he showed what i actually came up with, because if this film crew does not appear , there will be a feeling that we have fallen into some all -realistic such a different reality, and this is the philosophical understanding of reality. it, of course, is peculiar, er, to heights, as few people, so it is quite possible to call him a great director of genius, but very few in the cinema. uh, who can be compared precisely in this process, in the process of comprehending reality. he gave a very powerful direction. that's it hmm with this point of view of iranian cinema, because hmm not only he, but began to make such strange films, he has followers who certainly start from his findings. and we know them all.

well, those who are interested, of course, in cinema, and this is maksen, makhmalbav and his whole pleiades, he still has a daughter with amir mah molbao jafar panahi, the most striking of his followers is asgary farhate, and he belongs to the next generation of iranian directors of his films began to win, and prizes at international festivals. ah, iranian, cinema it just became. uh, a guest of almost all major festivals. eh, mira, they are tired of talking about such a special direction, and, uh, asghar farhad, but with his films, and starting from a divorce, they began to appear in cinemas and simply because to receive not only, but here you also need to understand that makhmalbaf films made for little money. in general, as a rule, they did not collect any cash registers, but they are simply inscribed in all encyclopedias. but let's say farhade already, as

soon as he appears on e, posters, he attracts the viewer, and and e, his films are already being rented great success. there is already music. there is already acting. it is no longer welcome there, since other directors have kerosts. and uh, the non-professional participation of actors, that is , you can say that the second wave, which , uh, so brightly was the abbas of your height, but presented to the world community. it continues iranian cinema continues to have an impact on well at least the cinematography of the region and despite the fact that iran has been under sanctions for over 40 years, it uh does not have diplomatic relations with the countries that ah promote its cinematography on the world stage thanks to transnational interaction and big

money, but in iran, and not only has not died out, it has a bright international resonance. a new wave of this iranian cinema . they are respected people. but in general, iranian culture, thanks to cinema, is becoming recognizable all over the world by abbas orastami was basically a father. this process that is still going on. now we are going to talk about the cinema of the philippines and we will talk about a film called the woman who left,

directed by lav diaz. this is the most famous filipino director at the moment, but before that, i just want to remember. uh, how did the cinema of this country develop ? the fact is that the philippines is an island nation with more than 100 million people living on the seven the political situation continues to this day, but related to the fact that this country was for a long time dependent on the united states and did not have independence. and with the advent of ferdinand marcos. the economy and culture began to develop rapidly there, however. in 1972, hmm, marcas abolished the constitution, introduced an authoritarian rule that lasted until 1986, but nevertheless suddenly found its voice in the cinema of the philippines. again, it must be said that

e philippine cinema followed the lead of hollywood of course, and like any e regional. uh, movies have been focused on entertainment for a long time, but still. there, in the seventies and eighties , authors began to appear who preferred to deal with the problems of their country more than entertain the public and the cinema. uh, the philippines uhm began to find its own unique voice, and thanks to director lin marriage , the most famous at the time, who began to make films about ordinary filipinos. and about the problems, of which there were a lot. particularly crime. there was one of the world's largest lavrenta. indigo diaz

is the name of the director better known to us as lavdez was born on december 30 , 1958 and was named after lawrence. palych beria, his parents were communists, yes, but he simply shortened his name by becoming love, but in general, this transition from e such hmm well, socialism yes, from social cinema. eh, about something eternal. hmm, this is a manner of few who are peculiar and it cannot be said that he had some kind of school. by the way, he is a very simple person, not at all. hmm, but he drives around festivals. yes, sometimes without even being invited to these festivals. well, because what kind of festival can afford so far with a film that runs 8 hours, right? he can come as just an independent figure to settle with film critics in the same room or in the same room, and uh, when you go with this person, just drink coffee, and looking at him

