with people about anything, but not about yourself. well, not about myself or, for example, talking about what i don’t like about them in relation to their behavior towards me, but i’m afraid to talk about my emotions about how i feel uh-huh about what i worry about, and their actions are so in relation to me, which they do, i see. well , tell me about yourself then. and most importantly, tell me the request that we would like to work today. the request that i came up with is weight loss, that is, for several years i have been trying to lose weight, but everything is moving in a circle, respectively, when i i count calories i keep my diary i'm losing weight 5 years ago, my weight was 64 kg. and now he is also 64 kg. at the same time, i am actively involved in sports. i run marathons all the time i have training. well, as soon as the stress. uh-huh yes

, even when the joy and i'm over the food grabs me on the spot. i'll hold myself back for a month and count everything. she threw off the weight in the reflection in the mirror. i can see this very well, and i like the changes that occur when i monitor nutrition, something has happened. i started eating at night in the evening and everything returned. besides, and when you eat at night and in the evening, as you treat yourself in this moment. i’m starting yes, i get a lot of discomfort, physically it’s physically uncomfortable that you fall asleep worse, but at the same time, i also like to eat during tv shows and you start to seize. then you pull yourself together for a week or two, it

passes, you pull yourself together and start again. now your weight is 64 kg. what was the minimum weight you reach was 55? how much did you weigh when you were 18? i don’t remember this, 17 18 here is the weight, when you were girls, even more yes, yes more, that is, i sort of threw it off. she walked, and her sister said that well, as it were, stop sitting on the couch and take care of yourself. i started to lose weight and came to weight. here is 64 kg. it was somewhere in the second third year. uh, college. and then running came into my life. uh-huh well, no, he came somewhere, probably at the age of 5 years, if i run somewhere around 24 years old was gone. i began to systematically go in for sports on a regular basis and my weight stood up, as if

now, uh, sports help. i should keep it at the same level, but not lose weight. but at the same time with everything up to 50 kg. you've lost weight in these five years. yes there was you running marathon i well, the maximum distance - it turns out 60 km was in the mountains. that is, yes, even a medical run. uh, ultra distance or the same marathon and this one. well, you can do everything now, even if you threw something off before, you're done. well, you run, and professionally you improve your time so, well, that is, i'm an amateur. i understand the average result. well, i want to improve my time, what is your time goal, for example, there, i don’t know such goals in a half marathon or a marathon. i don’t have a goal anymore. here now yes it is to run to the ring around the beam, which i am preparing. this is

my main goal, which is. yes, more, 130, and not yet, there is registration nothing. i just want it, because i really like being there. i want to see. just all sides. yes, this is a ring with a climb, as far as i remember, of course, start. if we talk about a sports goal, this is my main goal. to do this, you need to lose weight do you think, because i can run faster if i lose weight clearly. i really saw how my weight affects exactly, the sports component this year was run in altai and for weather conditions. i did not have time to reach the desired point and i had to make the first time since the decision to get off, turn around and leave. it was insanely hard. but i didn't have time. i understand very well that if there was a minus of four or five

kilograms there, then i could run faster, at least you think so. i think so, yes, here, and maybe then. well, i have more chances to pass some cutoffs and so on. that is, it will be more opportunities anyway, because now i'm longing for this weight, if i suggested that you get better to 85 kg, what would you do. for me to do. i do not want it. i know you don't want to. although someone within you wants to be complete. eat uncontrollably so that you eat lera's sweet buns for breakfast or have lunch or dinner. well, yes, if the goal was to correct. and i would stop playing sports. i was just ruled out and lay on the couch and that's it. uh-huh let's imagine that you live like this. here imagine

that you have been living like this for some time. in a way that you eat sweets all day long do not play sports or live on the couch, well, just pictures like this imagine and tell me how you feel in this person's relationship. i am not comfortable. well, i was scared, because now sport brings emotions into my life. i don’t know how to run there in the mountains, when i completely deprive myself of eating this, but on training camps with friends, and it’s good to see each other there. and then i immediately have a question, how did i spend my vacation, because now in some five-star hotel i eat sweets. i'm kind of scared of this,

i don't want you. and what is it that scares you there, huh? what i will not see life i what will be difficult to answer. well, if you do not have friends, you do not have the opportunity and reason to communicate with them, you are sitting at home. then why? well, then it makes sense to live in general, if you just lie on the couch, eat, everyone laughs to go to die, and everything and so on, apparently, death is alone. and we'll talk. it's hard for me, it's scary, to be left alone not to feel

support from people, and then i got scared of what is not clear, as if what are the distances at the start. yes, that's what i 'm preparing. and i was afraid that i would have to go there alone, and not with a team. i understand that i can do it myself, but i need external support, and people like to ride with him only slender, thin and athletic, no weight of 85 kg. well, what will i do there? well, i don't know, so i'm going with my friends. coming soon to the ski marathon. although i ski like a cow on ice and you are not a hundred kilograms, but nevertheless, i am surrounded by people who are with me. interesting, i'm interested in them too. that is

this still scares me, if i am 285 kg, i will definitely trail at the end and, well, as if then they will wait longer for me and that's it. i don’t want to, or in general they will think, they will, as it were, understandably wait a long time, respectively, they will leave. this. i am also afraid that no one will meet me, of course, no one will meet me, no one will see me off , what do you feel when you say these words that no one will meet me, no one will see me off. no, everything shrinks inside, where a is in the region of the heart. uh-huh try now to be vkontakte just with this feeling. uh-huh and tell me what kind of feelings arise there ah-ah in the area of ​​\u200b\u200byour heart. feelings i don't know what to put into words. i feel a squeeze feel goosebumps. they feel very uncomfortable, well, this is an

assessment, most likely, yes, a feeling. come on, try to describe it to me, for example , in some physical term. is it a cold feeling or hot. hot is it static or is it dynamic is it expanding or contracting or is it pulsing contracting? compression and ripple is good. if you now allow yourself to give in to this feeling, what will happen i'll scream scream even louder. what do you feel and as if something is opening inside of me. and, well, it becomes easier and simpler, then i can say that when this

feeling arises, this sensation arises, you stop breathing. you seem to give your breath away. how do you think, when could you first encounter this feeling, when no one is waiting for you with this feeling of cold, squeezing your chest. don't try to remember in your head. be your feelings. can't tell when when you were 20 this feeling was already familiar to you as a student. well, when you were 15, this feeling was familiar to you no. i don't know either. i do not remember. myself a student was 15 years old. why don't you

remember? it was an excellent student, a gold medalist , and so on, a good, straight girl, but when she came to the institute. there there i did not get better. well, as there were much those who studied better and better, who had some kind of cultural life. that's where i cringed. because you ended up in a space of people who turned out to be better than you. all my life at school, i was a star there. and they always brought examples, but tanya is a better student. that was it , that was it, when you were not the best, that you felt how people began to treat you. people have not changed their

attitude towards me, then what scared you so much. that i can't be the best? this is what scared me. there is no need, well, after all, this turned out to be a very important motive for you. to show everyone how good, good, smart, purposeful i am. and being like that is very important now, no, why was it important then? don't know. i was afraid that if i didn’t, then no one would communicate with me. i understand, that communicated. yes, we made some compromises in order for them to communicate with you and these compromises. as a result, it turned into the fact that it is difficult for you to talk to people, and it is difficult for you to tell people about when they

