. we need to remove this so that your royal majesty's louvre can be seen. well , you know, the platform disappeared. how did the manner help? louis 14, 14 quite right the question of the ash-tree 14

the news came that the theater had been destroyed ordered that a new hall be provided to the malliere and this hall turned out to be the place where i once decided, who also loved the theater very much and wanted to stop hold better than i have in the script. but only i remember that he is still here to this architect, who just said, and you will do all this for him, smart one. well, now you have to play it. this is 1664 in 1664 they played a stickman. and the play was right there , my dear friend, but it was forbidden, but this

happened in france almost 400 years ago, three from august 1, molière filed his first petition to the king. he reminded his benefactor. what is the purpose of comedy? and pointed out one of the vices. let me ask dear lion, what's wrong with molière's point of view is the appointment of a comedy. and what vice pointed out by marie molière in the first place as i heard him say that the main purpose of comedy is to show, er, the shortcomings of the vices of modern society. but it is not exactly. and the main threshold that is exposed in peat is, how to say, a cover of holiness. the holiness of the achievements of one's own penal accounts and what is your name

provincial college, the city of yaroslavl ridiculed hypocrisy and molière wrote in his forgiveness that hypocrisy is now a fashionable threshold second part, and the first purpose of comedy is to expose the shortcomings of contemporaries. so, the sincere vices entertain from the root vices of the attention, i read the correct answer. molière wrote that the purpose of comedy is to entertain people. well , then, of course, correcting people there is not quite right. to whom we will give a medal, of course, the girl with whom you are now next to, because, in general, she answered correctly, just in other words of the girl.

well, then a choice of three positions, dear, please, italian innovation and cash italian. apparently he studied with the famous italian actor with a mirror in his hand. i tried to copy his facial expressions with a hand mirror, by the way, i was looking for my facial expressions, the great clown yuri nikulin, we are talking about some kind of italian, by the way, now they knew him by his nickname. what question?

the green track saves goes to the next stage , this is already the second mistake. it is very good. hello victoria mikhailova, vladimir region, school number three, the city of kosterevo, i assume that this is skoromush e or in another way skoromuchil in italian with a french feeder that we give the order of the order - this is a spark, maybe, yes, please, madam. leo laid out the tracks you make a mistake, you can only once once very indistinctly answered. well an introduction. this is the first position, and the second cash innovations. moliere owns many innovations in the theater, one of them is associated with

the participation of performances of musicians. can you tell us what's new? you see, his main patron, if they come out like that, as you know, was louis xiv. well, or gives the fourteenth adored ballets, and he naturally, it was necessary to please them more. eventually. uh, well, it’s not like that, because you or separately they were, as jaws did in comedies in comedies, and i here are the musicians at the theater, that’s where they were backstage, they were hiding, they weren’t hiding behind any galleries , behind any olezhka is a musician, for example, that he goes on stage, and there he sings and everyone sees his face and everyone understands that this is olezhka, this turns out to be a ball in orel, known under the nickname actors friend

of moliere. gives an explanation so far musicians musicians, as you said, they didn’t want to be shown in public, they re-note the fences enclosed by counters , well, behind the scenes, you can say, and sometimes even in the galleries, specially even in the dance halls of the 18th century and the seventeenth, they built galleries. it is possible to see the palace less of this obstacle. lev managed to be eliminated and with the help of minor difficulties they did not find people, well, like olezhka who agreed to the theater with open faces and odessa as actors, well, let him go on. yes, yes, of course. well, of course, go ahead. cash registers 1659 to 1673 a year only 10 collections exceeded 2000 liters. six at the

same time. and four for another . molière's comedies i suppose they were comedies? tartuffe and funny coaxing all-in let's go geography let's try you think that while i went to the podium. i am not commenting on your answer. and i don’t even have it written what is this artuffs for? naturally, don juan or the stone feast order?

okay. name the highest volcano in russia i won't tell you, but maybe you can guess not? then what, rest well our volcanoes are quite small. you understand, this is kamchatka in kamchatka the highest volcano terribly beautiful, but very dangerous is klyuchevskaya sopka the red carpet in comedies is empty. so it also happens there sometimes some people go to rest.

