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foreign land holyly watching

i broke my wings, my hoarse. dick, i'm not chalk in pain and without shining there, thank you for being alive and

bursting my patience lived. with death, i switched to you, she circled so much hoarseness for me for a long time, i don’t know. i'm lying. and what sveta i understood, it's still my way for a long time , only one, guys, i have elections in general. grab your tools and let's get to work. we we won't be able to do what we need to do. the light is available to all eyes, and i began

the usual procedure. i became a microphone, as a corporal, no. no today, just like the commissariat, moscow is secretly the central committee of the cpsu on july 13, 1981, and possible anti -social manifestations in connection with the anniversary of the death of the actor vysotsky , according to information received from operational sources , the chief director of the moscow drama and comedy theater on taganka, yuri lyubimov, while preparing a new play about the deceased in in 1980, the actor of this theater, vysotsky, tries to tendentious positions. to show the creative path of vysotsky, his relationship with the organs of culture, to present the actor as a great fighter artist, allegedly undeservedly and deliberately forgotten by the authorities. today i especially love. but i don’t

risk changing the tone, after all, if i shake my soul with poison, it will never straighten the curve of the premiere of the performance is scheduled for july 25 this year on the day of the anniversary of death. vysotsky on the same day , unofficially, the committee on the creative heritage of vysotsky at the taganka theater, which included yuri lyubimov administrator valery yankovich artist david borovsky moscow art theater actor vsevolod abdulov and others are inspired to hold an event dedicated to the memory of the actor along with his burial at the vagankovsky cemetery in moscow and in the theater at the end of the performance, which may cause an unhealthy excitement on the part of vysotsky's admirers from around the theater environment and create conditions for possible manifestations of an antisocial character are reported in the order of information by the chairman of the state security committee yuri andropov resolution by a friend of the family show

dementieva, i ask you to familiarize yourself with mikhail suslovka from the deputy head of general affairs the lanterns shine in the face.

i wanted to do it upstairs, but since i thought that everyone would immediately rush to the tables. here it is instead. instead of a toast oh, how can you

be born, you fooled almost simultaneously with the country, you lived with it everything that was with it. say more. thank you for reading alive at the age of 16. you are speech. o goblin, at 20 you met the thirty-seventh year. now he is no longer different, and those are far away. say thank you for being alive. please

unfortunate temporary workers a play about vysotsky loved ones built as a paraphrase of episodes from that departed hamlet hamlet without hamlet when we could leave something as a keepsake, but you understand, people do it just so that we have at least something left as a keepsake, if a tragic outcome will do all this, then at least it will be remembered. something has a record twice. tomorrow we will also write down all this, but only without light, which we will write down tomorrow. uh , it's better to have a soundtrack without light if anyone has comrades, a film so sensitive that it can break through it now in japan there is one we don't have. so everyone got ready, occupied, misan price kolya hello, everything is quiet, attention.

the girls of the ministry of culture addressed the secretaries. in many of vysotsky's poems and songs, tavern motifs predominate. they talk about fights, drunkards, prisons, black crows, whores, and at a conversation in the main department of culture, lyubimov announced his intention to stage a performance by vysotsky in honor of the 26th party congress. well, what to say? well, that's how you turn around. like this. and what, i wo n’t make special guns, i won’t, i won’t, when

and other video reports can not be a thoughtful director, it means that something is broadcasting him, shoot, report. now i know that wisdom cannot fill an empty stomach. and so i say, forget about everything, it rang, the gray appearance was preserved by the cold, which it will be spirits. this is how you follow him. it's getting colder than the cold he leaves. that's how you will go

with me, our theater is directed by our wonderful director yuri petrovich lyubimov well , i think that he is one of the best directors in the world, because all his performances simply unique and it is very difficult to tell about them. each performance has its own unusual image. well, for example, if this is a dramatic poem by yesenin pugachev, then this is a wooden platform that is emitted down. such a board, a wooden two axes, and on the stage on this platform there are bare-chested people who read the wonderful yesenin elements. dear ones, what happened? what happened? what's happened? who so terribly

hangs them hunts in roadside dirt and dampness. who giggles there surreptitiously, angrily, spitting from the sun. this is autumn, this is autumn. shakes out of the sack minted in september chervonets. let the brain be now, like wax, drops deafly it is she it is she who bribed you with her tattered old woman.

