so said the great stanislav a. the ballet performance begins with the first wave of the conductor's baton from the first chords of the orchestra tonight is dedicated to the unique phenomenon of russian ballet.

our studios performed the kobuleti dance from sergei prokofiev's ballet romeo and juliet performed by artists of the moscow state academic symphony orchestra especially for channel one. dear friends, i am very glad that we have gathered today, especially on such a favorite topic for me. the topic of our today meetings are the great russian ballet. and that's why we are meeting, because the 23rd year will be the anniversary for so many real accomplishments in our country, if we count from 1.683, when the jack was first shown at the court of alexei mikhailovich,

then this event is 350 years old. 285 years of the academy of russian ballet of the st. petersburg school 250 years of the moscow school 240 years of the mariinsky theater therefore, as it were, this year is very important in the history of ballet, and we decided to recall all the most beautiful things associated with this art, because it was our country that gave the world not only the classical repertoire, but most importantly , education, according to which the whole world learns, of course, with the academy of the russian ticket. i will also have a very small anniversary of only 10 years, and 10 years as i am in charge. on may 4, 1738

, the french dance master jean-baptistlande opened the first ballet dance school in russia, the imperial majesty 's school of dance and i. we are located in the oldest educational institution in our country. now it is called the academy of russian ballet named after agrippina vaganova well, and now it is one of the oldest ballet educational institutions in the world. if you and i take and draw a map of all the theaters where ballet exists, one way or another, all roads will lead to this street to the street.

here, the diploma of this academy is already confirmed by the fact that this child is the most prepared for the theatrical life. well, what are you hiding again? not rebels. yes , quickly shop again stop. first katya fifth position. well, put it up, please, put it on business, nag. you you can run. why aren't you running? let me go if you don't run, i crawled out. we have a stage, i 'll strangle you there. this is how we exist. well done. that you really loved to get sick, you really wanted to enter this school sometime. and not only that, you see, this is, uh,

a memorial plaque for your aunt, just two memorial plaques on the street of the architect of growth, marius, like, which were recently hung up and your aunts of the people's artist of the ussr tell me when you first saw the ballet. you know, when i was already an adult i read, uh, a book by the wonderful artist kanashevich, which is called about himself about his business, and he writes there about his first visit to the theater, and he does not say exactly. what a theater it was. but in short, he was 12 or 11 years old. he was already a grown boy. he said, i was wearing such a frock coat, velvet, i had such velvet pants. i came to the theater and sat down in the velvet chair. and suddenly the curtain opened. and for some reason i was excited in general by everything that i saw. i felt the chair under

me. now this velvet chair got wet, and it was terrible. it was shameful. it was scary, for me already an adult boy, and he says many years have passed. i'm already an adult . and when i come to the theater now, the chair under me does not get wet, but nonetheless. here are these preda sensations. this is some kind of excitement that still grips me. she has been with me all my life. i remembered that my first feeling is the first. i would say the burn from the theater was precisely connected with the ballet, when my five-year-old girl, my mother, brought me. e to the mariinsky theatre. i'm terrified that it was then called the theater to recover from the name of kirov i didn’t know yet what it was that i was waiting for. and i also came to this theater and it seems to me that it was a red bar, as it was a golden stucco. and it was some kind of incredible

beauty curtain that shimmered and shone. i realized that i got into some kind of world in which that's all there is. naturally, although this did not at all correspond to what surrounded our life at that time. and suddenly , from somewhere, there is a scene. there were some people sitting down there and from there. suddenly i heard some divine sounds. it turned out that this is the setting of tools and in the turkmestr tunes and they still swear when i come to the theater and i hear. here are the tuning tools. it's like i'm returning to my childhood and again, here i am. oh, my heart is falling like this, as if i'm waiting for something unusually the performance began and the snow was falling. the performance was the nutcracker, snow was falling on the proscenium, i was not at all embarrassed,

that it was happy and that snow was falling, probably, it seemed to me then, but i came somewhere to some world in which it should be like that, that snow is falling in summer . and here it is snow was falling. and on the stage they were going to visit you. and they, it means that someone was walking in some kind of satin shoes, someone was walking for some reason . so on the fingers, which was completely unnatural for me and strange, how can you go on. i don’t know what this plan is. it's called and so on. and so they were going, then the curtain opened. i did it again. that's dead. and there was a castle and lights were burning in the windows. i didn’t even doubt that it was for me, it didn’t even occur to me that some kind of the castle and some windows and it was so god i don’t even remember, everything else made

such a strong impression on me, but it was i say a shock that i could not forget and the end of the performance, which made no less impression the hall gets up and like this flowers fly from everywhere and some of them still catch these flowers beautifully painful dancers. i think i'll be a ballerina all the time. this is completely clear, because these ovations and the hall and flowers and you are in the intersection of rays and you are in some kind of light pack. this is how you fly. it's so easy and beautiful there. backstage, and then only found out that when you fly backstage, there and that it is such an incredible work and some kind of terrible torment. well then i don't know it and for me this world was beautiful. i