act badly towards you. what do you feel now when i speak? anxiety about what? what you are saying is the truth. and now my hands are shaking. i feel. the feeling that, well, no matter how much i want to continue to live like this, that is, to adapt, that you can’t cope with this and you will live like that, yes, i can't handle it, that's all. remains we diagnosed. now you will leave here with this conditional illness and nothing will ever change. i do not want it so. i know what you want. i'm talking about anxiety. how would you

like it to be? so that i don’t try to become the best, i don’t analyze the actions of people, probably not, but i want to. and i want to learn how to communicate with people. that's what i want. ask them to ask them questions to speak. no, i don't like that. yeah, i'm so uncomfortable, don't treat me like this i want to, but you are afraid that if you start talking to them about it, they will stop communicating with you altogether. and then again the same loneliness. and that aching feeling, right? but you are afraid to be alone and i drew you a rather scary picture, which in fact has been present in your head for a long time. and where you sit on the couch there plump and eat these buns and clairs. i didn’t just ask how you would achieve this goal, because in your head

there is, of course, a goal, but to keep yourself in to go in for sports, but at the same time, the dichotomous goal to get better still exists, and you are able to control it while in the weight of 65 kg. but, when you start to lose weight, something also happens to you when you are 55 kg and it seems, how do you like it, how do you feel? you like the results of your run, but there is a breakdown. so there is some kind of conflict. yes, and it seems to me possible that this conflict i have such a fantasy that this conflict, just the same with the very people, for the sake of whom you lose weight up to 50 kg, and then say, yes, let's go to arsene and you start to eat off. i proved to you that i was able to run, and so i went to the cafeteria and ate. ah, eclairs of buns, and everything else. because you get tired of being different all the time so that people perceive you and evaluate you as you would like.

yes, it resonates with me a lot. after the accident , memory problems every morning, open your eyes around me, so many things are happening incomprehensibly. he does not know in what world he will wake up. you see, today i am cyril and he sees me for what he has no more mother without a beloved wife.

i was there the awakening premiere of the serial film from january 30 on the first what did they say? you want to say that i'm not the worst flew off? as he remembers the name, fatigue sleep badly to improve cerebral circulation of the brain, memory recovery, reduce fatigue and improve sleep. now i will not forget to change the usual things of the eyes, it is recommended to apply it daily for three months a year.

tell me, take ambroxol rinival, like everything neva, we trust rinival. we choose roared when the layout confounds. you just need to make up your mind to help your father, proven developers in all new buildings, just to make up your mind against pain in muscles and joints. it contains the highest dosage of a substance for pain and inflammation and a special component for better penetration into the ochakovel was created to combat pain, inflammation in the muscles and joints .

delicious point only in the app do you follow your health there? hemotest there action? yes, and here he is. also has a son. hello hi mom. they signed you up for tests in gemotest, in your city there is a program country gemotest three basic analyzes for 290 rubles. a free doctor's consultation isn't something you can quit, like your vocaluga lessons. so, do not study for free at netology.rf, four components are free. against the main symptoms, to tie with the symptoms of a cold.

our artist david knocked on the door of borozh and told me that volodya had died. well, your long-term litigation by the miners has ended. this is endless, soviet and me why can he? but i can’t, yes, because you’re not the prime minister on vladimir vysotsky’s eighty-fifth birthday i’m fucking, i

despised violence, i didn’t give a damn about the danish crown, but in their eyes i’ll touch my throat and i killed my opponent to the patron on saturday at first with you , i’m sergey on himself he is a practicing psychologist psychotherapist. today we are talking about her desire to lose the so-called excess weight, but i would still like to talk to you about your loneliness. now i feel comfortable living alone. before that, i am very strong bothered that i do not have a young man, that i once. i am 29 years old. i have no children from relatives. everyone is also

constantly present, tanya, when there will be children, when there will be grandchildren, but now i live and i feel comfortable alone. i understand that i am not yet ready for children, not ready to start a relationship, not ready, but i am not ready to give to children. that something i, well, as you understand, is not the willingness of nature to put you in the fact that from the age of fourteen you are already capable of this. i can't imagine how it is in my house there will be a child. i will have to make time. and i want to break off at any moment now and go somewhere without being tied to something. uh-huh and i might have it now. if a family appears, it will all be a binding on one side. you want to always have some people around you, but at the same time, you don’t want good long-term strong relationships, because i’m afraid i want them. no, i want a relationship, but they are, well,

of course, i first deal with myself. wait, what do you mean? i want but don't now. well, now you want an eclair no, no, does this mean that you want it on monday? no, it doesn’t mean, that’s why i’m asking the question that now and now you don’t want a relationship, or does it somehow look like. otherwise, you want, but i'm afraid that this word was the most correct, and not in such a way that i'm not ready. afraid of something. i can't even say what i'm afraid of, because in principle, there is nothing to be afraid of. you are deeply mistaken. there 's a lot to be afraid of, starting with what you've already said about losing your freedom to the so-called perhaps the falsity of freedom may be, the truth is free, ending in merging with another person. loss of your own identity, the

inability to do the things you would like to do. well, you've been in a relationship before. well they were, how long they lasted several months. at what age was 27, that is, quite recently , yes, and why did they end and how did he just say that everything is fine, but we are diverging. and how is it all good? all? how did you survive? it 's very hard. that is all your stress. i i really like to take me to sports. and accordingly, i could not go running. i couldn't do anything like i used to

go through all my negative emotions. i drank wine, talked to a friend, the next day. i realized that i couldn’t take it out on my own and turned to a psychologist and had two consultations. she pulled me out of this state. and something happened before my birthday. uh-huh and, accordingly, i sort of pulled it out and then. i continued to live. but as you managed to avoid relationships with the opposite reason until the age of 27. i don't know, i'm interested in my question. i don't understand why i didn't have a relationship until i was 27 . tell me what you did to ensure that these relationships did not exist, yes, well, it didn’t. it was obvious that you also somehow invested in this. this is the first answer that comes to mind, because you can't say for sure that you didn't want

the one you wanted. i understand, but when i ask the question, what did you do to avoid them . i suggest you. well, like this a paradoxical look at it, so that you see your responsibility because the way you behaved. as a result, the result led to the fact that you did not have a relationship for 7 years. communication with the opposite sex apparently, during the period when you, so to speak, found yourself after puberty in the relationship market, when boys show particular interest in girls, and you closed with your weight. yes, your weight may have protected you. well, yes, you looked at other girls who were slim, who were attractive, sexually attractive, including me.

