uh, not only in moscow molodezhka , but also in all domestic newspapers , the circulation was not arrested at that moment, only 800,000 copies were seized on the newspaper itself and its eskios were seized. the entire domestic ministry of internal affairs would not have had enough strength. and besides, in the picture, hmm , the minister of health of the ussr yevgeny chazov appears on the evening air of the central television and tells that sick teams of prostitutes have aids. eh, as these phenomena do not exist in our country, therefore we cannot have a back either. it was also absolutely nonsense a serious cardiologist of the kremlin hospital, but quite a big specialist in his field , and already in 88 he could not say on television that drug addiction prostitution is not ours. uh, specialization and features , first of all, because the story of intergirl is about forgiveness. everything came out in the eighty-eighth

year already in the january issue of the neva magazine, as for the texts about drug trafficking, the first article about this was in the news in the summer of the eighty-sixth year. and this is all hmm perfect frank fiction. except the one in the series, uh, the head physician of the hospital, convicted of having uh infected children. eh, in a quiet, whispering kalmyk doctor, and magnificent roles oscar ilyasova says that they will always be to blame for these terrible authorities, kalmyk. uh, hmm immediately remembers being deported uh, uh. childhood, together with their relatives , along with the entire kalmyk people, and let's face it. eh, translating from russian into russian, but it sounds like a person who has completely dismissed medicine. the medical staff, uh, completely

lyulu, uh, blames the supreme power for everything instead of kicking out all the satanic nurses who refused, well, just not able to sterilize the syringe and and. in general, those who can endure in this way not only sleep, but also hepatitis in every possible way. he blames the terrible comrade stalin for everything , who is a million years ago. e, spoiled his life, and thus turned him into a terrible party leader of kalmykia, e. he incites with all his might. uh, hmm lumpen proletariat uh, hospital with infected children. all. this, too, of course, is utter nonsense; they don’t say that uh the then hmm under the boss of kalmykia, zakharov, was quite an average man. they are that disgusting fat pig, as the kolychen artist tries to portray him, but as for the main direction?

it just so happens that, uh hmm , it is totalitarian regimes that deal with serious epidemics in the best way in the most effective way, and not democratic, but serious restrictions on freedoms, which are always necessary. in this case, uh, it’s much better, uh, many people remember the authors, the sixties, when uh the soviet union managed to radically crush the smallpox epidemic. uh, immediately after the new year of the sixtieth, a general vaccination of all muscovites was completely discontinued. uh, any contacts and departures from moscow, including those that have already been returned, having taken off from the soviet airspace, the liner going to paris, you can imagine how the people flying there would react now, and how much it would be in general, perhaps in the sixtieth . it was probably quite accurate. also

the soviet power. e, crushed the most serious and regularly, flaring epidemics of anthrax cholera of the same smallpox, ah, after all, uh, domestic epidemiology. eh, deserves the kindest words. if someone sometimes, when he paid attention to the old pre-soviet press, he will definitely find in the southern regions reports of a new outbreak of cholera and daily reports on how many people died, and the soviet government stopped this completely and for this it is separate. thank you. in all other respects, it must be admitted that the picture is extremely fascinating a and oscar ilyasov and nikita efremov deserve the most efremov has just received the best praise for this role of the golden eagle. hmm the end of uh. deserves the manner of the producer tsekalo in all

his films to undress his zero main actress, and in this film, ah, hmm , elizaveta shakira looked extremely wonderful , especially on the balcony overlooking the krasnopresnenskaya skyscraper. here i am, uh, producer and director. uh, just mastering the picture , sergey trofimov and evgeny stychkin put one cameraman another artist. here they tried their hand at directing in many ways it turned out claims only to the scenario. the fire podcast is still skewed with you, and i denis gorelov, reviewing the leading domestic tv series of our time, picture thirteenth clinical hmm, about another medical institution of a rather mysterious type, and it so happened that the surgeon cyril e, performing an operation, suddenly discovered that he had spiders get in, uh clearly realized that

this is due to the cancer diagnosed in him uh, felt that his days were numbered and went to the last uh medical procedures, uh to the relevant authorities, but fortunately for him, along with spiders and cancer, demons attacked him, so he was hospitalized not in an ordinary cancer clinic, but in hospital number 13, where, along with all sorts of other trash, demons are expelled from people like this perishing broke a, that precisely this hospital. uh , darkness, won in the lung, but since in the doctor, and along with cancer and spiders, uh , there was uh, s. one of the most fierce and dangerous devils. uh according to the classification nd-1. uh, that hospital management. decided not to let him out to leave. under supervision and simply

