mark kondratyuk is on the first line after a short performance, but the rivals are breathing in the back, and in sports pairs alexandra boykova and dmitry kozlovsky go to the decisive rental with an advantage of almost 10 points, such a gap from the second place, it seems that in dance duets elizaveta kudaiberdieva yegor bazin is in the lead all broadcasts on our website 1tv.ru, and on the air of channel one we will show free programs of our girls. don't miss the start at 16:40. and that's all for now. we are following the development of events, a now on our channel to the ninety-fifth anniversary of the birth of eldar ryazanov, a documentary film man-holiday. in our country, where they know by heart the names of popular actors and rarely remember directors. he was an exception eldar ryazanov knew everyone knew by name knew by sight. sincerely admired his paintings and reviewed them dozens of times. well, of course, such a

director is to the gods and, of course, his films, which have already entered the history of our soviet today's fatherland. there is a complete collection of comedy anew, of course, because well, like it's a classic. at the very beginning of the thaw, after the difficult years, ryazanov gave millions of people an enchanting holiday. it's fun to celebrate the new year another new year's comedy has become not just a popular film, but a symbol of your favorite holiday. his film novels, in which the director spoke about love so easily and so recognizably, will be relevant forever. we empathize with his charming loser over

his own shortcomings. and we cry when a real drama is played out on the screen for the heroes of ryazan films. he knew how to shoot like no one else a movie that forever sinks into the soul, regardless of whether it amuses or makes you sad. unique archival footage of the history of the creation of cult films memoirs of friends of the great director, and we will start with a song written to the verses of

eldar ryazanov, we sing along and admire moscow in the seventies there is no bad weather, every weather grace any time of the year should be gratefully accepted. the sounds of spiritual bad weather the heart of loneliness, sadness and insomnia-wheeled shoots must be gratefully accepted. hollywood say the main thing in the movie is a good script, but rezanov proved that this is not enough for a successful film. the main thing is the director, for example, the playmaker was beyond praise. it turned out to be a failure. and when ryazanov himself

made a film based on this song and called it office romance, there was not a single indifferent viewer left in the country . and it was not by chance that they lowered the cat into the garbage chute and those office romance is being filmed based on the play that the world of ibraginsky wrote and i once called the play colleagues. i didn't mean to take it off. but, when i thought about what is in the role, it seems to me that the roles are not bad for such wonderful artists as alisa freindlich andrey is easily svetlana nemolyaeva. oleg vasilashvili khidzhakova. lyudmila ivanova then, i thought that it might be worth making a screen version of this thing in order to bring all these artists to the picture, uh, office romance, which made me very happy, because i saw his films. i really

wanted to go to the cinema. ildar alexander in particular. lucky case, i exceed the people of such a very bad careerist person. eh, here is the letter of a woman who loves to hand over with meat, so as to be clean, so to speak. here's a pretty bad move. but i had to justify it. i did it with pleasure, because playing a negative role and in general is always more interesting than playing a positive one. i had a lot of acting tests for the films of the irony of fate and there were wonderful tests of a number of actors who, for some reason, reasons could not be filmed, there was also a sample of svetlana nemolyaeva for the heroine. we tried, but something was missing. there was a test for alisa freindlich. she, too, for the role of the heroine, also did not work out. there was a palette on the role, and the water was supposed to play yours or, but his father died and the capillaries in the theater, which means the

repertoire flew off. in general, in short, he could not be removed either . and i kind of have such wonderful acting reserves. so wonderful that ryazanov did not conduct new tests on the main the heroine, the applicant was one kalugina director of our statistical office. we call her. if you are a director, what do you think, everything, can you afford? destroy trample and will be a little rude mymr. i understood that, of course, bruno would not play this role better than alice. nobody sent her a script for a marriage proposal to act in this film, not to try it out, but to act in it, and alice accepted this in the film office romance. love

works wonders, an ugly boss with a bad temper turns into a charming woman. i categorically disagree with you katya. are you saying that i'm callous? at the beginning of the picture at the end it may seem that these are like two different actresses. the soviet variation of cinderella was present there metamorphoses, which i was always very interested in roles and it was never interesting to enter a play or a film and exit it exactly the same way. if it's all tasteless, i can

take it off. of course, i can't wear it all. andrei myagkov ryazanov simply did not let the struggling actor just starred in his irony of fate. and now he also received an invitation to participate in an office romance without having time to get out of the image of his beloved new year's doctor lukashin. andrei vladimirovich immediately reincarnated as a no less beloved klutz to the new settlers of fate. he was an attractive, intelligent doctor, charming. well, then, let's go. regarding the fact that all this needs to be destroyed, in fact, the vile mustaches on him, in general, they made such a hairstyle, in general, such a kind of such a rat. i don't know how to say it. when you say it, it produces absolutely nothing, so to say that according to the plot, just at the beginning

of the film, a dense act begins. do you understand positions? well, how such a person should be washed was generally as a result of the whole picture. we appointed you one of the leading workers as the head of the department of light industry, light and industry filmed the irony of fate ryazanov literally after a short time began to work on e-official novel and andrey told me i want to shoot you. i want to validate you. if you manage to change, that is, not to be like lukashin from the irony of fate. here and that's it. and i wanted to act. in ryazanov, i was very interested in him. i tried not to be like

