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Understanding 9/11tv Shchedrin-syuita 1TV December 16, 2022 11:20pm-11:59pm MSK
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and then it goes, you know, like a cat, ingeniously in don desire, how he goes from you to you with anna, defining her as his victim, what he was doing was completely unusual. it all makes sense, that's all you were talking about. here is even this conversation of four, but you know such eroticism, a hidden hint, starting from the first approximation and touching to find, and so on. it was very interesting. well, i immediately became right there in their class in the ballet mirror of us, as if they were to do what they need, you know, taking meringue as a basis. well behold, and so it is all one another went one another. went all worked with huge accounting. everything, but there was only a month, because he had a visa in place. we were given only one rehearsal at the rehearsal stage of the bolshoi theatre. and in the end,
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how much of this was done outside the plan? it's just a function. i took such a risk, i said, it's something like don quixote, it will be such a may yes-yes-yes, something like, well, something, and this month was energetic and still working. i did in 20 days there was one rehearsal of the conductor gennady christmas at that time very close to me comrades who were staged by the setting. he already worked. i even had an internship, and then i worked at the bolshoi theater so wonderful professionals take care of it. out class. well, there is an ingenious meringue procedure, ingenious may be the most perfect wobbler in history, something else needs to be done. i stopped only string group. and five drum soloists, which was,
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of course, at that time completely unusual , even hard to perceive, but nonetheless. i went with this way, but, as always, there are some hmm logical justifications for this, because at that time there was a fantastic string group in the bolshoi theater , there was no migration of all these famous violinists. everyone in moscow was concentrated in this orchestra of the bolshoi theater. it was the best orchestra and there were five beats, one of which was my close friend. everyone knew trifa furtseva was the director's place. so i felt that mine was dancing, i think all the performers were superbly inspired, the orchestra played wonderful conductors wonderful, but somehow
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misunderstanding. you know how such a fog began to descend on the auditorium. you just feel this skin, and already at the end of the performance, in general, the furs chair was empty. applause was met by maya, she was loved. and the ballet of moscow moscow, but then yes, politely applaud her for three performances, and the next morning. theater director mikhail ivanovich dudes called us at home early and said the nutcracker will be canceled if you manage to convince fursov so what we left everything my affairs didn’t go well, ballet class rushed to the ministry of culture, in the end, when we made our way to furtseva, she said no, no, and
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so this is not the face of a large theater, this is some kind of modern then just solid erotica. uh, sexy story, and she said, of course, the phrase that was. well, it sounded a little times that we made a woman of easy virtue out of the heroine of the spanish people. literally. here, and this one was discussed there by their colleagues and so on. and the two of us were called there on this by colleagues, but mine stood just like the tiger said. when i leave. in short, in the know, he said, okay, just need to remove a few supports, then i
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said maya close the yulashka. you have bare thighs there , mine said 3:07, but i have absolutely everything in the swan. voice damn it, to the pelvis. yes, it is interesting that alberta alonson, then says, i was received in moscow as trotsky was not allowed. even say the name. they thought that he just came to blow up the soviet power. you see, one of his productions of albert played a very specific theme. played enough soaring, and the home of an individual with power, because these were sitting upstairs, like spanish judges on high chairs for 100 years in high- backed courts. also, it was all played out, you know, this is all readability of freedom not by a species that does not want to obey. here. with this obligation and a
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comb, everyone should do everything in this gray and alberta made that they want to put on a mask for her all the time, you know, she pours. we gradually gradually gradually know step by step people have become accustomed to become a success. people have become understand that it's just another choreographic language, that it's not just an abstraction, somehow you want to do something like this.