she's the one. go right, but you need to look even more for absolute authenticity right in the best years of the moscow art theater, authenticity should be on the internet, and the costumes are conditional and that 's all the fig leaves, and modern relations play an absolutely modern attitude, comrades. see what they brought here technology technology. how much did you bring? in unkind in anticipation of the tragic denouement, lyubimov called friends of the theater and allowed the rehearsal to be filmed, maybe the last equipment and film

were taken out . the entire content of the composition is reduced to proving the theses, and the poet's persecution of his conflict with our society. after all, they identified themselves with our society. in view of the fact that there they dug up some nonsense next. what does this play mean? this author misbehaved. it's not like he said that it's all bullshit and so on. so, let's change these texts, don't just say it, then, then, the idiocy of the republic no, say it. this is our phrase. she's not. it is completely written there and skinned for honest work. i looked and chose a crooked

detour. but our brother is not far off here either. now i don't know where to turn. it's getting colder than the cold he leaves. this is how you will follow her about things, my soul, my uncle. yes, this cattle scoundrel is his mixer, born gift of cunning and leaves shamelessly seduced the queen. what a fall here, but quieter? i'm in a hurry in the morning, stop

talking. why do you have such a bitingness, like a bad paw , tension is created in the auditorium. and with what a yawn there is a loud phrase behind the scenes, then experience. here you completely remove this tension. this is very spoiling for yourself. why do you sometimes scream like that, your nerves can't stand it. dear contemporaries, you have finally arrived. friends for god's sake , yuri petrovich, you are in good company here. how

you know mean? a few days ago , our theater celebrated its 18th anniversary today coincided. so in a few days you have years to go here and your gift that you gave us, but you would have given us your best artist, who is difficult to beat. you said that means you gave your rooster. today we also wanted to say so with a certain division, so that fate would not peck at us. we, too, so to speak, thought and decided to give you something that, at the same time , it is unlikely that anyone will be able to beat it, maybe, that's how it means now we will give it to you give this gift. he, too, with a certain division. and in general, there is some commonality between these two gifts about society and visibility. we'll tell you in a few seconds, please open up. also

certain with us, it means a rooster, so that fate does not peck at us, so that your business is. comrades, the generality of gifts, so to speak, lately , something special has been felt. friendship, you know, and there is something in common in gifts, if you combine your gift with ours, you get a lovely tobacco chicken, and in your opinion, as they say, dubaka, so well, for now, everything is tobacco. doo still sees from afar, says, like this comrade. and now you want to say something, there you have come up with something. yes, we love you so sincerely so tenderly, god forbid you lyubimov

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there was such disappointment in the theater, it seemed that i had to leave the theater, i had to do something else, and suddenly this taganka theater opened, which he organized. in general, i met a very charming person, first of all, absolutely , with understanding kind eyes, and then as it turned out, he is a very firm person and especially when it comes to his position in life in art. contained in the composition excerpts from hamlet

used tendentiously with a certain subtext. this is how the text was seen in everything. so you can not achieve, why does he let this whim? why is he excited that, not afraid of the consequences of spiritual violence, he spends his peace. he himself admitted that they are at ease, but why does not he want to speak extortions, he does not give in, he barely comes to the health of speech, he slips away with cunning vesuvius, i went out of the stage. what

happened? unfortunately now they are in vogue. yes, these are not just harmless songs, these are, if you like, spiritual grass, the fool of the night is instructed on me. a thousand, binoculars, wear, is it only possible now to pass by? and when the conversations

all the negotiations came to a standstill. hmm, and they said, put on any canonical play on the express, then i said in my hearts that it was good. now i will put. that's how i wrote it, that i will stage hamlet, here vysotsky everything went, so i want to collect the main one, but, but i want to play at the moment. well, how did i avoid it? that is, i knew the play, i even, in general, had to play in the vakhtan theater for a long time, too, there is a lot like there, of course, when i was younger, i was hamlet was to play. i'll stay on the remains of something played. but not me. that's how i'm fucked up, i found out of course, but how how to solve her stage scenes in space and how, well, with these and her to make this immortal, really a play, through which, in my opinion, every generation should go through, especially we people eat

somehow we can't want anyway to make this visit a must. you talk and you are good-looking, because if you are decent, your decency is good-looking, there is nothing to do in your beauty is no better companion. than your decency fix your beauty before it was considered a paradox, but now proven it seems to me that this is all the time an experiment. we try very often a lot of options, many, many options, yuri petrovich speaks very often. why are you so surprised? here dostoevsky even wrote some scenes in 40 versions to be crossed out, the fortieth version crossed out, only turned out to be for him, although he

already kept everything in his head and yet he tried all the time tried. here i found a form for implementation of 40 options. and here we are in hamlet, for example, during the work of organs. there were several scenes where we tried right on stage. right now at the moment we had a solution, for example, the value of a ghost with a father in the shadow of hamlet's father 17 options. i even wrote down such they were they were completely different about the same thing, but completely different, what is brighter for ours what what will be the most-most? well, what? pressed so clean and finally, the latest version. here it was taken. so many, many scenes and in almost all performances we do this, i it seems that here is an experiment, an eternal experiment

