it's great, she's wonderful, but she needs to break off such a cover to make such a smeared past the gcd when the rolling stones and even the business started. remember how the queen group, namely , combined and mixed so many genres in one bohemian song. so we have it right, of course, igor to this just in time for this kind. we see, it shouldn't be. if a bad song, at least a good wrap, it must be bad, a good song must be done. so you need to learn how to write, keep learning. we've got great hits which are also not. we have everything. do n't misunderstand me, but you also need to look further. yes, why do we have bad songs in the same any or even popular songs that are all over our stars from small to great good songs. of course, how do we need to make sure that these songs have. and its

influence even on the rest, so to speak, an honest world. here's how we do it to break the patterns correctly. and how do you break them? if you don't know how to play, you know, some say, i play modern avant-garde music, for example. i am not myself i limit nothing. that is. when we play what aviation music is more or less, we sort of limit ourselves. we have limits, and they have no limits, they have limits of their own inability to play. they simply do not know how to play and give it what they want, really. you didn't have a frame. here's what you would do. how could this be a program? well, no, well, it's just impossible, you see, right here, right here, you need it, and here are the wounds. very much waiting. we want to invite us to the stage of the participants of all the teams that did not pass. this is a song on the street and even more so, established on the head sit tradition. we

will hold a special additional stage to determine a place in the final, but this time it will be up to you to decide your fate or the audience, three more lucky ones will become finalists. we will find out the full list of everyone who will compete for the title of the best children's voice in the country. voice children live broadcast on friday at first pain can be a different mechanism for the development of pain 1 is not important. what caused the pain, if there is pentalgin , a universal remedy for various types of pain, thanks to the combined composition , pentalgin acts against pain, wherever it is was not independent of the reasons for its occurrence . pentalgin will do without pain reality from

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with discounts up to 60% delivery free magnet buy cheaper. connect the acceptance of payments by qr-code in the tinkoff business application and accept payments via phone or terminal. open an account for business, but tinkoff.ru get credited instantly and without commission. he is so alone. what is the cause of hemorrhoids problem, it can be not only outside, but also in the veins, so an integrated approach is important, venarus or vice versa alu complex treatment of hemorrhoids from the outside and from the inside. there are three prominent people in the studio here, which means, uh, a producer who once already broke the mold, and in general, there was a tattoo that tore the whole world yes , igor mikhailovich butman the great is undoubtedly who is not a musical person

practically. that's what we're going to tear the world in the future, yes, that is, uh, korea is tearing up with k-pop, for example, no matter how it sounds, korean korean korean popular music is tearing the world, ah, but there is a group. yes, yes, now the most popular. well, it was the first one. yes, you know, yes, of course, yes, i know that. here he was the first to listen to this music, but i know that there is a genre called e, which means musician. i don't know it always. look again to study it. we take an example, we look, we find people, yes, trainees are offered to write similar

manner with the use of, let's say, this is all education, this is all. well, i studied, so to speak, uh foreign music school, here. there, the conservatories tell us about how he wrote music. we study modern composition. and they tell us that the body could not write. so he uses such techniques such harmonies. here in this thing he has such harmony, and the next thing is such harmony, and now you write somonka in the style of telony. you sit and write. i have a composition called. siberian monk also here we create, so to speak , classes for school and take what is popular with us. there this popularity. here comes, talents, young people many write in this style. and now apply this is a huge job and goal, and this goal should sometime. well, it will work, when it works, not two people or not one person will appear, but five, that is, you have not calmed down. you will not feel on

your laurels, of course. well, of course not. i'm going to this i'm going quite speaking in korea what happened yes, romances were collected there man eight. so the korean producers, they made the technology, they took the swedish composers uh, young young talented guys. that is, they did not go to festivals, because there are no festivals there. so they couldn’t find oleg there neatly, they take very small uh , they train children of 8 years old and then release them into these teams, it’s interesting, for example, this is the product here are smart people, so it launches a conveyor, in which there are talented children and maybe not very talented ones find themselves and we have a new music industry, for example, like this, well, in general, in general, i talked

