tv PODKAST 1TV February 18, 2023 3:10am-3:51am MSK
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ahead of reality how does he mean? yes, this is a very important story. yes, plus it is also so talentedly written. there is so much humor, there are so many surprises, because these situations change every day. the name in the rings somehow evokes associations with some snake rings. not only garden, there boulevard and so on. this was implied, the target was also implied, that it seems to us that we are protected, and as a result of this protection, it turns out to be a target. that is, it is concentration. oh yes, where is easy get it turns out, i see. here i caught a few things scary, important them. uh, for myself from our conversation. the most important thing, perhaps, is that sometimes the text is not suspected. uh, what meanings can be extracted from it and we can extract. these are from different texts. sometimes, even as if from mediocre, well , imperfect, this is the first and second thing that the text and theatrical text in the broadest sense of the word, it is ahead of reality. well, yes, the intuition of artists often works, my favorite the thought
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that we, in general, ended up inside dostoevsky in what sense? yes, because. uh, if raskolnikov was the one he claims to be, then he would not have been hiding at the beginning of the novel. it's strange and scary to talk about it. he brandishes an ax, he came , he would have done his black deed and would have taken a selfie - i killed it. i'm not afraid. i can kill me - he would say, but from this hmm half a step to modern terrible. uh, these terrorist crimes, when the meaning of the crime is not to take possession of property or take revenge or to give vent to feelings, but to send some kind of signal the theory of some kind of photograph so it turns out, in general, the theory of raskolnikov when you begin to understand it. eh, how right now you understand differently than you did at school twice, yes, when you begin to understand, literally.
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this is a completely impossible thing, because here it is to cross the line to prove to yourself that you are yes, that is, you have the right, you have or you do not have the right, but how would all this we now go so far, but we will leave, all all creativity and all . everything ingenious is a crime of a certain facet. it's very scary theory generally raskolnikov. i think that it is still worth ending our conversation on a positive note, because getting to these ultimate meanings of terrible mutually acute meanings, nevertheless, both literature and theater at the same time emphasize epicness, emphasize large time cycles, emphasize external meanings. here's everything about it. today we had a pleasure to talk with the director with the artistic director of the practice theater and with the head of the fourth acting course at the moscow art theater studio school marina stanislavna brusnikin. and thank you very much. i made sure again. um, why do students like you so much? because so ana. to lick the text, as we
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analyzed it today, i also discovered a lot for myself. yes, let this also go to our treasury. and we say to our viewers, as always, read with pleasure. roman pockets elena kiper yes, we have jazz musicians igor butman as our guests oleg neat, i wanted to beg igor to introduce oleg neat, as he does on stage when he introduces his musicians. this is a separate part of the usual concert , absolutely brilliant and no one will do it better than butman, a unique, unique, talented,
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unique, educated, well-mannered, very pleasant person, oleg accurate, whom i first saw. well, we saw each other where we saw each other. first time. i went to your club. it was the fifth year. i was 0 years old, 14 or 15 or 16. i didn’t even have time to understand anything, and then there was an international competition of the world, jazz in rostov-on-don, the dialect was one of the contestants. naturally, as soon as when he started playing, it was clear that this grand prix would immediately go to oleg akatorov. nikolai yanovsky and i, a wonderful pianist, an outstanding fattening composer, shed a man 's tear, because we are because when you see such talent, you just touches you. you know, when this athlete of ours
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was a snack won the olympic games, in my opinion in 2004. and when he overtook everyone, so to speak, all the people in the world. e, at that time the best, who is also such pride and from this pride you always have such tears of joy, as they said the famous hero is the same thing, we saw oleg and we both have such a trace, then, of course, the musician who sings knows the music perfectly, the history of music plays jazz, plays the people. she sings songs in all languages of the world, so it’s impossible to imagine him differently than i imagine her . i'm just here to come to you to a living legend of jazz. you can get acquainted. this is me for those who want to come up. but there are such talents, collectors, in general, you can not even say hello. well it's catalan people are treated by and large because we are a damn industry. here you have to be proactive and not be afraid that you will not be seen or understood.