, all the time, trials, trials, trials. here is the most. the main thing is that you make a loved one. why was he sent to england and now well, they will ask for them there and it does not matter. and so everyone is so crazy. the way he interfered, yes, in general , they say it is very strange, how exactly you took it and went crazy with ours. gloves quit not be. we didn’t think in vain, of

course, but only on the alert. you remember the structures fell, but everyone is alive thanks to the dubok. why such a popular secret here? i think with such a very accurate intelligible direction. ideological, well, very clear, all our performances decided to have a very bright form. that is, like a loved one always says that there is no formless art, but with us it’s even to such an extent that every performance, every performance is new, it’s completely different, it’s found differently for it, a special special

image for this performance . i am glory and not a cow, and it’s hard, and the crown and the earth, the lord sent me, the second, so that i can pull it all out with me, i ask, stolen no favors. god send me a second not to be so. yes, through a degree for the heart, it’s not for you to sing in two voices so that someone understands me, not often. well, at least once mine raised your

common table. forgive him, he is lonely. from monday, you need to train a monologue and that's it, so the final is to do all the technique, you need to work hard in training. solve it lies with

the money there happiness. ready. let's hurry, brother, dear ones. come on, what shall we play? he runs nothing, that's all, mad bloody dregs, what are you death or healing ruts? take me, fly me to him. i i want to see this person. i 've been looking for your honey for three nights, the clouds were pouring seven, a stone pile. glory to him, even if he is not even peter, than he loves intimidation, and for three nights i wandered along the trams with a salad full of voices

, good luck, my wind, like ruffled straw and flails of rain, guys just my heart will never get lost get lost this neck hissing head, not easy , arenburg, dawn red-haired camel. dawn dropped. me frot milk and cold clumsy. you are through the darkness, pressed. i am like bread to exhausted centuries. take me to him. i want to see. e this person. guide me. this is a person who does not know you. well, i love it,

i watch performances all the time. he just stands with a lantern in the aisle, each performance almost at least starts there, either to the middle or completely. he always stands almost every day at all performances with a flashlight. and when the beat drops he flashes a flashlight when it's very bad, he will turn on the white light and leave. and when blue is good. that's how he came up with something here, then he plays there. something is doing some movement and half the room is looking at him. maybe that's why i like performances. i propose to sing a road song from pushkin. find zolotukhin in vladimir zolotukhin, come on.

let's go in a wheelchair.

unagile non-wire handicapped, who believe cow night, please.

here sleeps you whores. clarity came. and the souls were locked behind a neutral zone of extraordinary beauty to unleash they could about what the asians decided on the same night. give flowers in no man's land saint. the captain of extraordinary beauty sleeps and he dreams that he will open the border like a gate

abroad. he walked through no man's land. why is it impossible for some reason with a special rapture, they discovered their own. well, i have a lot of songs, but i have been writing for a long time, probably 10, probably, well, how many, well, 600 now he thinks that yes, and from sham, but not quite different. you know, i don't know about life, although in different genres. so to say, sometimes fairy tales, sometimes burlesque jokes, sometimes so simple, well, what about

such cries for marching rhythms? well, this is about all sorts, well , right about our affairs about our life and about your thoughts, right? about what? i think also great great actors. well, how are your favorites? well, in forever probably every last one, but i have a favorite role, not even one, the door. i love the hamlets that i play and galileo brecht's play galileo where i play the gallery more questions, please reason past, i study antibiotics dysbacteriosis again a cold. let's take a look at dysbiosis. immunity may lie, which leads to frequent infections of taking antibiotics, and then again to the risk of dysbacteriosis to break the vicious circle. and cefol can help the composition poured unique in it a special component

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life in our time moved out home. as julia everything is in order, let's get to know each other, the 1tv movie presents two new girls for your son were brought to the harem, perhaps the sultan has found himself a new fun. i dare to remind you that i was born in a serbian princess

