leave it finally nasty put with him when you kissed to remember the baking sheet. all money and credit books unexpected jokes i love and he loves me. what a fantastic cut thanks a lifetime? because you hut,

when i just came, we celebrated the anniversary, the outstanding people's artists of the soviet union means, well, we saw all the people's artists. they wore modest blouses, orenburg scarves were not made up. well, some kind of homemade ones, well, here they are, and here on the stage there is a huge staircase. and under marches from the three sisters. there pam-pam, they go from above furs in mink rubble. yes, the dresses here are medals. this is something i saw for the first time, i thought that you were on red square, so i decided to continue the tradition and brought my order. well, the truth is not put on, but brought her order, so she came to my friends with sweets. because you remember that we were at school from childhood,

when birthdays brought sweets and all our brazil guests. yes, the sweet start is good . normally, of course. thank you. you are not only you continue the traditions, you brought your traditions to you with moss gatherings with a silver spoon, but that was a little later. yes, yes, it was last year at the closing of the season, the closing of the season, where in the courtyard of our moscow art theater we take a little bit of notre da and it’s delicious. yes, tasty fun kind words and there was a surprise. very nice and joyful are the gifts that irina made to parents who have

a new child this season. this season it was yes a silver knife for small children. well, your book was in gift close parents. thank you for remembering it was a lot was a lot was, right? from the thunderstorms of our theater. yes, it was not so impossible. sorry 3 years ago. the first time i really wanted it, i went to the temple and saw, there are small silver spoons illuminated, well, then there were only five more children. i bought five spoons first, and then more, and then i think in the morning. well, what about giving one spoon to a box? i think, oh how cool it would be i'll give my book and write it, dear. masha i wish you happiness. sincerely, irina miroshnichenko and i am writing, there is 2019. you see, masha will grow up, learn to learn,

be able to read, and then she will understand who gave her this spoon and will read everything about moscow about the moscow art theater. it seemed to me the third time, and i already got 27 children, because this year. it was 11 11 already received that i have 27 children and eat with a silver spoon and they are already somehow a little bit mine, because they are members of the art theater irina petrovna let's see your colleagues from the moscow art theater congratulate you. good evening, dear friends. we are celebrating a birthday. we honor our beloved actress irina petrovna.

you have known for a long time that it is not wise to love you, that your scarlet statutes are like our harmonious prose of predictions. you are incredibly young, you are full of energy, fulfilling the energy of talent, the order of merit for the fatherland of the third degree is awarded to miroshnichenko, people's artist of the rsfsr, artist of the federal state budgetary institution of culture. moscow art academic theater named after chakra democratic. uh,

irina petrovna has always smelled great with a good mood for many years. be always the same a cheerful blooming woman, it seemed to almost everyone that the service of art is a mission. this is something very high feeling, i came to this theater. how many seasons it was, of course, amazing, you already had such a season. well , this is my number five seven, and imagine the theater has existed for 125 years in total, together with all my friends and colleagues, who just felt good that evening. i tried to somehow

unite them all, so that we would all be happy, because today we all came there with a joyful ribbon should fly away, but he also came running yes, it's always good with you, and we rehearsed with oleg pavlovich tabakov's insidious intrigue. well, who will be even, but life is an absolute counterpoint, and i can also say that irinka has an amazing energy of an absolute girl. you know that you are there, no matter what happens, she is even a hooligan in a good way. what words are brilliant can i tell you a few words, because they overwhelm me already, they are simply rushing out onto the altar of this profession. you put absolutely. everything absolutely everything is in it and your greatness is in it

, probably, to some extent, both your tragedy and your pain, but you are an actress to the marrow of your bones. i remember the first performance in which i saw you. it was solo for hours of failures. how are you there, like the vultures work. yes? i'm in the village of androvskaya, you are completely blown there. you work on an equal footing with them. so young and so talented and so worthy of the stage of the art theater. let's see the story about how irina petrovna came to this profile. and let's light the camera with holy water and go ahead to work. let's go. when i was very young , my mother brought me here to the play of the blue

birds, and then in the sixty-fifth year. i was sitting about there, there was a collection of corpses, and now the director began to announce who they have two new artists and everyone looked silently what is this and this has begun to work here. and it works today . on the stage of this theater, i played eight main female roles in the play anton pavlovich chekhov, i don’t know who else can boast of this no one there were a lot of great artists who had happiness. orekh nikolayevich always demanded from us that we move forward. we often spoke. well, he's a dark man. he doesn't

read anything. he doesn't want to know anything. he is generally uneducated. you can not be such an artist of the moscow art theater did the same . tabakov is his student. he passed and whoever they laughed at chewed, and he goes forever with folders with notebooks read, he said at least something, he told everyone. and the fact that laughing without a crowd is really bad feel. it was a joke. what a beautiful fantasy show. this is me sitting without makeup at the rehearsal. here, i think so seriously.