adapt to internal operations and care of patients who have completely different demons and demons. and it so happened that in the russian cultural tradition, serious authors are geniuses. e, they take up the issues of the relationship between angels and demons and their e, some kind of internal convention for the section e, spheres of activity, and at the moment of the most serious changes in the country k, the moment of the formation of some new statehood , and so on in particular, and fedor mikhailovich taevsky devoted all his work to this very issue at the time of russia's transition from feudal capitalist order. actually, that's why he became, uh, the super great e world classic, because in europe there was simply no author of equal size to him, uh, able to persuade him about, but a new and obviously vicious system. going frankly, contrary to

scripture from the standpoint of this particular scripture. uh, balzac created his own human comedy, but each of his novels still lost individually to what dostoevsky wrote uh, the fbi was more oriented towards worldly stories oscaruald was brilliant stylist, but still, uh, dedicated his body to the strict, uh, aristocratic class and didn't dig that deep. e. hmm , charles deakins must have been killed by being too sentimental anyway. eh, they were not equal to dostoevsky in any way. and if someone were equal, then of course, in the best western traditions of fyodor mikhailovich, they would announce to the epins some of their own great author. well, they did not find such a person, and the following, and an appeal to the topic of the battle of good and evil happened with us. during the transition of e countries from the agrarian way of life to

industrial and mikhail ivanovich bulgakov e from 1928 to 1940 wrote the master and margarita and hmm. thus, he assessed what was happening in the established soviet country with its completely new socialist regime. ah, the next appeal to the topic happened already at the turn of the century, and hmm , the writer dear to my heart, sergey lukyanenko, wrote his night watch, and the first channel, dear to my heart, staged his picture on it, and i must pay tribute to the authors. series thirteenth clinical they clearly have the most outspoken

they send references towards their forerunners, and all the demons in the picture are classified by the code nd e, and this code is not explained in any way, but attentive people, of course, understand that it is hello to the night watch of sergei lukyanenko or director timur bekmambetov ah, as for , and now we are witnessing the current situation. a clear break , uh, of russian civilization from the decadent western one, and it's time to talk again about how, uh, russian demons will decide things with russian angels in the picture, better acting strength. e. victoria isakova plays the head of the department of hospital management, igor vladimir steklov, who is always happy to see his partner on the screen. hmm. e kozlovsky to be performed by paulina andreeva and in the finale, her demons are dragged away with them and the hero in love is forced to commit suicide to investigate this is an obvious reincarnation for her. the myth of oborpheus, who went

to hell for his beloved, and a clear springboard for the next season, while it should be noted that the script of this series and the production functions were performed by the second e, the best script of the modern serial production. andrey zolotarev. he used to do trigger e did for bondarchuk e attraction and invasion. remember this name is absolutely impossible. i spoke again before recording the specials. finally he wrote. uh, the super-successful film ice mm and with director klimov kazinsky, who made the thirteenth clinical film before that, they made uh, a series beside himself about how evgeny stychkin is inside. ah, they swear, fight and copulate . light. schizophrenia, but to understand

the mental failures of u people, uh, in some kind of internal u, demons and angels. uh, andrei zolotarev is the biggest master on today's screen. it just so happened that at the release of the film night watch. ah, met. he was with incredible fury, er, a wonderful critic of the now deceased tatyana muscovite. ah, criticism. she was devout, and she said a very harsh thing. she said who told them that someone would negotiate with them. only hardcore only with a cross and a prayer to wet the demons. what is the world about worth it, but there are clear feelings that today russia has chosen this particular direction, there are no agreements, there can’t be any demons, and some conciliatory position of the author of the series is the thirteenth. the clinical a is a bit out of line with

the national discus, and in that sense, uh, it is to be expected that next season they teach at the request of the populace. uh, since the guys are fantastically talented, i believe in them. channel one is launching a new project in every corner of our vast country. have your innovators engineer or designer or just about to launch your startup. you have a business and not, a ready-made production and an advanced technology project. you came up with a miracle bearing a unique computer program or a non-standard restaurant concept that millions of people will recognize about your inventions. and we will help your dreams come true to us write to us write to us. bad

