absolutely different why they absolutely do not understand. well, the first thing my grandmother said to me when i arrived was, like, i thought that you had changed, you didn’t change, like, you are the same like this, that is, there is some set of claims against you from the older generation. and that the older generation doesn't like you. nastya a hmm, first of all, that i did not go through my diploma. by profession, yes, although, in principle, yes. although, in principle, my university is not only a diploma. it is also a social circle. it's also skills and languages. and i i use all this that i received at the university, but i don’t work there, i didn’t marry a diplomat, and so on, and yes, here are some of them. that is, if i say that i feel bad for my grandparents or, in principle, the family, then they will most likely tell me, yes, that you are fine, since here is natalya at the beginning. i didn’t say it to you, but you brought to the united what they said there, right? i'm always to blame. uh. well , tell me, grandma, he said, you haven't

changed at all. she was right. i have changed a lot, so i was offended by this hear. so, grandmother, let's go on the points, granny, i generally think that it is not necessary to deal with older people in this. well , let's you already mr. psychologist and decide who you are talking about, please say, what worries you, then you say, no, my grandmother said something. well, god be with her, grandma. i myself people. why is it a shame, because my closest people should always understand me in everything and support me. and no, at least sometimes just say that they are proud of me. they've never heard of it. yes, not at all. they you were let down to live. this is support. yes, and you say they don't support me at all. well, yes, as they can, yes. and here is what you are proud of. one very cool young woman can tell you and is very close to you. i would even say the closest

of all. who do you know about yourself. i know what i want to say to mikhail that we shouldn't release either. that's what they mean. the fact is that a whole generation, especially after the military generation, due to the cultural context that was created, and that tradition, well, it was clear, yes, after the war already and so on has not been accepted. they weren't trained to praise their children, you know, parenting books, but it wasn't. that is, it was possible to purchase something that fed you work at three jobs. yes, the best dress not worn was cut into a new year's costume. yes, this was i manifest. but it was an action by them to show their feelings. love or it was what it is but this is also not enough not enough, but they were not taught. don't expect this from them. yes, here,

maybe someday when you will calmer you will tell them, but again in a position that you are not bad bad, that you do not tell me this. and i would love to hear that. and you can ask for a brag to say, granny, i got pancakes. how are you, huh? and when she say, yes say, listen and she can tell you to me far and again. yes, no, well, she will not offend so no. you see, here, which means, uh, and the main thing is that the grandmother, of course, now does not understand all the connections between your panic attacks. here's your physiological state, actually missing in their picture of the world, in principle, no, this is the son. i have food. i have an exemplary beautiful living. but that it was written down on a pencil, they took power. you just need to be grateful for what is around it is difficult. it's hard to learn this, people for years and

decades to be grateful for what they have. well, let's take a closer look. what do you have. well, just like, well, for example, i give an example, and god bless him as he gets, just don’t criticize yourself for not being able to thank, because you wrote in a book. here's how it works. and if it doesn’t work at all, then it’s possible too. it's not a problem, it will be bad for me. if you don't know how to be grateful, especially since you just don't know how to be grateful to the degree that someone out there is seno-fantasizing. it’s just that i’m grateful, as if it doesn’t help, and not to help with myself. well, about the connection with yourself, but you don’t know which one you understand. do you think that you are the same as you were before? no , let's scold, but what kind tell us what it is like this i'm very kind. i am sensitive to voice and intonation. that

there is, vulnerable vulnerable e, but at the same time, but very easy-going. sometimes, maybe even too strong, in principle, i have the strength to cope. but yes, i'm frozen. so you say that you are drowning, but you see the shore, at least where you need to lead. no no. i see that there is light, and there the bottom is like getting closer closer to the bottom, what needs to be done by nastya so that she sees this shore of hers, because she really has everything and strength. she has. ah that same increasingly she forces there is no rights. a? well, first of all, the description. yes i in a word, what you told us, you could still tell in one word nastya different things, like all of us on some day kind very specific, as if cold to some extent receptive to some extent strong to