you understand that you have a genius in front of you. this gives rise to a very strange feeling, his work follows, and the life of ordinary filipinos, but, but his strangeness and, most importantly, his peculiarity is that his first films were anti-commercial, that is, those people who watch his current films, which run approximately somewhere around 4 hours. you say hmm here's the woman who left, oh we're talking about a short film, because his first pictures, and last seven eight nine hours. in principle, this is not something special in the cinema. experimenters put on films that ran for 40 hours, but lavs has a standard size. his film was somewhere more than 7 hours. moreover, he started

in general, as an author who shoots with his own money for a penny a movie that he wanted to make, not assuming that it would ever be shown in the hall or on television? it is clear that and its producers. they didn’t want to release these pictures at all in order to make films, where he is usually a screenwriter, director, editor and cameraman. and he did not need a big team, but uh, the genius of this man was so high that over time, of course, he also had commercial offers. mm. and he made friends, of course, with the producers. well , the important point is that in order to start working, he went. well

, so did many, in principle, er, great artists of all er, tricks related to getting some money he worked there. watchman, he worked as a waiter. he was who he was and his most famous film, the story of a filipino family. he filmed 11 years, he goes 9 hours. and this is just a movie e where mm there are no professional actors. it's just such a hmm sketch about life, but anyway less dramatic, but the film, which will be discussed, received the main prize of the venice film festival in 2016, bringing it to the international arena by making it. well, more or less famous and this gave impetus to his cinematography. um, well, he got some kind of commercial component, he began to make shorter films. here are the women who left

, based on the story of leo tolstoy, uh, which leo nikolayevich tolstoy himself, uh, considered the best work in general in his writing career. it's called god sees the truth. yes not soon to say hmm women who left - this is a movie, but a man who spent his whole life, well , most of his life was in prison, and 30 years after leaving prison. uh is looking for the offender and finds him one way or another at tolstoy hmm in his story about a merchant who was in prison for 26 years and it turned out that another merchant committed the murder, who ends up with him there, uh , to hard labor, and he forgives him this story . god sees the truth. yes, he will not soon say that it ends with the reader having to appreciate the depth of this forgiveness.

lavsa in the film the women who gone. this movie ends a little differently, but hmm , the point, of course, is that a man who spent half his life in prison for another person changes in all respects, a woman who left, uh, lasts 3 hours and 48 minutes. this is a short film for lav-desa. but during this time we live this story practically, not for a second. not uh, bored, because uh, well, it 's hard to explain, but the fact is that glavdis immerses the viewer in the atmosphere of life that we, in general, have never experienced on ourselves. this is a special one. here is a special world of these characters. yes, it must be said here that mm lavdis shoots on black and white film, and this is

due not only to the fact that he does not have enough money for color film. because he's filming. uh, already on a digital camera. well , because this, of course, is a trick, what is it about in this film, a simple filipino woman named horace. uh goes to jail for 30 years for a crime she didn't commit, but she was set up by her former lover, but before her death. uh, the real killer is writing a letter of repentance, and the police finds out. e that it was so, when she goes free she understands that e is life. uh, behind bars was much fairer than what she sees now, she runs into people who are, well, obsessed with some kind of passion, and such bright iconic characters appear in the film. she meets a rather

abnormal patient. the cat, which is called all the surrounding demons. she meets the poor currency trader. it's like duck eggs that have fetalized, and uh, actually the whole movie, what about that, as she tries to find her abuser. i take revenge on him, while it turns out that her son went missing her daughter, who has not visited her for 30 years, but does not want to communicate with her, and in general, this is an immersion in such a dante hell, and she goes around the circles of this given hell for in order to, uh, get some cleansing at the end, watch this movie for more than three hours. hmm, it's pretty hard, but

if 50 years ago, they saw such a company back there , they just saw it in the form. there's a two-part movie, but apart from the fact that, uh, there's also no no hmm music and no cuts, the frame can last 10 minutes 8 minutes for people who are not used to such a turn for people who are accustomed to the consciousness of the clip there are massive questions. that's what it's for, and it's obvious that lovedez makes films for himself, not for the audience. he takes pictures like this. simply expressing with the help of the camera his attitude towards reality to him. this is cool. it is possible with the help, by the way, to say, again, not professional actors, although the main role. the charles santon is playing here. sconse is, well,