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with you still podcast burn with fire and his presenter denis gorelov reviewing the current most relevant tv series of our time , the next picture, which we have in the distribution of the film negotiator, the topic of negotiators a year ago, already seems to have been fully worked out by the mediator series. uh, according to the scenario of one of the best, again, mm authors, hmm , psychological and psychiatric detectives anna kozlova and everyone remembers andrey burkovsky. in this role, he was very, very good, but the topic turned out to be, apparently, not

exhaustive, but the main idea of ​​the negotiator. as can be seen from the finale, it becomes that all hostage-taking attacks are carried out by the chekists themselves in order to show their e, their omnipotence and their skills, etc. etc. uh, in addition, some terrible work as security officers, and godfathers resurrected from the nineties and the beginning of the zero years, dividing among themselves. uh, ritual funeral business and similar to gophers from a famous painting, which we haven’t heard about them for a long time, but they still exist, and then the hero is an fsb negotiator, uh , retired because in one of the tracts. uh he e managed to save his son, but his daughter died there, and he can not cope with

the hardest choice that he had to, uh, make e enough. they can drink. well, in general, understandable and understandable. and at the same time, uh, new seizures continue everywhere, and with intensity, and absolutely in the nineties , which cannot but raise questions from the modern public. but nora is completely with our emigrants if a laudatory text about a negotiator appears on the network. uh, most often this is a review of a person who left russia and conserved in his mind, country. uh, how she was at the moment of his departure dismounting and escape a hmm to the inner viewer. e, i liked the picture, let's just say less, but the idea of ​​the series belongs. the screenwriting journalist curator of the poetess yulia idlis, probably, should not

have spoken about him at all, but carefully, but the producers tsekalo and mishin are very serious people and know how. uh, quite a controversial idea to sell beautifully. and in this they certainly resemble the cinema of the old soviet era. uh, when people took a completely crazy idea. well e.g., uh, the work brigade waives the bonus or uh. russian radio operator with two children's bundles under her arm. uh, he fools the gestapo for a long time and runs away from them in the very center of berlin or stirlitz raswiller , telling him that he took the suitcase with the russian radio operator solely from the same german impulse , completely unaware that he had terrible nonsense inside him, but nevertheless, and these go. and the plots later fell into the hands of the most serious professional of our cinema,

an outstanding director, firstly, an amazing artist, and secondly, and very strong dialogist. thirdly, what made the viewer periodically not only believe in what was happening, but a little distracted from the original stupidity, but the ideas and uh hmm of the central central direction of the central intrigue. and the same thing happens from the series the negotiator , tsekalo takes on the role of an ideologist of the same one of our two best screenwriters oleg molochko, already mentioned in today's podcast, and trusts the production to be very serious. to the master of staging craft at the rubek and as far as the main actors are concerned , the negotiators become absolutely wonderful in terms of charisma. e, kirill pirogov and moreover, also paired with vadim mishukov is also a very

serious performer, and at one time , a long time ago, uh, back in the previous century , i cursed in the newspaper today the first role of pirogov in the picture of georgy nikolaevich danelia eagle and tails. uh, georgy nikolaevich then took the great prose, and one of our very own, our greatest prose writers. e, vladimir semyonovich makanan. e on the first breath, ah a story about e siberian guy e strong real cheerful e, having to achieve everything in life, but georgy nikolayevich wanted at that moment in the mid-nineties to reformat the story under e of a persistent domestic slender intellectual. on the steering wheel, uh, a serious and ferocious alpha male , he took a rather slender, but very good artist kirill pirogov

. uh. well, it seems to me, as far as i remember, uh, i drove through his performance roles. although he performed what the director instructed him, so i will never miss the opportunity to praise once again. uh, mr. pirogov when he deserves it, and in this picture, he deserves it, uh, the film rides completely on his uh, charisma, his opinions and quite attractive uh, the appearance of a woman who became the subject of contention between two uh, fsb negotiators, pie bags , plays would be without a hundred. nka gryu a-a, which many veterans of the soviet spectator business. seen at the age of

12. now she is quite nice see an adult. uh in general. this is a very exciting movie, if, of course, it constantly discounts the fact that these harsh godfathers dividing the funeral business among themselves remained in russia in the distant past. well, and many other initial directions. uh , the grief podcast still deserves corrections with you, during the day and i denis gorelov reviewing the leading domestic forces of our time, another series that deserves serious attention is the picture black spring, and the film is based on the script sergey is ramaev and any lion staged by sergey taraeva and lion's love, and kino about our tenth grade graduates living in the city of kerch kerch

is not indicated in the film by its name, but many residents of it recognize the shooting, it was there hmm kerch tenth graders attended to eh , very serious pressing topical issues. was dantes hmm a person of non-traditional sexual orientation, there, of course, another word was used, but uh, let's just say we can't use it now , and this question captured me very much tenth graders. they discussed this topic , it was clear that in a bad sense, and mts is not without any doubt this person, but there was a conversation that was good too, but exciting tenth graders. uh, somewhere in kerch they got a couple of muzzle ones. pistolov and decided to solve their problems with the help of the old dueling code and some uh noble