some extent vulnerable to some extent , approximately 8 billion of the world's population fits something like this, of course. therefore, uh, but it will help you to know yourself deeper. so is your life. you will recognize all your life. you will change and know yourself again and try to know yourself. right now, right now, right to the end, completely and completely life is an infantile attempt. well, i understand, here, and an adult attempt - this is a process. i will learn about myself to the extent that i succeed, i will learn about myself and other people. here is your first problem in that you are trying to know exactly what you are and even think that you know what you are and any step away from this is yours. i have a story there about how the special services are preparing. cheats bind them hand and foot. and thrown into the pools. they start

behaving differently. here is someone twitching, twitching, trying. swim as hard as you can breathe, that's what you're doing right now. and he has a task for you. and they have a task. yes, which means swimming from one end of the pool to the other. you know who wins, who drowns , repels from one and emerges, then sinks again, then repels again and emerges and moves. so up and down, yes, and this man is the fastest. and what kind of person is a person who allows himself there, well, but you don’t, you definitely need to stay on the surface. i'm scared. it's just that you're scared not because you're drowning, but because you think it's a nightmare and so should not be. it's okay to sink. life is a wave. and when the wave went down and this is the norm, just this is the crisis. yes,

sometimes we get into a crisis. if we resolve the crisis for ourselves, we calmly sink, push off and go up a. if we start to twitch, then my waters will choke and we will lose consciousness and panic attacks. we will start. i understood everything. well , just in your mind, the bottom is a fiasco. yes , a disaster, well, everything is not so, because what is the bottom when you are in the water from which you can push off, you know , push off from the water, well, it’s almost impossible, apparently, yours. this is a panic attack , a physiological reaction. this is a manifestation of desperation. because you understand that you are stuck and not axes. and where the support you are afraid to go. true, no, i'm scared, but scared, but the body tells you, just wait. nastya wait there with spending. it’s clear that your head is telling you, no, no, no, no, now

it will be even worse there, the end there, and there , finally, the beginning is there, nastya and your relationship with your dad, they didn’t die with him there your relationship started because you know the answer to the question, who is your dad and he is good , he is cool, you represent many girls on earth. you know who yours is and you realized that he is good, and he loved you, you understand? you are just at this moment, of course, physical death, but we know that there is no death to you reveals the secret that dad is, dad is alive, dad is exactly the way you would like to represent him and the person who loved you, of course loves the bottom is not the end. this is not death either. but this is the beginning of a new life, new stages, refer yourself as a project. you are cool, rightly creative, of course, the project is admiring your development, and then maybe these panic attacks, when they all fail

logically , they are but the situation is more complicated natalya here, means, first of all, of course. our phrase, which the editors subtracted from us. so i emphasized it to me, obviously sedatives will not work for this crown on my head again. i decided i am the only person on earth who so everything needs to be solved without pills. well, as if i can, if you can do it. and if you can't, seek help to go not cool. no, you just have to. well, grandfather is there. grandpa is sitting here. it's true. this is the same for the military grandmother of teachers. this can be seen, in my opinion, it’s cool for a person to go to a doctor who will correctly assess your condition and cool. it will help you, to everything that we have told, it will also help, well, at the level of a phrase

, you can ask for help, only a strong person can ask for help himself. it's a sign that you've admitted your weakness therefore i a recognize we are weak. yes, only having inner strength and as for the attacks themselves, in the treatment of panic attacks in the treatment of phobias there is also such a thing, fear fear, this is when a person who has already experienced it has gone through it yes, he is afraid that this outbreak will happen again and this fear is an outbreak . it is so, yes, so we are working on accepting the fact that you have this, maybe, but what is the most terrible phrase you have here, that i’m lying and i can’t get it up explain why this is the most terrible terrible thing, because you need no action, no money. no. no, it's not the worst terrible thing. it offhand something even more terrible is already terrible. no, well, it’s clear that it’s possible then you don’t have to lie to yourself,