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dating scholars on the papal throne so now they need people like barbary people who understand the mathematics of peterson. we will live to see the time when we don't have to look back like a criminal, claiming that twice two numbers. i'm biting wine, what do you think of it good wine? i know this vineyard, it is located on a steep rocky slope and i like almost blue berries. this wine is up to here, it has light shades, it is almost sweet, but just almost. remove everything. this is ice for the profession of an actor, he was difficult, because he could leave unexpectedly because of walking. therefore , really, uh, it’s right, like everything is

offended by him. oh yes, they listen. what now who? and i beg your pardon, turn it off, please. or whatever you want, yes, natalyevna listens to take off from work, they squeezed the half-century holiday of 13 years of the theater, like offsets one for three. thanks for being alive. written, no, i consider it my duty, read it to you dear yuri petrovich on october 22-23, i had a terrible dream that was most directly related to you. i'm going down the back stairs in the house

in pavlovsky lane, where i spent my youth, and your son is standing in the open window. naked. holds a white dove in his hand. and leaned down the street looking down in me, how is it? only in a dream everything broke off, and he is an angel. seriously, quite like an adult explains to me. interesting song you won't save me. or your daddy doesn't want it. i him somehow, and he says, look how many daddy decided to leave. i looked in,

and under the window are all your artists. and vladimir semyonovich yalo sergei and valera scrofula everyone is lying and it seems they are talking to each other. and i see all the dead. do you go, yuri petrovich? among them , for some reason, under an umbrella, although there is no rain. here is your son, he killed them, they will kill me. i wouldn’t write in vain, i know that there are prophetic dreams. and tell your daddy to clean up the theater and not do any rehearsals. if they

close the show, i'm out of it. nobody i have no anonymous letters from them, no threats from them. won't work. so sorry, maybe i'm sorry. and why did you intuition tell me that i should? you have to read it all. from such a good deed, nothing fell off. what exactly did the mother say? in the most mournful moment i

was sick and at 5:00 in the morning. borovsky our artist david knocked and told me. my wife opened mine. a little scared, because the atmosphere was very heavy. both for vladimir and for me. at that time and he said pale opened the door. that volodya died? we immediately got dressed and went to his apartment there. and when we were driving, he said, well , that ended in your many years of litigation with actors backwater. phr. cruel and to me and

why can he? and i can't, yes, because you're not him. he said they took away from evil, i don’t know, it’s good that he left it became a matter, or rather, he climbed the cobweb in the corner with his nails. i'm in a hurry to wash, because i'm behind the house by force. rick opened up, i stood facing him, and he told me his light chest. she has no prophets, in your fatherland other fatherlands in the body the horse sings under me. i'm already eating things. i

she did gone from what a good cause because of the blue roof drove from others. fatherland brotherly dream, how kistenev beat mercilessly indistinctly i looked in it and unsightly in a dream i lied and betrayed. it’s easy for me, but i didn’t suspect myself of such a thing. i didn’t walk, i inseminated on

an even bar, i never changed my leg. i bend before a strong swan before an evil one, and i was disgusting to myself, but i did not wake up. this dream is still lucky for me, but was there clairvoyance in my dream, a dream reflection of the thoughts of the day? infinite when you read like this all the time poetry and still read it. read anyway.

if you tell them you know i chickened out. what if it was me in the spring? dream reflection of thoughts and rush by heart, i don’t know how to open the lines. you understand? and then he collapsed. but what if? and there is no strength. like fears. what to do? what if he doesn't say? oh, it took. that's

what's scary. then you can pick it up and tell me about vladimir, he said to me. thousands of kilometers a million dollars times not, then it will be one of the companies of which you lose it does not work, it turns out poetry. why don't you fight like that then? at that time, they did not

expel them, they only announced a strict one with a warning about release. i will understand. here is a dream. which in hand i have something to sing. this is his words to quote. present before the almighty i have something to justify myself before him. i will not say there that i love him. in general, as my elder brother and i treated him as a teacher and continue unconditionally, but in general, after a while we became very close friends. and he helped me in one. i might,

i would stop, like all young people who write poetry. i probably stopped writing with age, as almost everyone does, everyone sins with verses in their youth, you know, and then they stop throwing the elements. but when i came to the theatre, he immediately noticed somehow. it related to this, how exactly, as poetry, as poetry to my songs, which, in general, i used to do for friends and were intended. they are only close and began to include them in the performance such attention to what we do besides the theater, he is interested not only what we do on stage, it goes without saying, because my husband and i are actors in this theater. namely, what we do, as our creative hobby is our passion. he is always very supportive, always very supportive. attentive, in general, in short, you know , after all, you can write a book about him and more than one, probably, this will be done, but, unfortunately, not now, but later, as always. i will only explain a little in a verse to everything. i don't have authority. i was conceived. as needed in