and what do we have there further scripts played risk and wrote out? the forties of the 17th century when did molière's theatrical career begin? imagine actually, there were no theaters. in england they have been built for a long time. shakespeare had his own theater ; there were no theaters. where did they play? let's say the big corpse of the burgundy hotel or the small corpse of the marais playgrounds which generally often played a play here in the ballroom and the other hotel. uh, there was a building from this was the community of the passions of the lord tells i'll start reading the correct answer. well played in the ballrooms. you

continue, let's get in sync after that uh in paris in 1640 there were more than a thousand rugans, the hotels played in this building was an old ball game of pro-obrastens who the ball was thrown over the net with or through rope with a racket, and sometimes show, let's show alaska as a hand such a replay. well smart guy is the right answer. still, somehow kineshma begins to recoup, in my opinion. and what do we have here peter risk and wrote out? which famous person was subsequently discharged by cardinal mazarin from italy around 1643, and for what? it was a machinist on the screen

who worked on special machines for the theatre , and before that there was another predecessor before him, but as soon as he conquered from destroyed to much. so it's terribly dangerous. you are a theorist. all of you go to the podium on the podium. it is much better for you, what was the name of this person who was released by the mazar. in a sense, on the mountain, then maryera he yes, please, please. kirill nikitin city then education center number 20, well, since the italian, i can assume that it was to complain, if the composer appeared in paris, jean-baptiste, lyuli and the composer, violinist, conductor, with his help, the cardinal hoped to instill in the young french king of music bitches to style so

further, while yours and a half have only two and a half. yes, of course it's good. i really want someone to finally win the risk. we only have. the royal pipe of the burgundy hotel in 1607 first took this risk was not born. i specifically saw some very important events in order to attract a large audience. what did this risky innovation look like? perhaps they were called? perhaps they decided that

not only men, but also women would play in the theater. what was your name? anna, i don't remember what kind of woman she was. this first. now let's, i'll say to the podium, i'll find out, and then we'll see, what if olezhka says, yes, god bless her, what was her name? remember to hope. i ask tatyana volkova prechistenskaya secondary school in 167 . ah. the first woman was fumbling tripo, and earlier men dressed as women. and you and i didn’t have the right answer before that, women’s roles in france were played by men, and the burkuns led the first woman

actress on the french stage into their pipe to expand the turnip. and here we give the order an order. i'm wondering if you count this answer. she goes to the semi-finals, if you don't count it, i think she becomes a theorist. no, i think you should give the person the green light once on the green carpet and count that answer as a, your girls support you. yes, thank you very much kasatkina leaves us in the semifinals. this is smart. your honor, you have decided so please. the epilogue

is there, gentlemen, moliere, dear friends. it's a theatrical pseudonym. and what was the natural name of the great french playwright, but it is very simple, natural, and what was the name of mother. not only by gender, but also by mother hello valery nazarova 622 gymnasium city of st. petersburg, jean-baptiste, poclain molière's real name , and his mother's name was. madame chris nick. there are no pseudonyms until now, well, come up with, but for now, your honor, she has a medal. this is a shelf. why does she need two shelves? she even gives me an order, she doesn't have any.

question number two of the funny simpering girls we mentioned molière ridicules rival actors from pipes and a burgundy hotel. such as? counting verses they forget. but i didn’t do it, they stopped in some places and didn’t read anything. there was a pause. why victoria ignatieva city of

borovichi, novgorod region, school number two, maybe they did it to hear applause from the audience, we hand over the medal and get a full order. that is question number three one of the leading actresses-maliera his companion in every possible sense. what did she give up when she died? victoria mikhailova vladimir region, the city of kosterevo, school number three, i assume that she renounced the title and actress as she wanted, so that they bury her noble and something, yes, the church did not recognize the actors and they could not be

