wow only i get back a little hair. yes, he did not scare you, refreshed. and what, it means that someone tried to scan, there is my date, my date of birth, for the time being, yes, that is, these are real numbers. it was very cool even then the tattoo was not so. in general, it was something from the world of mega-extreme sports, a man got a tattoo for himself, i don’t know . probably, from the age of 18. i still went with a braid, and my mother didn’t allow me to cut my hair for a long time, and i realized as soon as i can afford it. i will not work at the school there to teach. and when i grow up child, i can still be called to school no more. niece dear, she all grew up and daughter. my daughter is already 33 years old, we have nike borzov marina chirkunova total group and

unfortunately, konstantin mikhailov, today we are just talking about 2004. thank you very much 20 years later, the topic podcasts on the first channel within. a powerful podcast project, paws now finally has something for viewers to watch at night too, you know, i used to watch a music channel at night. now something somehow everything has become quite sour at night. yes i here is such a fresh breath of air on channel one. thanks to christina lvovich. hey, he came up with this thing. listen to marina what you are, maybe inspired by some wild difficult moment in life, which you can remember the most difficult. maybe we don’t need to tell us about him, that is, we don’t need to tear, not to ourselves, not to our soul. just. remember that you were pulled out of music from this, which helped to survive even, but in due time, when it was necessary. you just had to listen to good music and survive and not lose faith in his music is that if you do something that something

happened there will be people time place and so on. cool, i also understood what garbic. then a shot of a calm verse and a sharp chorus such to lay down the same strangeness. here, as it were, here i understand it, and now i don’t know how often to enumerate the mass mass. he shot so hard that the whole world went nuts from her, we turn on the addon, which , in my opinion, she was given some kind of diamond necklace, or something else, that is, madon and said, which was then the primadonna she was on peak. she schlimanson made a gift some very dear, thereby expressed his respect for what she was doing. when i want six stings hmm such an early police or that it is already different at different times, but for some reason, well, you also associate yourself with different times, so it doesn’t change everything, so

you can spend it with yourself in such a way i’m also in the army on my way, i remember digging and an abdurashens loftler sounds in my head. songs like his powerful, let's have some music when we get up on a segway you didn't indulge in these two wheels. there, in my opinion, 100 measurements per millisecond were made by these segways in their electronic brains in order to understand where a person wants to lean in the same place. forward. you go forward here, there you go back the bike. it's captivating on its own. whatever he did, the russian athlete and potatoes.

i understand. no, just a bag of kiwi in your pocket. nike, you yourself think that you wrote with moscow potatoes, and you get a bag no, you look in your pocket for a bag of kiwi, what kind of pocket should you have? look, my pants are called cargo, they have pockets. well let's just say here in this pocket can fit a bag of kiwi, maybe with one. well two, how many kiwi bags do you have? come on now to the truth of life, if you have wide pants with overhead, because what kind of shorts am i wearing there, real ones, as oleg called them

ministers. these are his shorts. actually his lucky resort shorts. that is, he was very cool in them, he rested. and so i brought them to the set, when we were there you tried to put there, kiwi, a pocket, something so wide with such pockets, what white and i think kiwi will fit in germany shelves. all like you know, well, in a good way. i don’t mean beer, you understand people and don’t let in, without indulging in explanations, explanations and other words, what kind of bag is there. what kind of bird? i am an artist. i see it that way. well no. yes, of course. no, maybe it's a dead bird bag. and as if i don’t know, for example, very sad, just in a major and that’s it. and so something there directly in depression. by the way , about the deaths, the nine zhiguli died in 2000 and

the eight also died, thank you. god treat russian hmm very suspicious. well, it may be now, i have not belonged to them for a long time. well, as if there were opportunities now, yes, now it’s just a light of a car, just here, if there is an opportunity to try, guys, just to test it. and try, as it is now our athletes. uh, take straight to all international races, straight first place. it's just that the cars are really fire, and it's not all-wheel drive. this is the front. yes, they are straight dots that are specially altered. five years, and it feels like we are talking about the century of 2004, but we still throw the first one there from there second fifth and so on, because

it is impossible to speak separately of the fourth. well, as for, yes, rip mushroom eight rip nine, but it turned out fifteen is the same kiwi, only more smooth, let's say. they rounded my bumper there. organized there. there's some kind of natural natural board. the instrument room came to us this year ikea, which came to us for a long time. you know why, by the way , i still have my native pencils, and everything is a whole box. yes, and i recently saw that they sell a pencil from such, in my opinion, for two liam rubles or a million rubles, by the way, yes, and they have a whole box swung. listen guys, well, in fact, in our studio, a pencil cup from pencils from ikea olechka maximum suddenly began to grow and burst. understand? this time, you see , this is a very uncomfortable topic, how would i write down some texts with them all the time. well, yes, i find very comfortable and ergonomic little pencils.