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if you are talented , then they will notice you, he is already such a country that we have talents he notices in you mainly , if you are engaged, so to speak , you are doing something creative, so to speak , activities, then you will go away, what you love ? if you love, you want to pass this love on to other people. and how to convey it , you need to say if you need to meet a person, and you want you have to tell him. i love you. whence the person knows transfer this emotion energy. well, when we met, but i met. so, when he played, i was kind of familiar with him. thirst many years ago suddenly plays a musician who i have not heard in america which i have not heard anywhere else in the countries a musician who here is with him every second. it's not just something learned, it's every second. creative oleg say a. at the age of 14-15, we went to the club then rostov, uh, and i say i saw it on stage. and if all this had not happened, you now you have a good idea of russian jazz in general, the music industry.
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here, what would happen next, if this meeting had not happened, you somehow didn’t even ask yourself this question, what would happen to me if i didn’t participate, uh, with igor and if i didn’t play, i him in the moscow jazz orchestra , that is, he performed like cricket in pinocchio well, igor is just a very good person, because i love him very well i respect him with great pleasure i always want to communicate with him, play and play, play constantly and work in his team and say, here, uh, in your team, whoever you take. here you are, when you imagine, this is the winner of all possible competitions, both on this side and on the other side of the ocean. in general, americans, when they hear they cry, weep like children, that 's all, they are on the same stage under your leadership. yes, there is another group. where are they also collected? here, there are still the best, probably, or you already have everything,
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well, in our country. well, not everything is better, unfortunately, i cannot combine all the best, because the orchestra assumes 18 people. i 'd love to invite it to be some new show where you can do anything. then i would invite you. you are a producer. when are you going to be a musician, do you understand? well, here we are still talking about music, we still play music. we are we have certain forms in which we are trying to find something new to find a new form to take 5 tubes. well , that means we need to write one more part for the trumpeter for one more tambourine. the symphony orchestra suggests, let's say there are some how many 100 people 120 human. can understand? yes, you understand, on the other hand, but there are wonderful musicians who play, make their own compositions , some who don’t play with me, but it would be something to do in the next century of jazz, because i’m sure that they come. hmm, young people come to my shifts very talented guys . why should someone immediately
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take the baton and continue to do it, because it is clear that such work. she bears fruit. she gives pleasure to people who come to concerts. it is this new talents that reveals itself. they could could go to classical music. these artists themselves are everywhere, but they went to the music that i liked we we made. so these talents are such as oleg neat, there evgeny according to god anton chikurov eduard here, well, all the musicians who work with me ilya morozov and alexander long-legged, yes, and ivan akatov. these are all musicians who are in demand both as a soloist of my orchestra and as soloists of other orchestras and as soloists they have projects, so they should go further, but i should not be alone on one person everything will end. i'm setting an example, maybe, and i'm sure that oleg will take this baton, and then he will find some young talented guys. yes, he is growing, growing, he has a human musical experience, as for
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the creative industry, again, so that people understand this creative industry, where absolutely everything is possible. a-a you have a-a continuation of the celebration of the centenary of jazz includes 50 regions. here, there may be so much experiment where young musicians can throw you some new completely unexpected solutions. we are absolutely looking for them, we are open, very very open and, moreover, not only me, i can’t do everything, but i can say oleg, igor is there, there are some guys playing there. that's what i would like to do there. there are a lot of projects that with folk music folk music from musicians from tuva yes jazz orchestra, tuva jazz benta. they play there with their national color. it is very yes, other other regions other republics. and it is you who arrive there, and there you have synthesis was celebrated along with it. we also performed the centuries of jazz with this orchestra. i performed together
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and played the arrangements that i brought, which i did not do myself, connected with turin with turin music. wherever we just were and we are always someone, especially for two hours, when we were a century old, it was simply our even condition that there were stars with us in a big concert. jazz, larisa dolina exactly fantine. i'm not bigger, then, there were local guys, who are here play, which the best ones were selected from them , watched and played with. after that we, of course. we give the opportunity to come to the festival that we are doing. now is such an interesting time when few people can say for sure what the russian music industry is. i mean popular popular. even 10-15 years ago, it was still possible to give an answer were, uh , some projects that gathered the best pop-artists. now, uh, the situation is a little bit like this now, like this. yes, yes, uh, there is a
