the camera was all wired. here in the front cockpit sat maxim nikolaevich makartsev. we are an instructor pilot, and he performed these air combat figures so that everything would hang there. here are negative positive overloads, that is, but the shots turned out to be fantastic, because these belts are on strings . no, of course it will be possible, but it can be seen in the same way as in pearl harbor. yes, remember, this is a movie with ben african, yes, how they wield a pen there this, well, the plane should have already fallen apart, in theory, into simply wings. you just fit in and that's it. and they are there, uh, it's so, well , it's clear that they need to play more, to keep track of how it's a whole professional. here's how to operate the controls. everyone wants to fly our flight in the podcast by sergey burnov

for a person who once held a pen in his hands at least once. yes, the horns do not matter, yes, how do you feel about all the movie accidents. i've looked at a lot. uh-huh and the question is, it's just amazing i am. i i am delighted, as i remember the film now, in my opinion, with travolta. so , the film begins with the fact that they are taxiing to the platform on a small session, the doors of the instructor are opening, saying, well, that's enough, next time you fly on your own. here they say, as never before in your life you will understand. i know when it is necessary he says, well. now i'm back from my business trip. i'll try. he gets on a big plane flies. the pilot has a bad grip, and he lands a big boeing, in my opinion, even a 737. what kind of movie is this? i myself have a lot of such films. yup i know the answer now

to the question, because in order to answer this question for yourself. i spoke about it. it's been once a week for six months now. i go one and a half to two hours on a boeing simulator and i know how to answer this question. you are flying. now say, here, maybe a passenger. if anything happens to save the whole plane without experience. well, you have some experience. well, there is, yes, well , i have some idea i have of course, yes. i was also in the gym. and here is my most favorite aircraft was the a350. so you say, here is the handle of the horn, and there is also a siding joystick. yes, this is amazing stuff. so, of course, i must say that more or less with the experience of an amateur pilot. maybe because, well , they will tell you from the ground, if anything, and in general, there is a system for automatic entry and landing. now it has come to this manually, i don’t know

if he can be stressed in such a state? this is psychology, yes, the human factor, it still works here. well, firstly, it 's 80 percent. m. imitation is similar, of course, but 80 percent, but nevertheless it won't work in you. i do it again. yes and there there won't be a second time there won't be a second time, yes, that's why i'm leading all the same with all that. let's leave 30 percent for what can happen. and that's what he said, you and i both went the way. i spoke, i speak and i will speak in relation to these small flying clubs. uh-huh, the attitude towards small aircraft in general is turned upside down. we need to stop treating this like a commercial event. and perhaps

the time is coming when, i repeat, these flying clubs should be given the opportunity to have a free children's school on saturdays and sundays. let go bravo agreed read my thoughts, because well, uh, i thought about it. thank you very much, because, well, uh, after all, at one time there was dosaaf, flying clubs were free. yes completely free after school. i had everything free for 3 months during the summer holidays. the guys, there were houses there, uh, and they flew, and they quite calmly after that, with the initial flight training, they entered the civil military flight school for hours after hours. that's what it prevented and to whom i do not understand. it is necessary that our youth was busy, and this is a good occupation between the voluntary society for the assistance of the army to the navy, which is a bad plus to everything in these flying clubs. well, how are the pilots, eh? uh, linemen there pre-war they

think it is yes. actually, this is a very cool skill development, and piloting, because motor skills, right? well , even if this is it, that is, you understand the correction of errors? yes, what i'm talking about is very cool. everything uh hmm how do you say complements your skills? that's because that's all, it may come in handy to eat here, well, flight an incident when people on the goats don’t know what to do, they give the pen away from themselves there, and that’s it. and good evening. this is very and even i spoke about this with islam vladimir company. here, uh, she says, uh, all pilots need it. it just needs to be introduced into the training program so that, uh, so that they fly and piloting on just on such small planes to understand, uh, the mechanics, in general, what happens on an airplane and even do like this for some critical modes. yes , to fix them. so this is very