sharp, however, as well as in a pocket is not present. ay, well , you don't wear jeans. it's just a mystery to me too. what to carry in your pocket? like here the camera has become just too understand, before we gave jeans, and we do not know how good. i got marina against the background of the inscription 20 years later. well, i'm sure that it turned out well, but i clicked again, just in case, and when i showed it, i found out, and then hop. well, such a hop, you like it and you can even watch don't delete it, you hear, mom just threw it out a lot, she went on tape. yes, it has already become expensive, because you can take a million photos to choose from, but there is no film, it doesn’t matter, the moment is captured, as there are more pros and these expressive codecs and so on with red light with an increase in childhood. yes, all the cases

they also take pictures and in every possible way are buggy. we are even with one of my friends with andrey, such a well-known designer. and so he kind of used a special spoiled film, that is , which expiration date had already passed, these all sorts of reagents were already there in the thirties forties. it's already like this. well, it's different to do. yes, something else. yes, it's very cool. in fact, the paper itself is there for some absolutely so interesting. all this can be done with filters. any photo can be spoiled . you can't do it like that. listen and you are aware that in 2004, just all your hits. from the cds they left on the flash drive, digital players began to appear for sure. yes, there was what used to be a cd player in the car, i got the opportunity to hear the mp3 player. here is this thing. how do you feel about this digitalization? i think it killed the tube sound a little bit. well, a little yes, but

still he is now back again. well now these are all sorts of waffle formats, there was gloss, these things are vinyl cassettes, even my friends called me a gram record, but i did not blame them. yes, the law of nature passes 12 years and everything is in a circle, yes, a philosophical note. i will tell you, dear friends, that i love you very much, that i was extremely glad to see you. today. here the project rollback on the first channel to the discussion of 2004, after all, which was wonderful in any case was not bad. yes , remember there and it was warm guys. thank you. thank you, thank you, chirkunova group total and the main hit hits the eyes of adrenaline.

language conclusion and now you can do it.

hallelujah

hallelujah mama, i get dirty and humbly wait. once tired can not understand the experience, but also a person.

i pat.

hello, my name is igor igritsky. i do cinema. i am a film critic. today we will talk about the cinema of exotic countries, but actually, they are exotic only for people who are used to hollywood or transnational productions, because over the past 20 years, probably, in cinemas and on television. we discovered, of course, the dominance of, in general, american and transnational, because almost all non-american films still contain hollywood money, but this term big hollywood doesn’t work that way, but nevertheless there are a huge number in the world, and countries that created their own

national cinema, however, we must immediately make a reservation. the fact is that, mm , this national cinema, the so -called exotic countries are usually not very good. good afternoon is greeted by cinema audiences because, well, we understand that it's not exactly fun. the fact is that, indeed, hollywood and cinematography going in the wake of hollywood a are mainly focused on entertainment on shows on television, so the national cinemas of countries that are not included in this one are more focused not on entertainment, but on a story about culture of these countries, this does not mean absolutely that these films are not interesting to the general public. well , you just need to understand that the viewer is used to being only entertained, to being shown some kind of show, but

special effects and so on exotic countries, which we will talk about, in this case iran a, as a rule, do not have the money that can be used. to make hollywood movies, of course, it's not millions of dollars. as a rule, these are only the credits of a hollywood movie of some blockbuster. basically, it's a budget. e film e, national of some exotic so-called country, but nevertheless, one must understand that in those countries where national cinema is not repelled by e hollywood clichés develop their own unique cinematography, where , in general, the conversation is not about entertainment, but rather about the culture of the regions where it is filmed, and we find out that the culture of these regions is very interesting. it differs from some generally accepted stamps. today in