will be a ballerina, i decided. uh, so many years have passed. i changed, so my preferences, and uh, i realized that i would be a dramatic actress and entered your theater institute and i think, well, there is a dance there, such a concept as dance, and finally. and finally, i'll get to this stick, i'll get up and i will take it out like that, a beautiful leg and something like that, that is, i will become everything. i take it out, it seems to me that i somehow take it out fine , but it turned out that i take it out. it is somehow low visible well above 30 °. i didn't get up. that is, i had nothing for this, not a step, not a rise, nothing more than that, there were some parts of the body that interfered in general, well, a ballerina, i still

take out beautifully, as it seems to me, my leg and my teacher. eh, because somehow he tries to reach me with this leg, but at least a little, well, reach up to 90s of this degree. and i’m still so quiet, somewhere there it raises it like that, and at that moment my second leg rises along with this one and i already know to hold this stick parallel to the floor. so my ballet career did not end for an hour, but again, it has passed. how many years and we went on tour. played in america. it means 40 performances in 40 days. everything is fine. the first performance goes on and the performance ends with such a pause that we do not understand what it means, whether we play so beautifully, or so it's terrible, because here is silence, nothing, not

applause, and suddenly flowers begin to fall and the hall rises. i think i'm finally sick. these were my achievements in this territory, but of course, i have always loved this admiration. i don’t understand how it’s possible to control your body so beautifully like that, something that we drama artists practically don’t own , and at one time mikhail chekhov wrote that an actor’s hands are given not only to hang from e, there from these how called out of hand, yes or from moscow they are in general, for something and i understand. at some point, when one day i was passing by the tv, suddenly i saw someone's hand, i didn't know whose?

i don't show the wall and this hand. i can't show it like that. once said on this wall. i was so mesmerized by this action. that i stopped and i think i should look to the end. it turned out to be very simple galina sergeevna ulanova and this wall, and it was like that and it was. how can i tell you, it was not plastic, even i would say mise-en-scene. it was a monologue from the absolute monologue that was in mine, which was with danced with this hand.

and then i was so lucky that she somehow came to our performance, and then she called me and said some words and at some point she says, you know that you don’t plus anywhere, because i say you know , i'm always afraid that suddenly it will not be read. here, well, what i mean is not read, all of a sudden i don’t play to the end. something i start a little bit like this plus, apparently, and she says, but don't, because everything will be read. here is your every movement, if it is organic as a result of your condition

psychological or some kind, it will still be read, because your body will respond to it. and it was just one sentence. and this is her hand, which played a huge role. in my professional life , she was well known in the theater of the moscow council, she was very friendly with galina sergeevna. she even lived with her in the same house at one time, and she said a wonderful phrase about she said, pebble of your profession is a cathartic color. this is what no one refused. so beautiful. here is my pride, because i played. in in general, youth, and since i always dreamed of at least somewhere to get up, nevertheless i

came up with an idea for myself, or something, you went to the plant. i decided to go out on the planks. well, how was it regarding the concept of pointe shoes, i got up. and so she squirmed and then squatted again, but the main thing is that i knew that nikolai tsiskaridze broke these plantations for me, she was proud and thought, but if kolya had a hand in this. well, what is there? there he added a little energetically, well, he shared some with me, really. at least prepare me these shoes. i went to the stage and took it, well, as usual, i go into the locker room with a big hammer, marina means, and i say to me with a huge hammer, why is this? i say, well, you asked to break it. i became this hammer, break it, but to make it softer there somewhere else they

break it later. they know how to make me feel this way. that's when for a second i got up like that, i literally got up, but i thought, my god, how do they live poor epics, the wonderful end of the performance. it's fine, but the beginning is the middle and the process. it's so hard and so whole play. and i'm just a bull. realized. let's see the story about the moscow school. there are many representatives of the moscow school here. the history of the oldest educational institution for ballet dancers in the capital did not begin at all with theaters and ballrooms, but with an orphanage for orphans, empress catherine ii

opened it in 1773, and by her decree , the first dance classes were created here. good ballet dancers can only become a few hundreds who want to enter the school in a timely manner to warn the little man. this is not your calling. name is more important than recognizing talent. centuries of ideal addition of harmonious forms should be distinguished by narrow oblong proportions of the body. this girl has good prospects, because it is known that in the process of learning and everyday training, the step will develop, but here everything is fine. in all

directions forward to side and back angle of elevation. the legs exceed the straight line and the top five commission is made up of experienced teachers who will lead the first classes, headed by professor lavrovsky. enough kids to line up quickly.

well, this is how we all once did at the choreographic school gen. i know that you , too. we dreamed of becoming a ballet dancer, but life led you differently, like this boy, apparently, they immediately told you not to go here. they didn't even tell me that. in general, it's early for life instead of living these moments of happiness, which marina told, i had to deal with god knows what in life.

i couldn't wait when that day comes after third grade can i come for these admissions tests? self-image as about the completed star you already had absolutely no doubt. i'm like you and i in this, and once you can't shop. electromechanical plant named after vladimir

ilyich in a school uniform offered the workers of this workshop his choreographic version of chopin's seventh waltz . nothing. compared to what i felt i came to the first even this in the first round this level could not be called simply selected. that's what they showed, then i went out. i remember, it was about at the

commission, the gobovichs headed the expression on the face of the gapovichs, it was about, like de funes, the first barrier was. how will you wear a ballerina? it's very

hard physical labor. despite my small age, i was arrogant to such an extent that they were told equality in our country, and she can wear me with the same success. i dreamed about it all my life these girls in my arms. after a short advertisement, we will talk about how russian ballet conquered the whole world.