helps here on aircraft. i don't know if you went through it or not. and our initial training had a system. how to say work on failures on failures? yes , of course, they flew under the curtain, for sure, of course, with the engine turned off. yes, look for a playground and so on, of course, psychos. it is psychophysics that develops motor skills. this is muscle memory. i'm very sad. i believe that i believe that everything will benefit. i also really believe in it. me too. i also want to go back to saa and have it all available. here, so that it is not worth such this one. maybe this. well, now it's an expensive pleasure, because it's gasoline, it's routine work. it’s for the equipment there to pay there and that’s until you get there. this, well, adds up to a round sum. and i think that, well, how should it be accessible? everything needs to be returned, because, uh, yes, because there are

a huge number of people who want to fly, and this is hmm , incredibly, cool hobby. and this, firstly, and i know, i don’t know the guys, you know the first flight. yeah, uh, aerobatic team. well, they want to bow low and applaud, because the guys for their money completely disinterestedly created an aerobatic team. i see the condition of their planes, they do it all themselves. uh, everything is done with such love, just right . applause is based on such people, russia it seems to me. among other things, we will get motivated people, yes, with great motivation. yes, in love with the sky from this age yes, of course, this would be happiness, that's how they are, well, the boys dream. but where what? well, not everyone can afford it. and you're asking to be told that you hmm airbus on the trainer went. yes, it feels fantastic. it's

not incredible something was sitting, on the left, on the right, they put me. yes, well, yes, a slightly different orientation, but it doesn’t matter, and i adapted very quickly. well, there are 5 minutes. of course, i need to get used to it, because he still has a response. yes, uh, at the sidestick, but i got used to it, but the most important thing is that it's what it's called, it's not a plane, but a highly automated aircraft. he, uh, will never give you. e bugs. uh, well make critical mistakes. that is, if you put five meters in second, how much 9m/s vertical speed, it will keep 9m/s, set the bank to 15°, it will keep 15°. and no matter how hard you try to break it. that's what got me yes i say, let's try it. all the same, that somewhere nothing of the kind fell down. i agree, but there is a small percentage of the incident. no, one hundred percent cannot be trusted. of course

, you still need to have hands. you must be able to do everything for you, god forbid, no doubt. and ours only enter in manual mode, the guys almost always they don’t trust these foreign foreigners enter automatically. here, and ours enter only manually. landing yes, we are now talking about people who do not know this in aviation, landing, of course. it turned out yes, well, not immediately for the first time, of course, i flew in and out and about the planet a little e airiness. yes, of course, yes, and then, well, there was something going below the wheel above the eyes. yes, and then already, well, a couple of times i even applauded. yes, even to me, well, he was with me a man there, in my opinion, the leadership

. he said that it can be seen experience has it as they say, don't drink. yes, but the plane is a fantastic swallow. it’s just that, but 350 is something fantastic, ours didn’t try to eat there is a simulator. until now, there is nothing. women's trainers. there are superjets, there is a simulator. i saw something else like that, and there, e ms-200, i saw ms-2. i 'd like to go there, but it was sealed. they also tested it there, but now with the help of channel one, i would really like to. yes, they put me on 350. let's go for other types okay? he says come. now i would like to darodrom. yes of course, of course not. there is in this. eh, incredible stuff. i remember, it was some day such summer. i did something. here

on the field. i watched and in the air someone twists aerobatics in this incredible some kind of peace and rapture. well, no, you just look, a small airplane flies there, the sky, these grasshoppers chirp there and lie down, and that's it. and there is something from childhood in this, right? my instructor, by the way, is the world champion in the mi-2, there are such helicopters from all countries of the world, and he is in the midva on an old mi-2 and they yes, i tell them the whole world applauds. the whole world will also come

here. i agreed with the root that harry will come and sveta kopanina will come perfectly. i really want our conversations. about aviation , someone was brought into this profession , so i want there to be more of these people. if it were, perhaps, i understand that all this is invented and probably this will never happen. well, i really want the children to be lifted into the sky at least once, so that they look at this beauty from above. well, harrison ford you know, yes, the kids are self-challenged for their completely free travol something? yes, he has a boeing himself. yes here is a conversation about it. well, yes, i would like that our boys, girls, wanted to be pilots