thank you for a wonderful story. i thank you very much for telling you that what you liked was all the men in the country. it doesn't need to be said. this is understandable, but no, everyone supported you know why? because not only your beauty is very kind, there is always a soul in your roles. and i really want to wish you a lot of anniversaries, more to come, but i sent something for you. this is from my garden. ol what a beauty, eat rejuvenating apples. now we will treat everyone on television with clouds. irish love you glad to see you irina petrovna let's listen nikita sergeevich mikhalkova let's get acquainted this is my beautiful sister. okay, let's, let's

see. well, shoot, shoot for now. offer, irisha, to congratulate you through the screen is terribly difficult, because , well, you yourself know. what is tactile, what is the ability to look into a person’s eyes like this directly without a camera, i don’t think it will be news to you that during filming i i walk around moscow, everyone was in love with you. but you were impregnable, like a rock. i hope this remains, so i congratulate you on your holiday. happy new year. i wish you health and joy in what you do. thank you nikita sergeevich little. who knew that you were already married then, right? encrypted, and then

get married we love each other. many writers' wives lived and dedicated themselves as writers. for which i am immensely grateful to my first husband mikhail shatrov, who immediately said you must. you are an artist, study. no i you know, it was okay. he understood that such a scene was for me. he understood what the world of the theater and the world of art meant to me, and he did not try to put me in a golden cage to provide for me and sit quietly to give birth to children, isn’t it a very nice young man, when we became husband and wife we ​​weren’t just one famous playwright, there, 10 years older, but no, the relationship was completely normal. irina

got a role in the film this sweet word freedom by attractive lithuanian director vytautas želakyavičas on the set of the film between the director and roman broke out as an actress and irina filed for divorce after 12 years of marriage. i left, as a rule, when the feeling faded and now i remember, maybe i didn’t have to leave at that moment. but somehow it already went that way. what was needed soon, irina married envy tassa, but the marriage lasted only a few months, the reason for the divorce miroshnichenko explains that she was wrong and realized that it was wrong. everything became irritating for me. i couldn’t see most of all when people squabble

and live in anger and always, of course, like everyone every woman wanted love. i always, of course, wanted loyalty, but we understand what the elders will stop at, as there is no compromise, not always a person is ready. maybe later, looking from the position of already age and experience on the past, i thought it was necessary to forgive. tell me something, i can't stand you after a painful break, miroshnichenko went into work with her head, but after a while she again decided to marry a colleague in the shop. igor vasilyeva is there anyone for you? do you want to marry me? it was a beautiful, harmonious couple of talented artists, after 5 years, news of a divorce suddenly broke out.

miroshnichenko, as you know, became the initiator, leaving behind the reasons for the breakup, sometimes it’s impossible to keep love when i couldn’t be with this person, and i couldn’t start something that couldn’t be any different situations, but at least. love i was shocked by one story. if you let me, i 'll tell it, we're waiting. yes, irina petrovna was very protective of yura bogatyryov, he always has a healthy pressure, and she he will always bring a pill and that's it. i saw how she was just like a mother, she helped him in the most

critical situations. and yes, imagine this story has such a strange ending, almost mystical, yuri leaves as a hero and it’s clear that the problem, like everyone in a panic, it was very difficult to knock out a place on the wagon, irina petrovna went . probably, in the same furs. no, let's go, let 's go in a blue scarf. that means it's cold now, impossible. now i'll tell you, and now i'll tell you about this step. this is very funny. i also ask in short, a huge mohair boy passed by. and you will add if i mix something up, and it’s clear that the people’s artist is a hero, but the place is also good. it is very difficult to knock out some servant there says. yes, right here, up to this alley. yes, the passage should be one and a half meters. well, it doesn't work. it does n't work out, what does irina petrovna do, she takes off this mohair scarf and stretches it. yes, for a year and a half,

yuri has been stretching this ball and knocking out this place as a hero, where she told. yes? it was eight o'clock in the evening, so there were two. uh, well, the employees of the employee with shovels. everything means. no, ira you can't be here. here it is necessary, only there, wait, wait, then it should be one and a half meters. i say, well, there's one and a half. no, well, like, there is a meter and a half, and i grab it. this is a ball. so from the grave to the sidewalk. and what do you think exactly one and a half meters is, and no one wanted to do it anymore. why should you be? well , first of all, i was in the procom then, uh, i adored him, because the day before he played the play mother-of-pearl zinaida he was after that performance is dead. he practically died in front of our eyes, because we were running to the third act. uh, i'm coming down from the third floor. he runs second in a dressing gown and is all red. ira, my blood pressure is 220