premiere on the occasion of the eighty-fifth birthday of adriano celentano

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millions of people choose phytolax laxative fruit-based chewable tablets. try the novelty phytolak with marmalade berries just one at night for comfortable relief in the morning does not cause spasms and bloating fitolax from evalar russian ballet is magic for the audience and overwhelming, but very beautiful and beloved work for the artists themselves. well, now we were watching the reception and the commission was headed by the father of mikhail leonidovich , the greatest, damn it, together with uh, leonid mikhailovich lavrovsky, but the director of the school, then there was the brilliant sotnikova at golovkin, one of the best in general, from my point of view, leaders in our country thanks to to her there is the building in which we all studied thanks to it, there is that system in many respects, according to which our whole country learns. i know where what, well, i know, i studied with your

daughter alice in the same class. you have known me since the age of 13 in pioneer galostik, but i know that you were friends and studied at nikolai. why i really want to remember her, because i became a rector. every day i make a decision about expulsion or admission to scold the teacher or change something. i correlate my actions with her actions. this was the wisest man. i i am very happy that i am related to the memorial plaque at our school, that i did everything so that it was there and our mutual friends allocated funds. thanks rostec. and here is a big sergeevich and tells me how nikolai is there, that you know her, not as a student. you know her like a person knows. after the soviet union collapsed over the school yes, the

house-claw sword was raised all the time they wanted to take this place away, the second school from someone's point of view was not at all so important and the fact that this school withstood what in general our ballet withstood. it was during this powerful earthquake that the merit of the juicers was in many respects. she was very emotional impulsive she was an ingenious hostess gathered. my daughter, who kolya just said, she woke everyone up in the morning, she was supposed to be the first to come to the opening. so, when the doors opened, and she

said, if i come, not the first sofya nikolaevna will swear first or second or 22, it doesn’t matter. she had a truly phenomenal image. let's look at the footage of the thirty-sixth year. this is ballet kayak. edge manda

during the second world war, sotykolaevna , together with a small group of soloists from the bolshoi theater, traveled by car to tehran in studio backers and they performed in front of this famous trio. there in tehran. it was very interesting to tell that they were driving. well , sometimes bombing went on throughout world war ii. and so they had to stop to go out sometimes and they were engaged. well , in order not to get out of shape, we drove for many days, practiced right on the road, in order to somehow warm up to keep in shape in that when they arrived, they had to immediately speak to uh churchill roosevelt and stalin and the same. i would now like to recall one of the greatest ballerinas. a-a of the bolshoi theater olga

vasilievna lepishinsky a-a, who throughout the war acted on all fronts. there are shots where she performs here in hospitals. uh, unfortunately because she danced on trucks throughout the war. eh, just on the ground. she had a very big problem with her legs later, because now she is what we are, apparently, she just lies a carpet on the street, and she dances on the carpet forty-second year.

olga vasilievna headed the council of veterans for many years, she did a lot for veterans of the great patriotic war as well. that told me a lot. i am from uh olga vasilyevna how she performed at the fronts, and sophia nikolaevna told how, at the time when moscow was condemned, the main building of the bolshoi theater was closed. and the operetta building. it was then a branch of the

bolshoi theater, it functioned, and now every day she is her partner vladimir golovin they danced concerts for those who were now walking, the theater was not heated directly to the front, and she said that here i was standing in a tunic in a fur coat. and the legs were felt boots, they jump like that. well , that sounds like an intro. i jump out of the boots, run to the stage. i run back and felt boots, these unique women, of course, who accomplished such an amazing feat, but the main thing is that russian ballet has always been an integral part of the history of our country every time i lead in our school. uh, tour in st. petersburg. i always lead to the hall where they studied during the siege. children, the fact is that the main part of the school was evacuated to the city of perm molotov and a small part could not leave, but during the blockade they studied. they made a reception,

because only one hall could be heated. and now, what is most surprising for me is that in all the texts in italy in france that were once created, so to speak. this ballet art was stopped, but not in moscow, not in st. petersburg, in any years, not in the revolutionary years, not in the military ballet did not stop its existence, children performed and studied, and, probably, in russia ballet is really more than national art. now i want us to move on to one of the greatest theaters in the world, our own bolshoi theatre. let's get a look. the state academic bolshoi theater of russia or simply the bolshoi theater is one of the most famous opera and ballet

theaters in the world. performances, as well as concerts in aksals and masquerades. since then, the whole theatrical life of moscow has been connected with the bolshoi theater, and the building of the bolshoi theater, built in the middle of the 19th century, has become one of the main attractions of russia among the famous productions of the bolshoi theater the nutcracker and his production of spartagu, which was awarded the lenin

prize of the ussr in 1970 and now here i invited liepa, who superbly, so to speak, installed everything that i wanted and became a worthy antipode of spartacus, a strong enemy interesting effective active and when faced. here are two forces, when the magnificent vasiliev and the magnificent relief, collided in their, so to speak, collisions hmm in the performances. it was already interesting. i beg your pardon, they just showed yuri nikolayevich yes, and during the perestroika years i had one conversation with him. im looked at me said you know. opponent of dictatorship well, in ballet