, cosmonauts, sailors. flight weather to you thank you and a million to a million, dear passengers, our flight is completed. i hope this time passed unnoticed and with pleasure for you. i am monitoring pilot leonid yakubovich and piloting pilot sergey burunov say goodbye to you see you soon in the sky and on the ground. bye-bye. hello, my name is igor igritsky. i do cinema. i am a film critic. today we will talk about cinema exotic countries, but in fact, they are exotic only

for people who are used to hollywood or transnational productions, because over the past 20 years there, probably, in cinemas and on television. we found , of course, the dominance, er, in general, of american and transnational, because almost all non-american films still contain hollywood money, but this term big hollywood doesn’t work that way, but, nevertheless, there is a huge amount in the world, and the countries that created their national cinematography, however, we must immediately make a reservation. the fact is that, mm , this national cinema, the so -called exotic countries are usually not very good. good afternoon is greeted by moviegoers because, well, we understand it's not exactly entertainment. the fact is that, really, ah, hollywood and cinematography a, following

the fairway of hollywood, are mainly focused on entertainment on shows ah on television, therefore, the national cinemas of countries that are not included in this one, but are rather oriented not to entertainment, and for the story about the culture of these countries, this does not mean absolutely that these films are not interesting to the general audience. well, you just need to understand that the viewer is used to being only entertained, to be shown some kind of show , and special effects and so on exotic countries, about which we will talk, in this case about iran and as a rule, not have the money to use. to make hollywood movies, of course, it's not millions of dollars. this is usually only the credits of a hollywood movie of some blockbuster. basically, it's a budget.

e film, e, national of some exotic so-called country, but nevertheless , one must understand that in those countries where national cinema does not repel e hollywood clichés, they develop their own unique cinema, where in general, the conversation is not entertainment , but rather about the culture of the regions where it is filmed and we find out that the culture of these regions is very interesting. it differs from some generally accepted stamps. today in the podcast we will talk about the cinema of iran and for in order to understand, and more deeply its problems, you need to delve a little into history. uh, iran is an ancient country. uh, with a minimum of 5,000 years of history for many centuries. dynastic monarchies existed in this territory. these were the iranian kingdoms and the last dynasty. pahlavi reigned until

the seventy-eighth year, and in 1978 a revolution took place in iran under the slogans of islam from that moment on. iran has turned from a monarchy into a theocracy, despite the fact that it is called an islamic republic. that is some oxymoron, because the republic does not imply a theocracy, nevertheless , the top leadership of iran is the spiritual leaders. from france, e was returned by aitallah and no one lived there in exile, ashah. uh, mohammed rizapih levi was just expelled from iran and in general, iran changed its not only political, but also in general cultural and spiritual whole system. and these changes had a very

strong influence on the cinema, of course, because until that moment , iranian cinema had developed in the same way as in neighboring countries. countries, but in the seventy-eighth year certain restrictions appeared. this can be called, well, a kind of spiritual censorship. the fact is that e scenes of sex and violence, which were very bright in the sixties, are shown in such cinemas. uh, like france and italy and neore. appeared in italy in france hmm on a wave of student performances, the famous french new wave appeared. that's all, since the seventy- eighth year, and in iran it was forbidden, nevertheless. the cinema continued, uh, to develop, despite the fact that the islamic republic of iran began to live according to the laws that were determined by spiritual leaders. they

were fully correlated with sharia law, where the image of people and animals is not welcome, however. movies were, well, hmm , a permitted art form, with some restrictions. and here it is important to note that this not only did not violate or somehow limited. eh, creators, and the so-called second new wave appeared in iran, where the director abbassky entered, which we will just talk about today hmm baski oh, this is growth the largest figure in iranian cinema for russia is comparable to, say, andrei tarkovsky there or kurosawa in japan , abbas about stature. e-e studied at the university of tehran at the faculty of arts and, in general, positioned himself. e in his youth, as an artist and one might even

say, as a poet and writer more than e a cinematographer, but he was a director of, uh, long-form films for a very long time. he himself was born in the fortieth year, he began his graphic activity with some kind even under the shah, and one must understand that here, on the threshold forty years he had to change his. well, let's say that the aesthetic system after the revolution of the seventy-eighth year, and iran severed its automatic relations with the united states after the hostage-taking and fell under sanctions, respectively, many cultural figures were forced to either leave the country or go into opposition, but abbas continued to grow. e, using his great authority to work at home. this did not affect him as an artist, these