over 180, what should i do? i say i'm crazy. let's become a performance. how can you play, and he has an amazing role with a huge monologue that he says at the coffins, in which his friend lies, and he tells him how difficult it is to live in creative people. and that we have lost such a person, and he brings his monologue to its climax ovation in the hall. and, of course, better emotionally strong. i understand that under such pressure, it cannot be played. he says, oh, well, that's what you ran. and now he stands near this coffin and says, sasha, i also feel bad, but not to the same extent. and exactly a day later he died, so how else can i not run , tragically and a great grave are combined. now every time i come, they naturally put flowers. this is an outstanding

artist, a young, handsome man, a talented friend, an artist of the moscow art theater and your partner irina petrovna was your partner petrovna let's hear how oleg pavlovich tabakov speaks about you and yes, how interesting through life. bears love for our beautiful, difficult and cheerful, i don’t care about her character. there is a complete shamandacha. there are years ago. has not changed good taste. this is a great

rarity in a good tone, she is from the acting class that this theater loves. and devoted to him. this is also rare. after the commercial, we will continue to remember all the best roles in cinema and theater irina miroshnichenko good afternoon, ladies and gentlemen. i'm sorry i'm out of breath, but it looks like 10-15 minutes ago there was a tragedy in dallas that had special marks.

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i've never been to grozny at all , you don't understand at all what i'm going to cook. this is the caucasus, they like meat with garlic and potato sauce here, of course, this is great. listen well, beauties, yes, everything is covered with gold. well, let's try gold leaf , i'll have to lead the class from here, it opens, of course, in general, amazing, very cool. do you think i will be able to break the stereotype that sweet cottage cheese? nobody in chechnya like it tomorrow at the first circle of friends celebrate

their anniversary actress singer wonderful person irina miroshnichenko everything is strange, it's 63 years old, because we are for a man, because i'm not even the right age. wait , tolya once asked to get medicine for him, because he had a heart attack, that from what you think dies from the fact, they die from life. and i know. change called me when you come, i spoke to him surprised, if you want to arrange a revolution of the spirit and body in earnest and for a long time. please,

first of all, you are not at home and i do not need it. set me free need to contemplate your quest for tossing. be a friend irina petrovna i'm looking to remember one of our first joint work. this is a performance by valentina valentina, we all took part in it, you played amazingly the elder sister olga ira, you uttered this monologue. so i, being your sister, this valentina, on the stage, i grabbed my throat like this, and people sat in the hall and sobbed about valentina. i also want to say, indeed, it was one of the first premieres of efremov in our theater . the main roles of valentina here is irochka before really lucky they gave me. and, damn it, tina, and then nastya vertinsky was before you, the plot is that

valentina's parents are against her being in an alliance with valentin, and here is irina the role of valentina's older sister zhenya from you. yes she saves it was. well, the emotional scene with nastya when you don't listen there, and my mother played konstantin tarashev. then it means about the hostess and our final phrase. i screamed what do you want, how do you want, how do i, so that the whole life was broken, well, well please go with your love, in short, this is the meaning and the last phrase. i get up and say and i ask you not to come in and go out applause yes. and i say this to ali konstantinina. tarasov is no more than menshevik. yes, i'm the first example, as he barked it and i ask you not to come in and went and

suddenly i hear about you. yes, yes, my legs buckled in horror, because you understand that i’m ripping off , the monologue goes on, it’s upset that i’ve ripped off a young artist here. applause does not let her play, and i stand like this from backstage and suddenly i see this present actress of the moscow art theatre. and she was very old at that time. she died just a week later. these are two blue eyes with tears in their eyes. she stands waiting for this ovation, looks at the light and says, and these are my daughters , daughters, throws her eyes like that and in the hall is next about you. it's from horror that they talk to her like that with

this great yes, and these are my daughters, i remember right there. your mother i came, of course, i came in my zhiguli in jeans. all so free, all so eternally busy bursting in. there's something for mom i say, i say something. she says, please, don’t do this, don’t do it, so i need to say something, mom. well, mom, stop it. well, please, let's do as i see fit. and suddenly she once sat down like that. he lowered his eyes. and he says, and this is my daughter. this is my daughter. in what tone are you talking to me, he says, mom, i was so scared that i rushed, i couldn’t mom. i'm sorry , mommy, i'm sorry, you'll never do it again