it doesn’t happen differently for us, of course, the name of yuri nikolayevich for well, for me, for ilza for mikhail leonidovich, it’s very important for you too need dmitry you worked. i just think that he is our teacher, yes, yes, and we are grateful for what we achieved in our time, for sure, nikolayevich was now shown footage of spartak mikhal leonidovich, of course, i can’t help but give you the floor, because spartak is lenin ’s disease award, received three artists lief vasiliev and you. uh, this is one of the main performances in your entire career. tell us a little about that time, well, how do you say? you know i love this one. i generally love the theater, because it would make sense

executable. eh, because these performances are formidable, as spartak says, in short, i'm wondering if it is formal or not? formal, so to speak. and i can’t watch a classic performance without a plot for more than 10 minutes, i’m behind a meaningful performance, because our artists have conquered the whole world, and then one more thing. why am i lucky in general, our generation was lucky, i, in all genius, marisa, the ingenious volodin vasily yurochka vladimirovna why, after the war, such barren elves, who run last could be particularly demanding great passions?

so i know that when they took it to london, this performance. well, there were some just that was the time when they sabotaged. yes , they sabotaged the tour. and here you are, when there was some kind of sabotage dancing at spartak , i have no potential as a prime minister, dixies were there throwing apples. no, they accepted us, you know, after the first act and applause went on. well, in general, everything is together now. and now, here's applause, then, uh, peregorodovich came out for the party again . all then e workers did scene. we had to start part of the earth

sober honey. well, yes, it was we won. yes , it was voices, so to speak. uh, for more than 65 years this performance has been going on, it is regularly taken out. e abroad. this is one of the highest grossing performances in the world. moreover, he is always scolded, but it is impossible to get a ticket anywhere in any mountain. we have won here. when did you see spartacus for the first time when he entered your life. i don't know when spartak entered uh, how is it when the smart ones are visible? well , it seems to me that e act, because. i am very somehow immersed in the life of my father and in general this generation of starry it seems to me that i know the literal sense yesterday, even i played performances, which is called my father levpa. and there is a whole piece that is

dedicated to spartacus. uh, because i have my father's diaries and mikhail leonidovich that's just you know how interesting. i had to read this, because there time uh a few months before spartacus every day. you know how the metronome counts down to the premiere there until the premiere of the month. there's a run today, the second of the first for gifts. esther is tired grieg came wildly there, we showed him. he liked sitting up for a long time, yes, then there is absolutely amazing, which means that there is such a powerful work, suddenly the tenth tenth e marta, for today is a rehearsal, then gatherings at the wto after the gatherings, curse lanova and i go down, go down to the restaurant. all closed. we go to rapture from the comfort of the icons of the apartment, and so on, wonderful, we sit until four in the morning, and talk about some positions in art. pro means

interested in my e, my thoughts. a it means that the actors are plastic, it seems that they are sitting like that. after that, it means they are already playing out on the street. eh, there are some. this is with a handset. i'm dancing a beautiful monologue on the street and everyone decides to go to the premiere. after that, we bring five to the apartment. my wife is waiting at the door, we disperse, and we continue on march 11. again , the run arrives khachaturian from america , you have to go through everything a second time. well , it's insanely interesting and, uh, hmm, i was really, really interested. eh, i even asked yes and the artist hurts, tell me what you felt when in the theater spartacus was staged. but it was impossible. well , it was atmosphere yes, it’s being created, uh, it’s being created, not a single month, and my father’s colleagues and artists told me. they say we felt that something extraordinary was being born, and then i asked a

friend who was at the premiere of spartak . i was also interested. how is it so? this is the first time no one has seen it yet. what is spartacus, the orchestra is setting up in the mood. here is closed. the curtain is closed. here it opens for the audience to see. this one, yes, spartak is just yes, the second is the second again the curtain is never here. it begins to act when the curtain rises kraz the father stands on the chariot and very many. hey, who saw it says? this moment is amazing when the chariot rushes on. it doesn’t rush, it stands, but this energy rushes, and i remember how, of course, i will never forget my father’s last spartak, when the super curtain rose and the whole hall at the same time. he can imagine what kind of energy was knitting at the same time to do so. ah, because this is a powerful, but a powerful wave of energy. she, of course, uh, such i will add artists to you. i'll add about

maris this indicator, you know, the indicator is colossal. well, talents, it is clear that such an internal force is the second act, when the protocol was pushed out more beautifully before being pushed out, yes, two spartak warriors pushes it out and that means it was. do not look, young they swam out of moscow turned around. they apologized and went off the hook. yes, it was phenomenal. no, i'm sorry now. he didn't laugh. we have just talked about energy. i want us to remember one more a unique ballerina and for me a very dear person. i managed to touch a little and do a few roles galina sergeevna ulanova tour in london 1956 london yes, yes.