with one of our well-known producers on this topic and one of my ideas was. let's get together. here are well-known producers, composers, let's get together and discuss how we can take 9 m, it's unknown, but we don't. well someone owns the situation. yes, we are all experienced , it is clear that take some unknown. well , everyone knows their unknowns. i know my unknown jazz musicians who are now growing up already at first it was oleg exactly, when i showed oleg akkuratov on wynton marsales on the phone, he also began to cry, yes, and immediately invited oleg na to perform in america, the same thing. everyone can bring their own unknown and the same get together and discuss this topic for discussion topic for discussion. what to do next so that the whole world listens to us? well, here we are in jazz, i know how to make it popular, as far as i understand, we have the best american jazz, but sometimes we have it sometimes

better. but although there is something to strive for , we know that when the anniversary flew away home, he played and sang and there came at the valley of mars the trumpeters. of course, they don't even have a drummer, not even a double-bass player or a pianist. i'm not saying, our best guitarists they don't have the same as our saxophonists. yes, no, there are guitars, saxophonists, they have a good one, yes, and we played with them. at first we were worried, but when we played already in st. petersburg , we relaxed a little, so we played well. but yes, this is a brilliant musicians, a brilliant orchestra. what can be done to play better? than they just deal with us for a couple of hours more than they rehearse each and every one? well, that might have been interesting. here. uh, what about jazz? i love jazz very much, i will calm him down. i find its balance in myself from

a visual point of view. we people are very much watched now. people have already seen a lot all over the world, they already need it right away, but to turn on several senses. ballet compatible ballerinas on stage, wow, by the way, there is such a thing. it's true? something is something irka only did some garbage, too. and you did some kind of project there too. yes was at us an attempt. we don't leave it with boris aifon to do this for jazz, he did he did with gershin's music. he really wanted to use gershen. and i wanted to, but at first he wanted with my music, but we just didn’t succeed. why, because there is music that we have recorded, it didn’t quite fit, it didn’t quite fit some, well, under the dramaturgy, everything that i wanted to offer, maybe it’s natural to write some new music, but for this it’s not yet reached. no, everything is jazz, connects with everyone. i

i myself am looking for new forms. that's because, well, viewer. he's new in our new millennium began. we have to understand what is behind 100 years of russian jazz. right now, we have a huge audience, especially in russia, we have a sufficient number of jazz musicians traveling around the country, performing at the philharmonic, gathering completely in jazz clubs. jazz musicians appear on television. right now, our industry is developing very dynamically and young musicians are appearing, who also fill, then a space that goes into our veterans or tare art, because it is elitist, but it is elitist in terms of music art itself, but it has now appeared for everyone. eh, the category of people is very e by me. in general, even respected in what sense?

uh, because they are not afraid to talk about it, they say, uh, what are you all singing in english, what are you not singing in russian. and this applies to everything that is rock. here is how you feel about this phenomenon, in general, you probably already encountered it. i faced this many times. but i don't speak russian, i'm not afraid of anything, and not in russian 5 not in english and in indian. i even i on all different will understand. i even do soviet programs, of course, and it’s from our songs that jazz arrangements are made, that is, with igor, we also did this and will continue to do it repeatedly and will never stop . well, we had programs that we did. we sang our war songs. we made arrangements for them, we combined some american songs with russian ones. today's moment. we are really jazz music and all, so to speak, the motives for which

we improvise, by the way, came from american music, yes, basically. but when they say, let's say that jazz is not our art, i want to know about musicals, this is our art, and opera is our art. and when the italian opera is sung in italian, nothing pinches us, and when boris godunov is sung in russian in a caress, how do we feel about this, we treat him positively, therefore, of course, we are looking for us we have from afar a collection of jazz e standards of russian composers of course, we played the program of both dunayevsky and the winged one. both gladkova and we play all these compositions of ours, which are better than the golden sun, which we perform receives more applause. what any jazz standard is - all over the world, wherever we play thailand in india the united states of america we can provide evidence.