lukashin, i’ll sing to you now, and your fatigue, as if by hand with them, just doesn’t sleep quietly around, the badger hangs his ears on the branches and quietly dances around it’s hard to imagine another. here we will give them to each other. alice always took them to each other. dasha than an akhedzhak or other self-praise that would play with ours, of course, andrey miyakov, therefore, even small small videos. well, she's a big episode, a big episodic role, but ivanov's people who played shurochka accounting, so to speak, yes, she remembers with everyone no less than the main character. true, of the six main characters of the office romance, only one is cute, but, unfortunately, active people appeared

from outside. la ivanova cut never worked and just really wanted to shoot everything from this director. in addition, as it later turned out the essence of her heroine, a compassionate little girl, in a sense was painfully baubles to her. and did you pay? i myself was then a petal. and i also had to collect dues at a young age. especially, but everyone was then poor, and i even collected with pleasure, for example, 5 rubles each. when volchek gave birth to denis, i jumped into the stroller with some pleasure , as if i had just put on some kind of dress, i immediately became a shura. i love to leave, no one gave me and even told me a bowl. listen to milan you have such a nasty voice. i never knew how you do it. and i immediately collect directly, uh, 50

kopecks each. let samokhvaly handed me the redhead's letters so that we could deal with us, you bastard some, but i was generally exiled to the accounting department. yes , you need to plow, so having cut the friendliness, they recalled working on the film while filming creative meetings in a concert studio. ostankino , if alice didn’t have this film, you understand, in order to disfigure yourself like that, being, in general, a young charming and spectacular woman, how did she do it? she's there to play this sexless dull statistic wearing this brown completely genderless suit. creepy shoes. please note this is a hairstyle that does not exist. it's uh, in generally evoked only the feeling of the priests. i can only say one thing, unfortunately. here i am

in love with valis, as a spectator, first then as a director, well, and all the rest, so to speak, quality too. i really regret that now i was filming and offered her a role, but again it did not match. with us, it means that she was supposed to play a mountain mouse in her theater; this coincided with the construction and again we did not meet. so there are a lot of all kinds of work in general, it really interferes, you understand, therefore, it means not to work. in general, we would like to go somewhere, let's go now, right? you know, this is such a joke that men try to, uh, mean to love a woman without. well, without her permission. she screams, help help. he says you are screaming. maybe i can handle it myself . there is no peace in the soul. everywhere, i'm waiting for someone to

meet spring. i am dawn and it's all because of someone there is no one with me. and where can i find someone i can go around the whole world to find someone, to find someone i can go around the whole world. eldar ryazanov appreciated the role of music in his films so highly that he was ready to make any sacrifice, one the story happened on the set of the film hussar ballad all these close-ups singing hussars there yakovlev larisa golubkina were filmed by us on a truck. that's what they did as actors. that's how you know, like on a

horse. they are there, like a horse, as if swaying them , and perry has this song a long time ago, which means i am sitting on a truck, i just took yuri vasilyevich yakovlev and the next one will be kryuchkov, i look, and there is already the first grass and it is covered on the grass, so say such a picnic everyone is sitting, so i see something like a bottle of vodka is being undressed. but kryuchkov is not yet filmed. i see that he is pouring a full glass of vodka with a hook, brothers, artists, i jump off the car, run up, grab this glass and speak for your health and drink. now, please, into the frame. from afar, past bread, past years will flash one, like ours. children, gods, gods long ago

rejoice so charismatically so contagiously beautiful far away, don’t want me to want something completely different from you, some hooligan and impudent. i don’t know, i’m at the end of everything with you, and i’m cheerful, how good my grandfather would be to me, it’s impossible not to fall in love with the premiere of the season we sing in the kitchen to sit down strange today at the first treat for the festive table, we are preparing the whole family. and of course, we pay special attention to mayonnaise sauce, which will make festive dishes tastier.

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only because the delorentis brothers, who were the producers of the waterloo film and remained in the film , owe a tidy sum, did not want to give it away, and they offered a kind of barter, as they say now, well, let's with this money, we will shoot some kind of intricate light funny comedy. such you understand. tricks one whips another. here is the landing, which means that the plane on the highway, which, by the way, was carried out for the first time and still no one repeated such a stunt, because it was generally all all the stunts in the film, they were all filmed for real and there was not a single combined shooting, a stuntman came, for example, from rome, an italian did these

stunts in a car. uh said, so i'll do after that 10 minutes to me so that no one comes up and before this trick praying rhythm tricks fun. sorry for this word and how paradoxical it is propaganda of the soviet way of life the adventures of foreigners in russia, for example, the american mary lyubov orlova in the famous alexander circus. or the heroine of the japanese kalaki-puri in the film alexandra , not you, moscow, my love, and here is another italian in russia, the hero of marcellomania. truth in another era without red flags. but with gypsies caviar and vodka. well, in general, foreigners in russia are always going through incredible adventures, especially in soviet russia. and thank you. kiss me in the light

than the story of ryazanov in italy i would say so. relations were wonderful with the operators with the assembly shop, that is, the administration of the group, then there are people who worked directly relationship. they were very bad with the management of the company. i had a small episode in general. but i played the mother of andrei mironov. and what does it mean this episode, which takes place in the leningrad apartment, it was filmed in rome. that was the biggest incredible trick, stop kissing when i talk to you, the trip abroad it was. well, as a reward, it was very difficult impossible. i wanted her to stay. i did not finish the lawyer, went out into the yard and told us that we urgently need to shoot some other two shots in the yard, but we didn’t shoot before karasu, and the next plane was on the next sunday. and so we all filmed it on monday. it's there episode. in general, i also lived an extra week in italy