i wanted to be like them, but at the same time they did nothing for this. yes, nothing then, which is why i said that you actually have a habit of reaching 85 kg and doing nothing. yes, there is, and you can quite calmly set such a goal for yourself and give a command to your brain that from now on we are getting fat, do nothing, do not play sports. i'm talking about the fact that you can set a goal for yourself to reach this weight. and as you rightly said, you don't want to die alone with a cat, but some part of you wants it. and on my look, this is exactly the same part that avoids relationships with people and it’s not at all about weight, because as soon as you start to slim down, attention to you is much more from

the opposite sex, including you start to go into your cocoon. it starts to protect you like a bulletproof vest, because then it will at least, how can i say, perhaps protect you from heartache. and, of course, the first will of the heart. you did not experience it at the moment when this many people left you much earlier, where you experienced it for the first time. here it's the feeling of being turned away from you. and in fact you were not accepted, you were not loved, you were not chosen. i'm trying to remember. and you don’t remember me , you remember sensations, your body remembered absolutely every element of every event in your life. always, well, my mother

said that first study, first career and then relationships. here these are these words to me right in elisa, that first i have to unlearn everything to make it work, and then everything else, so that what to what, to be alone on my own? your mom did everything to ensure that you were alone and on your own. and it is clear that she did this out of the best of intentions for you. but only you at this moment for some reason, as if betrayed one part of yourself that very part that builds relationships not because it's time. as you say, i'm not ready, but because it just turns out that you can fall in love with a person, fall in love and follow your feelings, and children turn out to be the result of love, and not the result of planned sex, of course, in today's

circumstances. you can freeze yourself an ovum, anything in there, and you'll have a baby in a test tube in 20 years, and it's like everything will be fine, but only a large part of your own life. where nature laid you urges, where your personal urges laid you to strive to be happy be in a relationship be desirable be sexy be bright be shown in the end yes and give. for some reason, this very feeling was told to you that you are not ready yet. and when you told me, i'm not ready, in general, you already told me at that moment about your mother, who gave you a clear manual on how and when to do it. of course, she wanted all the best for the question. what do you want? i want i want to live in the moment, well, enjoy my life, don't be afraid, don't be afraid to go into

relationships don't be afraid to connect with people do what i really like in the first place and live. well, how would you live the life that i chose for myself when you describe, your eyes begin to shine, you are happy, you are active, you don’t know, you are happy there . you have everything you need for this happiness, does it even matter which century? no, of course, no, no, because the weight in it all is just how today you fulfill all these obligations that you made to your mother. how many years i'm afraid, but, well, since i work as

customers, right? i'm afraid there's not time to hand over something there not to be in time. here it is to disappoint, yes to disappoint, but most likely the most important person you disappoint. afraid it's your mom. you understand that you are 29 years old. in general, today you can no longer stand at attention towards her. he is very afraid to charm, and to tell them even when i went on a run. they , too, first, so why do you need it about marathons, the same thing, right? it's a lot. yes, it's not necessary. before that, there is no health and tell them about some kind of dosing races. i'm scared. hmm. i'm afraid to disappoint them. what happens if you disappoint them with

your fantasy? what scenes are drawn, what could happen to little tanya who would have disappointed her mother by bringing them a deuce from school and how then mom would react, why so was it important not to disappoint them? don't know. how did they react when you did disappoint them in some way? i hope they are supportive. well, as you see, you got a deuce. they tell you, well, it’s okay , i won’t cope, i didn’t pass the exam for the first time or i don’t remember the test and i called them and told them about it. they are great for me right away. finally, you are a student. so let's go back a little further to childhood. why were you so afraid of disappointing them? what

were you afraid of? what was to happen to them as a result of disappointment, they would die or what, no. i don't know what i was afraid of, because well, you said yourself that you were afraid. that's what they were afraid of, because good is a good phrase. i was always afraid to enchant my parents, my question is simple, and what would it be like, what would turn off this disappointment? with what words they expressed their disappointment, maybe they never did, but in your fantasy this scene is strictly looked like an older sister. they well, it's scary, my mother never shouted anything there with words. yes , this is not a cry, not a voice raised. well, literally. their gaze is enough for you to hide in a corner and understand that you are doing something, not right. have you ever seen a trained elephant? come on, you are not admired by the fact that a small person controls a multi-ton animal. well, yes, it is

admirable, but you probably understand that this happens as a result of training, at the beginning of which terrible pain is inflicted on this elephant. yes, i didn’t have pain, no, they were just not beating you. i understand that you were not beaten like an elephant, but if a person is an individual, he begins to be afraid of the look another person, then this is just what is called learned helplessness, when people very often say, my dad once told me that we are not enough of a look. father was in order to die there with fear or to understand that i had done something wrong. i understand it perfectly. but, if you think for a second, in what conditions does a child live who is afraid of the views of his own mother, while he is looking for him? he is looking for a loving look, he is looking for an accepting look, he is looking for a sincere look, but he is afraid to meet a cold look. when mom suddenly offended and becomes silent and may not talk there, i don’t know, for a while. this is the most terrible punishment, as far as i understand. i'm afraid to say. see, this doesn't

make your parents monsters in any way. they simply chose this way of upbringing, and again, of course, they did this with the best of intentions, but now we are not talking about them about the fears that you hung on yourself, can you really disappoint people? and not only my mother, but in general anyone . and nothing happens when there isn't happens, but an adult differs from a child in that an adult is able to deal with what happens. and here is the child, why do i ask what kind of pictures your fantasy paints, because the child paints a picture in a situation of disappointment that he is not able to cope with. but you have grown up, but you have not matured. and now i hope that as a result of our conversation with you, there will be a small element of this growing up, when you see that in fact, to do all this.

don't need what you do don't need bring to the chopping block and throw. so to speak, sacrificial fire own life personal life sexual life. my own there, i don't know pleasure and everything connected with it. not very responsive to what you say. and now i have a straight picture of a look, there are mothers, yes, to disappoint. well , she is looking at you in this picture. what is happening to you, i shrink all into a small ball. just like at the beginning. here is the feeling. yes? uh-huh yes, yes, i'm shrinking, i do n't want to hide, i want to. yes yes, hide as far as possible. here i am , uh, if we're talking about mom's stern look. yes, i want to hide under the covers. and shrink and that's it and nothing around happens

nothing around. i am not here. no, the most important thing is that in all this there is no me, and therefore you understand when you appear there you are you are 55 kg, then at this moment. you can not stand this heat, and you hide and hide instead of a blanket with your 13 extra pounds. how much are you hiding there, in fact, with your body in order to hide this a little girl who actually has long had a right to property. yes, you now want eclairs. no, i'll just tell you such an exercise, i'll give you the next time he wants eclair chips, something so sweet, when you eat, you just say what kind of mother it is. you know how a small child is fed the last spoon not for mom for dad. here is every cake that you will have in your hands, just say directly inwardly what i am eating for my mother or for my mother. and you well how to say you

so you see, it's a very conscious field. it will cease to be unconscious when you buy eclairs directly to buy for your mother for your father and for your older sister. you can also for the boss of each of all the people to whom you promised that you would not be attractive, you would not be free and happy. yes, thank you for this exercise. i just painted, thank you very much. thank you. i was very glad and great that you mustered up the courage to do this. thank you. hello, my name is igor igritsky. i i do cinema. i am a film critic and film critic. today we will talk about the cinema of exotic countries, but actually, they are exotic only for people who are used to hollywood

or transnational productions, because over the past 20 years, probably, in cinemas and on television. we found, of course, the dominance, er, in general, american and transnational, because almost all non-american films still contain hollywood money, but this term big hollywood doesn’t work that way anymore, eh, nevertheless, there are a huge number of countries in the world, and the countries that have created their own national cinematography, however, need to be mentioned right away. the fact is that, mm, this national cinematography, the so -called exotic countries usually. not really welcomed by moviegoers because, well, we understand that it's not exactly entertainment. the fact is that really hollywood and going in the wake of hollywood cinematography a are focused