as if you were simply smart, but you can be stupid. you are just different again. yes, i wrote it down. yes, i, to some extent, like mikhail anatolyevich khvost, like natalya, we are all to some extent stupid, you know, and to some extent sensible. well, friends , you see how our conversation with such a wonderful heroine who came to us with the problem of panic attacks, but in fact we revealed such interesting depths of her life in the best sense, and it seems to me that he nastya had an idea how to rake? is it true? do not heat up anything. lie down rest it was a podcast of the psyche , where i am a journalist natalya loseva, a clinical psychologist, a candidate of psychological sciences, mikhail khors, helped our heroine anastasia deal with those stressful conditions that are called panic attacks. i

hope that we, but a little bit , have moved forward with this situation in any way. case of glitter in the eyes. nasty gives us hope. this is a podcast by fire and i am its host denis gorelov today our conversation is about the military cinema of the soviet union and its successor the russian federation on the occasion of the day of the soviet army and navy as for military cinema, it was absolutely the know-how of our cinema, maybe not always fully aware of it, but completely natural since. e hmm let's talk straight about our war. uh, people knew much more than all other nations, more or less in proportion to us. e about military

affairs. uh, only three nationalities, germans, japanese and yugoslavs, had an idea. but the germans and the japanese, as the losing side, could not afford to speak out. at least somehow about the heroism of their armies. they had to blame the whole planet and show how uh hmm their guilt is not redeemed and in no way. how did they turn out to be the only cinematography that fully and adequately speaks about the military hardship, and over the decade, uh, mm military cinematography. we filmed 22-23 truly outstanding classic war films. eh, i will name most of them during the podcast, and it may seem to many that 23 is not too big a number, but for comparison i will say that there are about five decent polish films about the war, five

german ones are also five, and the americans are not they didn't make a decent movie about world war ii, and more or less the first 20 minutes of rescuing private ryan showed what the normandy landings were like. however, spielberg was just afraid that all sorts of pregnant spectators they will start giving birth in horror right in the hall and cut off each plan by two or three seconds. uh, grabbing all the most shocking, so i ruined my own picture, even about it. it’s impossible to talk seriously about some old years, uh, i uh put together a rather funny periodization of military cinema, which in my opinion fully corresponds to uh, periods of direction and styles uh, art culture, uh, c. e, old centuries, and the first part is a military cinema of the times of the war

, and immediately after it, e, it most corresponds to but to the fundamental classicism of the 18th-18th centuries , good and evil are very clearly outlined from the first frames . and sometimes the one-eyed always wears german helmets with horns. uh, they look extremely unpresentable in these pictures from the very beginning already by the last name, as it should be in classicism, it was clear who the positive hero, who the negative positive commander was called ognev of the negative commander called glotov as for the names of the german occupiers, then very different ones were invented on this account, and inventions. in addition, it was obligatory in the films of feathers in classicism that heroes never die, if

they are carriers of absolute goodness and absolute truth, then they in any case , they must stay alive, they can only be injured. ah, in this way, the picture, bandaging the head with bandages, uh, or hanging a hand on the uh screw uh, garters. uh, heroes, in the finale they would definitely say some pathos speech right into the frame, and e, so said nikolai kryuchkov to the immortal garrison and mark bernes two fighters and vladimir druzhnikov in konstantin zaslonov and ivan pereverze in the film ivan nikulin is a russian sailor something, like. eh, who will come to us with a sword that's from the sword and will die about how the russian land stood and will stand the words of alexander nevsky folk music, and all these films, of course, looked quite tiring , there were rare cases when especially gifted screenwriters. uh, they knew how to saturate completely

stilted event connections with beautiful dialogues. in particular. that's what happened with the movie. uh, according to the scenario of evgeny gabrilovich two fighters. and the phrase i am sasha suralmasha. uh, remember, on the tram , i handed out 3 kopecks for a ticket and treated me to toffee in the park forever in the memory of the people and in the history of russian cinema with other films it was worse. uh, the people of russia developed little by little from this total cap of denunciation. tired. uh, national cinema, along with world cinema, at the end of the fifties, moved to the stage, uh, some kind of graphic military romanticism, and here you need to make a reservation that people often confuse romance with romanticism, and romance e consists in the fact that a boy and a girl, holding hands, run along the embankment and kiss with a view of the sunset classically romanticism. e means by