. the main ideologist of the country, secretary of the central committee of the cpsu, mikhail andreevich suslov, was driving to work in the kremlin early in the morning . driving along arbat square, past the artistic cinema, he saw from the window of his black armored car a poster for the film a man from nowhere. i saw at the hmm cinema artistic uh, poster jurassic uh shaggy fur shorts, shaggy, creepy like that, absolutely absolutely, so with a huge knife and fork he stood so sweetly scary, he wants to eat some bad person there. he

saw the picture, he had already looked, and he said to take it off very briefly. it was a comedy by a young director eldar ryazanov about the adventures of bigfoot in moscow in the early sixties , this mysterious creature was talked about and written a lot while working on the film nowhere man ryazanov faced serious problems, primarily with the selection of actors according to in the story, the savage of a mysterious tribe magically ends up in moscow, a naive, good-natured ogre with the soul of a child, gets acquainted with the delights of civilization of the 20th century, at first for the role. the eccentric was invited by igor linsky, his favorite actors, and

they started again at the carnival at night. that the actor was no longer at the age to perform complex acrobatic stunts, ryazanov had to look for the main role of another actor in leningrad. actoromki remarkable role well very positive and but naive naive to idiocy and began. and this movie was made eccentric. purely unrealistic in terms of scenery, method of shooting, method of acting and script throughout the eccentric, what

was categorically forbidden on the screen five years ago, and now the prohibitions have become a little weaker, but no one was going to pat on the head hooligans hooligans. i'm sorry, what? why are you, comrade chief, having fun? no, well, why are we having fun? we sent a star to him. on october 24, 1961, at the twenty- first congress of the cpsu, suslov made a report devoting a few words to the film man from nowhere to critics, suslov turned out to be spiteful, called the picture compromising evidence on a soviet person, and added at the end of the speech. enough to spend public funds on such a marriage under the applause of the obedient hall of the picture, in fact sent to prison for 28 years. and that a certain people was buried, testifies that

vladimir did not go, did not pass, he walked only through the backyards of the clubs, and she was not our gray cardinal on the central screens. uh, khandrievich its inhabitants are mellow, uh, we don't need to shoot such uh. aliens from other planets. it was a discovery papanova. this is a whole epoch in his formation as an actor. this is something we must not forget, because it was his first picture, where he played four completely different roles at once. i just remember this shooting, where the light sets the frames for a long time, how we set it today, clarified it, and when they said everything. now we will shoot, or the priests who were sitting behind. we

are sitting in the auditorium from the last scenes of the film and tolin says seryozhka, you have children, you don’t have any, and i have a daughter. she will say, look at the screen will say. dad, you acted in films where you are not visible. you covered me with your head cheese father. i made such a movement, the operator shouted, wherever you put it right, the main thing is to have the character to finish off what you want. and in each picture is made not due to circumstances, but in spite of them, after the film man from nowhere ryazanov was in disfavor, fortunately the director was not exiled, not imprisoned, not forbidden to shoot, but the movie bosses did not want to accept him, many stopped greeting him. i realized that it is necessary to atone for sins. and

here, in search of something that would make the local interesting and pleasant, and would like to nonetheless. management liked it. i have never before before this sometimes never thought about this topic. in his youth, ryazanov watched a play a long time ago, which was on at the theater of the soviet army , having fallen into disgrace, the director decided that in the light of the upcoming 150th anniversary of the battle of borodino, it would be right to make a patriotic picture glorifying friendship, the hussar and the russian valiant weapon for the role of kutuzov, the director took ilyinsky. the film was almost ready. when the minister of culture ekaterina furtsova arrived at mosfilm, she was shown a working copy of the hussar bulldozer after watching ekaterina decided to talk to the director. she saw me and said, how could you make such a miscalculation, how could you take igor ilyinsky on the wheel of kutuzov? no, he is

a wonderful artist, i love him very much. but you understand that when kutuzov appears on the screen, the audience starts laughing. this insult offended the memory of the great russian commander, immediately. reshoot ryazanov was desperate to reshoot the summer winter. the scene was impossible. they didn't know what to do with the head of mosfilm. it's impossible to release the picture for a big release, but on the other hand , you can arrange a private screening for high-ranking officials. it took place in august. 1962. the editor-in-chief of the newspaper came to see khrushchev, izvestiya aleksey film, he liked the opinion of a relative. the master of the country, it turned out to be the decisive picture released to the public.