mainly on entertainment on shows a-a on television, so national cinemas of countries that are not included in this one, but rather not focused on entertainment, and for a story about the culture of these countries, this does not mean absolutely that these films are not interesting to a wide audience. well , you just need to understand that the viewer is used to being only entertained, to be shown some kind of show, and special effects and so on exotic countries, about which we will talk, in this case about iran and as a rule, not have the money to use. maybe for making hollywood movies of course it's not millions of dollars. as a rule, these are only the credits of a hollywood movie of some blockbuster. basically, it's a budget. e film, e, national of some exotic so-called country, but nevertheless, one

must understand that in those countries where national cinema is not repelled by e hollywood clichés, they develop their own unique cinema, where, in general, the conversation is not entertainment , but rather about the culture of the regions where it is filmed and we find out that the culture of these regions is very interesting. it differs from some generally accepted stamps. today in the podcast we will talk about the cinema of iran and in order to understand, and more deeply its problems, you need to delve a little into history. uh, iran is an ancient country. uh, with a minimum of 5,000 years of history for many centuries. dynastic monarchies existed in this territory. these were the iranian kingdoms and the last dynasty. pahlavi reigned until the seventy-eighth

year, and in 1978 a revolution took place in iran under the slogans of islam from that moment on. iran has gone from being a monarchy to a theocracy, despite the fact that it is called an islamic republic. which is somewhat of an oxymoron, because a republic does not imply a theocracy, nevertheless, the top leadership of iran is the spiritual leaders. eid allahomyani was returned from france, who lived there in exile ashah. uh, mohammed levi was just expelled from iran and in general, iran changed its not only political, but also in general cultural and spiritual whole system. and these changes had a very strong

influence on the cinema, of course, because up to this point, the cinema of iran developed in the same way as in neighboring countries, but in the seventy-eighth year certain restrictions appeared. this can be called, well, a kind of spiritual censorship. the fact is that e scenes of sex and violence, which were very bright in the sixties, are shown in such cinemas as france, italy, and neore. appeared in italy in france hmm on a wave of student performances , the famous french new wave appeared. that's all, since the seventy-eighth year, and in iran it was forbidden, nevertheless. cinema continued to develop, despite the fact that the islamic republic of iran began to live according to the laws that were determined by spiritual leaders. they were fully correlated with

sharia law, where the image of people and animals is not welcome, however. movies were, well, hmm, a permitted art form, with some restrictions. and here it is important to note that this not only did not violate or somehow limited. eh, creators, and the so-called second new wave appeared in iran, where the abbas director, about whom we today we will just talk hmm abbassky about the growth is the largest figure in iranian cinema for russia, comparable to, say , andrei tarkovsky there or kurosawa in japan, and basket is tall. e-e studied at the university of tehran at the faculty of arts and, in general, positioned himself. e in his youth, as an artist and one might even say, as a poet and

writer more than e a cinematographer, but he was a director of, uh, long-form films for a very long time. he himself was born in the fortieth year, he began his own graphic activity still under the shah, one must understand that, on the threshold of his fortieth birthday, he had to change his own. well, let's say that the aesthetic system after the revolution of the seventy-eighth year, and iran severed its automatic relations with the united states after the hostage-taking and fell under sanctions, respectively, many cultural figures were forced to either leave the country or go into opposition, but abbas continued to grow. e, using his great authority to work at home. this did not affect him as an artist, these mm restrictions, but nevertheless

less. he became more of an observer and ceased to engage in actual so-called contemporary art. he began to comprehend what was happening around him with a great revelation. e for world cinema was that in 1997 at the cannes film festival his film taste of cherry, which we will talk about now, won the palme d' or. it was the first iranian film in history. who won the most prestigious world festival, one must understand that the cannes film festival is a mecca for filmmakers from all over the world. this is the main planet film festival. it just so happened. well , uh, there are only three cannes, venice, berlin, as it were, the first and win. it's like winning an olympic gold medal there. and here, uh, an iranian film for the first time, but

got this golden palm because of it. ah, abbas film, kerami, cherry flavor, this is road movie is a movie. filmed. mm in the form of a trip by car. the fact is that i’m generally tall, a car is a symbol. hmm, in many of his films, the car is the protagonist, and in fact, he acts as cinema in ili and the viewer meets with this movie and here is the main character of this film , uh, non-professional actors who are architects by education. his name is hamayun, a non-born travels through such a brown-yellow iranian autumn desert through the mountains and is looking for a person who will help him commit suicide. on this path. he meets several people, and this is a

soldier. this is a worker. this is a museum worker and leads with them. uh, hmm talk. he asks these people to help him kill himself and every time he comes across a certain not very understandable to the viewer, but uh from the point of view of hmm philosophy, but a very pronounced religious answer, because in one case, uh, a person does not want to commit this act, because he is repulsed. from uh the prescriptions of religion in another case, ah. this is more of a philosophy of non-acceptance of death, and so on and so forth, but one must understand that if the e abbas o stature filmed him in japan , it would be absolutely clear that this is just zen kant, e, in general. well, i use this zen term because

in general, there are quite a lot of connections with kiarastami, and with japan, he, uh, communicated with kurosawa worshiped, and otzu a and, therefore i’m talking about zen just as a japanese word in general, uh, zen is a concept that came from india to china hmm well, we’re just more familiar this word. and what is zen well, in short, we understand that this is meditation - the rejection of any explanations. this is an attempt to penetrate into nature, not starting from any kind of literary or any external sources at all. and as they say, to know your nature and you will become a buddha, and now movie. uh, the taste of cherry is just such a feminine kant why because we don’t understand, in fact, uh, nothing but these strange dialogues, cinema, we are used to

the fact that it is usually uh, the frame is saturated with some details. i, rather, subtract details from the frame, and we see only general plans, long-range plans of this one, and mountainous terrain and closes. and here are the faces of the actors, ah, with whom he communicates there. there is practically no entourage of the action, and we just see the external effects of e, a car driving through the desert and hear a voice. and it is necessary understand that this is unusual for the audience due to the fact that there is no musical accompaniment, as if it were such a documentary story, but at the same time we are well aware that it cannot be documentary, because no one as a rule. well, ordinary people don't ask themselves to be killed from other people if they're contemplating, uh, suicide, and of course, this isn't about

death, it's about how a person feels about death. i'm trying to show that you are the reality to which we are accustomed to it. uh, it doesn't really exist, but how do you show it? at us the word car and the car itself are not similar to each other, therefore, when we put a camera between them, we get a certain feeling that gives us an understanding that there is some other reality between the car and the words, therefore you need to subtract everything from the frame. it's quite a difficult moment to watch. hmm, but it needs some work. and just like in the women's clan, when we looked, we let all this in and let it inside us. well , what is called satari, it's not exactly like that, well, some enlightenment, and here you also need

to understand that his cinema, and it is unusual for film-rastas. mm, from the point of view of psychology , usually films. and well, in general, this is art, while for some show it has some kind of hysterical nature. well, these are some explosions. these are mood swings with rages. she is completely different. i would say schizophrenic nature. these are repetitions, repetitions and repetitions and these repetitions. ry, when there are a lot of them, but give rise to some hmm sensations and this sensation. the feeling of the unreality of what is happening is very important for otherness. so that the viewer does not get lost in this completely, uh, in his many films and in particular in this film at the end of uh, a film crew appears, led by the director himself, who says that, uh, guys, i showed you what i actually came up with, because