a famous filipino actress. it is necessary to show that such a life, she was conserved in her own. well, there can’t be a happy ending here in your own juice. this is a life that just overtook us, which overturned us and the director does not try to teach us anything , he just tells us the way he would have seen it, well, leo tolstoy, let's say it's quite difficult to watch films that go so long without having any twists - some special turns and so on. but hmm the cinematic of this one artificiality. eh, this is the arrogance. this black-and-white intricately built. and-and the internal plot and frame puts ladessa with his cinematography right here

as a separate pillar of the world's auteur cinema. uh, it's a special phenomenon in filipino cinema, no one manages to make such long films. and we can say that hmm philippines hmm as such an exotic cinematic power - this is a surprise for world cinema and one of the main characters. e of this country, er, in culture, and in general is lav-desan. he such. well, when we talk about the philippines , this is the first name that appears, and in our memory, and it is very honorable, because, well, it's easy to become, uh, a laureate, there, of the venice festival for some film. it's like, well, getting, i don't know, the nobel prize, because it's a very prestigious award, but especially for a person who, in general,

makes films with his own money. what is called and since the philippines really. uh, poverty coupled with crime. mm, for a very, very long time. determined some kind of cultural background, and the appearance of lav-des. mm, such an exotic creature that does not just talk about how a crime is committed, but literally describes minute by minute, everything that precedes or everything that follows this crime, follows this one, but the topic for hours, a tries to comprehend . this, of course, causes deep respect, because he simply takes a step back from the usual view of these problems. well, because we know that, well, as is usually described. hmm, but this kind of thing

they are described by the dichotomy of good and evil. yes, right here. on the villains here are the criminals. and here, here, it means there. we'll take off the wrestlers, there are gangsters and the police something like that. lav diaz is completely different, he does not have a division into good and bad. well, as a rule, a and not, in general, hmm, there is a connection to whether this is good or bad, everything connected with the murders with these cruelty and the nightmare that happens there, but just such a look, the viewer is invited to feel this fabric for himself. see her understand what is happening here and why? ah, because, well, there is no exact answer to uh, these things. e always arises from the history of the country and on the other hand arguments, and the usual

view of what is good, what is bad, but changes depending on which side we stand on, people, huh? they are confused, they don’t know how to relate to this or that event, and lav diaz precisely, because it takes so long to show all this for so long to take it all off that he does not get up. on neither side, he does not but explains what is good, what is bad. he just watches it and at the same time he doesn't point. eh, on top. he doesn't teach anyone. he doesn't give any e permission. by the way, leo nikolayevich tolstoy also believed that. uh, your story hmm god will see the truth. yes, he will not soon say at the best in his work that there are no bad and good people who served for another for many, many years and forgave him, he is not good.

he just put such circumstances. he he cleared everything. the catchers are very characteristically similar looking, by the way. of course, russian literature and especially dostoevsky ah. in his other works, too, is, well, a source of inspiration. he also makes films that refer us to crime and punishment and, uh, not only great russian literature, but also cinema, of course, is for lav-des, but an example, and he is a big fan of tarkovsky. by the way, he has been to our country. if you watch his films, and then, of course, you will definitely see a roll call with uh russian. uh, a movie with a movie in black and white, which was also with us. well , it’s clear that there is no russian movie at all. hmm. uh, such directors, such

exotic countries and exotic cinematography as the philippine simply cannot exist, but because, but they simply rebuild from big hollywood and rather, of course, gravitate towards mm. there to neo-realism to uh new wave or uh, the cinema of tarkovsky or herman you had tips on exotica my name is igor and gritsky see you again. and we will continue to explore the cinema of exotic countries with you.