that there is no great sin, that we cannot right retreat? when she was almost tearing herself out of her dress, i didn’t understand at all where i was, i didn’t have the feeling that you were filming a movie there, that there was such a situation, it seemed to me that i was already somewhere in such a really partisan detachment and really in front of me rzhevsky actors can do everything, but sometimes it's even hard to imagine. what tests do not pass. and how much hard work is earned people's love. i say, but can you ride a horse? i haven't

said since childhood. you are his first day of shooting. was like that, we needed to remove the dashing attack of the hussars, and because yuri vasilyevich looked at the cognac, which they brought him, and because he was piled up there with wild labor. i realized that a date with a horse. it happens for the first time in his life he never sat on any canyon and never. that is, he did not go does not know how to deal with this animal. and the shooting was very dangerous. and they went not even at a gallop. they went to the quarry that he did not fall that he stayed in the village this is happiness, because it was absolutely deadly. skachka i must say that all the shootings were somehow very exciting for very interesting with a huge return with e hmm well, i wanted it

to work out i wanted it to work out and ryazanov us with his indefatigable temperamental temperament. e infected, how could cornet detective with you each other, if they don’t kill on the ground, when victories flash. lightning, don't you want to say goodbye to kuzina, i'll call that i'm not worthy of all the girls. say that you want to kiss you and let me, right? my friends, this is an actor, unique post-partnership, this person who makes you. it's not you who plays, but he does everything for you. and if you suddenly accidentally feel this, then this is generally, i don’t know great happiness, and i must tell you that here is yuri vasilyevich yakovlev igor ilyinsky in the same film. and kryuchkov, these three actors are unique in terms of partnership, but the first place

for me was occupied by yuri vasilyevich here. i still say yuri vasilievich all the time. it seemed to me that they were already such old guys. igor vasily yuri vasilyevich eldar sancherizanov, too, and so they all were older than me, well, it was a different time, and when there for 10 years, there are already 15 years older. well, just some uncle. yes, one more detail, all the actors were on horses and they themselves rushed on these horses. or vasilievich, including one fine day, he arrived, he says, i can’t have radical sciatica. radik i have radik and he was piled up for the whole day in burki. he was sitting on a horse with sciatica. well, everything was there and there was a gallop and the lynx was everything in the best hussars in general of all times of the peoples. i'm happy, i'm very happy

in my own way. i'm sorry. take it while they could not find a performer for a long time, so that at the same time there was an elegant tower, in which a woman could not help but fall in love, and a woman knew a lot about a woman, here. therefore, you understand what should have been. well, a woman who falls in love with izhevsk and at the same time. it was supposed to be not like ours yet. she still had to look like a young man, for whom she gave herself away. but i want to tell you that there was one moment in the final when i say yes, yes, yes, yes you throw it to him and we kiss and his mustache remains.

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they call me a beardless youth, i have this right. that's right. doesn't matter. but they don’t say they rub for a long time, for a long time, for a long time, it’s spinning. yara bottles all bottles

all look at the bottom. for himself, only a copy of the hussar, long ago knee-deep in love with the sea. i am in this with them, in this with them at the same time, but guarding everyone. and change ryazanov never watched his films admitted that every episode reminded him at what cost it was given at the same time to rest to take breaks in his creative marathon, the director, categorically did not want to. you have just seen one of the scenes of the film the hussar 's ballad directed by director eldar ryazanov i am

a workhorse, which i even have such poems, which means that the workhorses of the workhorse that worked all the time will start. i have n’t watched many performances in my life, haven’t watched somewhere, didn’t participate , didn’t go somewhere, because i’ve always been filmed. filmed filmed filmed. i had the shortest breaks between filming. you just sometimes 2 months ago 3 months. and if it was six months, it was already happiness. that's how i've worked all my life, you know? i'm not complaining. i am happy that i lived like this, that i worked like this, and therefore i managed to shoot the 27th film, after all, fly, this is not a joke. i don't know who in our country filmed the same amount. moreover , the main thing is not even the quantity, but still, so to speak, a person, yes, the renaissance, you understand, and he took it, it turned out, and uh, it was like that as well. the major

is always in a good mood next to him, because we have fun with him, a tragic light one. he knew how to care. uh, he knew how to pronounce thick. he knew how to swear and was so frantic. once, on the set, nikolai fomenko disappeared for 2 days, went to participate in the second shooting schedule, fomenko was survan, he is a special person. he understood that he could not look at international races there. this center has some fines. well, to hell with it, i don't know, i didn't care. i said no, i forbid you. he took and left without permission. you haven't worn anything yet . i'm not the type of person to play with. i didn't know how to make excuses for the day. it was i who came and he was sitting in front of the monitor. and i sat down like that, sat down

next to him so that he didn’t seem to see me scared, yes, he was very brazenly cut in general, so to speak, but here he had a typewriter, which means that such a ryazanov fan dream is drawn, a fanatic of ryazanov and that’s all friends. well, somehow get him angry. after that, almost all the comedies of eldar ryazanov in the social context in the office novel. he makes fun of corporate extortion. today i have nothing to do with nepotism in the garage. give it to me not so much, i'll do it, please make

me a meat row, even in the irony of fate it all starts with a caustic story about typical houses, and in 2006 eldar ryazanov for the first time made a comedy for the sake of comedy. this is a goofy comedy definition, but i don’t know how else to call it, of course, it parodied some silent films or there were some unthinkable stunts. and it was all so naive, ingenuous and open. you see, the french play on the theme of adultery was transferred from paris to st. petersburg with passion began to create vivid russian characters. the first was a character that i named by last name. marusin is a servant, which means our heroines, the second hero wanted to be played by a man who is