if this film crew does not appear, there will be a feeling that we have fallen into some all- realistic such a different reality. and this is the philosophical understanding of reality. it is, of course, inherent. ekerami, as few people, so it can be called a great director of genius, and very few in the cinema. uh, who can be compared precisely in this process, in the process of comprehending reality, he gave a very powerful direction. that's it. hmm, from this point of view, iranian cinema, because hmm not only he, but began to make such strange films, he has followers who certainly start from his findings. and we know them all. well, those who are interested, of course, in cinema, and this is maxsen, makhmalbav and

his whole pleiades, he also has a daughter, samir makh prayer to jafar panahi the brightest of his followers is asgari farhate, and he belongs to the next generation of iranian directors, his films began to win, and prizes at international festivals, and iranian cinema simply became. uh, a guest of almost all major festivals. eh, mira, they are tired of talking about such a special direction, and, uh, asghar farhad, but with his films, and starting from a divorce, they began to appear in cinemas and simply because to receive not only, but here you also need to understand that makhmalbaf films made for little money. in general, usually not collected no cash, and they are simply inscribed in all encyclopedias. but let's say farhade already, as soon as he appears on the posters, he attracts the

viewer, and at the box office his films are already with great success. there is already music. there is already acting. it is no longer welcome there, since other directors have furiously unprofessional participation of actors, that is, you can say that the second wave, which, uh, was so brightly abbas kerami, is presented to the world community. it goes on iranian cinema continues influence. well, at least the cinema is a region and despite the fact that iran has been under sanctions for more than 40 years, it uh does not have diplomatic relations with countries that uh promote their cinema to the world stage thanks to transnational interactions and big

movie money in iran has not only not died out, it has a bright international resonance. a new wave of this iranian cinema. they are both in their own country and in the international arena, but they play a big role, they are respected people. but in general, iranian culture, thanks to cinema, becomes recognizable all over the world. abbas orastami was, in general, a father. this process, which is still going on wow, he is the father, then who? listen, my life is different. i have a happy husband. in my entire life i will

never earn as much as you, and you will spread your legs . all alexander is in good standing with us, previous customers had no complaints about her. she is some kind of sister brought. yes, they don’t look like mom at all, but with you, one face happens like this. and who is igor? should the child be imprisoned? what is the cause of hemorrhoids problem, it can be not only outside, but also in the veins, therefore an integrated approach is important, venarus or

vice versa, alum, complex treatment of hemorrhoids from the outside and from the inside jewelry 585 gold indigo tits shoes for brilliant children perfect basket for one mine basket for 169 rubles. at kfc, sovcombank get down to business immediately, they planned repairs we took a loan from sovcombank before five million. and here you are use wallpaper in children's loans designed to do you there for a hefty follow. hello mom. recorded you test 290 rubles. free medical consultation we have saved for you the

bright sun. tell me, take ambroxol rinival bromhexin rival, we trust rinival. we're picking roaring sticker mania at delicious point over 32 million in -app sticker prizes from january 30th when the layout is stumping. you just need to decide your father will help proven developers in all new buildings, just to decide in your art. i strive to recreate the plasticity of human movement, but, unfortunately, the dolls have the weakest point of the joints, and i do not have artneo, thanks to the special collagen, the triple helix shape contributes to support. joint health artyom five special

components to protect the joints and spine. and with an excursion, transfer money to the sea for 300 rubles. still dialing the phone number for manual transfer tinkoff was the first in russia to launch a number scanner install the tinkoff app and transfer money easily and without commission tinkoff he is the only one antibiotic disorder removes toxins from the body smart solutions against poisoning new big increased sugar or cholesterol jumps blood pressure cardioactive taurine is the best, cardioactive treatment taurine evalar is twice as profitable in price. now we will talk about the cinema of the philippines and

talk about a film called the woman who left, and directed by lavdes. this is the most famous filipino director at the moment, but before that, i just want to remember. uh, how did the cinema of this country develop? the fact is that the philippines is an island state where more than 100 million people live on seven thousand islands. despite the fact that the philippines has a rather difficult political situation that continues to this day, but related to the fact that this country was. for a long time it was dependent on the united states and did not have independence, but with the advent of ferdinand marcos. the economy and culture began to develop rapidly there. true in the seventy- two year. hmm, marcas abolished the constitution introduced an authoritarian rule that lasted

until 1986, but nonetheless in the cinema of the philippines and suddenly found its voice. again, it must be said that filipino cinema followed the lead of hollywood , of course, and like any other, regional cinema concentrated on entertainment for a long time. nevertheless , authors began to appear there in the seventies and eighties and who preferred to deal with the problems of their country more than to entertain the public and the cinema. philippines m-m began to acquire his unique voice thanks to the director lenobrak, the most famous at that time, who became a to make films about ordinary filipinos and about the problems that were there a lot. particularly crime. there was one of

the biggest laurents in the world. indigo diaz is the name of the director better known to us as love - he was born on december 30, 1958 and was named after lawrence. palych beria, his parents were communists, yes, but he simply shortened his name by becoming love, but in general his transition from uh, such hmm , socialism yes, from social cinema. uh, about something eternal hmm this is a manner of few characteristic and it cannot be said that he had some kind of school. by the way, he is a very simple person, not at all. hmm, but he travels to festivals. er, sometimes without even being invited to these festivals. well, because what festival can afford to show films that go on for 8 hours. yes, but he can come, as just an independent figure to settle with film critics in the same room

or in the same room, and er, when you go with this person just to drink coffee, and looking at him you understand that you have a genius in front of you. this gives rise to a very strange feeling and that's creativity and follows, and the life of ordinary filipinos, but, but its strangeness and most importantly, its peculiarity lies in the fact that his first films, but were anti-commercial, that is. those people who watch and you current films that run about somewhere around 4 hours will say that hmm here is the woman who left, about which we will talk about this short film, because his first films, but last seven eight nine hours. this, in principle, is not something special in the cinema; experimenters put on films, which ran for 40 hours, but tricks

is the standard size for his film, which was somewhere over seven hours. moreover, he started in general as an author, filming with his own money for a penny a movie that he wanted to make, not assuming that it would ever be shown in the hall or on television? it is clear that and its producers. they didn’t want to, uh, release these pictures in order to make films, where he is usually a screenwriter, director, editor and cameraman. and he did not need a big team, but uh, the genius of this man was so high that over time, of course, he also had commercial offers. mm. and he made friends, of course, with the producers. well, the important point is that in order

to start working. he went, uh, well, that's how they did it. a lot of, basically, uh, great artists on all uh, tricks involved in getting some kind of money he worked there. watchman, he worked as a waiter. he was who he was and his most famous film, the story of a filipino family. he filmed 11 years old, it goes 9 hours. and this is just a movie , uh, where hmm there are no professional actors. it 's just such a hmm sketch about life, but nevertheless dramatic, but the film about which we will talk received the main prize of the venice film festival in 2016, bringing love to the international arena by making it. well more or less famous and this gave impetus to his cinematography. um, well, he got some kind of commercial