i must say a very important thing. the fact is that since 1956, when the bolshoi theater first left for london, the triumph of soviet ballet in the world began. and just this performance, which was recorded, it was recorded at the personal request of queen elizabeth ii, and what is very interesting is the evidence, the fact is that, according to the protocol of the english royal court, when the queen is present at the performance. uh, when she enters the whole hall gets up to bow to her, and then sits down and when, let’s say , the performances end, applause goes on if the queen gets up, then the whole hall stops

applause turns to bow to her, as the queen did not come out, and then the applause continues and now. the case when the queen got up and was forced to leave no one turned to her, because the other queen was standing on the stage and the whole hall. all the same, he continued to applaud galina sergeevna ; there are even photographs where she has already taken she was standing in a dressing gown, she was bowing, because the triumph was extraordinary. you were present then, yes, natalmetyevna in london. yes, uh, you caught it, yes, and romeo and juliet are also the same , there were tears and thunder of applause, in general everything was wonderful and then it seems to be our next tour, when the queen grandmother came on the stage, then there is, the grandmother of that, and the king, who now and has brought an eleven-year-old child now. yes, that would be an old water fountain. immediately

approached the guys. and he took a sword from them. to him it was interesting to see this one, then we are all of you. moreover, the queen's grandmother in the box she was sitting with all the regalia she has this ribbon well , everything, in general, something will help, the official exit. yes, and then she came, just like a person in such a gray suit and when the guys all lined up, and we all lined up. she turned to us and says. say someone speaks english and we partner vanya pokrovskaya. said i love you. she said, she said not bad for a start mikhail leonidovich and you, too, then in on the next tour, you said that the car was raised and rocked. this is when the bitch is really. i then started such success. i didn't see us go far down, gone often,

probably, but i'll say that what was interesting was the premiere and cleopatra uh-huh we all sat upstairs there, well, socialists downstairs, i just started fast only just danced. yes, it is. and that means, well, an oppositionist has entered elizabeth taylor. luke the whole hall literally, if we didn’t understand, we were joking there, the guys got up and the shish kebab went to the legume, the whole hall was quiet. even was uncomfortable. you know no, the colossal expert because cinderella really spread out was not repeatable.

misha was now thinking of struchkova. i remembered i was five years old and was being shown from the big red poppy. no, no broke my leg this evening, where are you thirteen in your father's movie?

stars of russian ballet and their fates after advertising nativity of christ live broadcast from the cathedral of christ the savior on january 6 at pervy why do you need so many cards, if any, one halva

with an installment plan for 10 months? to shoot commission-free cash and halva for daily purchases everything i need from different cards there is in halva just one card for everything when you are already number one. already got up the chief did not stop. even higher still step still success. thank you for being with us for 30 years. megafon is just the beginning, it was he who turned the dream of an ideal sark into reality, whom they tried to imitate, well, who remained the inimitable cheese? namely, he is an apartment in moscow just right, two three, only three

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on holidays on the first new year’s holiday, we meet again in order to sing in the kitchen of the whole country a blizzard, says only i don’t believe us for 5 minutes, five minutes, as there was no winter of the city of fun and i crush the strength of the flood kitchen throughout the country, new year’s issue on january 7 at the first we are talking about such a

unique phenomenon as a russian is sick. the way we remember the greatest artists. yes , of course, one cannot say that the big theater does not remember mama mikhailovna plisetskaya. looks like mine is on fire. i spent 40 years in the war. and that's why it's close to me. if a ballerina who should always

dance always be at work i regret that i can't have all 24 hours in life. in give a day to your husband. love is the highest most beautiful feeling, like art, that's love jesus two things for the sake of which it is worth living in the world. were you the first rock singer in the hospital? well, as

alberta put it to the announcement, he was also brilliant, of course they were together. well, he presented, it 's like the second hypostasis of carmen in the form of a bull. he gave me such a choreography, that is, the entire upper body. it was the head of a bull. here are some of the movements were unusual here. ok.

i usually always talk about my mikhailovna they talk about the great, as about the great ballerina. but there is one story that i know because it happened to a friend of mine. i want to show her to you. well, it's probably hard to say which of our dynasties is the most outstanding. yes, the most accomplished, as a ballet dancer, perhaps, after all, my grandfather vladimir vladimirovich is hungry. i was certainly not a very talented dancer . vladimirovich golubin came, he was the premiere of the bolshoi theater, my father was too. naturally a ballet dancer. i entered the trumpet of the bolshoi theater and for 10 years was a soloist in the ballet of the bolshoi theater. i'm with childhood went to the bolshoi theatre. it so happened that the age of 4 years 79 year. dad

once came home and said that tomorrow we will go with you to a rehearsal. anna karenina flight anna karenina with my mikhail plisetskaya. it didn't mean anything to me, even there the water treated me extremely positively. she every rehearsal. now i remember. yes, she brought me some toys , some cars, bought some there endlessly. damn, there wasn’t even anything at some point, especially after the costumes were already too small and sawed their own. sasha to we need to stop this thread. well, he took my hand. we approached. he says to my halov. well, it is necessary, probably, that's 70, probably, the last performance has already grown and suddenly it's good. and the ballet work turns to us, which stands and says that you know, it’s already hard for me to dance the spanish reaction.