the podcast we will talk about the cinema of iran and in order to understand, and more deeply its problems, you need to delve a little into history. uh, iran is an ancient country. uh, with a minimum of 5,000 years of history for many centuries. dynastic monarchies existed in this territory. these were the iranian kingdoms and the last dynasty. teh levi reigned until the seventy-eighth year, and in 1978 a revolution took place in iran under the slogans of islam from that moment on. iran has turned from a monarchy into a theocracy, despite the fact that it is called an islamic republic. which is somewhat of an oxymoron, because a republic does not imply a theocracy, nevertheless , the top leadership of iran is the spiritual leaders. returned from france. eid allah

nor who lived there in exile ashah, mohammed rizapihlivi, was just expelled from iran and in general, iran changed its not only political, but also in general cultural and spiritual whole system. and these changes had a very strong influence on the cinema, of course, because until that moment the iranian cinema had developed in the same way as in neighboring countries, but since the seventy-eighth year certain restrictions appeared. this can be called well a kind of spiritual censorship. the fact is that the scenes of sex and violence, which were very bright in the sixties, and manifested in such cinemas as france, italy, and neore. appeared in italy in

france hmm on a wave of student performances , the famous french new wave appeared. that's all, since the seventy-eighth year, and in iran it was forbidden, nevertheless. cinema continued to develop, despite the fact that the islamic republic of iran began to live according to the laws that were determined by spiritual leaders. they were fully correlated with sharia law, where the image of people and animals is not welcome, however. movies were, well, hmm, a permitted art form, with some restrictions. and here it is important to note that this not only did not violate or somehow limited. eh, creators, and the so-called second new wave appeared in iran, which included the director abbassky, whom we will just talk about today

. about growth. uh studied at tehran university in uh, faculty of arts and, in general, positioned itself. e in his youth, as an artist and one might even say, as a poet and writer more than e a cinematographer, but he was a director of, uh, long-form films for a very long time. he himself was born in the fortieth year , he began his graphic activity with some kind even under the shah, and one must understand that, on the threshold of his fortieth birthday, he had to change his own. well, let's say the aesthetic system after the revolution of the seventy-eighth year, and iran broke off its automatic

relations with the united states after the hostage-taking and fell under sanctions, respectively, many cultural figures were forced to either leave the country or join the opposition, but abbassky continued to grow. e, using his great authority to work at home. this did not affect him, as an artist, these restrictions, but nonetheless . he became more of an observer and ceased to engage in actual so-called contemporary art. he began to comprehend what was happening around him with a great revelation. e for world cinema was that in 1997 at the cannes film festival its the film taste of cherry, which we will talk about now, won the palme d' or. it was the first iranian film in history. who won the most prestigious

world festival, one must understand that the cannes film festival is a mecca for filmmakers from all over the world. this is the main film festival in the world. it just so happened. well, uh, there are only three cannes, venice, berlin, as it were, the first and win. it's like winning an olympic gold medal there. and here is an iranian film for the first time, but it got this golden palm because of it. ah, the movie abbasa kiarastami, cherry flavor. this road movie is a movie. filmed. mm in the form of a trip by car. the fact is that i’m generally tall, a car is a symbol. hmm, in many of his films, the car is a protagonist, and in fact, he acts as a cinema in and the viewer meets with

this movie and here is the main character of this film, uh, non-professional actors are an architect by education . his name is hamayun, a non-born travels through such a brown-yellow iranian autumn desert through the mountains and is looking for a person who help him commit suicide. on this path. he meets several people, and this is a soldier. this is a worker. this is a museum worker and leads with them. uh, hmm talk. he asks these people to help him kill himself and each time he comes across a certain not very clear to the viewer, but uh from the point of view of hmm philosophy, but a very pronounced religious answer, because in one case , uh, a person does not want to commit this act, because which is repulsed. from uh

the prescriptions of religion in another case, ah. it's more of a philosophy of non-acceptance of death, and so so on and so forth, but you have to understand that if the abbasian o with stature shot him in japan , it would be absolutely clear that this is just a zen kant, uh, in general. well, i use this term zen because there are quite a lot of connections with rages, and with japan, he uh communicated with ura sawa worshiped, and otzu a and, that's why i'm talking about den exactly as the japanese word in general eh, price. it's a concept that came from india to china . hmm. well, it's just that we're more familiar with that word. and what is zen well, in short, we understand that it is meditation giving up any explanations. uh,