component, he began to make shorter films. here's the woman who's gone filmed by motives of the story of leo tolstoy ah, which leo nikolayevich tolstoy himself considered to be the best work in general in his writing career. it's called god sees the truth. yes , it won’t be soon that the women who left is a film, but a person who has been in prison all his life, well, most of his life, and 30 years after leaving prison. uh looks for the offender and finds him one way or another in tolstoy's m-m in his story about a merchant who spent 26 years in prison. and it turned out that the murder was committed by another merchant who gets to him there e to hard labor, and he forgives him this story. god sees the truth. yes, it will not soon end with the fact that the reader must

appreciate the depth of hmm, this forgiveness from the lavs in the film of the woman who left. this movie ends a little differently, but hmm , the point, of course, is that a man who spent half his life in prison for another person changes in all respects, a woman who left, uh, lasts 3 hours and 48 minutes. this is a short film for love des. but during this time we live this story practically, not seconds. not uh, bored, because uh, well, it's hard to explain, but the fact is that in childhood it immerses the viewer into the atmosphere of life that we, in general, have never experienced on ourselves. this is a special one. here is a special world of these characters. yes, it must be said here

that m-m lavde shoots on black and white film, and this is due not only to the fact that he does not have enough money for color film. because he's filming. uh, already on a digital camera. well, because this, of course, is a technique, what is it about in this film, a simple filipino a woman named horace. uh goes to jail for 30 years for a crime she didn't commit, but she was set up by her former lover, but before her death. uh, the real killer writes a letter of repentance, and the police finds out. e that it was so, when she goes free she understands that e is life. uh, behind bars was much fairer than what she sees now, she runs into people who are, well, obsessed with some kind of

passion, and such bright iconic characters appear in the film. she meets a rather abnormal patient. the cat that called all those around by demons, she meets a-a poor merchant of a-a currencies, these are such duck eggs, in which, uh , an embryo has formed, and uh, actually the whole movie, what about how she tries to find her abuser . i take revenge on him, while it turns out that her son was missing her daughter, who has not visited her for 30 years, and does not want to communicate with her. and in general, this is an immersion in such a dante hell, and she goes around the circles of this given hell in order to, uh, at the end, get some purification, watch

this movie for more than three hours. hmm quite hard, but if 50 years ago, they saw such a film there, we just saw it in the form. it's a two-part movie, but aside from the fact that uh, there's also no hmm music and no cuts, a shot can last 10 minutes 8 minutes for people who are n't used to uh. e turn for people who are accustomed to the consciousness of a massive number of questions. that's what it's for , and it's obvious that lovedez makes films for himself, not for the audience. he shoots such pictures, simply expressing with the help of the camera his attitude towards reality to him. this is cool. it is possible with

the help, by the way, to say, again, not professional actors, although the main role. here she plays, chara-santon, sconcio - well, the famous filipino actress. she needs to show that such a life, she was conserved in her own. well, here's your own juice can not be happy. this is a life that just overtook us, which overturned on us, and the director does not try to teach us anything, just to tell, the way he would see it. well, lev nikolaevich tolstoy, let's say it's rather difficult watching movies that go on for so long without any twists or special twists and so on. but hmm , the cinematography of this is artificiality, but this here is the deliberateness of this black and white complexly built. ah, the internal plot and frame puts love

with its cinematography right here with some kind of separate pillar of the world's auteur cinema, love, with uh. this is a special phenomenon in philippine cinema, no one manages to make such long films. and you can say that hmm philippines hmm as a cinematic such an exotic power is a surprise for world cinemas and one of the main characters. e of this country, er, in culture, and in general is lavde, he is like that. well, when we talk about the philippines, this is the first name that appears, and in our memory and it is very honorable, because, well, it's easy to become, uh, a laureate, there, of the venice festival for some film. it's like getting, i don't know, the nobel prize,

because it's a very prestigious award, and especially for a person who, in general, does cinema with its own money, what is called and because in the philippines it is really, but poverty associated with crime. mm. for a very, very long time , some kind of cultural background determined, and the appearance of a lav-desa hmm, such an exotic creature that does not just talk about how a crime is committed, but literally describes by the minute, uh, everything that precedes or everything that follows this crime is followed by this one, and the topic of the hour. mi, a trying to make sense of it, of course, causes deep respect, because he simply takes a whole step away from the usual view of these problems. well, because we

know that, well, how is usually described. hmm and this kind of thing they are described by the dichotomy of good and evil. yes, right here, uh, villains. here are the criminals. and here, here, it means there fighters with them there gangsters and the police something like that in lavdes is completely different, he has no division into good and bad. well, as a rule, a and no, in general. hmm, binding to whether it is good or bad everything that is connected with the murders with these here is the cruelty and nightmare that takes place there, but just such a look, the viewer is invited to feel this fabric himself. see her understand what's going on here and why? ah, because, well, there is no exact answer to uh, these things. e always arises from the history of the country from the other side of the

argument, and the usual view of what is good, what is bad, but changes depending on which side we stand on people. and often they are confused, they don’t know how to relate to this or that event, and lav diaz, exactly, because it takes so long to show all this for so long to take it all off that he does not get up. on neither side, he does not but explains what is good, what is bad. he just watches it and at the same time he does not show with a punch, and from above he does not teach anyone. he doesn't give any e permission. by the way, leo nikolayevich tolstoy also believed that. eh, his story hmm really see. yes, he will not soon say at the best in his work that there are no bad and good people who served for another for

many, many years and forgave him, he is not good. he just put such circumstances. he he cleared a nimble very characteristically similar look, by the way. to say, of course, russian literature and especially dostoevsky ah. in his other works, too , is, well, a source of inspiration. he also makes films that refer us to crime and punishment and, uh, not only great russian literature, but also cinema, of course, is for lav-dias, but an example, and he is a big fan of tarkovsky. by the way, he has been to our country. if you watch his films, and then, of course, you will definitely see a roll call with uh russian. uh, a movie with a movie in black and white, which was also with us. well,

it’s clear that there is no russian cinema at all. hmm. eh, such directors, such exotic countries and exotic cinematography as the philippine simply cannot exist, but because, and they simply rebuild from the big hollywood and rather, of course, gravitate towards mm. there to neo-realism to uh new wave or uh, cinema of tarkovsky or herman with you was a podcast of the movie exotic me name is igor igritsky see you soon, we will continue to explore the cinema of exotic countries with you.