i really like the character of don quixote and how different theaters showed him, but it always hurt me when i saw what spain is portrayed. it's the same as if you were watching a ballet about russia and it was shown as if everyone was drinking, vodka and dancing there , cossack

and i got ballet through gymnastics. that's how good. i'm talking about the fact that nikolai maksimovich is not such a strict teacher, somehow, in fact, for gymnastics. yes, because i even remember that we were so taught not to say anything. if something hurts, and here is angelina. here i am. gray-haired grandfather is the number of pavlovychak. yes, and we have been so taught not to talk about the fact that something hurts you. uh, and when i came to the ballet, and hmm, something hurts you, maybe, why are you silent? girls? athletes do not issue it was impossible to speak. while we were catching up, you should train, we visited the backstage of the mikhailovsky theater. i

will be happy to tell you about the costumes sometimes in motion and on stage. uh. here is the wealth of this work is not visible. but uh, if you look closely and close to uh, this painstaking work is very visible. here we see with you the costume of nikolai maksimovich, tsiskaridze and the performance. a vain precaution is the widow simone it all starts with an artist's sketch, then it goes on, we are developing the work from the production part of the theater

technical models and then the tailoring of costumes begins. here is the ballet - this is a special complexity, a special specificity. for example, here is a pack that must be e because of a certain number of nine. uh, layers of tulle, and we ca n't get away from that or we're basically going to fall and fall apart. here is the classic version of the tutu, we have a lot of work here, lace embroidery with pearls. here , if we compare them, for example, then here, uh, we have a rich finishing history. here everything is more ascetic and graphic, but at the same time, and here is much more painstaking work.

this is such a complexity and interestingness of working on a costume, that more, visually, some kind of simple story. it can take much more time and effort. ballet in general is a very kind art, and indeed , many performances in soviet history have received various awards. so we talked about spartak yes, there was the lenin prize, then there was such a performance by angara, which also received a lot of awards, but in the current history of russia there is only one performance, who received the highest award of our country. this is the queen of spades, why me and how to remember? uh, not because it is, uh, the performance is staged for me for me and so on, because there is a rear here. and angelina here we danced the last performance. it was, uh, the anniversary of the lens and, uh, staged this performance, indeed, the greatest of the 20th century. e rolanti, he is the only

foreigner. who then received the state award was very funny when we came to the kremlin i say uralan you know when your compatriots the frenchman napoleon came here moscow was empty you meets the president. let's listen to the novel. 3 or 2 3 in music, three is so difficult and i believe in the event that chance was on my side in all productions, that i should remove it when i started working on the ballet. i immediately found a dancer for the main role of nikolai tsiskaridze , a wonderful artist. it

inspired me a little. i watched her move, i had to wrestle with her a little. i wanted it to be less erotic, but more dramatic due to quickly realized almost on the fly. and this meeting became a plow both for her

and for me. i was also. the most compliments i've ever received from dramatic artists have been for the queen of spades. here marina svetlanovna told me such a thing you talking back. well, uh, that's the highest compliment an artist can actually receive. i'm watching and listening to you and i think, how lazy we are. here are the dramatic artists, how lazy we are. what are the conditions of spring, what are we here, it hurts me. i can't play here today. at

me 37.2. i have a cough and what kind of pain what kind of overcoming experience? you are sick artists. in general , going through. that's all that you go through. i always say this to my colleagues as a drama artist when we meet, in some kind of work, guys. well, you don’t even understand, because we just met and drank tea, which means they have to work, and in the hospital they unloaded into the fire, that is. you would have to warm up, pump your back , stretch everything, work out in ballet class and then come and start rehearsing and already there rollers already degree. these are the artists that he stands and says, and what i think here when i am silent, you can imagine what he needs to put into his head, what he thinks when he is silent, that is, it would seem that you are such a

natural process, in general a person. he must think marina we had a very funny case in a duet, but there are a lot of such somersaults and accidentally, but apparently, the lenses bent a little later, or i'm too big, so i'm heading with all the dope. hit her on the nose. so there was such a crunch, and at that moment, and there the choreography is so it is on me bends down, and i see how she bends down. and she has like this four jets of tears begin her face. you can't stop hurting, you still keep moving and that's it. when it's over, i say, i'm sorry, please, i'm worth it. thank you, i had such a son for him. russian ballet has long since become a national property, and this is after the

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in my opinion, ballet has long been much more than just an art in our country. that's what this evening is about. we have one team in the country, it is really absolutely author's theater of boris klyuch efman. uh, where there are no classical performances, and where each performance is staged by the author for the corpse that exists today, and even when time passes, it is for new performers are constantly rearranging, here maria is a ballerina of the effman theater,

mashenka, you also spoiled something. yes. i am also spoiled, but ballet, probably, penetrated into my life a little before it was 3 years old. and i remember that i wanted to help my mother in the kitchen. i was trying to shake eggs for some pie and because i dropped it all. these were the last eggs, mom me. i escorted you out of the kitchen, and then i saw the ballet with galina lanova today, right? well, but this is probably where it all ended, because i was born in lviv, i didn’t go to theaters now was a very sick child. and, probably, for 8 years i was taken to rhythmic gymnastics. uh, in order for me to pump up the muscle corset, but unlike vika seryozhkina, who took first place from the end. after 2 months i took first place on the podium. i don’t know how, because i was shouted all the time, adored logs, licked. that is, this is the rigidity of training