mm restrictions, but nonetheless. he became more of an observer, stopped, uh, doing relevant so-called contemporary art. he began to comprehend what was happening around him with a great revelation. e for world cinema was that in 1997 at the cannes film festival his film taste of cherry, which we will talk about now, won the palme d'or. it was the first iranian film in history. who won the most prestigious world festival, one must understand that the cannes film festival is a mecca for filmmakers from all over the world. this is the main film festival in the world. it just so happened. well uh, there are only three cannes venetian berlin, as it were, the first and win. it's like winning an olympic gold

medal there. and here, uh, an iranian film for the first time, but got this golden palm because of it. ah, abbas film, kerami, cherry flavor. this road movie is a film made. mm in the form of a trip by car. the fact is that, in general, a car is a symbol of ceramics. hmm, in many of his films, the car is the protagonist, and in fact, he acts as a cinema in and the viewer meets with this movie and here is the main character of this film, e, non-professional actors for an architect by education. his name is hamayun, a non-born travels through such a brown-yellow iranian autumn desert through the mountains and is looking for a person who will help him commit suicide. on this path. he meets several people, and this is

a soldier. this is a worker. this is a museum worker and leads with them. uh, hmm talk. he asks these people to help him kill himself and each time he comes across certain not very clear to the viewer, but uh from the point of view of hmm philosophy, but a very pronounced religious answer, because in one case uh, a person does not want to do this act, because he is repulsed. from uh the prescriptions of religion in another case, ah. this is more of a philosophy of non-acceptance of death, and so on and so forth, but one must understand that if the e abbas o stature filmed him in japan , it would be absolutely clear that this is just zen kant, e, in general. well, i use this zen term because

kiarastami generally have a lot of pretty connections, and with japan, he uh communicated with ura sawa worshiped, and otzu a and, so i'm talking about zene exactly as a japanese word in general e, zen is a concept that came from india to china hmm well, it's just that this word is more familiar to us. and what is zen e, well, in short, we understand that this is a meditation of the rejection of any explanations. this is an attempt to penetrate into nature, not starting from any kind of literary or any external sources at all. and as they say, know your nature and you will become a buddha. and here is the movie. uh, cherry taste is just such a feminine kant why because we don't really understand, uh nothing, except for these strange dialogues, cinema, we

are used to the fact that it is usually uh, the frame is full of some details. i, rather, subtract details from the frame, and we see only general plans, long-range plans of this one, and mountainous terrain and closes. and here are the faces of the actors, ah, with whom he communicates there . there is practically no entourage of the action , and we just see the external effects of e, a car driving through the desert and hear a voice. moreover, one must understand that this is unusual for the audience due to the fact that there is no musical accompaniment, as as if this is such a documentary story, but at the same time we are well aware that it cannot be documentary, because no one as a rule. well, ordinary people don't ask themselves to be killed from other people if they're contemplating, uh, suicide, and of course, this isn't about

death, it's about how a person feels about death. i'm trying to show that you are the reality to which we are accustomed to it. uh, it doesn't really exist, but how do you show it? we have the word car and the car itself are not similar to each other, so when we we put a camera between them, then we get a certain feeling that gives us an understanding that between the machine and the words there is some kind of, other reality, otherness, therefore, everything needs to be subtracted from the frame. it's quite a difficult moment to watch. hmm, but it needs some work. and just like in the women's clan, when we looked, we let all this in and let it inside us. well, what is called satari is not entirely true, well, some enlightenment, and here you still need

to understand that his cinema, and cinema and growth. it unusual hmm from the point of view of the psychology of an ordinary film. e. well, in general, this is art, while for some show it has some kind of hysterical nature. well, these are some explosions. these are mood swings with rages. she is completely different. i would say schizophrenic nature. these are repetitions, repetitions and repetitions and these repetitions. when there are a lot of them, but give rise to some mm sensations, this is the sensation. mm otherness, the feeling of the unreality of what is happening is very important in order for the viewer not to get lost in this completely, uh, in his many films and in in particular in this film at the end, a film crew appears, led by the director himself, who says that, uh, guys, i showed you