ideas of honor about how an aristocratic person should behave in modern conditions, but it should be clearly noted that the main and most important problem modern youth and in russia in the world is the only one, and the fact is that the world needs much less rock musicians of tv presenters of movie stars than tens of millions of modern youth apply for these places. and usually, in general, more or less previous generations were forced to come to terms with this truth, but a consumer society. e, in every possible way inspired the young generations that money is a woman, glory is literally waiting for. therefore, a collision with reality causes them a completely inhuman trauma and a desire to decide. uh

all things in radical ways, including with the help of dueling pistols. uh, in the middle of the picture, the hero seizes the school radio station and starts talking about the fact that all his life he wanted to catch a-a children in the rye in the image and likeness of salinger's cold caulfield. and this explains quite a lot in the background of the authors. yes, and the hero too, uh, the fact is that his ferocious rather tedious and sullen counters with adults. at least a little explained, uh, by the ferocity of the then regimes in the ussr usa the book over the catcher in the rye was already published in 1951 in various harmonics of art, but translated by us and published 10 years later in 1961 at the height of khrushchevism. and to many readers. uh, in general , uh, the mood is cold caulfield. uh hmm

opponents of the authorities of the parents of adults and the whole world around, well, it was close enough. uh, three generations of our bores rushed around with hognu coffee, as if written off by a sack, but since then, adults, uh, children in europe and russia have been completely kissed in the ass, and they are categorically looking for it. how to heal all their possible injuries and even impossible to imagine. how much and where you need to get money, and cars of sympathetic villagers, so that only their majesty forgive civilization for its not perfection, but about the film. in general, it might not even be worth talking about, but the directors. uh, the lvov trams found very exciting boys for their ideas, the girls turned out worse, eh, but hmm, the black spring company, just

absolutely brilliant, uh, a permanent artist. the producers of the famous four oloyans were potter zuglinsky. uh, gleb kalyuzhny already a long time ago he established himself as a rather interesting outstanding performer, and, all the more, uh, the costume designers worked, uh, he is in his hood over his coat. just perfectly reminiscent of, uh, raznochinets of the beginning of the century before last, a and b in general, it looks very good and just corresponds to the main intentions of the series, a at a constant volume. and here with him is artyom koshman once, and valentina twice oleg chugunov three times nikita naked. there are four of you, and i never mentioned the first two, but in general a mention. they deserve it. a

as for chugunov, he had a very good role in the series the kidney of the head of the mane, appears on the screen quite often and in general, people have already been remembered, at least in the tv series two hills. but hmm this is a beautiful, uh, five. uh, he solves all his problems and questions, unfortunately, for some reason they can even understand why they constantly talk about shit. ah, the author clearly wants to bring down the noble paphos, which is quite inappropriate for modern kerch, and they use constant fecal details for this. ah, on the one hand. this is more or less, but understandable, but at some point another thing strains, that you want to put up with it. uh, just because, uh, the main character is clearly full of all sorts of protest

moods. his father, uh, who works in the forehead in a local hotel, is also full of protest moods and stray. and young in the local tavern, too, all of himself is full of great protest, and people of such a warehouse, they really like to talk about shit. uh, so noticed. this is their point. and it just so happens that, uh, all four shows, uh, that we are reviewing. hmm, are quite suitable for viewing, but very, uh, interesting and forced to watch to the end, not every series does this, but three of them are based on rather controversial ideas, uh, not very relevant to modern reality, and only a series about demons, the thirteenth clinical, as if written off from the nature of demons. we all know they are reproduced by the screenwriter, goldsmith and

director kozinsky exactly as we saw them with these demons and in general we have an idea about them. it was a podcast of grief by fire and its host denis burned down, and until the next meetings until the next series. hello this is a podcast, today our podcast is called gaidai 100 and we are talking about the centenary of a wonderful soviet director. leonida iochagaidai i am a film historian natalya ryabchikova and today i am talking with my colleague, film historian stanislav dinsky. hello so why gaidai well, because, uh , on the one hand, now we will have such a centennial anniversary parade. eh, amazing thing. in general, no matter what director, how can i not take here for me now some

major anniversary from the einsteins 125 gates, test 100 years, and soon there will be a whole parade of films old people anniversaries of films in the twenties. and gaidai well, unfortunately, but gaidai wasn't. hmm , he wasn't rewarded properly in the soviet era, when he actually created his films here and now the last 10-15 films are being made. here is 20 such a renaissance rethinking of the work of soviet directors guide ryazanov danelia with each other whose films everyone knows by heart, but now their formal methods are being comprehended for many years, well, somehow the skill of guessing as a director was not obvious, because somehow his films were made. well, as it were , somehow seamlessly by itself. in general, it just seems, yes, there is no one here. well, zaum in a good way, like