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get to know each other faster go to megafon operator number one in terms of internet speed and coverage megafon any business vision can become a reality with the support of products from uralsib uralsib for business prospects where you are staging each such essay, like opera or ballet? it's a lot. it's a difficult job, because you depend on so many people a lot, so you can write about each production. just at least i ask, he, maybe not a book, but every time there were big big obstacles, monstrous obstacles, epics, monstrous, you know? and only here again the fanaticism of maya jokes was always looking for
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some other moves, you know, anna karenina was a huge huge battle no less than with a pickpocket. and how many problems there were with a drunken root , he also made a suit for his knees. you see you can’t put on the program for the costumes of the pierre, cardeno, you know, and he accepted this absolutely calmly, you know another would say, how then i take my costume, damn it. and that, it seems, something they are in the museum, these fantastic costumes are just his works. and uh, then you understand, i think in 20 years for the first time they wrote quietly the costumes downstairs. you know, so it was all uh, breaking through something. i don’t know at all, there was some kind of barrier and conservatism was not only among the bosses, there
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was conservatism and the public had a brilliant genius. i am i think that emaya was also media, as pushkin defined what a genius is, mind and fury, you see. i think all of mine always said , yes, but i have more furies, but at least, both of them were, and he had the same thing , as he led us through paris, he says this street. i bought everything. you understand why, drunk here, i so wanted to have my own street in paris. yes , you understand, good afternoon. good afternoon greetings i must have been a lucky person. all the same, for my life. uh-huh lolin, maza understand this after all, there was a privilege to some extent from
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heaven. and so on, japanese conductor. see, so these are all great instruments were very close friends. with slava rostropovich. all my petty music is written with him in mind. and uh, it’s always wonderful for you, well, it encourages you to know who and how he will take attention to this, uh, a wonderful relationship with such a violinist, as you understand the maximum of wenger, also motivated me to so violin compositions. and then, finally, the most. most importantly, my loved ones friends, our russian conductors of this responsibility are the attitudes of evgeny svetlanov.
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i'd rather play to finish the pipes i'm advancing. it 's good here when it was put up for the first time. here the little humpbacked horse 40 years ago, was staged by bryantsev on the stage of the mariinsky theater, i was offered a young conductor. yes, it was 40 years ago, maybe 39. these can be exact numbers, or maybe 41 and
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it was georgiev, because he was, of course, 20 years younger. the power of the inner fire, uh, colossal, you know, uh, the radiation effect on the orchestra. it just captivated me, and since then since we have the most wonderful relationship with him, you know, now already, and at the end of life, as they say, in general, closer and closer it becomes even sharper. everything is pretending to be a sound. how such
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a point to create a whole building understand? wonderful. maybe some little nuance there, which turned out less, but it compensates for it with something else and this anti will stand here. well, i don’t know the house or if you want
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everything there. when it happened, this grief is behind me friends, in general they helped a lot. how literally what point called me, every day and so on. here was his musician. well then, when we met
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some thoughts came to me, i remember, i drove into a ditch in a snowy winter by car and suddenly these. well done guy wonderful. so there are always sounds in my head. you sometimes get in the way. sometimes i even want to sleep. by the way, i will tell you such a curiosity when my mother and i got married in 1958. she also worked in the theater and her and her tutor is such elena mikhailovna or yushchenko she was the director's wife. such a whore, which is swan lake and then swan lake, these parts of the black and white swan danced the wind, she
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danced the black swan, and she said some kind of little. how can you be here with a man in whose bed music is always in his head is not so bad. uh-huh, well, you know, i think it's better to go to a cafe to drink good wine, to work and filter. uh, your consciousness is whatever comes to your mind, they immediately sit down at the table and then begin. throw that paper, there and so further, in all films, composers are shown with such these or chemistry, the rider sits down and immediately everything is ready already in his profession. i'm not like that. i sometimes happen, very painfully significantly
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ascension has my mastery of original self -experience. you see, so it happens to be self- trying to me sometimes. in short, yes, in the end everything is that music is an absolutely amazing thing, that the lord god gave us another world around us, a world of sounds. you see, they wanted to create esperanto, but nothing happened. it's all they say, we need languages, but the music speaks the same language, even this is kazakh music for us, a little strange chinese. i don't know i'm african all these motives. you see, these are the eastern affairs of the arabs. well, everything. well, i hear that they live in this world, too, in this world. i did
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understand this process pianist melgels and famous conductors. merik pashaev well, that's all marina semenova wants here. the great ballerina, too, who, together with the ulanova. in the same, this one danced and so on and so on and so on. you said that it was very prestigious, gorky street was much quieter than this one now? uh, the house stands right on the yar itself, cars are rushing here, you see, how sound-tight, but still you hear. well, they lived here. here, read it. how much is 50 how much from the sixty-third year to this day and one here now, how much does it cost? well , i’m weak in mathematics a lot of such a hunger for extra