completely mercilessly in love with alcohol. the next character who gave the surname vohlakov is the only such richest person, because he has a car for an actress who aglaya's name was zhenya kryukova. she played amazingly. she gave up her virtuous positions like that, because, well, so to speak, there it happened that she cheated on her husband, you know, well, to get into this genre. well, some fun was incredible. it was just a thrill. we have we, i went every day to shoot, as you wait for a holiday. baby nature

in general, it turned out like this. well, i don't know how you best use this word, of course, to say crap. i had so much fun and so much joy when i do it. it was my first absolute an unprincipled picture when asked. why did you make this picture? i say how i wanted

to give people pleasure that they laughed and enjoyed the director. it really was the key to sleep in a modest, stylish, tasteful comedy, which, unfortunately, many viewers did not see and did not appreciate, it is rarely shown on tv, but in vain. i am convinced that this is one of my funniest pictures. this work is unknown in russia by the director. this is my song, let everyone sing to whom happy to shine. eldar ryazanov became favorites, the audience woke up as real stars, as dad told his daughter

to blame the actress without fail from the law , everyone will have signs. i'll get into history through it. i still don’t know which way, but dad will also know if i get into history. lucy gurchenko was only 22 when carnival night premiered. she just graduated from vgik and lived modestly in a hostel, and suddenly, in an instant, she became the most popular girl in the country. five minutes can do a lot five minutes five minutes my garlic resounded soon. reconcile those who are in a quarrel on the clock with us 12:55 the new year is already, probably, on the way to us rushing at full speed. we'll tell you soon. happy new year at 12 to 5 pm the new year is convinced. he got tired of them, there was not much left, dear,

friend, there is no need to rush to see for minutes, which is not said. say without putting off the mask. well, ryazanov worked a little with lyudmila gurchenko and next time on the set. they met after 26 years. while working on the film station battle, maybe for two. it's hmm the tape that closes the love trilogy. the first was the irony of fate, the second, uh, the picture office romance, and the third station for two, and i must say that here, uh, for me there was a joyful meeting with lyudmila gurchenko, with whom they had not worked together for a long, long time and hmm i think that here i am in all in all, encountered a stunningly wonderful actress who

might be one of the biggest actresses of our time. why are you looking at me like that? are you afraid? immediately as we were filming and there is a kiss according to the script

games that do not need eldar why adults need all this. children? why is all this kissing bad, you understand the script? so eldar, let's have a good talk, i need to kiss. well , you like her too. no, i understand that i like you very much. why kiss? well, adult children are not necessary. it is true, now they are good. well, well, you want her, you understand. maybe i have no problem with you. no, maybe i even want you as an adult. well , okay. look, this screen is everything. it's the same motor. excuse me, please. i didn't want this. i just now i am in the circumstance that i met in this filmmaker, of course, which was not the first film. with lucy gurchenko you understand that, i understand, i was so shy of her, again. horror why and we had to kiss passionately from the first day.

oh, oh, how am i so people's artist of the soviet union of the soviet union like me in a fatherly way it was very we did not know each other, but you know in the hands. well, well, i understand, but still you need to experience at least some friendly feelings. yes, but no money, no way. and there was one scene in a train compartment alone. a love scene was supposed to take place, and a lot of text was beautifully written there. with a woman that he really likes, and he feels that she likes him, and he has a wife. a father who is already ill

, all these circumstances and this woman who looks at him like a deity. she is a waitress, in general, all this is difficult, so to say something like that , it’s either dude will say something like that, or some kind of crazy person, narcissistic, my hero is not like that, so i , in my opinion, tried that for 2 days to do something. everything i ended up leaving the set without saying anything. i think, well, everything will remove me from the role. eldar of course. he even told me that he played a gafu and you can’t, for sure, wali would have played perfectly. well, i can't, then they called me. come, i have arrived. lucy they give me a text, and there you are only children. well, i'm such a muttering. and she understood me, you know, from

then on i just fell in love with her. she understood me that you need something without azazator monotonously, as in paradise, do not be afraid, give up your whole life to break your as we are at the start, now they will not disappear. play on a risk card. let flashes in my head asks not too late to choose a new path. do not be afraid to throw everything on the map and cross out the past from home. out in bad weather. cheer up the spirit spur on don't be afraid to

hang out the deck. try. try, try, try, eldar ryazanov first said about this film in a film show, dear comrades, he invites me to his film. hardly a script. eldar ryazanov was born in the family of a scout, his father alexander semyonovich worked. undercover in persia modern wound. mom sofya mikhailovna was an employee of the trade representative office in tehran, but when elik was 3 years old, her mother left her husband.