oh, of course, maxim was. in english, there are wonderful composers who make up another show as a vocalist, and he lies solo programs to play, so he sings both folk songs and kazakh-kazakh songs, folklore folklore, krasnodar fortyor sing kuban uh, you can ask for something ocapella. i can catch a very cool was given to the girls.

oh thank you, what a ending, by the way, suddenly i had such a question. i often sit on the jury at children's competitions, and when children start singing jazz, they learn it. it is clear that they are teaching him. they don't feel it, maybe this feeling should come with age, in general, as it is jazz school, that is, the child comes. he wants to win the competition, but not everywhere and not always , not in every genre. and here is the question for the new shift, which will come and synthesize it, because for them this technology is a technique.

yes, say that when a real feeling comes, because she may not come, you see, here we mix it up, again two concepts are talent people, they have feelings, because when there is a competition, everyone wants to win the competition. uh-huh. therefore, if you have a competition, let's say the piano. you must learn everything well. that's right. and then you win like that and you learned best of all, you interpret best of all. you win a jazz competition. children, mothers, fathers, teachers are afraid to lose, so they memorize in such a way that they are not this, just a jazz interpretation of any kind of musical structure. but they learn all this by heart, and i am trying to fight this, even for many talented girls who even drank with us. i say improvise. you don't need to be taught . she says i learned improvisation. you don't need much. better you can sing this one to you

this excitement of creativity at the moment of the very performance will come to you, you will understand. you know you play the piano. you know music. you are a talented person. no, she learns everything and gives out in it. yes, that's it. and when you sing, it's already very different. it might as well be well written. maybe you did great, so you play it every day, then it disappears. here is the charm of jazz music. why do we love? i when the first competition, when i was in rostov-on-don, i see, we have two compositions, we need to play a man and they are the first the composition is chosen by yourself. and then no, then there was generally one composition, and now they are playing. i watch him play. well, the man is playing. well, great. wow, and then i say, and you play there too, well , he starts playing some kind of standard and the kurlyk kurlyk . well, that is, jazz, it's a continuous creative must be not only jazz, music is creativity. this is life all the time. it's just that when they really lead, there is

such a tatyana chernigovskaya who says that children definitely need music, and she develops and expands this, and at the same time, uh in new education. i mean, there could be this part, when in the new, i mean in the new millennium, when they give children the opportunity in basic education to start experimenting. well, there it is definitely necessary to improvise - this is not some kind of something, it comes out of the hands, yes. this is how we talk. we've set the topic. we start talking to her, if we have enough to say so, well, i don’t know the knowledge there, according to the vocabulary. you know, sometimes i want to say, but i don’t have the strength. and how was it for you? in childhood is good too. well, well, if not, well, as a child, my dad forced me to play jazz under duress. here i have such a question. in general, to force a child not from under the stick, but to create an opportunity for him

to study. if there is any there was a story. tell me, i had a different story with me. i had to study classical, not jazz, from under the ceiling, because i just spent more time on jazz than on classics at the beginning at the beginning of my period, and then i already understood somewhere from the age of 18, when i started preparing for the competition in novosibirsk, i think i thought that i definitely need the classics, because not a single jazz musician can do without a classical education. that is, such an adult understanding has come, in general, i have already begun to relate to this in an adult way, and everything, and. why is this the biggest why i used to spend more time on jazz and 2 hours of only classical and that's it, only 2 hours of classical, please again in this jazz. i was constantly working out. well for the whole day only jazz for two hours jazz, and now it’s like yes, and now it’s completely both. you said, dad, you said no, but

no, i became engaged. i just listened to jazz. i really wanted to play drums. hmm, so my dad used to play drums for me at home , but he played there at a wedding there. well, during the day the engineer was playing at the wedding in the evening and the drum was at home. i used to play all the time, when i was five and six years old. i already played there with emil dmitrov, he was kind of like that. in general, what records were there leningrad selena i played the drums with them all, then they invited me a girl, she wrote to teach not the piano, but she taught me the piano, we moved there half a year later. there is a new area for such a bedroom in vesyoliy poselok in leningrad, and she refused to come here. uh-huh and he refused, thank god, and then after a while his father spoke, jazz benny goodman charlie parker gennady goldstein iosiftein. these musicians were then a gremlin for the whole of leningrad. therefore, these are the teacher above me, who i later got gennady says he was there all the time. legend soviet glory.