. but no. get up, how dare you talk to me like that and that's it. well, of course, we reconciled. i realized that in this way with my mother, she says it’s impossible, like, i myself, i will do everything there, as i see fit. it's not possible because it's a generation. raised, fed, donated blood. in order to get money and bring chocolate into the house, dad received a tiny salary. she gave me money and said, run to the fish store and there he came to the front, from there he was absolutely sick with tuberculosis. run to the fish store and there was this pink salmon. let 150 g of salmon cut you off. and there is swiss cheese nearby, let me cut off 150 g of cheese with a tear

, so tell the seller. i ran to the boriseevsky store and the girl came up and said that your mother told you 150 g of swiss cheese with a tear and what do you think they cut the freshest cheese thinly onto parchment with a tear, and also this salmon 150 g. this is four people for the whole family for several days, what does it mean with a tear with a tear? this means that it is fresh, because when it is fresh it is wet, and there is a tear inside in these holes. this is how we had such products soviet times are too store, irish well, you also made your mother's dream come true. eh, as if fate, she really wanted to be an actress. it

didn't work out to the end, by the way, actresses, huh? well, that's how her life turned out. i don't want to talk about it now, we get out of the day, unfortunately, uh, the thirty-ninth year did not work out very well with her, and she's all my love i can't say that she'll make us. this is her in makeup. in some role, such a student is sitting all yes. well, she's like this gradually to me explained what theater is, what is stage? what is art? what is france in which she has never been exactly, therefore, with all the modesty of our life, she always took a french teacher so that i learn french for what, so that i later become either a translator or to france, so if i remain a star, then could calmly express herself in french, what the second part did to her absolutely exactly. that's how it

is. my mother. how did you flutter not broke up? what am i, namely in tailoring, like a butterfly in a show. but here of course, if i may, i will immediately say, many thanks, first of all to lev valerian leshchenko, who was so neat all of a sudden, when he was 50 years old a few days before his anniversary. suddenly irina called and let's try to sing a song by the talented composer andrey nikolsky what a pity, i sing it. and suddenly i'll sing together. we have fulfilled it. it was 30 years ago on february 1, my birthday in a dress from yudashkin

came to yudashkin on kutuzovsky prospekt. i need to do this for this crazy wc song. he did not sew for anyone, he had models, but naturally at that moment, thank god i had a figure absolutely for models. he showed like this, and i chose this fabulous model. i still have her. let's see let's go. oh, what a pity, what a pity oh, how zhah, what a pity he sat, stubborn curl and aimlessly lonely winter war for others while the golden balls

of august are burning about others still ahead of autumn and her brother. stomach

my beloved hello hello good to see you all. sit down beautiful impossible. thanks thank you. you fell in love while petrovna does not believe. yes, she came out so bright. uh, juicy, so beautiful, sharp, like mayakovsky’s, sharp, how it doesn’t torment gloves, but it’s out of order, yes, and i said that moscow to tears, i’ll talk, of course, it was a movie, uh, moscow to tears.

set this holiday. thanks for the invitation. uh, of course if we talk about the first impression. yes, it was a movie. i walk around moscow, i will repeat the phrase. i was driving. i think she was so mobile, beautiful, always bright. i don't know what you were talking about here, petrovna had time. yes yes only that's only good, but if you have to say something bad, speak just the time has come

we met in years. from such a powerful discord in the early nineties. the first ninety-first ninety-second, when in general we did n’t understand anything to do at all in the theater, what was going on, we weren’t filmed anywhere on the stage, and here i have my fiftieth birthday. i think, well, somehow you need to revive it. well, what, maybe, how could one live? of course, having invited, irina petrovna called? says exactly, then we were on you. i am i say, you know, i have such an idea. and there is a very good composer, pc, which she later sang a lot, and he wrote a lovely song called. oh what a pity she speaks of interest at home i have realized that i am dealing with an intelligent person who is finally. i

say, well, let's try, maybe we can get someone this, here's a wonderful romance with this one, and she, of course, turned on, didn't refuse, she could say, listen, who are you anyway? i i understand you. well, true, it was the fiftieth anniversary ours and me. eh, when the hatel, whom i said, congratulated you, then we were young, we were only 50. yes, but only a few years have passed, and we are the same in order. maybe do this song. let's sing, of course come on.

and how did the blue become strength and the bouquet of dahlias became so unattractive for others for the time being, the golden balloons of august.