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meetings with people even at home, of course, we didn’t experience it. after all, we were, for the most part, not companion people, not componen people. and, well, someone still visited us because of interesting people. well, for which we made exceptions, i won’t say, pier-content, you know, but i remember the back of the drama, of course, wonderful musicians on my close friends. and svetlanov christmas timorcans when he became dead souls, generally came to moscow as they say with compliments completely free of charge, in order to look after dead souls and did it 32 times. well, and then already valery gergiev is here with me often and dear, my friend and guests. well, and so on. in general, as far as musicians are concerned, perhaps there
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were more of them than artists. well, someone was a bezzharovskaya company, with which mine worked a lot , it even happened to us somehow they spread like that with some glasses and saucers around the apartment. it was a record when the apartment received, so many people. i remember it. yes, it was quite a long time ago. i didn’t touch anything, you know, only the flowering changes, which she loved very much and always on the show, when she had mountains of flowers in general, she lived until dawn, sleeping, caring for them . i put the bases for the livalalo, the flowers a little bit of their karachi yes, so that they stand longer and so on. so this is the only thing that was here on the eve of football. spent the whole evening playing football, my heartfelt friend, this heart attack, so
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everything happens in life, but still, everyone day. it's a miracle of miracles how to breathe easier. i have such an essay, ringing, which i once wrote, and there are some of these alarms. i used this e semantics of other types of bells in general. i don’t want to go into the specifics now, but including a funeral in russia, there was an opportunity to announce that a person had passed away for this, and the highest bell was ringing for a long time. it's the same below with long pauses until the last lowest bell too and when it all sounded they beat everyone bells. this signaled that another
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person had left. eh, our mortal earth for us, e orthodox people and from an orthodox person hmm , this bell ringing meant a lot and i say, i am not exaggerating me yesterday, when you know, in this fresh spring air, this raspberry ringing rang out. me. it just shook everything up.
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the cop presents the film of his montmaire to the titan three syllables exactly three shots three shots fired at close range and conquered the world's movie screens and millions of minds to the titan. this is the name of a japanese director and comedian a kind of ronin of cinema that came out of nowhere and elevated film noir to the rank of fine arts. it was the end of the nineties,
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speechless, the public discovered the mutilated face of another japanese cinema, not at all like the naive films about the police samurai cinema of his two cult films. on the screen, the image of dandy is a tough guy with a fixed face and nervous twitching of the eyelids, but behind this impenetrable face, which he wears like a kitano theatrical mask, hides the figure of an even more eccentric insane, whose joker the japanese know how to beat takeshi sorry mister titans, this is one of your fans. he looks like you, right?
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because of this grima it's hard to say, do i really look like a clown? in japan, there is no director by the name of kitanu, he is known as a beat, takeshi is his stage name, the pseudonym of an eccentric jester, which is quite consistent with the rhythm of the symbol empire. it is said that he has the gift of being in two places at the same time, like the island's divine passport , it is the art of reincarnation that helps. the world
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of show business is divided into those who having fun in front of the small screen and those who create it, film actors, writers. pop stars political commentators artists. kitano unites everyone at once, it is the power of his wit and his artistic self-expression that made him a legend of the land of the rising sun. since i've been on comedy shows for many years, he woke up as a man who never is.
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titano, in my opinion, one of the most people of modern japan. he is always so disrespectful. so liberated can be equated with her politics.
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years ago on this very day when i just turned 12 years old. i stood in the crowd with my mother and waved the japanese flag.
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there were four children in the family; there was very little space in the house; they had to go to bed and go to bed. they huddled into little balls, the lighting was poor and they often had to go hungry for dinner. he contented himself with a ball of annegiri. so a handful of rice was a real luxury for him. and his family had to suffer a lot in the post-war years. deprivation he saw how hard his father worked and his mother also think that even in childhood this feeling developed in him.
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rebel boys i caught our teachers as to contradict them. and it pissed them off knowing where we came from the police always thought we were criminals. at that time, i got into the habit of protesting, and it was to rebel against any manifestations of power. the presence of an authoritarian father forced young takeshi to avoid the oppressive atmosphere of
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his native home. he hung out on the streets of the quarter with the sons of local bandits' children. occupation was to wait until commission bai appeared on the streets of the quarter, the street picture theater of commission bai came on a bicycle and knocked with pieces of wood, announcing the beginning of the performance to the children, to watch it they had to buy candy so that i would not watch for free the storyteller threw stones at me. i threw the ball closer to the narrator to get a glimpse of the performance.
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