god still lives legends of soviet jazz, an outstanding musician composer composer at that moment, who played oleg galustyan and the leader and vadim lyudkov’s orchestra einstein in general, you need to infect you need to infect it will turn out good music you need to infect you should be a brilliant musician wrote, good musicians can be be just a musician be any musician, brilliant in his own way 100 years of russian jazz, and october was celebrated. and now let's celebrate a little more. uh, 2023. this is a good thing, but the next 100 years are ahead of what is missing in russian jazz, what to pay attention to for the first 10 years, at least with the support that we receive and receive all the creative industries in our country at the moment, we are working quite closely in the field of education. and it's not just us, it's going through camps in samara, plus, of course, going through tavria

. that's all, it's coming. there is a huge support, so we just need to work for and now we all believe that there can be success people they see successful jazz musicians on television oleg akuretov sergey there, petr vostokov is a smut. kondakov the guys in st. petersburg are ours there to crush golovkins and so on and young people appear here, in principle, we have everything now we have a sponsor there is support precisely at the local level yes guber and the ministry of culture has appeared the incentive now it is clear that even goes they have a choice. where to go go classical pianist or go. i don’t know about going to moscow state university to become an engineer. where are you, you can earn money. you can be a professional jazz musician. now the king can not help but ask the jazz musician. this is the state of man. well, of course, we are solid middle class solid middle class so, i don't know, for example, i consider

myself a wealthy person. i don’t know how it is said in general from the point of view of finances, we are now talking about young people now young people are very demanding on this, yes, that is, if you are in demand, you have, well, us last year i officially had 170 concerts. the musicians of my orchestra and my committee are practically the same. almost the same. well, we don't play for free. therefore, we have financial stability. i 'll tell you what the musicians. some earn very poorly. and this is not the limit. there are jazz musicians, ours. well, we also focus on the greatest musicians for us, the same wynton marsales , so to speak, is both a musical and human idol, as a public figure, he was one of the 25

most influential people in america according to well, according to taya's magazine well, that's great already is engaged in playing music, if marsales can be in america himself an influential person one of the most why a jazz musician in russia can not be influenced. and what if you outline your mission as a jazz musician for the next century? i don't have any mission. i just love. i can't be you have a mission. i don't think, i don't sit, i don't think. so what do you understand, yes, the mission is to make people happier, what they want to do, so that they know, i say that if there are some things happening in the world it means we are not somewhere finalized, somewhere they didn’t finish playing something. something left people unsatisfied. i remember one wonderful jazz singer and

pianist shirley horn singing. in america, i was at a festival where i performed, and then i sat in the service. she went out. we were already such an elderly woman who came out playing with gloves, and she sang and the whole first row. we all took hands, just not well, there are people. it was as if we knew there was someone on the right, on the left we were sitting by the hands, and now we were listening. here is this divine some kind of musical revelation. well, no nothing was bright. she just sang and this timbre of the voice is all together. and it was wonderful and we want to do it so that people leave, satisfied with a sullen smile , exchanging impressions. dear friends, dear friends, on this optimistic note, unfortunately, unfortunately, we are forced to end our broadcast. today they were with us. igor butman people's artist jazzman oleg akuratov is a star of modern russian jazz without a doubt. i'm sure the best thing you can do now after this broadcast is turn on

olegrov's notes. listen to him and igor butman's orchestra. it's wonderful in the pockets of elena kiper, we say goodbye to new and night airs. we wish you happiness, everything in this world is like the sun for you now. that's jazz for you. unexpectedly, you entered my life, i remember dreams. and why why, i don’t know myself, i believed your blue eyes and now i’ll tell you. you are alone in

my destiny. you are my only destiny. darling, believe me, i didn't hurt your heart.