what i actually came up with, because if this film crew does not appear, there will be a feeling that we are in some all realistic such a different reality. and this is the philosophical understanding of reality. it, of course, is peculiar, e kerrostami, as few people, therefore it is quite possible to call him a great director of genius, and very few in the cinema. who can be compared exactly in this? hmm process here in the process of understanding reality, he gave a very powerful direction. that's exactly hmm from this point of view of iranian cinema, because hmm not only he, but began to make such strange films, he has followers who certainly start from his finds. we know them all. well, those who are interested, of course, in cinema, and this is maksen, makhmalbav and

the whole pleiades of him, he also has a daughter with amir mah molbao jafar panahi, the most striking of his followers is asgary farhate, and he belongs to the following a generation of iranian directors began to win his films, and prizes at international festivals. ah, iranian, cinema just became. uh, a guest of almost all major festivals. eh, mira, they are tired of talking about how such a special direction, and now, asghar farhade , and with his films, and starting from a divorce, they began to appear in cinemas and simply because to receive not only, but here one must also understand that films makhmalbafy filmed for little money. in general, as a rule, they did not collect any cash register, but they were simply entered in all encyclopedias. but let's say farhade already,

as soon as he appears on posters, he attracts the viewer, and and, uh, his films are already being rolled out with great success. there is already music. there is already acting. it is also not welcomed there, since other directors have furiously unprofessional participation of actors, that is, you can say that the second wave, which, uh, was so brightly abbas kerami, is presented to the world community. it continues iranian cinema continues to influence well at least cinema er, regional and despite being under sanctions for over 40 years, iran er has no diplomatic relations with countries that ah promote their cinema to the world stage thanks to, er, transnational interactions and

big money and but in iran has not only not died out, it has a bright international resonance. a new wave of this iranian cinema . international arena, but they play a big role, they are respected people. but in general, iranian culture, thanks to cinema, becomes recognizable all over the world. abbas was, in general, a father. this process, which continues to this day. for the first time in my life , i am engaged in under-ice word. and who would have thought that it would be chechnya, it seems that you turned out to be persistent fairy tale you will not find

a single identical canvas, each of them is made by hand, the plant itself is asked. and the truth is that you will never reveal the secret in marinade, do we give it a try? yes of course, let's go premiere saturday on first. now we'll talk about cinema and the philippines and talk about a film called the woman who left, directed by lav diaz. this is the most famous filipino director at the moment, but before that i just want to remember. e, how did the cinema of this country develop? the fact is that the philippines is an island state where more than 100 million people live on the seven

thousand islands the situation continues to this day, but is due to the fact that this country was dependent on the united states for a long time and did not have independence. and with the advent of ferdinand marcos. the economy and culture began to develop rapidly there. true, in the seventy-two year hmm, marcas abolished the constitution introduced an authoritarian rule, which lasted until the eighty-sixth year, but nevertheless, in the cinema of the philippines, a suddenly found its voice. again, it must be said that filipino cinema went in the wake of hollywood , of course, and like any regional, but cinema has long concentrated on entertainment, but nonetheless. there, in the seventies and eighties

, authors began to appear who preferred to deal with the problems of their country more than entertain the public and the cinema. the philippines, mm, began to acquire its own unique voice, and thanks to the director lin marriage , the most famous at that time, who began to make films about simple fi and about problems, of which there were a lot. particularly crime. there was one of the biggest laurents in the world. indigo diaz so the name of the director is better known to us, as lavdez was born on december 30 , 1958 and was named after lawrence. palych beria, his parents were communists, yes, but he simply shortened his name by becoming love, but in general his transition from uh, such hmm, socialism yes, from social cinema. eh, about

something eternal. hmm, this is a manner of few who tend to, and it cannot be said that he has some kind of school. by the way, he is a very simple person, not at all. hmm, but he travels to festivals. eh, sometimes without even being, invited to these festivals. well, because what festival can afford so far with a film that runs 8 hours. yes, but he can come, as just an independent figure to settle with film critics in the same room or in the same room, and uh, when you go with this person, just drink coffee, and looking at him , realizing that you have a genius in front of you. this gives rise to a very strange feeling his work follows, but the life of ordinary filipinos, but his strangeness and most importantly, his peculiarity lies in the fact that his first films, as well were