hello, dear friends, this is an anthropology podcast on channel one, its host dmitry, and you just heard the best jazz guitarist on the planet, evgeny, god , you ask how it's better. and so, i didn’t say that the people are the best of all time, but the best in 2018, when zhenya won, in fact , the title of the best guitarist on the planet in the framework of the world harbie hang jazz institute competition, which actually distributes such rank. and it's like, well, winning the tchaikovsky competition in moscow for a classical pianist. and if, for example, you see a truly beautiful e, such a poster dedicated to the centenary of russian jazz, which decorates a house in the kotelnichka area, visible to everyone on the

embankment, you will see saints before everyone. the faces and saved the monider-roznor and kozlov alexei semyonovich, and not according to god's most important thing. hope this night. you will enjoy communication with jazz music provided by zhen thank you dmitry words. yes, everything is correct one exception. i’ll correct it a bit. in 2019 , the competition you spoke about was held, and this is important, and one more nuance is that every year the nomination, that is, the instrument presented at this competition, e, changes until 2019. the last guitar competition was held, if i don’t confuse it, in 2005, you sit down comrades, why are we not standing on a name day, well, dear friends it ’s obvious that zhenya, like everything is fine, people don’t have much that will come out of a good person who is in childhood did not want to be pilots

or beaten. ah, he must have played the electric guitar. check out translators. well, he knows how to play now with a pot, of course, he could play at 10 years old when he comes for a new guitar, but time goes by. and now i'm talking about tomsk. yes, zhenya came to rostov-on-don to study. you played rock, of course. i lost. well, since you are watching it at the factory, and perhaps, i also played the case, that i got into music under the impression of rock music, it was kostya. my dad had a good collection of vinyl and records on cassettes and cds, and that's basically was english rock music. i remember myself as a four-year-old record-listening creed sclerota revival rollingstones. i remember a very strong emotional impression for the

beatles a dad. i think i did not oppose these bands to each other, and in general there were records, both of those and others. that's what's the matter here. he usually parents believe that music is what sounds on fridays. well, you can also on saturday for this w- how do you drink, and so it is from monday. on friday, you have to do serious things, which brings loot. well, you never know what else and only some of our generation understand that music pervades all days of the week and all the years of life music, it's not only on friday. music should sound to your soul, even in the most difficult routine moments of their lives. that's what dad conveyed along with zhenya's vinyl how many people's faces changed when their sons, i will be a guitarist bam, what did mom say? put here the diploma of the faculty of law

, tomsk university, and then go play, said the faculty of physics and technology , and said so. well, i honestly i studied for three semesters at physics in tomsk . the fact is that my father just graduated from this faculty, and my mother graduated from the chemistry faculty of technology, but i only had enough for three semesters, as i said by that time. i have already determined for myself that i will professionally engage in fantasy music, which blew my head towards jazz. i remember that when i was 15-16 years old, i began to communicate with older musicians, and they were much more experienced. it was already more professional let's say work rather than just amateur ensembles. and they recommended me to listen to jazz music in order to broaden my horizons, so to speak. and the first thing you listened to and the first thing they let me hear. it was a cd one of them was charlie parker and a young miles davis uh, also i had records at the time with smmc, a legendary jazz guitarist and an album

of bands and i think a couple of albums. john, that is, this is the music that started. these are different, in principle, eras. uh, jazz history. that is, if charlie parker is the end of the forties and this is the birth of the bob style, then let's say coffee shadows. now this is fusion music, this is the eighties and nineties. in general , somehow here is such a spectrum, i immediately discovered uh for myself and i was very impressed by this music. i realized that this is a whole separate world that i really want to explore, to learn, to learn how to speak this language, from this my jazz story began to talk to us in this language. well, let's probably play something together, we have prepared some of my author's compositions. now i think them yes, today we are not even standard, well standards, we also play, but we thought that author's music would be more interesting today, so we'll play a song called stranger stops. uh, extraneous thoughts.

dear

friends the best music program on domestic television at this moment we are creating on skipping some moments of zhenya's biography, we will definitely rock him now and reach until today,

you have full-time guitarists of the first most important composition of the famous big band. igor butman. there is a secret in this taisi. yes, not with this headless guitar he plays illustrious big-benches, to which the whole world applauds. no, there is a huge jazz, as we say bank, but comrades, what to get to the bootman. this is so much to know, so there is no longer something ingenious. and what do you have and how brilliant it is, you were able to show igor mikhailovich that you are now sitting right on the front row of the butman set of brilliant musicians in general, i think the moment when i managed to demonstrate my skills igor mikhailovich was a competition in rostov-on- don in 2011. that's all the same without parting well, in my biography there is a lot without rostov at all and rostov was not without it. well, perhaps

you are right to say, in the affirmative. yes, this is 2011. it was a simple competition and igor mikhailovich, as it traditionally happens every year, was the chairman. e, jury, but in principle, i think it was the first moment of acquaintance and already the situation after which i was invited to a permanent job. this is 2015. it seems the year of the festival, the future of jazz, which the bootman game team annually holds in moscow for this festival invites, uh, young musicians from and from russia from different cities, including from abroad. well, i was invited, i spoke and soon. after that, he received an invitation from igor mikhailovich to take a permanent place, and in his comet this example is science for us. even if you don't play guitar, be the best in whatever profession you're currently in, you'll be the best you'll ever find a butman in your life. ok then. and now the time has come and sit it in the twenty-

third year. here at night on channel one , i don’t hear any toys for you either. this i speak for the audience, how great you play. uh, young people who surround the same introduce them to us with pleasure. let me start with the bass player. and of course, correct yours and sergey korchagin e, a wonderful amazing musician, whom we just met in the team of igor mikhailovich drummer nad kravtsov, he comes from yekaterinburg and i come from siberia and it so happened that we had a lot of mutual friends more with you period, when we lived there before moving to moscow and i, probably, years 15 already as i hear rave reviews about the game of this musician. and it really is a stunning unique drum. i always have great pleasure playing with him with such drums. we'll go far, it's not boring to play. you still want this jazz, probably, there are none of them. well, why in every way here, by the way, it is possible to both serve

and play jazz at the same time sits firmly on the funk, right? yes, then he plays the keys on the bank, the amazing outstanding pianist, musician, composer evgeny lebedev is also a very significant figure in our jazz scene today. this is practically a symbol of a young musician who received a wonderful education in america, returned to russia and is building our patriotic jazz scene here, developing and, let's say, the compositional component of the russian justin anton is another very close friend of mine, who appeared thanks to igor's orchestra will be a unique saxophonist and wonderful composer too. that is, if today we play my author's music. i can tell that anton has author's projects of his own , very interesting, with which we play him, amazing compositions. it's amazingly

complex and at the same time amazingly beautiful music so antonchik yes very nice. i am the one who plays comrades, but in fact there are a lot of projects where i manage to play. it's just our joint project with a burning swan and bassist anton revnyuk, which is called ellar k3o lebedev revnyuk kravtsov interestingly, this jazz project is a jazz trio with this project. we traveled with, in fact the whole world is the same ah, my own the author's project, because i also write music is called the underset project. it 's all there, like a cobab in the spectra, or something, drums? country music now, of course. wow , listen, this is either your father's influential pianist. and who would know? come on, tell me what i'm like in this, well, what's so special about it now, how many guitarists sit watching at night. after all, no one is spoiled for demonstrating good jazz funk. e on

television in the fatherland in recent years. and now these minutes. here he sits and thinks what they found in him. right there is what say. no, well, first of all, zhenya is just a rare professional in different genres. here they have drunk jazz and the fact that he really plays all this. but i just a few times. uh, had the joy of seeing this studio. the fact is that zhenya , well, firstly, he is never mistaken, we take a witness so that now they are already asking there to play solo. he plays solo once. cool. and let's play some more, and then there's a problem. it's just hard to choose. what a double of this and all. it you just need professionalism and knowledge of different styles and swing can play anything, that is, for expensive, please, it seems to me, you can apply to write down. let's for now. we have a unique opportunity to listen. it's free and we'll do it. this is an anthropology podcast on channel one eugene

later with friends.