, legends go, of course, and then after 4 years we had an excellent choreographer. she said she put me on the plantations and after 2 year at age 14. i danced baderka. for this, i did not know anyone. another year later. i danced swan lake there in lvov yes , in lvov and i was invited to study in austria . i went to austria where all the teachers were from moscow and st. petersburg, so our school is anyway. she is, of course, great. this is about half. yes, this is a school. yes, it's in the city, then. uh, after high school. i faced such a problem as being tall, when it seemed to me that i would stay dancing pieces gorte vienna opera esburg, in the end, i said. well, you know, it’s so high, we can’t take you anywhere, and the fact that you win a meter, 79, lord, you are now small with those who are dancing now, you

are just blood, and so i got to the eifun borisuyu. i remember my delight e from this hopelessness, when you realize that you still spent so many years of effort and, in principle, you ended up without a profession. and when i went into the hall and saw the phone, and there are just avatars, that is, everyone is the same as me, yes, and even above me it was indescribable delight let's see one of your roles anna karenina for which you received the golden mask.

here we talked a lot about the connection between sports and ballet. but there is one sport that is unthinkable without classical ballet, of course, this is figure skating elena anatolyevna , in addition to the fact that you are a brilliant coach, one of the greatest in the world and my adore graduate. the first set, the department of choreography of the gitis of the dammeister department of you, this is education. tell me how it all happened. why did you invite three losers gennady marina i to speak about pain we all didn't get me. in general, i had to do it, because ulanova at that

moment was married to zavadsky. and parents. all my life i have worked all sorts of summers and practically with its date. i came to chilishe, i knocked there, kept knocking. all the legs were rising, but they came out and said that we are not your mother. we do not take a girl and for me it was a tragedy. she has winged shoulder blades. since then i can’t remember what it is, it means, in short, something is wrong somewhere. lily, so i flew out, then so you see, i ride, then zavadsky put me in the gitisno, damn it, together with the department. even though i could n't get in. yes, because i didn’t have a choreographic one, however, i was the champion of the ussr already and that’s it. leonid mikhailovich lavrovsky it was something fantastic and

at the same time. he created ballet on ice. and why did they have to take me, because at that moment the viennese ballets arrived on the ice of unearthly beauty, some feathers from here feathers from here, everyone rolls around the tub. but we don’t have anything like that, he says, so here it is, let the champion is studying, and that means, well, i studied, i needed work for three days, pisetskaya somewhere in the seventy-fourth year, her coin was celebrated, the newspaper of the french communist party, we have to come to paris without fail, we arrive in a field near paris, some kind of building and there is a police station like this on him. i say may to hell.

wait wolf there

was no city in any country in the world. they no longer wanted to ride it. we all had it here so that they would not ride. yes, the perfect ride. how do you speak? kolya, i remember you gave yourself to me for my anniversary, lord, this leningrad porcelain factory. just when it was the fifth anniversary of my rectorship. lfz

surprised me and gave me me. uh, they have n't done ballet for artists for years. here i am to present myself to you. it was a series on lfz just so you know, so that's how we traded. thank you, this is a very valuable gift. you know, the fact is that, in the soviet union, the ballet was presented on a very large scale and every one, and in my opinion, your program, which you have been on central television for many years, was released twice a month. you know now the problem of the moral influence of ballet

is being studied has become the subject of science and is studied from two sides and from the side of the spectator, who either goes to the theater or does not go, and of course, and from those who participate. in the very process of creating a ballet, ballet is not thought of as dancing alive with she penetrates, if it is a real art, if it is a knave that carries, great interesting ideas are meaningful and it is revealed through our profession. that is, through movement. you see, it penetrates the soul. he will be in man all those moral feelings that he always has, a person wants to be kinder, a person wants to be more honest . why did they come uninitiated. and now, some time of the year passes , here, that we introduce them to the world of

beauty, they will do something completely different. that is, art influences beauty. she morally educates a person, and competitions. how do you think the impact of the competition is great? yes, but i think that competitions should be very interesting, but you need to prepare them so that it is you know, not only the pursuit of the first second place. and we need to involve more part of the youth. largely thanks to these programs, i got into this world, i wanted to become a ballet dancer, that it was so interesting, you showed such beauty, that , thank you very much, we tried. i had a wonderful team, especially svetlana vladimirovna kovalchuk, she was the editor. she knew about ballet. all i dreamed about was that you from ilza would take this program and lead you both beautiful, smart, interesting, we

split up. i went to the radio. i have there was also a program called naroderfin on the radio. i believe that this crime is simply not. well, thank you, many more ballet films were made in the soviet union. we will now look at a piece, where you dance over dmitrievna but look at this dance plywood.

you will laugh for this number, i received the second prize at the first all-union ballet dancers competition, and no one received the first. how cool is the symbol, of course, uh of russian ballet is the white swan and the inextricably white swan is associated with the name anna pavlova we are present at the table a wonderful ballet once beginner, but dramatic actress galina belyaeva, who played a lot of roles in cinema and in the uh theater, but performing anna pavlova. for me personally for my generation. it was such a small small meeting with history, in general, because in this film, the lotan was played by magnificent

brilliant artists, in general, the composition. was amazing. let's watch a snippet from this movie. above what is joy i can not do everything. gorizma who told me my strategists i need yours, whip and yours the inquisition, when you were deceiving me, the pretender.