oh, what a pity oh, what a pity, a stubborn elbow sat and aimlessly lonely pain for others while golden balls are burning for others i still

thought golden balls miroshnichenko and of course, remember,

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your song will be appreciated by the best producers, and your favorite idols will perform. we call the author on stage this is your debut. we celebrate the anniversary of friends irina miroshnichenko unfortunately, they are not all recorded for theatrical roles. they are gone, sunk into oblivion, but there is one chekhov's role, which remained forever. this is a brilliant film where you play or well, uncle vanya let's watch this film. konchalovsky film forever. it's true. yes,

nothing. try. for me and my husband to leave here. today you hear you hear well , yes, well. today you know what is very important. this play is staged everywhere; it is played a lot, but after this film where it is very clear. why do these men go crazy in so many theatres. unfortunately, after your performance. this is hard to watch. this one i want to tell you, as you know, here, i immediately give back. palm championship. first of all, konchalovsky. this is an outstanding director, outstanding. ira warned you one step

ahead, but he took this double, because he was the most alive. here and here amazingly, i laughed at the end, which should not have been at all. and konchalovsky liked it very much. and uh, that's me in the last phrase today you hear. today, that is, i laughed with happiness from the fact that he was kissing me now, and this is a double meaning immediately with one side. it’s bad that they caught me ashamed that they caught me , but she is happy, you know. and i want to remember irina petrovna, one of the most beloved films in our country, you never dreamed of the name of the dispel.

there is no road to my abandoned crane. lucy is hard on you. let's help, lord, now and i live here not far to give god away. we ourselves, i listen. katya is very nice. what to do, mom? my grandmother,

irina petrovna, this is one of my favorite films, and i know that you have a very difficult situation with this film director. the fed is very was waiting for you. he didn't want anyone else, except you wanted to try other actresses, but he didn't claim anyone. he was waiting for you. tell us how you ended up in this, you know in life. of course, as i understand it, some fantastic events are unpredictable, but they are very significant and very symbolic. on january 13, i was driving to celebrate the old new year myself. suddenly near the cliff. i see, and at that time i had an american car. and there are very strong brakes, and she gets up like diggers. and suddenly i see yellow light i opa got up and suddenly from behind with all the fluff. oh, that means the loaded volga there are five people, so

she is behind, like broads there, i remember, something is not good for me somehow. i cursed so much. she said something, didn’t understand, opened the door, got up and went out and i see there this volga he came out. he says, well, you got up abruptly, but i already have other brakes. i said i drove, and brought it with a drag. i say, no, everything is fine, i said. i got behind the wheel, turned to the right, and then i feel something, i was somehow like this, i drove in, again to the right and drove up to the cliff and there is a reception room. i go in and faint. everything is shorter, a concussion, in short, they are put in the votkinsk hospital, 21 days you can’t move. yes, i probably don't remember. i remember that i'm lying. well, that's always my character. i think, lord, what have i done in my life. why suddenly so abruptly? is that all? is this really the

end? i lie like this all the time, crying, worrying, terribly i don’t want anything. and then suddenly it comes, my mother brings, such a one and a half liter jar of broth. earlier, yes, there is soviet time nothing. there she brought chicken, broth, cutlets, everything daughter so i brought myself a script. let's mine the broth, put yourself in order. everything will be fine for you there. well, you don't. come on everything. i mean, i drink it with a cutlet and in the evening everyone is already sleeping. i asked for this flashlight. i lie reading mom. i think that's all, and for years of nothing i'm playing all of you have seen, the video is solid kisses, solid,

beauty, and here the schoolgirl's mother is draining the oil, so it's not built right away, we've arrived. you are already given the role of mom, well, okay, i start reading the night with with this lantern. i read and start crying with happiness that i am reading a fantastic work. about love. very gentle today and some kind of aching so cool that when this whole movie ended. after all, all sons. he is there, by the way, according to the script, the boy dies. yes, he jumps, and he died, but he also falls and dies, and i generally sobbed in the morning. of course, in the morning i announced that i was filming and began to recover quickly. that's right, uh, the

director of the film of the future you never dreamed of. uh, invited me to chat at this time. i uh filmed a lot. i had a lot of offers. but when he told me that he would be filming, irina miroshnichenko, i thought, what a good alliance we could have, i knew, she had a serious accident. and uh, she won't be able to after the accident. e, irina did not dare to confirm for a very long time that she would be filming on the set, it was never noticeable that she was ill or she somehow did not feel very well, well. very

nice. we became friends right away, i think. irina was married warmly and well, the audience seeing that we relate to each other on the screen. to believe that hmm we had, uh, at least roman, we didn't have anything. i congratulate you on your birthday irish. you are wonderful thank you. well, the most amazing thing, then, that's the end.