i believed your blue eyes and now i'll tell you. you are my destiny. you are my one hundred. hello dear friends with you, valery syutkin, the light jazz group, and our podcast of the melodies of my

life today, our joint evening with you, was opened by the song andrey shouting to kotov's poems why, why, of course, we cannot answer all the questions that life puts before us, but, if our today's meeting will simply cheer up someone or help in this or that life situation. we will be very pleased. this is the one who knows how to play the cordion, but they never do it says one of the rules of life another rule of life says that an intelligent person will never say how stupid she was, and has remained so. he will tell the time at the bottom and not overbearing, but in fact, i believe that life has no rules. although there is something useful here from this section in various magazines or publications, uh, television programs. eh, something useful, i'll still remember. for example.

look at this, cheap. quickly well, remember well, you quickly go. these three things never come together. stop translating this life, and you have everything at once get better. in any case, many questions. u, you can give an answer to yourself, then i want to tell you that with age, we all come out on the face. i remember many years ago in the october hall. m vasilievna lavrinovich without changing the head of this hall. told me the buffet. here valera look, you see , the first beauty of st. petersburg is walking in the past and seeing on my face that the reaction is not approving, because i noticed a lot of plastic interventions. she said, in-in, just over the years, her character came out

on her face. so here we are with age we deserve, the facial expression that actually reflects our attitude to life, therefore, do not envy any unnecessary soul-searching, do not wish evil to anyone around you, and you are assured that you will look much more important, by the way, our facial expression is more important than those that we put on ourselves, so look at this, i remember such a wonderful one. north american history, when an elderly indian, the leader, says to his grandson, says, remember granddaughters , two wolves live in every person from birth. one wolf is kindness, compassion, peacefulness, and second wolf. this is greed envy greed. and these two wolves are constantly in conflict with each other, fighting for the primacy of the granddaughters

, and asks which wolf wins? the wolf that you feed best wins, so remember this, dear friends friendship friendship i think this is a reflection. that's self -worth on other people, so friendship needs to be looked after. i am very happy that there are few in my life, but those friends are time-tested in all respects, both in joy and in sorrow, because this is a very great happiness, by the way, happiness is happiness, this is not final stop. as some know, this is a way to travel, so it seems to me that happiness is yes, don’t let it, namely on but best of all. this is the meaning of the word

happiness conveyed, it seems to me, leo tolstoy, he said attention. you can even write this down somewhere for yourself, then you will use happiness - this is pleasure without remorse. therefore, before enjoying life. think about whether your pleasure brings misfortune to other people who are around you. and i assure you. this is very important because now everyone is saying, freedom is freedom. in fact, everyone wants all permissiveness, they are free, because there, because freedom is voluntary self-restraint, when a person’s inner center does not allow. well actually, it is in any religion. everything is very precisely formed commandments that must not be violated. it just seems to us that everything in life is going around, that this is just politics. it's only power. we give some estimates

we demand freedom paradise - it depends on us to build, and the state exists, so that there is no hell. that's all i think i wanted to tell you in this first part. uh, if you want to achieve something in life, start right with yourself and from this moment, because as theodore roosevelt very aptly said, if i'm not mistaken, do what you can with what you can, here and now and these were questions and answers. now let's pass it on. hello muscovites and petersburgers. they say that there are some misunderstandings between them. here in front of you is a muscovite who loves, appreciates and respects both the city itself and all the inhabitants of st. petersburg

your moscow and its neva have become, in general , something. you are probably bright, he is gloomy, the spirit of cultures is arguing, he is again behind the curb, and you are behind the curb you have not seen the white nights and the sides of petrograd, he does not know khitrov's courtyards, and bulgakov's places. he will never be able to hold you an ax alone and you won’t know which beer is the entrance to the house, but your moscow

children have your moscow and fucking you have become something, probably, oh, and light. he is gloomy, arguing the coal of cultures, he is again behind the curb. and you zavardyur at your moscow and fuck you became anything at all. at your mask and i, for some reason, you, of course, you us, you,

of course, you. moscow and, of course, our podcast melodies of my life, because