galya you graduated from a calligraphic school. tell yes, i graduated from the choreographic school, voronezh, my epic began very, very early, somewhere around the year at 4:00. i remember we were invited to visit and at that time the ballet of e shipyanyan was shown on television.

it was some kind of magic from the screen, and i wanted to participate in it. and also here, how to be such an airy weightless. i had a dream to be a ballerina. i never dreamed of being an actress. and that's how you

they said that ballet originated in italy, yes. then it began to develop in france. here is the feeling that ballet flourished in russia and it became famous all over the world, because to these elements of dance, as anna pavlova correctly said, a soul was added? and uh, here is the first phrase russian ballet appeared e in diaghilev's seasons, because it was 99, yes, but after fokine staged for anna pavlova that is, he staged in 907, a dying swan, yes, and how pavlova performed, you understand, she also had a very large dramatic art. that is, how she didn’t even dance, but presented it. this is the living present. the swan bird that flutters into the fire and perishes and, of course, it

was amazing here. but it seems to me that anna pavlova made a huge contribution to the development of our russian ballet, because it really needs to be said that russian ballet really showed the world and in general, classical ballet anna showed pavel and her corpse. she has performed on every continent. even where they didn’t just not hear the whole world was not at all, in my opinion a place where you have not been. anna pavlova, moreover, it seems to me that in the soviet era. yes, it was a little undeservedly forgotten with us when i studied at the choreographic school, especially the materials. they didn't have much. it was possible to say, but it’s not so much the only book, a small one yes, cross-country, so it was based on this book, which means they studied its art, but when an offer came from england and

to make a film about our great russian ballerina, then, of course, immediately connected there goskina and because, oddly enough, she was pavlova after the thirteenth year, she lived in england, which may be why, by the way, she was forgotten. she left the mariinsky theatre. there was a certain scandal, but when, due to the first world war, she ended up abroad, she sent a lot of money to her homeland. epo did a lot to help the front for the red cross for hospitals. she donated a lot of her money to the russian military and uh, she kept a lot of what was in russia so she wasn't completely forgotten, like the rest of the imperial ballerinas who ended up on the other side. well, in england, then this film existed. yes, and of course, imid vladimirovich a worked hard after the film my affectionate gentle beast. he decided

what it means, since i have a physical education, then i need to try to offer my candidacy for the filming of this film, and i remember that, by the way, the bolshoi theater was very offended by the fact that i played. well, pavlova, but the fact is that the english side claimed. we had a consultant on the film michael powell. this is a very famous, but short-lived director. filmed the red shoes. so michael paul said that, that is, i was forced to dance some miniatures there, something that anna pavlova danced a dragonfly, then arlekino, in my opinion, i also danced there such small miniatures. and after that he said that you know whoever danced anna pavla will be this plisetskaya or it will be immortal , they said that immortal is very similar to her. it will be the art of plesetskaya or immortal, we are making a film the legend of this great ballerina. indeed,

at that time, everyone called pavlova divine with one voice, that is, she was called by the majority, divine and in all voices, in general, all over our planet it sounded for derin and e. well, why we weren't allowed to, means to give this name, because we kind of had atheists in our country, and in general, we need to decide to call the divine anna, so it's a pity, of course, but yes. and you specifically began to study for this film. you must have stopped working. yes, when yes they were engaged, he was peter matveevich gusev photographs. he played five-pip with us, and yes, we worked with him, in general, today we remembered so many amazing people, uh, who make up pyotr andreyevich gusev, one of those people who created years in china. and if it were not for him, china would not have had our school in full three today. the pair that they have in

each city, imagine if we accept 60 people in st. petersburg, and this is considered a lot in china, in each city two thousand people are accepted in the first class, an interesting fact, anna pavlova in the year she danced, 296 dashes 298 performances there was no plane, the railway was also laid somewhere in europe, but not around, that is, she traveled, mostly ships. and these trucks, buses and everything. that is, it works. she danced almost every day. it's just nonthinking, mom, i think, yes, it's hard work, and she danced in different venues. yes , indeed, one must first absolutely everywhere and in india in somalia, god knows where it is unique holidays. on the first, the hero

of our program will tell. what are the miracles they happened at christmas christmas is a time of hope and love before christmas i found out that i was waiting for martha it was incredible. you are a miracle every day. it must become more miraculous miraculous. yes, the lord sent me a new dog, but her hind legs did not walk and we were told that she would never walk, but on christmas day - this dog stood on its paws and ran around our house. friends. i'm more told so okay, i'm not going to look at the post fun, it turns out. which unites all hearts, we must rejoice, as we rejoiced in childhood all over the place, we run into a christmas tree, we gather at the table. this is probably what it is. most. the main thing that unites the 7th of january on the

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or fulfill the dream of someone very dear and in this room, miracles are already on the doorstep. on new year's holidays, i want to go ice skating. play snowballs, but most of all i want to lie on the couch and watch a good movie, we pay you get 500 rubles. for any three

films. and who brings gifts for the new year grandfather frost and also grandma frost mother frost is happy, frost and papa frost grandfather, baby new year's sale on yandex.market