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very opinion. i think it's already widespread. that a new music industry should arise, russian, which will be based precisely on our best examples of national music, but the question is who should do this? where should it come from, who should make music on the basis of yakut music that the whole of russia will listen to, who will be based on tuvan music, will also make sure that we start using these national motives in music in our own. yes, of course, try to move a little away from the west. well, the west is also in the music. basis yes, yes, but integrate there as much as possible our russian music, we have many nationalities, a lot of things can be integrated there. that's when we manage to make our russian music have its own face based on national motives. what do you think, but this is already over time. i think that someone will do it, of course, and maybe it's, let's say we did it, or someone else will do it. well, this is such an open question you are standing,
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you understand the jazz industry, which at the moment has now become it is small , it is very small, just like, in principle, and in the world jazz occupies a very small percentage. e from the point of view. in general, in a common family and show business yeah, including classical music, but i don’t remember many before, but before , there wasn’t even a professional jazz band, that is, 7.6 years in 1976. although there were jazz and musicians people played in the restaurants there were some clubs close by. but these were all conditional non-professionals. well, they played, but not professionals, then the soviet union disappeared, many musicians left, there was no work, there was no work. well those ties are there philharmonic now for 30 years there have appeared a lot of great musicians, a lot of festivals that are professional, but why were these festivals, because there was interest. why there is interest, because besides our guests who come great
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musicians from america from europe from asia where our great musicians come from, that is, we now have to look at the wrong one. what to play yes, but how to play? how to make sure that our performance is recorded every moment very, very important to the russian chain of a musical work. many, of course, take the path of least resistance. and this is accepted by us. and what does it mean the least resistance, that is, well, let's look at ours at our popular music and even non -popular music, this kind of music, like let's say chanson, there is not very e no. she is very popular, very popular, but the music is not a little different, if this is popular music, then this is popular music , unpopular, then this is an unpopular peasant. but we'll see how simple it can be with a guitar like this, an author's song is also
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a wonderful art form and also ours. of course, lord, copyright. yes, well, any song is author's. i'm like the president of the russian authors' society. he was talking like this, but we're talking about quality now, about getting quality performance recordings throughout the production. that's what nothing strives to play yakut music, you can. it's great, it's wonderful, but you need to break off such a cover, make such a smear, past the notes, when the rolling stones started and even the business was also smeared, and remember how queen and it was connected because of mixing so many genres in one song of the bohemian walkie-talkie. so we have, of course, igor to this just in time for this species. it shouldn't be, if a bad song, to a good wrapper. this bad should be a good song should be done.
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so you need to learn how to write, keep learning. we also have magnificent hits, which are not there either. we have everything. do n't misunderstand me, but you also need to look further. so why do we have bad songs the same any used or even all popular songs that all our stars from little to great good songs, of course, how do we make sure that these songs have. and its influence even on the rest, so to speak, an honest world . here's how we do it to break the patterns correctly. and how do you break them? if you don't know how to play, you know, some say, i play modern avant-garde music, for example. i do not limit myself in anything. that is. when we play what aviation music is more or less, we sort of limit ourselves. we have limits, they have no limits, they have limits of their own. inability to play. they just don't know how to play and pass it off as wishful thinking. yes , if you had no framework, that's what you
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did. how could this be a program? well, no, well, it's just impossible, you see , it's possible here, here, but there's no frame. there are three prominent people in the studio here, which means, uh, a producer who once already broke the mold, and in general had a tattoo in this video that broke the whole world. yes, igor mikhailovich butman the great undoubtedly assembled a battery. like new fried generation. yes? yes, you can say that, you can, and here i actually have a question, as a person who is not a musical person in practice. this is how we will tear the world in the future. yes, that is, korea is tearing up with k-pop, for example, no matter how it sounds korean korean popular music is tearing up the world. yes now the most popular. well, it was the first
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time. yes, you know, yes, of course, i yes, i know, he was the first to listen to this music, we know. that there is a genre called yes and bts is now itself yes the most popular eh, so than times than we will go out into the world as a musician. i don’t know this is always to study , we take an example, we look, we find people, yes, we offer students to write, similar to the manner using, for example, you just need this is all education, this is all. well, i studied, so to speak, uh foreign music school. here we are told about how he wrote music. we study contemporary composition. we are told the pylon. zhmot wrote. so he uses such techniques such harmony. here in this thing he has such harmony, and the next thing is such harmony. and now you write in the style of teal wisely.