sveta's attention

was completely unsuited to the family , but why did they live like this for 12 years with marina, precisely because it was not quite a family, it was always nice to hear. vysotsky faster, paris volodya jumped out. what was there, marinochka and i were offered to us several films together, but always refused censorship it often happens that in order to become better ourselves we have a couple of good people premiere on the eighty-fifth birthday of vladimir vysotsky the most talented person of all people who picked up the guitar. this is definitely vladimir vysotsky on saturday at the first change of vision can change

the usual things tufun created to nourish the restoration and youthfulness of the eyes is recommended to be used daily for three months three courses a year triple action for clear glance. i tell you for sure, maybe he is your favorite grant with a big juicy, melting cutlet, cheese, onions and cucumbers. precisely he try the grand double grant and the grand deluxe. and also the new grand three cheeses are only tasty and point for 300 rubles. still dialing a phone number for manual transfer tinkoff was the first in russia to launch a number scanner. install the tinkov app and transfer money easily and without commission. tinkov, he is so alone, this is a corporate party.

the new generation of its mineral matrix removes toxins from the body, preserving useful substances, smart solutions against poisoning, we have saved the bright sun for you. and the power of fire in every seed of jamie so that in an instant with a click you enjoy the seeds of genie we know we love and eat, coupon two two nine nuggets for 69 rubles. kfc technique inspired by life pentalgin is the number one remedy for spasm and inflammation pain in headaches and other types of pain pentalgin can do without angusback pain.

it was a direct hit and it exploded over the roof. in general, the blockade is the blockade yes , i worked at home, in addition, i was fire brigade, and in my free time, i dragged you know my meaning and didn’t know his music and didn’t know his name, didn’t know anything about it. two stories of shostakovich's wife on friday at the first quartz, he began on the day when i came to drink there and stayed. i realized that no matter how much he loved

harry maxim me, but the main thing is that he loved to compose music. dear friends , the event of the global guitar world has happened terribly. i said goodbye to jeff beck in this epoch dear friends. well, here's what's instructive about jeff beck's story when he tried to play, how its coming to put it together by clapton and page band when he smashed the guitars on the amp it's in the famous movie about rock 'n' roll. london - it's just already on the run breaking his guitar. you know, he considered forty losers, about two. what a bless the lucky ones, it seems not, but at the age of sixty, the chief back realized that there was no longer a need to run through the years and smash amps with guitars . he became the number one influential guitar grandfather in the world. he began to play

slowly, he began to play as spatially as no one before him and hardly after he became be able to rocking so miserable. uh, with the string amplification lever to carry the whole i parts of a quarter and a semitone, grabbing and, of course, the famous wow sell. this is the name of the technique when he simply turned the guitar into a magic flute with the volume control. well, that's all it says, that beck's example is god's lesson, which means that there is so much ahead, it will not be too late to completely change guitarism at 60 years old. zhenya what are you going to do? when will you grow up? well, it is possible that i will also stop running for years, but i am sure that i will play on guitar, because i do n't feel like doing anything else yet. but

you see how you commanded in this composition that your daughter should love the orchestra, mahawish, but you are beaten, then you sit at least once, and , unfortunately, do not bring it live. i drank with him for two days in kaluga, but i think i listened to so much music from him that we are practically native people. well, at least i'm trying to kick out michael walton gives way to a cop and vice versa, don't be so clear. here's what we're going to do next. that's the question of writing music, playing concerts is worth it on that, in general, what has been achieved, everything is certainly developing. it has always developed and is developing now, and it seems to me that now jazz is such a broad concept, that so many different kinds of music are called jazz today, that in general i would not say that it is some kind of canned museum genre. there are people who would like to see jazz, just those who are adept, casual

adepts of the sound of, say, the sixties , and they are sure that after that, in general, now is over. well, there are i believe that both fusion and modern experiments, let's say, connecting jazz and hip-hop and various avant-garde movements, are all jazz, and i think that this is how it should develop to absorb more and more , let's say, adjacent styles of cultures. do you have something to marry jazz directly with hip-hop, well, directly, to frankly with hip-hop in my author's music, unfortunately, there is no such thing, well, at the maximum level of rudeness, let's say there is the first composition that we played by strangersots. this is essentially. well, how to say, the composition is written in hip-hop is rough, but nonetheless, no one raps and this element is missing. well, it’s not that it doesn’t get it, but it simply doesn’t exist. but then you need to press the button, if for the bow to go something such a grand colossus, like, uh, drag ignat here. you press the button. that will be all modern music, yes or no. well actually now there are examples of a modern button. yes, and the buttons are not pressed

, the keys are pressed, let's say on a keyboard instrument, let's say, that is, uh, pianist robert blasters. here he is very active. experimenting with hipp specifically, that is, people come out and rap. and at the same time , very modern cool jazz music sounds in the accompaniment, and this is actually organically combined. i think in this context, in principle, it starts to sound quite different. much more meaningful, well, from my point of view , you rehearse so much during the day. well, i play as much as i have free time. you say, poor wife. i saw her, first of all, very beautiful. secondly, she is a musician herself. wait, this earphone family is sitting and that one too so yes, we also have a daughter who is a guitarist. yes, you're crazy, and son. now this year he is a student of a music school, so we have guitarists. in general, the entire collective farm has enough musicians. why would i do this? who was jackson file it will be by my god children grow up, maybe we'll do good idea good idea. and here's another question. what

to play? after all, the question is who will write the repertoire. well, in general, i love the composition, i think i’ll add something, but when it comes down to it, maybe the children will compose something, or maybe to be simpler so that we sing in the restaurant. well , until it pulls me to this kind of writing. or rather, in rostov-on-don, by the way, our favorite experience was when we wrote author's pop music with a pop group and, well, then it was fun, in principle, but since then i have not done anything like that. yes, you are not in rostov since then, of course, that's all, otherwise you know what's interesting, that's who understands from guitarists that on the floor you understand that the ex-8 is understandable, but it's worth it. uh, no longer a guitar synthesizer, which means that this sound is specially only wooden real sound, which jazz guitarism is proud of, means little to him. yeah, a synthesizer, so i want some

special sounds of which. well, i can just demonstrate, let's say, in the first composition. i included this additional effect. here is the pure sound of the guitar. but with the effect. so it's just a prism? that is, this is an additional timbre, basically, well, let's say i use one now, no, not like that, but such a muk well, such a floury synthesizer, yes, an imitation of an analog synth. basically, this here are two such main ones, there are additional ones. well, in general. i think from this it is possible to add up the idea that you are now performers and this will sound. well , why not, of course, let's think it's worth applying. yes, we will also play a composition composed by me and this composition, like the

previous one, was included in my first album, which was released in september called elements force and this composition is the first about this album and it is called sabers of minutes, that is, subconscious.

what can be said about this instrument? this instrument definitely needs to be told for the reason that it was made in russia in the city we love so much, rostov-on-don. here it is made especially for me today - this is my favorite guitar. we thank evgeniy later, the guitarist of the bik band of igor botman, and concurrently the best guitarists of the planet for 2019, who introduced us today to fantastic music with brilliant young musicians who, although young, are ingenious fantastic improvisational collectively. the most important thing is what's ahead of you only interesting creative victories, which is what we wish you thank you