andrey tarkovsky or other serious directors who always filmed dramas, melodramas, ah, philosophical parables, well, in general, what they usually like to analyze so much, and film historians and, of course, film critics for whom this is just the main bread for theorizing on the basis of complex cinema language, but films where the passage of time is very slow. in general, there is no time dilation, on the contrary, he usually goes faster than time and the pace of his films is, well, which we were more like. for a modern viewer, uh, who loves mass cinema, but it seems to me that i need to speed up time and return at five very quickly and just talk about where the guide came from and it seems to me that this is very important just for everything else, and gaidai’s path in cinema, because he came to vgik at the very end of such a period that called a little picture of the forty-ninth year. he entered the fifty-fifth and graduated and he was lucky to get into the workshop of grigory alexandrov, the master of soviet comedy, and

, uh, it so happened that gaidai learned from alexander and then became an assistant on the set of the film lian boris barnat abarnet. this is also a master of spectator cinema of the twenties and beyond, and then it so happened that i took the guide under my wing the same person who took ryazanovo and vanturiev under his wing was very, but friendly towards young people. this was the period when he could afford to be the head of the cartoon studio to attract. new forces and so he attracted ryazanovo and after several documentaries gave him the musical comedy carnival night, and then he offered gaidar to work in the comedy genre in general, of course, for those people who know from the history of russian cinema from the history of the wild. the same as those people who entered in the mid-fifties. they almost all shot tarkov's konchalovsky shukshin passed, which, well, as it were sulinil did not enter the international market, as i would be told, but nevertheless, all

people of the same generation made their debut successfully , in many ways they say that there was a change of era , there was a youth festival of students in the fifty- seventh year, when a huge number of foreigners arrived from the soviet union, who brought chewing gum in their pockets to their experience and at the same time began to get foreign cinema, because moscow cinema. yes, yes, yes , i was discharged saying the youth festival, and the moscow film festival went on and on , it went up to a felony eight-8.5. more on at the turn of the fifties. in general, and the film distribution was filled with foreign films, and in this, gaidai was also lucky. yes ok. they were in vgik, they watched classics, but modern cinema, but what was filmed in the thirties, yes, and all this came out in the form of trophy films precisely in the late forties and early fifties, and brodsky later said that to change the regime , for e, change to begin with. shade these foreign films there about tarzan, for example, yes, they played a much greater role than all

khrushchev’s secret speeches, truancy, these films that were popular, that were musicals, melodramas, adventure films. this is also what influenced gaidai, but of course, but the source of it. it seems to me that one should look in those films that were shot in the tenth year and in the twentieth not only in the soviet union but also in america in france for films that belong to the genre of physical comedy. absolutely true, because sometimes it seems when you look at films ha. yes , quite seriously, for example, yes, what, well, as if suddenly some very talented director appeared out of nowhere, who, on an empty where he began to shoot, and films that, decades later, were loved by millions and are still revising what is the mystery? where will open yes, that is, when you start to analyze today, the work of the director, you usually watch, well, what are the references, yes, what does he like to watch? name ten of your favorite films. in the case of the gay. ah. it was, on the whole, pretty good. yes, pastor king policeman

run comedies of the twenties the twenties in the soviet union watched american comedies. let's see what they are watched. action comedy it works specifically in daytime cinema, because there is no sound, there is no speech apart from music, and all that the comedian does is fast movement is absolutely in line with the appeal of early cinema. it's running, it's falling, it's tricks. what is the name of da buster kitton, who is an incredible stuntman. why is he doing all this without backups without any support, he is just incredibly athletic in training. there is also a funny story about maksan. this is one of just a such teachers, and gaidai, who often films in which the police ran after criminals and bludgeoned each other, maxim

recalled that when ross was in the american outback as a child, it was interesting for him to watch. and what will happen if you approach the policeman and hit him and give him a kick. well, of course, he was a normal person. he did not do this in his life, but he embodied this idea on the screen and subsequently. in general, all these poke worries are cracks, flying cakes. they migrated to the soviet to the soviet cinema of the sixties , because gaidai a will test all these sets. these are the tricks, this is the aesthetics we see, there are mouths and blows, a yes, each other on the head, and so on. all this was then melted down into the organic, into the soviet new type of soviet kosmodey comedy. one of the three, it seems to me that i would consider it so, because, firstly, not myself. gaidai came and said. but i want to do an exclusive comedy or i want to do comedies. danelia also did not come, did not speak. i want to make a lyrical commission. first, in principle, they invented moscow during the production of the film , first into the planned economies of the soviet thought we need to do more comedies.