i should be discharged today, and the next day the shooting. and i have at the time. this is how a black parting of hair grew out of such a brown color, which means that such a parting. i say, i need to paint, there is no time and we are filming. so listen. here is the white hair. and here it will be black, how it will be, how ugly it will be, then i'll get it, and before that i was wonderful on tour in poland, i brought such a small stylish beige hat. well, i'm wearing it. she covers the parting. here is a lady, but look the most funny. because i think how i will be in a hat and a dress. well, you're impossible, but

it seems like snow. i honestly so filmed very yes, and at that time i see in the dressing room. here is the fox. she's so cute and stylish. i put on this fox short this fifak and passes by. there she is the fabulous wife will see what i see this month, she puts on a scarf, respectively, and most importantly, an ingenious hat, at that time the soviet times were made of mohair and she was combed like this. well, creepy without all this ha-hala on the head, and then petrovna's image immediately began with rye. we will ask to the stage so that now you sing to you and brave. did the wind dispel the old name no way for me to my abandoned ship. if you try to see

from a distance, you won't see me, you won't see me, my friend. i'm sailing away and time carries me on my feet animals, as the shore of the court is not easy to order, my friend to forgive, i know someday they were not given to the shore. so step by step. wind, spring night will bring you a sigh. look you look you look not

left only anything after me completely. and look without despair, you look without despair. will it take on the appearance of a well-known image as if it were random, will it take on the appearance of an unknown image as if it were random this is not difficult for me. the conquering eternal law is my love,

as if by chance it is not difficult. this is not my truth - this is the name of death, conquering the eternal law. this

my love. this is my love. this is my love this is my love. after the advertisement, we will continue to congratulate the beautiful actress, singer irina miroshnichenko, the russian grand prix enters the finish line the empress and alexei mishin mura and evgeni plushenko who will take the most important and most difficult step, who will be in the final is the decisive stage hot ice, live broadcast tomorrow on the

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in the winline application, any of your bets will be the whole fairy tale of the championship was instantly accepted in the winline application. today in our studio we are honoring irina miroshnichenko here is valentina illarionovna, look how she is so eager to say when you met. it seems to me all my life. yes, of course, i saw her

playing grandiosely in dostoevsky's soviets. she didn’t even know me, she was still a student, then we met, introduced us, viktyuk whom she adored, and i adored and we worked with her and i ’ll tell you about it. that's it, tell me, i'm silent more, so we really were raw one passion and one love. and i also wanted to say more about her mother, her mother at her work was called the great ekaterina and once or i said, we became friends, and i said, you know, i have such matters of the heart. i just can't handle it. i don’t understand everything, let’s

go to my mother, she will put your brains in. we came to mom. i told all my problems. and uh, ekaterina, i don’t remember what it was. she really told me something like that, she passed the rules for life. i mean, it was amazing. here are some westerners attack me that you don’t remember exactly, that you don’t remember what exactly is not. of course, because it concerns my affairs of the heart. it's all about love, of course, shed, like no one laid out the cards, she still wondered. she was amazing, and i want to say that ira has an amazing quality. ira always endures all her hardships of illness very courageously and never tells anyone,

this is golden. why are you so it's your choice? well, i'm going to cry now. okay, it's true. i don't like to tell this because i don't have to. i am i won't let you tell it either, but i know you understand it, i've always been amazed by it. so briefly means a film in which, in my opinion, the script played a major role not quite a fragment. you see, we were preparing for your arrival, what we were preparing for your arrival, that you will come and have already prepared, and then i will tell you when i was an alcoholic. she kept saying anything, but not an alcoholic well delivered me from alcoholism.

although further a small side effect of impotence. not one ira said you wrote. c'mon, speak, means the second no one. i think or few who can boast that his driver was ira miroshnichenko she drove me from our concerts, but for many years they worked at the end. yes, but he worked a little and everything, as he works according to gorky , probably, the direction behind the black one, we drive a mercedes, is gorgeous. it wasn't. sorry monkey with a grenade, as they usually say about women driving.

no, she's brilliant. did the cities bring the map? didn't leave. that's not all. so i came with flowers stitches rhymes, but one two, three four couplets, can i just music maybe no music? lyova, this is your job, if you get it, of course. how much irill is a good film of goodness and beauty, but know that irina is dearer to me

than all irina, only you are dearer to me than muravyov and allegrova, i don’t need. and the merchant, gorbachev rozanova and rodnina, i don’t need alferov and ponarov’s thread. yes, even if you were a khakamada stop, khakamada no, it won’t be, in short, congratulations now to irina, i confess friends, of course, i would have become irinin, when i wasn’t already and i was offered hurrah, or what? apparently not, or roman grigorievich remembered us with peter roman grigorievich viktyuk just introduced you, he really adored you and told you a lot, a lot.