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you sit and write is called a composition. the siberian mont is also here we create, so to speak, in the school class. and we take what is popular with us. there this polarity comes here, talents, young people, they say, write in this style. and now apply this is a huge job, and the goal and this goal should sometime. well, it works, when it works, not two people appear or not one person is determined by five, that is, you do not calmed down. you don't rest on lavra of course not. i'm going to this, i'm going to korea what happened yes, these romans gathered there , eight people, that means korean pravders. they made the technology they took the swedish composers, uh, young young talented guys, yes, that is, they did not go to uh, because there are no festivals there. here they could not
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find oleg neatly there. they take very young children, 8 years old, train them and then let them out. in these bts collectives, for example, this is the product. approximately, is it possible for we are such e nobles, when i gather here are such smart people, so they launch a conveyor in which talented children and maybe not very talented ones find themselves and we have a new music industry, for example, like this, well, in general, in general, i was talking to one of our well-known producers on this topic and one of my ideas was. let's get together. here are well-known producers, composers, let's get together and discuss how we can surprise the world, invite everyone, but we don't. well, someone is in control. yeah we're all experienced it's clear that all sorts of unknowns, but everyone knows his unknowns. i know my unknown jazz musicians who are already participating
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. at first it was summer when i showed oleg neatly on on winton's phone. mars, he also cried. yes, and immediately invited oleg na to a speech in america, the same thing, everyone can bring their unknown and also get together and discuss this topic for discussion topics for discussion. what to do next so that the whole world listens to us but here we are in jazz, i know how to make popularity better american jazz. here but we sometimes sometimes better. but although there is something to strive for. you know, when it was my anniversary, oleg played and sang, and there larisa give santa came to the valley pressed the orchestra of mars trumpeters with them, of course, there at all, that's not even a drummer. not even a bass player against. i don't rods didn't say our best. well, yes, they don't have guitarists like we do. saxophonists yes, there are no guitars, saxophonists, they have a good one, yes, and we
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played with them. at first we were worried, but when we were already playing in st. petersburg, we were already a little relaxed, so we played well, but yes, these are brilliant musicians, brilliant orchestra. what to do in order to play better than they just need to practice for a couple of hours more than they rehearsed each and every one? well, it’s possible i was interesting on the fattening. here. uh, what about jazz? i love jazz very much, i calm him down. i find it as a balance in myself from a visual point of view. we are now very observant people. people have already seen a lot all over the world, they already need it right away, but in order to turn on several senses, jazz and bazi fit ballerinas. oh wow. well, by the way, there is such a thing, right? something is something irka, he also did some garbage. there was also a project. yes, we had an attempt. we
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do not leave me with boris eiphon to do this for jazz, he did it, he did it with gershin's music. he really wanted to make gershin's music, yes, but i wanted to, but at first he wanted to do it with my music, but we just didn't succeed. why, because the music that we have recorded, it didn’t quite fit, didn’t quite fit some, well, under the dramaturgy, everything that i wanted to offer, maybe it’s natural to write some new music, but we haven’t reached it yet. no, everything connects to everything. i myself am looking for new forms. that's because a new viewer. he's new. you know it began we must understand that for 100 years of russian jazz. right now, we have a huge audience, especially in russia , we have a sufficient number of jazz musicians traveling around the country, performing at the philharmonic, gathering completely in jazz clubs. jazz appears on tv
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musicians. right now, our industry is developing very dynamically and young musicians are appearing who also fill the space that goes into our veterans or tare art, because it is elitist, but it is elitist in terms of the music of art itself, but it is for everyone has now appeared. eh, the category of people is very e by me. in general, even respected in what sense? uh, because they are not afraid to talk about it, they say, uh, you will understand everything in english, what are you not singing in english? russian language. and that goes for everything in rock. here is how you feel about this phenomenon, in general, you probably already encountered it. i have encountered this many times, moreover. but i don't speak russian, i'm not afraid of anything, and not in russian 5 not in english and in indian.