itself the constant disappointment of the current reality from the outside, and hmm sad. hey nobleman. e, who periodically flies into the distance with his imagination some idealistic worlds, imagines a wonderful life that absolutely does not fit with bad reality and ends very badly either goes astray, or is killed, or goes out from scabies, and approximately in this direction , and e, the heroes of e films acted in the late fifties and almost all of the sixties. and these films were obligatory about very young people, and it was guaranteed that all his heroes would die in the final, and even from the very beginning it was often clear that they were the very first people, and the romantic film in history was the picture of angelaida channel, in which e chain e hmm the heroes of the warsaw

uprising walked along the ruin. warsaw and behind the scenes the voice warned all these heroes to die by the end of the film, you see the last hours of their lives, and approximately in this degree the rest of our heroes existed. eh, already our cinema. eh, necessarily carried away again in some kind of dreams by flashbacks to the former peaceful life , which, of course, was idealized, but it was all very similar to e, romantic e, going into idealistic dreams, and this was , of course, also in the film the chronicle of a dive bomber and in chistye prudy and in the film tankin invasion a and e, finally, in the the best option in the last picture of romantic cinema. and the dawns here are quiet, there flashbacks to a peaceful life and memories of

beautiful men were colored against the backdrop of a black and white war. wow, of course, this is, uh, total sacrifice. mm, it was very much in demand at, uh, international film festivals, which at that very moment switched to pacifist cinema and, uh, tried to read the same message of our films at exactly that moment, soviet cinema had the greatest result on international film platforms in 1958. uh, the golden palm of the cannes film festival was the first and only film received by klotoz, the cranes will fly away, and a year before that, the special jury prize and the prize for the screenplay were won by the film hmm , a snobby ballad of soldiers, after another 4 years. uh , the main prize of the venice golden lion festival was, uh, andrey tarkovsky from the film childhood bathtub. there were films,

uh, winners of slightly less significant festivals, finally . bourgeois. ah. everything, it was really in demand at the cannes film festival, for example, our film lark participated in the sixty-fifth year about how it was in germany during the war on the anniversary of the start of the war. e, e is running from the concentration camp together with a training tank the crew of e, the film of course, was the forerunner of our modern film t-34, but was much more honest in the middle of the film the crew was well aware that they were not residents. they had only a few hours left, and they decided to arrange a real dump and in a good way to nightmare all this behind germany with a harbinger of clanging and roaring,

advancing guards tank corps, and the film was a success. i didn’t have any prizes, uh, in the same year it came out, a wonderful picture by yuri lysenko uh, hmm, proven mines, no, he shot together with a yugoslav director , a surname that i will never remember. and this is a film about how ours, together with the yugoslav partisans, took belgrade and, uh, v. the height of the universal dances of fun hugging. uh, hmm flowers. suddenly they learn that the city is mined, that groups of sappers are operating in the sewers and german saboteurs. and that the explosion is scheduled for midnight, and this total contrast between the general fun and the joy of liberation and the creepy, a knife-slashing explosions of obscene language, and skirmishes that constantly go to

the dungeon just ten steps away from the universal joy of the people. uh, the picture is very much remembered and it was really, very expressive. the film is definitely left in the history of cinema, again, as always in romantic cinema. our cinematography is a little tired of the fact that, uh, strange, who hardly participated in the war or were on the dark side of the force, and so actively welcomes our films. and uh, they read into them completely different meanings that the authors often had in mind, perhaps the trigger for the transition from e-romanticism to realism was the american film the longest day in the year 63, which told about the landing of american troops in normandy and uh,

showing a wide three-hour panorama heroic actions of american paratroopers american marines of american sailors and uh, the local office of the french resistance, which of course was completely sucked out of the finger, because no french resistance existed in nature, and if there were any underground activities in france, it was mostly armenian yugoslav and jewish underground groups, the french, had almost nothing to do with them. and the film was in general, quite interesting and lively. but he completely pissed off the poliro with the fact that it was not found in the three-hour film. at least a few minutes to talk about the actions at that moment, the soviet army. and despite the fact that he was not shown in e russia. eh, there were quite a lot of furious reviews in all sorts of collections, such as on the screens of the world, where in one of the texts. i clearly

remember that the author compared this picture with the creations of the nazi canal, leninshtal. uh, i'll tell you, honestly, none. there was no riefenstahl in the film with the films, but hmm , the author of the film managed to scold, and in response to this film we launched, and a serial film the epic called the liberation of europe, as everyone understands the word europe, in the process of filming , the film merged somewhere and left. in the end, it just got the name of liberation, and the rhyme with the longest day. uh, there uh was in the final, if the american picture ended with the surf on omaha beach. where the american marines landed and the wave of volandal across the sand the perforated helmet of the murdered american hero, then in the liberation, as everyone remembers