he fell asleep, as they say about scouts, and at 72 o'clock he had to leave, and then he had to apply the work and they started us as the head of the wine department, and he began to live with his girlfriend. that's all, and their relationship was cut short during the war, when the family was evacuated to samara on the aisle. the mother went ashore to buy food left two children, in the cabin at that time a crowd of refugees began storm the ship. the captain, frightened that the ship was sinking, decided to interrupt the anchorage. here i just want to say about the character of my mother, mother, despite the

situation the military commissar and demanded that they give a boat, and she succeeded in giving a speedboat, and on this boat she caught up with the steamboat that was going up the volga . do you understand this character of my mother? i think that if something happened, it’s because of this, this is the root that hmm, so to speak, forced me to shoot to the maximum before each picture, to achieve what is necessary, that this, by the way, seems to be not necessary, but i understood that it is mandatory. elik got caught completely, by chance the cinema was not interested in becoming a sailor, but somehow meeting a friend at a bus stop, oh, who has no documents to the film institute, decided to keep him company. i read what it means in order to enter the cameraman you had to submit your photos, but i didn't have a camera, there were no photos. the idea that you can take strangers

did not occur to me. it means that further on the screenplay it was necessary to submit some literary works, but i had some poems, but there were no scripts. the idea that you can submit strangers also did not come. means to enter the acting, but it was to participate. eh, in some kind of amateur performance. i did not participate in amateur performances, so, uh, an artist. i should have been able to draw, but i can't still draw. i can draw a chairhouse. well , people will guess that this table is the only faculty for which it would seem that nothing would have to be done and submitted. it was the director. i realized that this is the faculty of poetry for me. eldar ryazanov wrote from youth, and, by his own admission, creepy. the novice poet has risen in price, then pushkin, then lermontov, then nekrasov and you? it's clear without convolutions and charms of your life, the secret of unraveling is equivalent to the spring of early youth. you were

significantly more talented. than now just nothing i didn’t assume that you were working under the pseudonym pasternak ryazanov and didn’t assume that his poetic gift would come in handy in his own cinema, but it all started with the filming of a hussar ballad in the sixty- second year, the author of the play a long time ago, on which the film was shot, alexander gladkov had to finish writing a few moments, promised and disappeared for several months ryazanov tired of looking for him and he himself added several poetic episodes of the director. he got so into the style of the authors that in the famous hussar ballad no one did not notice. long given? we prepare treats for the festive table with the whole family. and, of course, special attention. we give sauce mayonnaise, mahi, make festive dishes, tastier, new series code, i

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is very different from what the government of the united states is saying the premiere of oliver stone's film how john f. kennedy was assassinated the next sunday on the first later in almost every picture there were songs to the verses of ryazanov no, bad weather, every weather grace at any time of the year grateful to accept the poem in nature. no bad weather ryazanov presented under the authorship of william blake, we live something without passion, the song that set the tone for the entire film station for two was included. david samoylov, modest

reasons. it’s not easy, he knew if he admits that his composer andrey petrovna’s poems are monotonous, don’t be afraid like in paradise, throw everything on the map and life turned around, then there was a romance. i'm like a butterfly to a fire. in love, a magical land, where these lines will call me, i sang, then all the country did not believe that such a subtle poetic drama was filmed by eldar ryazanov. they thought nikita mikhalkov, after all, for the audience, ryazanov in the

first place, a comedian director irony of fate of the extraordinary adventures of italians in russia beware of a car and the like, but he knows how to shoot a completely different movie and agreed that they would play one other koran allow me to introduce yuri kryptonovich pencil, larisa's fiancé, so, we are familiar. as you know, i am an old friend of harito ignat govoritevna. kind day you are not jealous. they were looking for samples only for larisa because a young and unknown actress was needed. at the very beginning of 1983, the film crew

arrived in kostroma. the gazebo on the steep bank is the same one from the film, when ryazanov looked from here at the volga expanse, he immediately fell in love with this beauty and finally decided to shoot in kostroma, not in nizhny or yaroslavl. but you never know other picturesque there are no cities on the volga, it is here that the inhabitants of kostroma met an enthusiastic film crew, if only such stars would come to the city of mikhalkov freindlich other artists were constantly signing autographs on the set, a lot of people always gathered, the most active ones even stood in a cordon so that some especially zealous onlookers would not break into the

set and interfere with the work. but once a conflict with the local population did happen , then pyrotechnics get down to business. here are such smoke bombs, they lit not one, but hundreds, well, they overdid the thick fog, tightened the city center. of course, we did not repeat the feat of the ryazan operatives and disturb the quiet life of the city of fogs. in kostroma the usual thing, but they rarely interfere with normal life heavy smoke, instead of lowering the price, he climbed the slope along the steep bank, and in the city

the drivers abandoned their cars, who is in the middle of the road? who are on the sidelines of the usual kostromets, as if everything had evaporated on what the moscow artists were shining, whether they were damned and it was easy to get into an accident, complaints rained down, i had to go to the city council to apologize. the film from which the filming day ended here near the banks of the volga

paratov directly from the wedding table, he runs to the banks of the volga and finds a boat here. thank god she turns out to be oars and rows towards the steamer, where the whole company is having fun, we must pay tribute to the ancient col rowing, he is very confident. the hero catches up with the ship in a few hours for a drunk person, as you know, this is impossible, but in the movie everything is possible, in fact, ildar ryazanov put a swallow 40 meters from the shore. well, this short path could be the last one for andrey myagkov. vinta, by the old steamer instead of it there were huge wheels, blindness, these stupid things are called plates every 10,350 kg. such

a tile of force hit the boat, the boat became light for a moment. andrei was between these blades, that is, he was not touched, the first blade. it was thrown forward when the second blade hit the stern, but the already overturned boat crushed it. you know, the assistant who stood at the trick was most frightened. i saw that he had a desire to go into the water to save. i say, stop volodya, we are filming last frame. from the life of a great actor, the camera filmed a historical double to the end at some point. i had to take a breath, take a breath, especially i could not, because the water. i was under water for quite some time, but then i remembered one of ryazanov's assistants, who was standing at the director's monitor, fell into an embrace; assistant director yevgeny tsymbal rushed to save the actors.