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i even listen, yes, i understand all different things, i even do soviet programs, of course, and it is from our songs that jazz arrangements, that is, with igor, have also done this and will do it repeatedly and will never stop. well u we had programs that we did. we sang our war songs. we've done arrangements of them, we've combined some american songs with russian ones. at the moment. we are really jazz music and all, so to speak , the motives for which we improvise, by the way, came from american music, yes, basically. but when they say, let's say that jazz is not our art, i want to know about musicals, this is our art, and opera is our art. and when the italian opera is sung in italian, we have nothing it doesn’t pinch, and when boris godunov is sung in russian in a caress, how we feel about this topic is positive,
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therefore, of course, we are looking for us we published a collection of jazz e standards of russian composers of course, we played the program of going naevsky and winged. both gladkova and we play all these compositions of ours, which are better than the golden sun, which we perform receives more applause. what is any jazz standard all over the world, wherever we play thailand in india united states of america we can present evidence, so we have a new person. we have us we have now a composer. the new one, of course, maxim has already stopped singing in english, there are wonderful composers who still show up as a vocalist, and he still plays solo programs, so he sings both
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i often sit on the jury at children's competitions , and when children start singing jazz, they learn it. it is clear that they are teaching him. they don’t feel it, maybe this feeling should come with age, in general, like a jazz school, that is, a child comes. he wants to win the competition, so not everywhere and not always , not in every genre. and here is the question for the new shift, which will come and synthesize it, because for them this technology is a technique. yes, say that when the real feeling of jazz comes, i understand that she may not come, you see, this is where we mix, again two concepts are talent people, they have feelings, because when there is a competition, everyone wants to win the competition. uh-huh. therefore, if you have a competition, let's say the piano. you must learn everything well. that's right. and then you win. you learned best, you interpret best. you win a jazz
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competition. children, mothers, fathers, teachers are afraid to lose, so they memorize in such a way that they are not this, just a jazz interpretation of any one of some musical structure. but they learn all this by heart, and i am trying to fight this, even for many talented girls who even drank with us. i say improvise. you don't need to study. she says i learned to improvise. you don't need much. you can sing better and this excitement of creativity will come to you at the moment of the very performance, you will understand. you know you play the piano. you know music. you are a talented person. oh no, she learns everything and gives it away. yes, that's it - and when you sing it's already learned, no, it's completely different, it might as well be well written. maybe you did great, so you play it every day, then it disappears. here is the charm of jazz music, why do we love it? i when the first
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contest, when i was in rostov-on-don, i watch two compositions. it is necessary to play the peasants, and they choose the first composition themselves. and then no, then there was generally one composition, and now they are playing. i watch him play. well, the man is playing. well, great. wow, and then i say, and you play there too, well, he starts playing some kind of standard and kurlyk-kurlych. well, that is jazz, this is a continuous creative should be not only jazz, music is creativity. this is life all the time. it’s easy, when they really lead, there is such a tatyana chernigovskaya who says that children definitely need music, and she develops and expands this and at the same time here in a new education. i mean, there could be this part, when in the new, i mean in the new millennium, when they give children the opportunity in basic education to start experimenting. this is where improvisation is definitely necessary - this is no some not some something
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out of the ordinary, yes. this is how we talk. we've set the topic. we start talking to her, if we have enough to say so, well, i don’t know the knowledge there vocabulary. you know, sometimes i want to say, but i don’t have the strength. and how was it for you? as a child, everything is fine too. well, well, as a child . no, well, as a child, my dad forced my child to play jazz under duress. here i have such a question. in general, to force a child not from under the stick, but to create an opportunity for him to study. if there was any story. tell me, i had a different story with me. i had to study classical, not jazz, from under the ceiling, because i just spent more time on jazz than on classics at the beginning at the beginning of my period, and then i already understood where from the age of 18, when i started preparing for the competition in novosibirsk, i think i thought that i definitely need the classics, because not a single jazz musician can do without
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a classical education. that is, such an adult understanding has come, in general, i already in an adult way , everything began to relate to this, and so on. why is this the biggest thing? why i used to spend more time on jazz and studied 2 hours, only classical and only 2 hours of classical, please, otherwise i did jazz in this. i was constantly working out. ah here is, and the whole day only jazz. and now it's like yes, and now it's completely both. you said, dad, you said no, but no, i became engaged. i just listened to jazz. i really wanted to play drums. hmm, so my dad played drums at home, there were some, but he played there at weddings there. well, during the day i was an engineer playing at weddings in the evening. and drum was at home. i used to play all the time, when i was five and six years old. i already played there with emil dmitrov , he was kind of like that. in general, what kind of records were there leningrad selena, i played drums with them all, then they invited me a girl to write not to teach the piano, but she taught me the piano, we