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your favorite strips two slices of cheese on a large browned bun our biggest burger fixer from 249 rub only in kfc in the sbermarket , goods are cheaper than in the store. delivery is free order profitably on the sale market with a split. buy polaris robot vacuum cleaner 62% off for only 11.990 2.998. now the rest is later with a split without overpayments and documents. dear friends, but i don't think you need to introduce oleshko . you know what this person is. the fact is, dear friends, that when i went to the program, i have a wife who, by the way, is the editor-in-chief, uh, of this program and all the olympiads. she tells me,

please don’t ask olezhka about anything. he will tell you everything. that is, i have a ban on questions in this are a lot of truth, because when i see the light, the television studio of the camera, in me, the actors fall asleep, the presenter wakes up, so you better break this story, because it will be a monologue to me, i would still like to talk to you, because that it is a great honor for me every time, it turns out, although rarely, but still there is no possibility in your program, dear viewers, because the ban of my wife tatyana alexandrovna smirnova is good, you know she usually sits apake. now she's just unwell a little. i can't do it. therefore, i will speak only words, and anatolyevich will decide. to analyze the barrier is a great man, as he was called feverishly writing everything that is possible and what is impossible in 15 years. i really liked feverishly. yes, but in order to

write feverishly, for this you need to be a philosopher thinker, for this you need to be a person, talented, who understands exactly his genius, and through whom something passes, and he neuroses on this , gives it all to people and so judge say, because his plays are played in the 21st century. how many 400-odd years have already passed? yes, for a moment even more than 400 since the day of birth. yes, but it gets - this is both today and yesterday and visible to the future, which means that this is not just a person. so, this is some kind of phenomenon, this message. it's some kind of telegram. e universe the next three words. barrier bulgakov olezhka is one of the performances of our graduation uh theater school then shchukin burov was the director of the play the life of mr. de molière, lord

the burial places of the greatest educators and great people bowed to him now. we can say that in the third year. i was lucky, he came up. uh, hmm, so in the corridor he kissed me on the forehead . well done boy, and then burov and my artistic director. vladimir vladimirovich ivanov, i was assigned to the performance of the life of mr. aviary for the role of archbishop desharon. i hated this role. this is generally such a universal evil, this is a role and, well, now i can admit that i didn’t like it in this performance before my existence, that during the intermission of this performance, uh, i changed clothes. as i was wearing such a cassock, it means it was long and i changed into everyday jeans. so there are uh black shoes and uh, i think faster faster would be to take it all off and run away from here. i don't want to be. that's even, so that the train remains from this performance. and on some

third fourth bow after such dressing up, when i bowed, when you bow, this sultan pulls himself up and i suddenly saw my own jeans. that's what i think, my god, what a horror, what a shame, but nevertheless now years have passed. i understand that it was a very interesting experience and certainly. it was a big directing, luck. e albert grigorievich burov although e. now i'm entering the age where i can already play malver himself. it seems to me, marier, olezhka farsh parody parody - this is tricks from a capoen. uh, we had independent excerpts at the theater institute. and i've been playing with capena big difference. big difference, but it's a farce, because it's a comedy ballet here you go, he discovered it. actually this genre. he connected, no matter how connected, a comedy ballet. i once played big difference on channel one. e. charlie chaplin can be said that chaplin

is the same ballet and but the connection here is told by moliere big difference. this is probably where it comes from. olezhka tv presenter olezhka tv presenter is also the role of a tv presenter, which i play in the theater of satire together with alexander anatolyevich shirvindt olezhka is a teacher. olezhka is a teacher - this is probably in the future or so olezhka is probably still a student first, and teachers - these are the people who don’t even suspect that they became my teachers because their creativity is their depth of their own amazing creative way, and not inspire me and i'm looking at them. i am learning to be myself not to steal, not to borrow, but to seek in myself to discover this to rejoice and please people. i didn’t understand something on the internet, dear , it is written through the audience that olezhka alexander vladimirovich teaches. i sometimes teach, but i don't

call myself a teacher. i can tell you that my teacher vladimir abramovich did not mention this either. myself. e teachers teachers. he once said such a phrase if my students ever call me their teacher. i will be very pleased. well , by the way, the same brilliantly played mishchen precisely to the nobility of the mole. therefore, it is absolutely logical that it arose today in our conversation. thank you very much for coming to us, tanechka, thank you very much for telling me to keep quiet with olezhka, because, in my opinion, the story turned out to be interesting. and in general, you need to obey women, and to be honest, my main audience, after all, is grandmothers. no. it is not true. it is not true. i want to tell you that your audience is so diverse. and when i appear in your programs. well, except that the lazy one doesn’t stop me on the street and doesn’t say that they saw me in your program. i tell you this with absolute sincerity.