, the whole story ended with the fact that the nurse zoya descended into the underpass and saw in the rising waters of the flooded, berlin metro helmet of his beloved deceased captain tsvetaeva uh the reef was completely distinct, but only those who saw the film could consider it the longest day at that moment such uh in the country was from force a few dozen exactly from that moment into the cinema. some kind of dry military prose began to penetrate, and hmm to sell the stats of the commandant's patrols, some demon completely disorderly victims. without any system whatsoever, if in the films of classicism, people were not killed at all in the films of romanticism, people were killed without exception, then reality came here. hmm , no shoes of people during the war are completely unpredictable.

and to say that they kill the best or, on the contrary, kill the worst, it’s absolutely impossible to kill everyone you don’t hit, and in the sixty-ninth year you film mm in the war as in the war in the seventieth film, officers, about which there is a separate conversation in the seventy-second they are old men in 74. hot snow in 75. they fought for the motherland, e, they fought for the motherland, by the way, it was a rather unique picture , because no one was killed in this film. the fact is that mikhail alexandrovich sholokhov, who wrote the script e, was not going to write a little love, but it is immediately clear to everyone who read it, that a giant swing was made here at roman stalingrad, but he simply didn’t have enough gunpowder and, uh, hmm, some already drying up writing abilities. he limited himself to allergar battles in the don steppes hmm before stalingrad but

since he assumed that all his heroes will fight in stalingrad and some will die there. he left them all alive. all these films no longer made it to international film festivals, categorical ah, the world audience was completely unprepared to look at our victory, in the future there were several more very important films, and in the eighty-third filter-bearers, and a year earlier a wonderful picture the spring with vladimir gostyukhin is a rather little-known, but serious and important am after the collapse of the soviet union. we have already passed, perhaps, to the fourth stage, which continues now. the muscovite kingdom and the russian empire adopted a large number of different pan-nationalities and religions into their regions. such a great and serious conquest among the peoples of the ussr for as long as

this friendship exists, the peoples of our country will be free and invincible , it is still generally accepted that the ussr was the heir of the russian empire. although in fact there was nothing in common between these state formations, except for the territory. man this is the further task of communism itself language determined that any person can be russian and armenian, and tatar and jew. i think in russian, and the human mind belongs to the people whose language a person consumes. premiere of the rivers of the ussr tomorrow at the first four

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project of the first channel, held in a variety of professions and for whom singing is a hobby, not a job. the fire podcast is with you and i am its presenter denis gorelov, our conversation today is about military cinema and the film officers, the main picture, without which not a single holiday is complete on february 23, which is always shown on the air of central channels, first of all, the first film officers tells about three generations of the family trofimovs who serve the soviet the union in the most important shock troops of the ussr e in different periods of the development of the red army , first the cavalry. the second generation in tanks

and finally the third airborne troops, and shortly before the picture was. the secret was published a new doctrine of the e-e of the soviet army, which said that from now on, the main striking force of the army is the airborne forces, and in the film it sounded like this for the first time . , unfortunately, he is in the final frames of the film, and on all heads the paratroopers are arranged according to the statutory order. e hmm the cockade is in the center and at a distance of two fingers from the eyebrows, but as a person who has worn a cap and earflaps in this way for 2 years, i will say. honestly, there is no more disgusting type of headdress than in the position of two fingers

from the eyebrows, and the heroes are standing there. they look like pensioners who have gathered on the boulevard to play chess, and now they pull on themselves in the same way. uh, their berets, and the view is quite disgusting looks like pancakes, eh. well, like this.