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moved there half a year later. in vesely poselok in leningrad, the new district is so sleeping and she refused to go there or he refused slava god, and then later father spoke for a while, jazz benny goodman charlie parker gennady goldshtein iosiftein. these musicians were then a gremlin for the whole of leningrad. therefore , these are the teacher above me, who i later got gennady says that he was all the time. legend soviet glory. god is still alive legends of soviet jazz, an outstanding musician, arranger, composer at that moment, who played oleguster and his people of the century, einstein's orchestra in general, you have to infect you have to infect it will turn out good music. it is necessary to infect born jazzmen must be a brilliant musician an absolutely good musician. it can be just a musician to be any musician of genius, in his own way 100 years of russian jazz, but
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october was celebrated. and now let's celebrate a little more. uh, 2023. this is a good thing, but the next 100 years are ahead of what is missing in russian jazz, what to pay attention to for the first 10 years, at least with the support that we receive and receive all the creative industries in our country at the moment, we are quite tight we work in the field of education. and it's not just us, if the camps in samara are going through , plus, of course, tavria is going through. that's all, it's coming. there is a huge support, so we just need to work, and now we all believe that there can be success. people see successful jazz musicians on television . oleg accurate. sergey is there, smut, peter vostokov. kondakov the guys in st. petersburg are ours there to crush the voice of the cheeks and so on, uh, and the youth appears here, in principle, we have everything now we have a sponsor we have support
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and at the local level da guber and the ministry of culture appeared incentive now it is clear that even the youth that goes they have a choice. where to go go classical pianist or go. i don’t know about going to moscow state university to become an engineer. where are you, you can earn money. you can be a professional jazz musician. now i can not help but ask a jazz musician. this is the state of man. well, of course, we are solid, the middle class is a solid middle class, so oleg well, i don’t know, for example, i consider myself a wealthy person. i do not know how in general from a financial point of view. i mean , we are talking about the fact that young people are now very much needed, how about this yes, that is, they are very sensitive. if you are in demand, then you are in demand. well, last year we officially had 170 concerts at my place. in practice, lera has the same thing with the musicians of my orchestra and my committee. almost
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the same thing. well, we didn't play for free. therefore, we have financial stability. i 'll tell you what the musicians. some make very good money. and this and this is not limit. there are jazz musicians, ours. well, we also focus on the greatest musicians for us, the same wynton marsales, so to speak, is both a musical and human idol, as a public figure, he was one of the 25 most influential people in america according to well, according to taya's magazine. well, he already plays music very well, if marsales can be in america himself an influential person one of the most why a jazz musician in russia cannot be influenced. and what if you outline your mission as a jazz musician for the next century? at i have no mission. i just love. i can't be you have a mission. i don't think, i don't
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sit, i don't think. so what do you understand, yes, i have a mission to make people happier , so that they would like them to be, i say that if there are some things happening in the world, it means that we have not finalized somewhere. no, something was not finished, people left something unsatisfied. i remember one wonderful jazz singer and pianist shirley horn singing. in america, i was at a festival where i performed, and then i sat listening. she went out. we were already such an elderly woman who came out playing with gloves, and she sang and the whole first row. we all took hands, just not well, people there. well, as if someone knew there on the right, on the left they sat by the hands, and now they listened. here is this divine, some kind of musical revelation, well, it wasn’t bright at all, it’s just that she sang nothing, and this timbre of the voice is all together. and
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it was great and we want to do it so that people leave happy with a smile and share their impressions. dear friends, dear friends, on this optimistic note, by the way, opinion. unfortunately, we are forced to end our broadcast. today they were with us. igor butman people's artist jazzman oleg akuratov is a star of modern russian jazz without a doubt. i am sure that the best thing you can do now after this broadcast is to include olegrov's recordings. listen to him and igor butman's orchestra. it's wonderful in the pockets of elena kiper, we say goodbye to new and night airs. we wish you happiness now i am in this big world hey like the sun. that's jazz for you.
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free program i am maxim tankov and we are absolutely unique guests dear by me and i am sure by all of you elena anatolyevna chaikovskaya good evening. good evening. are you, as the head coach of the russian national figure skating team, satisfied with the state of affairs in russian figure skating? do you know that i am the head coach of the national team for the third time in the entire history of my coaching work? i have now accepted a very strong team. there were times when it was worse. now i have in my hands a very strong very interesting team in terms of composition. and i uh. hope, that they would continue to go and
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show. what is our russian figure skating. and what is the strength of our team strength in ingenuity strength in their idea strength in discovery, because so many elements very many fit the programs were created here russia has always been distinguished by amazing ingenuity, ideas , musicality and excellent production. in this, even strength remains. and what is the work of the head coach of the russian figure skating team, because after all, we are an individual sport, we have everyone has their own personal coach coaching staff and so on. head coach. we do not have a hockey team that is assembled for the world championship and a head coach is appointed. our head coach looks after all the athletes who are currently members of the national team and mine.
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