a flaw, then in the nerves of the wedding night. i knew i was getting off the ground. the higher the harder and harsher. i walked calmly straight into the kings and acted like the crown prince of the blood. i knew everything would be the way i want. i was not in the loser, and my friends at school served nothing in terms of loss. i didn’t think like their fathers and the crown. i over what i say from the ease of the word threw to the wind. they believed me, because i speak highly to everyone. the children were frightened of us by the night watchmen, as i dispute. time hurt us. i slept on the skins, ate meat from a knife and tortured an evil horse from

time to time. i knew i would be told soroi forehead mark. i burned my horn from birth. i got drunk among the chased harness, i was patient with the violence of words and books. i could smile with only one mouth from the mystery look, when he is angry and gorik, he knew how to hide the noise brought up by the jester is dead now amen poor yorick but refused. i'm from sharing rewards booty glory privileges. it suddenly became. i feel sorry for the dead fire. i circled the green shoots. i forgot about draws excitement take dressed up and greyhounds their igonchik. the wounded poison drove kolyan back and killed the beaters. i saw our games with everyone during the day they looked more and more like philistinism in

running waters at night secretly. i was washing myself off the daytime swine. i saw the dove every day. i missed the home trigger, i didn’t like the century and didn’t like the people in it. i dug into the book. my brain. yes, knowledge is greedy, like a spider. he comprehended everything immobility and movement, but only not from thoughts and sciences, when everywhere he is refuted. the momentum

went down a vague wonderful conversation yelled a song, and

tormented the guitar and wait, the little moron of his tablecloth knife showed who will answer me what such a house, why did the air begin to lighten the air with me in the darkness? i will call on the way and love. we always live like this.

do not forgive if with your ears, but also wander around this terrible house at night in some such mysterious weather, and just think about those spirits that walk there, how they were taken away at night, and this and something there, what behind this is quite a whole pooh half a century. how many tears? how many sobs how much is characteristic of something like that? brewed from

the wolves rode away. show me the edge, where he showed me the meat of one he was looking for, where they sing the dance is not heard by us on the left alone. let's just go for life.

and knowing how i tell you what, this song or who is important. i used to say that both are the same, but now it seems to me that all the same songs and poems and why because i do it myself, and the acting profession is always performing upon you. there are still people of the director, the author then the bosses lord god

well, what else do you want to say? i still want to watch the song with songs, i don’t know how it will go, i don’t know for sure what i’ll say, i ’ll say something, probably. deep and necessary come out push in vain that down the road. someone else's bitch, a rut, would spit clay and rust with this very alien rut, but the fact that i deepened it myself. at the rear, i killed hope , cold sweat stitched me to the bone, and i passed, a little ahead along the plank, i look,

the edge of the spring streams was washed away there. there is salvation. i spit its dirt from under my feet to this strange rut. hey you behind me do as i do. this means that you don’t need a track for me - it’s only mine , get out of your korea, get out of your track. all bent over. he is too dearly loved

people. it’s better not to tease the element, otherwise the rising wind will return the arrows to us with a point back. no soon the madness of the strong requires supervision. break in the block this horror, walking too boldly jokes he was saved by becoming between him and grozny, what did you think? lord,

urban transformations 801, then 82, then 83-84 do not allow. but once a year it still hails and without any, 82. it ended with what it should be to learn,

84 lyubimov went on a business trip to england and was deprived of soviet citizenship. the era of the legendary tanks. but forever and ever splashing the sea, troubles in it we arrows throw a sieve, simply weeding out the ghostly answer from this pretentious question for the ancestors they hear through the hushed rumble, went to the call of doubt, sneaked up behind the rear of sad thoughts, didn’t pull it, and the wings of the flesh dragged down to the grave in a non-strong alloy. i stood for days, barely frozen. he began to crawl. i understood the blood, like everyone else and how they are, i could not refuse revenge. all

to death . his disappearance is within reasonable necessity. and why is death so terrible? if we know that death there is? it is completely illogical to be afraid of her. death cannot be played. death is today, now and

here, and it is not known where the next moment is. leaving imperceptibly if each of us knows about his mortal part that why don't we get together in advance. my rise, near death is the failure of settlement and i do not accept from laziness, but i leveled myself with murder with the one with whom i lay down in the same

earth i am hamlet i despised violence, i did not care about the danish crown, but in their eyes i will touch tore his throat and killed his opponent. patronul real surge, look like delirium in birth death curses the scythe. and we all put a tricky answer and do not find the right question.