then i always came back from above and grabbed her, because , uh, i heard that myagkov is not a very good swimmer, this episode ended with u lost vintage glasses and, uh, when i jumped, this wig was nevertheless thrown off by a wave, and we no longer found the role of the main character. ryazanov gave the film to a student of the leningrad institute of theater of music and cinema larisa guzeeva, a twenty-three-year-old deputy who had not even had a tiny episode in the cinema before. 500 young actresses won guzel. we went to her, of course, so to speak, a lottery ticket, because, firstly, her mother, as she said, larisa named it in honor. uh, larry of the same larissa and dowry when guzeeva first appeared on

the set. everyone gasped, shabby jeans, cigarettes, bilambur. in the teeth, the ural dialect is some kind of ostrovsky's dowry, but ryazanov firmly declared that everything would work out for her, that i started working with such material, that this was my first on the air. and this is how to win, the prize, probably, everyone dreamed of. e. how many female characters like this in the classic larisa natasha rostova katerina anastasia filippovna anna karenina who else why were you silent before? it's godlessly godless paratova must play mikhalkov and no one else. this decision of ryazanov was unconditional after the film for two, where i met nikita mikhalkov as an artist. i invited him here to play the main role of sergey sergeevich paratov , a brilliant boiled shipowner, as

nikolayevich ostrovsky himself characterizes him, he put me in such a completely hopeless situation, he said that now, if you shoot, i will shoot a picture, she wo n’t and for the actor. it's a very kind of thing, ah-ah strong, and he immediately loses consciousness from the fact that from such trust and so on, the more such a role, love me. mastitis and artists were amazed. guzeeva has the first steering wheel in the cinema. well, how exactly did she play the unfortunate dowry. she was already ready for the profession at this point, so she was very malleable and offered directors and, uh, a partnership of some kind. well done. why did i run from you? what did you change for? why did you do such a load to withstand

a young girl without acting experience in the cinema is very difficult. a few more minutes like this i'll throw all calculations and no power will snatch you from me. if you want, i think that she is beautiful in the picture. it's just that there are secrets and nobility in her. and in general, there is a victim in it. ryazanov decided to fill his film with the charm of new romances, close and understandable to the modern audience. they also became an important property of the picture. what was it? whose victory who is defeated, who is defeated is incredible, when it is possible to

conduct romances with the help of musical development. that's great. this is done and a declaration of love and a feeling of long-awaited happiness in the first price cruel romance and the collapse of hopes. in anticipation of a big trouble in the final. i will say every new romance is an increase in degrees and what happens between romances is already in the orchestra. it is also very strong plays. to increase this degree, to feel this fatal denouement, ryazanov once joked that the directors overlooked the actors in his youth, there was a guy, at least where it was not for nothing that the director appeared in almost all of his pictures. let it go in tiny scenes. it's just that i'm out of

sports interest and i use my official position. excuse me, i took some small episodes, where i know for sure that i won’t screw up, i simply didn’t act like. well, it reminded me, that means the work of the artist, which left some big picture for painting. he's in there somewhere, uh, in the depths. in some corner in the corner of the picture he painted something like himself there , some kind of his own portrait as a mark that he was here, that it was his work, and so on. well like this, right? i do have some hmm uh, sassy appearances in different forms of different characters, but it's absolutely not no ambition. there were no

comedy episodes in it, little funny ones. he never took part in serious ones, in my opinion, he did not participate in telem anything like that, then he will get a physiognomy with a cake. he will fall asleep on a hippopotamus. he plays drunk on an airplane in the area of ​​​​destiny. the child loved it. well, this is such a director's pity. fate was first shown on tv first january 1976, and already on february 7, not experienced. the film was repeated by popular demand every year on december 31st. we are with friends.

this new year's premiere abruptly changed the life of actor andrei myagkov in the morning he woke up famous. as for success? i felt it only in one thing - i could not walk down the street and look people in the eye, as soon as i took my eyes off the ground. people stop and talk. oh, that is, it was quite difficult to walk through the streets. incredible coincidence i dreamed about this all my conscious the life of ah, the adventures of an unlucky doctor. zhenya lukashina appeared back in 1968, when the

playwright emilbraginsky suggested director ildar ryazanov. let's write a play that we can make money on, and they wrote in 12 days the plot was taken from an old story that one of the acquaintances in one company once told them, who celebrated the wrong birthday on december 31, no one else something uh , which means that one of the guests went there, who was walking from the bath along the road, which means that he had a briefcase, a broom, there was dirty laundry, and everything. he left his friends. he drank well there, took a bite and quickly left the nickname. after that, his joker friends took him to the station and loaded the unlucky main characters into the train until the next morning, woke up in a completely different city without money, but with a broom from the bathhouse after a huge number of screen tests, among which were the first beauty and best actress of the soviet union to the point that the

director he stopped at the barberry pulka. let you forget me with your little broom, who knows that she could be in the arms, not andrey myagkov. andrei mironov ryazanov invited his favorite actor to audition, both had no doubt that they would be successful, but he tried very hard. he portrayed such a lamb like that. he was so gentle , so kind, so affectionate, so sweet, but it was all on us at night, you know, because all the same, such a seasoned lover was hiding behind it, i don’t know at all that you never understand any women, and this love wolf , roughly speaking, so he bulged out, so it’s against my desire and not andrei alexandrovich himself understand?

why can't i understand, you're such a role, i even had uh letters. well, why did she marry this very little thing before the evening?