way to fill here is her greatness of love. no one could be equal and therefore she is only on stage. realized the passion that was unattainable. he is an outstanding director. yes, it’s very bitter that this covid took him away, it’s a pity, he is a talented person, somehow you admitted to me that you wanted to be a ballerina you were not accepted. i love ballet. it's true. you very much come had.

already late 6 years means, and in general, no matter how it is not necessary. i was very upset, then it was very long. it’s now that i’m a little soft, i express myself all dried up and because of the eternally broken vertebrae, in short, and i was 1.72 m long, and i understood that thank god that i didn’t get sick. and who would beat me 1.72. well, we were born at different times now. here but nevertheless. i read that plesetskaya is my favorite. uh, she didn't have russia 70. i say, yes, i understand, then the highest, but

today she would dance little swans on the surface. that's for sure. everything is long now in short, now meter eighty more than that, if you don't listen, please. i love these cinnamon. i saw a lot of his parties and when my six was celebrated. tiletie was the first person i asked to say, i dream that the bolshoi theater would congratulate me, that they would come and dance the ciscarides, they, together with or did not understand the fantastic number on the stage, moscow time was true. therefore, this is an outstanding dancer. you can't. this is the pride of our country, of course i am. i would really like to right now, because we sang a very beautiful song and this i performed the song with the outstanding musician sergei

sergeevich zhilin, his orchestra, pannograph selzhas. we made the word no concert you all three bandstands, when i was 60 years old. and you know, when i entered this orchestra, i heard it. i can't tell you what happiness is. i just can’t just convey how they started to play everything and he was so careful with them there, i just finished something like that, and it all flies, sings, rushes, and you feel like you are flying. just on the wings of happiness, this is the feeling that i experienced sergey sergey thank you very much. i would like the happiness of the opportunity to work with you. i'd like to take the liberty of reminding you that we're at a party dedicated to uh, petrovka of course. the first acquaintance began with that very movie moscow to tears. excuse me, irina petrovna

, i beg your pardon. that's when we are together on stage with irina petrovna you know what you know when there is a person in front of you who closes the whole stage with himself. here there are people who can come out this prima donna. yes, one person everything can come out on him, he wants. well, how to get out of playing a monologue so that the whole audience sobs, so we feel ourselves in a different way, and we feel ourselves as a single whole and you know such confidence that we have a real yes in front of us? yes, yes, yes, yes, yes, not the republic offered a fantastic arrangement. sing, i

think, lord. why mishka from what beech? mishka and i are generally semi-carpenters, don’t understand that i don’t know what, well, i’m talking with milk. well let's try. and how it went with us and such a joy. now in every concert, this bear flies with this orchestra, simple and super. you walk here today, even the eye. do not want to raise, mishka in this difficult moment. so i want to tell you. bear bear where is your moon full of ass and

from me the most ridiculous mistake is that you are leaving me. i awkwardly joked with you, my beloved is not necessary, do you hear mishka, dear, and i won’t be closer to you. i am the sweetest mistake that you are leaving me, lord, on the roof, but now i can calm my heart from resentment. well tell me what can i do. and if you are the words bear where is your moon

is that what you're doing? i know you will be back. mish, you will smile evilly about a joke again, like a boy, affectionate good. bear bear where is your smile full the sweetest mistake is that you are leaving

me. my mistake is that you are leaving me, my car is that you are gone forever. like this. after the advertisement, we will continue to honor or we are nerasnichenko. st. petersburg was popular to give several concerts yesterday, and today it is a fan. sonya staninskaya settled accounts with life. good finger all forgot about this story. at

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more than 9,000 points of growth in small towns throughout russia, so that these guys have a truly bright future, the national project education is what is important here and now. tonight we are celebrating the anniversary of the main blonde of the soviet union, irina miroshnichenko, men are already hugging incredibly. i want to tell you that i love you dearly, as before. when i came only to the theater, irina petrovna me. as noted immediately, she says, we will work together and walked, performance, tattooed rose. and she invited me to play the role of a virgin sailor, and at some point, you know,

petrovna came to them. i say, i just begged. i'm no longer a boy. just indecent there is no one else only you, you are my virgin. you look great and the years go by, everything gets older in the world, and she never wants to work all the time. she wants to work alone. she wants to work with partners. she wants to work with youth. she wants to drink with young people. sitting down the hallway art theater for a rehearsal. how can you look so great? i came from kaliningrad

especially for the evening, irina petrovna miroslavchenko. i love you very much. irina petrovna you are a gorgeous woman, a gorgeous actress. i can not answer. let's watch a rehearsal with oleg nikolaevich efremov. will take