this is an attempt to penetrate into nature, not starting from some kind of literary or any external sources at all. and as they say, know your nature and you will become a buddha, and here is the film. uh, the taste of cherry is just such a feminine kant why because we don’t understand, in fact, uh, nothing but these strange dialogues, cinema, we are used to the fact that it is usually uh, the frame is saturated with some details of kia growth, rather subtracts the details from the frame, and we see only general plans, long-range shots of this one, and the mountain terrain and closes. here are the faces of the actors, uh, with whom he communicates there. there is practically no entourage of the action, and external effects of e we just see a car driving through the desert and hear a voice, and we must

understand that this is unusual for the audience due to the fact that that there is no musical accompaniment, as if it were such a documentary story, but at the same time we are well aware that it cannot be documentary, because no one is a rule. well, ordinary people don't ask to be killed from other people, if they have conceived, uh, suicide and, of course, this is not about death, but about how a person relates to death, the rastas are trying to show that the reality to which we are accustomed to it, but in fact does not exist, but how to show it? we have the word car and the car itself are not similar to each other, therefore, when we put a camera between them, we get a certain feeling that gives us an understanding that

there is some kind of other reality between the car and the words, therefore, everything is needed subtract from frame. it's quite a difficult moment to watch. hmm, but it needs some work. and just like in the zen clan, when we looked, we let all this in and let it inside us. well, what is called satari, it's not really, well, some enlightenment. and here you also need to understand that his cinema. and the cinema is as tall as i am. it is unusual. mm, from the point of view of psychology , usually films. e. well, in general, this is art, while for some show it has some kind of hysterical nature. well, these are some explosions. these are mood swings. she there is a completely different one. i would say schizophrenic nature. these are repetitions, repetitions and repetitions and these repetitions, when there are many of them, but give rise to some sensations. hmm. that's

the feeling. the otherness of the feeling of the unreality of what is happening is very important in order for the viewer not to get lost in this completely uh, in his many films and in particular in this film at the end of uh, a film crew appears , led by the director himself, who says that uh, guys, i showed you what i actually came up with, because if this film crew does not appear, there will be a feeling, that we got into some kind of all realistic such a different reality and this is the philosophical understanding of reality. it is, of course, characteristic of eras, as few people are, so it is quite possible to call him a great director of genius, and very few in the cinema. uh, who can be compared precisely in this process , in the process of comprehending reality, he

gave a very powerful direction. that's it. hmm , from this point of view, iranian cinema, because hmm not only he, but began to make such strange films, he has followers, which are certainly repelled by his findings. e we know them all. well, those who are interested, of course, in cinema, and this is maxenbove, and a whole pleiades of him, he still has a daughter with amir mah molbao jafar panahi, the most striking of his followers is asgari farhate, and he belongs to the next generation of iranian directors of his films began to win, and prizes at international festivals. ah, iranian cinema has simply become. uh, a guest of almost all major festivals. eh, mira, they are tired of talking about such a special direction, and here, uh, asghar farhade, and

with his films, and starting from the divorce, they began to appear in cinemas and simply because it’s not only getting, but you also have to understand that makhmalbaf films are made for little money. in general, as a rule, they did not collect any cash registers, but they are simply inscribed in all encyclopedias. but let's say farhade already, as soon as he appears on the posters, he attracts the viewer, and at the box office his films are already with great success. there is already music. there is already acting. it is no longer welcome there, since other directors have kerostami unprofessional participation of actors, that is , we can say that the second wave, which , uh, was so brightly abbas kerami, but presented to the world community.

it continues iranian cinema continues to influence at least the cinema of the uh region and despite the fact that iran has been under sanctions for more than 40 years, it uh does not have diplomatic relations with countries that uh promote their cinema on world arena thanks to transnational interaction and big money, and but in iran and not only did not die out, it has a bright international resonance. a new wave, mmm, of this iranian cinema, these directors, about whom we spoke, work sometimes, and almost clandestinely often use foreign hmm capital, but, nevertheless , they are in their own country and in the international arena, but they play, uh, big role, they are respected people. but in general, iranian culture,