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meet so rarely. let me introduce you to my wife. tomorrow i'll be in leningrad well, drink filmed under the stairs at mosfilm for two nights in a row, and everything would be fine, but the actors wrapped in one just didn't get terribly cold, and in the end they couldn't stand it, and we realized that there was no escape from this coldness, and we brought this palette that we have in the briefcase, the real ones for the first night of shooting, and eldar, who, in general, is a sluggish drinker and does not understand the specifics of real alcoholism, someone from the real alcoholics in the group told him that they were drunk. the next night, ryazanov, who didn’t drink, arranged for his soul to be searched by an actor with the confiscation of all greek things so that the artists again worked

frozen, but sober as glass. and then our eternal controversy with solarsanch, that he says that the film included shooting with water and props. i insist that it was a natural shot of an alcoholic something with this. so we parted eric's unpleasant consensus. it was dedicated to this wonderful disturbing and beautiful topic in russia to protect the little man. in

each of his paintings, there is not a pat on the shoulder. not a kiss in the ear, not m-m stroking did not suit yours, namely the understanding that the country consists to a very large extent of small people, not mature people and beautiful people and intervene in their fate and show look who you are dealing with, my hero - it was yuri detochkin who liked to repeat, and the most famous eldar alexandrovich comedy. beware of the car was the first in this sense in the role of a strange, but infinitely kind, detochkin, the director saw only smoktunovsky, but then refused for health reasons, then ryazanov found his dacha near leningrad and did not leave until innokenty mikhailovich wrote a receipt. what will be

filmed citizens? maybe i acted wrong, but from the bottom of my heart. i couldn't stand it. after all, they steal a lot. after all, i wanted to help you, citizens of the judge, and therefore all this, but oleg silashvili. eldar ryazanov himself gave a receipt that he will shoot him in all his paintings, he gave me the opportunity. e to act not only demonstrating himself, but to try to be completely different in different films. if we compare, for example. eh, this is a prediction, let's say with heaven goods. all two different people. it doesn’t even look a little like each other, or let’s say, take uh, also a prediction office romance. these are different people, and yes always came to meet me halfway. yes, indeed, he

came today at the time of the speculator. thanks beauty after beware of the car, the baton of ryazanov's ingenuous heroes continued in the old robbers impossible when a typical loser. besides, he's far from handsome. zhenya lukashin performed by andrey myagkov. became for many decades the dream of all women filming in the family. eldar ryazanov showed miracles. perhaps this was

the payment for the permanent absence of his only daughter. olga remembers and then one day he comes. and the doors, that means the gates are closed, he is already tense. and suddenly he sees that i, along with my friend denis dragunsky i walk towards the gate and carelessly throwing on the go. dad hello, so i’m leaving for a walk in the village. in his soul, everything boiled over again words. and he didn't sleep all night. and as a result

, it means that these are sleepless nights, he came to the conclusion that it is already pointless to re-educate me in this regard, that perestroika must begin with oneself, one must adapt to the new situation. in her fifth year, olga received a fantastic car gift from her father. none of my peers had, then cars, maybe only children grandchildren. so i even wonder how it could come to his mind at that time to give me a car. perhaps such a gesture was dictated by a sense of guilt by that time eldar aleksandrovich left his mother's first wife olga zoev, the name was a documentary film director. it is not surprising that the

daughter went to leave the footsteps of her parents. she studied film criticism in the eighty-seventh year. she gave rezanov grandson dmitry, he works as a tv correspondent. eldar alexandrovich maintained warm family relations with everyone, but i met with my grandson and daughter, not so often. i consider myself an unimportant father, it doesn’t matter there, because , well, after all, work has always been the main thing for me, and i am against myself from this point of view, making claims, and it seems to me that it’s very fair that i can’t do anything about it . the second wife of the director was not a skubin with his wife and the music of their life together ryazanov made his most famous films and everything about love, the irony of fate or enjoy your bath office romance station for your cruel romance forgotten melody for the flute. nina worked as a film editor at mosfilm was the right

hand of ildar aleksandrovich but in 1993 ryazanov wrote in his diary nina was given a terrible diagnosis of trouble, it came unexpectedly suddenly. in the fight against cancer, doctors were powerless in the ninety-fourth year, nina skubina passed away , but not her heart. eldar alexandrovich at the dacha was still amused by her portraits. poems were still dedicated to her. when i just look at myself. because

he is a big child who knows everything what to do. eh, how to write? how to shoot? eh, how live even, but uh, how to fry a potato? what shirt to wear? and how many pies can he eat today, two or one, or not a single one, he wants an incomprehensible grass to put his eyes on those walking. smells endlessly adore everything.