hello dear friends, this is an

anthropology podcast on channel one, its presenter dmitry, you just heard the best jazz guitarist on the planet. evgenia will help you ask how it’s better, otherwise, i didn’t say that it’s the best of all times and peoples, but it’s better in 2018, when zhenya won, in fact, the title of the best guitarist on the planet as part of the world jazz institute competition, which in fact in fact gives out a similar title. and it's like, well, winning the tchaikovsky competition in moscow and a classical pianist. and if you, for example, see really beautiful. uh, such a poster dedicated to the centenary domestic jazz, which decorates the house in the area of ​​​​the kotelnicheskaya embankment, it can be seen by everyone, you will see it, saints for every person and spasman. and kozlov alexei semyonovich. and

not later. most importantly, i hope you enjoy the jazz music that zhen provides tonight . thank you very much, kind words. yes, everything is correct with one exception. i ’ll correct it a bit. in 2019, the contest you spoke about was held, and this is important, and one more nuance is that every year the nomination, that is, the instrument presented at this competition, e, is changing until 2019. the last guitar competition was held, if i'm not mistaken in 2005, you sit down, comrades, and why are we not just named, well, dear friends, it's obvious that zhenya , like everything is fine, people don't have much that will come out of good from a person who as a child , i would not want to be pilots or beatles. ah, he must have played the electric guitar. check out translators. he probably knows how to play

she's a pot, of course, playing with a wolf's belly at 10 when he comes for a new one. guitar, but time goes by. and now i'm talking about tomsk yes, in rostov-on-don. zhenya has already come to study. jazz, you played rock, of course. how did you play? well, since you could tell he was a factory. yes, perhaps, only that i got into music under the impression of rock music, it was kostya . my dad had a good collection of vinyl and records on cassettes and cds, and it was mostly english rock music. i remember myself as a four year old listening to records creed sclerotta revile rolling stones i remember a very strong emotional impression for the beatles a dad. i think i did not oppose these bands to each other, and in general

there were records, both of those and others. that's what he did here, he usually parents believe that music is what sounds again. well, you can also on saturday, but this is how you drink. on friday, you have to do serious things, which brings loot. well, you never know what else and only some of our generation understand that music pervades all days of the week and all the years of life music, it's not only on friday. music should sound to your soul even in the most difficult routine moments of their lives. that's what dad conveyed along with zhenya's vinyl how many people's faces changed when their sons, i will be a guitarist bam, what did mom say? put here the diploma of the faculty of law, tomsk university, and then go play, said the faculty of physics and technology, and said so.

well, i honestly studied for three semesters at the physics and technology institute in tomsk. the fact is that my father just graduated from this faculty, and my mother graduated from the chemistry faculty of technology, but i only had enough for three semesters, as i said, and besides moment. i have already decided for myself that i will be professionally engaged in music fantastic that blew my head towards jazz. i remember that when i was 15-16 years old, i began to communicate with older musicians, and they were much more experienced. it was already more professional. let's say work. they are just amateur ensembles. and they recommended me to listen to jazz music in order to broaden my horizons, so to speak. and the first thing you listened to and the first thing they let me hear. it was a cd one of them was charlie parker and young miles davis uh, also u me at that time there were recordings of usmon komimmere, the legendary jazz guitarist and the album of the band's bands and it seems it's time for albums. john's coffee. yes, that is, this is the music with which i started it is different, in principle, eras. um, in jazz history, if charlie

parker is the end of the forties and this is the birth of bebop, then, let's say coffee shadows. now this is fusion music of the eighties and nineties. in general, somehow here is such a spectrum, i immediately discovered uh for myself and i was very impressed by this music. i realized that this is a whole separate world that i really want to study er, to learn to learn to speak this language to speak this started my jazz history of talking to us in this language. well, let's probably play something together, we have prepared several of my author's compositions and now our own yes, today we are not even standard, well, standards, we also play, but we thought that author's music is much more preferable today and so we will play a composition that called stranger stops. uh, extraneous thoughts.

dear friends, this is eugene later the best jazz guitarist or young jazzman of the planet for 2019. and this anthropology podcast is the best music program on domestic television at this moment, we will create some moments of zhenya’s biography , we will definitely touch him now and get to this moment, you have a full-time guitarist of the first most important composition of the famous big band. igor butman.