thanks to cinema, becomes recognizable all over the world. abbas was, in general, a father. this process, which is still ongoing. now we will talk about the cinema of the philippines and talk about the film, which is called the woman who gone, and directed by lav diaz. this is the most famous filipino director at the moment, but before that, i just want to remember. e, how did the cinema of this country develop? the fact is that the philippines is an island state where more than 100 million people live on the seven thousand islands . but related to the fact that this country was for a long time dependent on the united

states and did not have independence. a with arrival of ferdinand marcos. the economy and culture began to develop rapidly there, however. in 1972, hmm, marcas abolished the constitution, introduced an authoritarian rule that lasted until 1986, but nevertheless suddenly found its voice in the cinema of the philippines. again, it must be said that filipino cinema followed hollywood's path , of course, and like any other regional one. uh, movies have been focused on entertainment for a long time, but still. there, in the seventies and eighties , authors began to appear and who preferred deal with the problems of his country more than entertain the public and the cinema. uh, the philippines has uh started to develop its own unique

voice. uh, thanks to director lin marriage , the most famous at that time, who became a to make films about ordinary filipinos. and about the problems, of which there were a lot. particularly crime. there was one of the biggest laurents in the world. indigo diaz is the name of the director better known to us as lavdez was born on december 30 , 1958 and was named after lawrence. palych beria, his parents were communists, yes, but he simply shortened his name by becoming love, but in general his transition from such a m-m, well, socialism yes, from social cinema. eh, about something eternal. hmm, this is a manner of few who tend to, and it cannot be said that he has some kind of school. by the way, he is a very

simple person, not at all. hmm, but he travels to festivals. yes, sometimes without even being invited to these festivals. well, because what kind of festival can afford so far with a film that runs 8 hours, right? he can to come, as just an independent figure to settle with film critics in the same room or in the same room, and uh, when you go with this person, just drink coffee, and looking at him you understand that you have a genius in front of you. this gives rise to a very strange feeling of his work and follows, and the life of ordinary filipinos , but, but his strangeness and most importantly, his peculiarity lies in the fact that his first films, but were anti-commercial, that is, those people who watch and you current films, which go approximately somewhere around 4 hours. you say that uh, here's the woman who left, oh, who

we're talking about is a short film, because his first pictures, and last seven eight nine hours. in principle, this is not something special in the cinema. experimenters put on films that ran for 40 hours, but lavs has a standard size. his film was somewhere more than 7 hours. moreover, he started in general, as an author who shoots e with his own money for a penny of a movie that he wanted to make, not assuming that it would ever be shown in the hall or on television? it is clear that and its producers. they didn’t want to, uh, release these pictures in order to make films, where he is usually a screenwriter, director , editor and cameraman. and he did not

need a big team, but uh, the genius of this man was so high that over time, of course, he also had commercial offers. mm. and he made friends, of course, with the producers. well , the important point is that in order to start working. he went, uh, well, that's how they did it. many, in principle, er, great artists on all uh, the tricks involved in getting some money he worked there. watchman, he worked as a waiter. he was who he was and his most famous film, the story of a filipino family. he filmed 11 years, he goes 9 hours. and this is just a movie e where mm there are no professional actors. it's just such a hmm sketch about life, but , nevertheless, dramatic, but the film about which

it will be discussed received the main prize of the venice film festival in 2016, bringing it to the international arena by making it. well over or less famous and this gave impetus to his cinematography. um, well, he got some kind of commercial component, he began to make shorter films. here is the woman who left, based on the story of leo tolstoy ah, which leo nikolayevich tolstoy himself, uh, considered the best work in general in his writing career. it's called god sees the truth. yes, he won’t say soon. hmm, the women who left is a film, but a person who has been in prison all his life, well, most of his life, and 30 years and after leaving prison, a looks for the offender and finds him one way or another in tolstoy's m-m in his story about a merchant who spent 26 years in

prison. and it turned out that the murder was committed by another merchant, who ends up with him there for hard labor, and he forgives him this story. god sees the truth. yes, it will not soon end with the fact that the reader must appreciate the depth of hmm, this forgiveness from love-dess in the film of the woman who left. this film ends a little differently, but the point, of course, is that a man who was in prison for another life the man is changing in every way the woman who is gone e, lasts 3 hours 48 minutes. this is a short film for lav-desa. but during this time we live this story practically, not for a second. not uh, bored because