listen to me write the role, and then after all, everyone who runs lives. the composition is fantastic, this is a rehearsal of the mother-of -pearl zinaida, a certain actress efremov says, you understand, she must sing badly. in general, she must be a complete idiot funny. well, i say, i don't know how to do it. well, i once studied the harp, take the harp, here i am the harp. this is me, sort of like a harp, and this is what i'm doing. this is, in short, this comedy is generally funny. and so i rehearsed it terribly

worried, because i did not understand. i saw that he was unhappy all the time. you can see it, he sits all the time, you think, lord, how can you make him like it? well, i didn’t know how len you were at the same time for a long time. not satisfied. it was his technique that made the actor work, every rehearsal is better. it was want to be reminded. that konstantin sergeevich had a talisman yes? stanislavsky konstatin sergeevich stanislavsky you can’t nevsky is a good actor an average actor doesn’t matter, but it was important for him that vishnevsky was in every performance, how you lesla and here efremov in all chikhah performances, he also had a lesman or on petrovna but on the theatrical

olympus for women there are two actresses who love performances, well, several disguises, so that there are several costumes no matter what was established by the director and artist. this is tatyana vasilievna doronina and irin petrovna miroshnichenko , even this role of the actress that you showed there was one costume such a red jumpsuit, but irina petrovna oleg nikolaevich saw this after the performance, in my opinion,

everything was expressed to my favorite actress by irina petrovna i honestly, i don’t really remember it, honestly, but maybe he expressed it, maybe he changed it, because i was very afraid of him and always obeyed. let's now listen to the current head of the moscow art theater konstantin khabensky hello in the theater i faced. let's just say, literally, there 10-15 years ago and due to the fact that we worked all the time at different sites. i did not have time to see everything that she worked with all these brilliant theatrical moments, the moment that irina petrovna participates in some non-repertoire one-time projects with

young people. says a lot about the fact that her soul is still there. e in this echelon. and this is confirmed by her energy. well, you know, when she walks down the corridor from her energy, it feels like her doors are swinging open to another side with all that we say, that's exactly petrovna, she's still not in it inside. she still wants some revolutions. irina petrovna i have the opportunity once again to congratulate you on your birthday. i wish you talented good outstanding people next to you so that you do as much as possible in your profession in life. thank you so much. thanks konstantin thanks kostya

irina petrovna let's give the floor to the youth staging, and the musketeers with konstantin bogomolov and just you, i didn’t expect that you were only brave and insatiable agreeing to work in a good way agreeing to work for konstantin yuryevich bogomolov, you need to have incredible courage and desire and love for the stage and the desire to do something even more and do something like a hooligan revolutionary. that is. i always thought i was afraid of you. i met you in the hallway. and how did i watch you from the side ? and it was easy enough to understand how much are you? well, this scale of the actress of that

time does not give chekhov's roles. sorry, but it's a fact, when we met with you in rehearsals, of course, at first you were some kind of separate inaccessible. well, impossible, but when i discovered that irina petrovna was inviting me to her dressing room before the premier well, the first run was to repeat the text. i said you are serious. yes, yes, irina petrovna wants to repeat the text, and so it was performance after performance. and what are you playing, my dear matilda 100 times already more? first time we collided, generally without rehearsals. you probably don't remember this, it was seagull on tour. i've just graduated and i was urgently introduced into the role. i had to walk across the stage there to tell me

to stand here. irina petrovna you will pass. she will give you a pipe or everything, and you go into the idea around, but around, although the scenery. yes, i go out and look at irina petrovna, i just graduated. well, irina petrovna begins to fight with her handbag. she doesn't open. handbag. she must get the ruble out of there and leave it - i stand looking, i have here the hall is a decoration. and i think, and i'll go, and i 'm leaving quietly once, i think, well, that's all, all that you need to draw attention to yourself is to take away. suddenly i hear a boy from the stage. come back, that's all. i thought you'd scold me there. i thought you would crawl out on me with a bucket of water, and irina petrovna comes out, she says, she just had to finish the scene and that's it, and then, i realized that irina

petrovna is real. as a fellow artist used to say, a friend is a partner you can wish for. here's to each each actor to each. let's invite you on stage, right? spring lives in me, we live in our dreams, i'm waiting to break the

vocals. i'm on stage full of halls and i sing for you. the fight theater has a taxi obviously, i rush and sounds so often it is decent, as always, i take my whatever i am on the high seas in high heels.

in high heels, i run in my things and wait. i’ll break the vocals with happiness, i’ve become incomplete and i ’m afraid for you. i am afraid of you. irina petrovna happiness joy inspiration many concerts many roles, dear friends, i say goodbye to you, but i am sure that tonight the company of irina miroshnichenko and her friends. you spent with great pleasure.