this is the secret. yes, not with this headless guitar, he plays the famous big bente, to which the whole world applauds. no, there is a huge jazz, as we say bank, but comrades that they will get there. there is so much to know, so the movement is something ingenious. and what do you have? and the main one , like genius, you were able to show igor mikhailovich that you are now sitting right on the front row of the butman set of brilliant musicians as a whole. uh, i think the first time i was able to demonstrate my skills. igor mikhailovich is a competition in rostov-on-don in 2011. still, without parting, as well, in my biography without rostov at all, there is a lot without rostov. well , perhaps you are right, in the affirmative. yes so this is 2011. it was a simple competition and

igor mikhailovich, as it traditionally happens every year, was the chairman of the jury? uh, in principle, i think it was the first moment of acquaintance and already the situation after which i was invited to a permanent job. this 2015 seems to be the year of the festival, the future of jazz, which is the team of igor butman. annually held in moscow , young musicians from russia and from different cities, including from abroad, are invited to this festival. well, i was invited, i spoke and soon. after that i received an invitation from igor mikhailovich to take a permanent place as guitarists and to quint this example to us is science, even if you don’t play the guitar, be better than any profession that you are currently doing, you will definitely find butman in your life. ok then. and now the time has come and sit in the year 23. here at night on channel one, too, you don’t have toys. what interesting things i hear. i am the

spectator. i'm talking about how great you play. uh, young people who surround the same introduce us with pleasure. and let me start with bass player. uh, naturally in the part, and sergey korchagin, uh, a wonderful amazing musician , with whom we just met, uh, in the team of igor mikhailovich, the drummer of the nadkravets, he comes from yekaterinburg and i come from siberia and it so happened that we had a lot in common acquaintances from that period, when we lived there before moving to moscow. and i, probably, have been hearing rave reviews about the playing of this musician for about 15 years. and it really is an amazing unique drum and i always have great fun playing with it. with these drums. we will go far, and not boring to play. this is jazz. still, i want them, probably when they are not. well, why does everyone here, by the way, manage to serve and play jazz. it's funk time, right? yes, yes, the bank was then played on the keys,

the amazing outstanding pianist, musician , composer evgeny lebedev is also a very significant figure on our today's jazz scene. this is practically a symbol of a young musician who received a wonderful education in america, returned to russia and here he builds our patriotic jazz scene, developing and, let's say, the compositional component of the russian one - this is another very close friend of mine, who appeared thanks to the igorevut orchestra. she is a unique saxophonist and a wonderful composer too. that is, if today we play my author's music. i can say that anton has his own author's project , which is very interesting, with which we play it, amazing compositions. it's amazingly complex and yet amazingly beautiful music. so it's very nice where who plays comrades, but in any way. in fact, there are a

lot of projects where i manage to play. this is our joint project with a burning swan and bassist anton revnyuk, which is called lr k3o. lebedev jealous kravtsov interestingly, this jazz project. uh, this jazz trio with this project. we traveled from, in fact, the whole world also, ah, my own author's project, because i also write music, the andersent project is called. is it all there, like a cobab, with spectators, perhaps, drums? country music, of course. wow , listen to this one or something like this father influential pianist. and who would know? yes , but tell me what it is. well, what 's wrong with him now, how many guitarists sit watching at night. after all, no one is spoiled for demonstrating good jazz funk. e on television in the fatherland in recent years. and now, these minutes, he sits and thinks that they found something to say there. no,

first of all, zhenya is just a rare professional in different genres. here's your pinole and jazz and funk. he really plays it all. but i just a few times. uh, had, joy make sure this studio. the fact is that zhenya , well, firstly, he is not mistaken. never. i was a witness to the fact that now and already they ask me to play solo there. he plays solo once . cool. and let's play some more, and then there's a problem. it's just hard to choose. what a double because of this and that's it. you just need this for professionalism and knowledge of various styles, and the pig can play anything, that is, for a price. please, you can. it seems to me to apply to write down. let's for now. we have a unique opportunity listen. it's free and we'll do it. this is an anthropology podcast on channel one eugene later with friends.